Here are 100 books that The Little Match Girl fans have personally recommended if you like
The Little Match Girl.
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As a child, growing up in New York as a first generation Greek-American, my family believed in the power of storytelling. My family embraced both classic Greek mythology and village folklore as words to live by. I learned how transformative storytelling can be. It transformed me as a child, finding solace in freedom in reading, and formed the foundation for my career as an actress and writer.
My new book, The House in the Middle of the Street, is my winter Gothic tale about a house, its occupants, and a yearly visit made by a boy and a girl on New Year’s Eve. It's a setting where magic and myth rule. The stories below spoke to me about the mystery that surrounds us all.
In this magnificent genre, Diane Setterfield brings a lightness to the spells and spooks of generational trauma. I love how she gives homage to the need to write through her two main characters, both writers hiding personal truths and harboring demons that they express through their storytelling.
Margaret, a young biographer, is beckoned by Vida Winters, a famous and reclusive author, to join her at her mysterious estate and begin to interview her, record, and write her life story. The two writers open doors, real and imagined, that blow out the cobwebs and ignite old, dangerous fires that belong to the past.
It is written with such warmth, unsettling darkness, and generous color. I wanted to take days off to just sit and finish this book in a marathon read….it was so engaging, satisfying, and fluid.
'Simply brilliant' Kate Mosse, international bestselling author of Labyrinth
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Everybody has a story...
Angelfield House stands abandoned and forgotten.
It was once home to the March family: fascinating, manipulative Isabelle; brutal, dangerous Charlie; and the wild, untamed twins, Emmeline and Adeline. But the house hides a chilling secret which strikes at the very heart of each of them, tearing their lives apart...
Now Margaret Lea is investigating Angelfield's past, and its mysterious connection to the enigmatic writer Vida Winter. Vida's history is mesmering - a tale of ghosts, governesses, and gothic strangeness. But as Margaret succumbs to the power…
These introspective tales feature animals, allegories and melodramas of everyday life. At the center of the stories are tiny creatures (a sparrow, earthworm or paperclip) struggling to make sense of larger mysterious forces. Human protagonists are equally perplexed by ordinary events – like searching for a lost key, watching late…
As a child, growing up in New York as a first generation Greek-American, my family believed in the power of storytelling. My family embraced both classic Greek mythology and village folklore as words to live by. I learned how transformative storytelling can be. It transformed me as a child, finding solace in freedom in reading, and formed the foundation for my career as an actress and writer.
My new book, The House in the Middle of the Street, is my winter Gothic tale about a house, its occupants, and a yearly visit made by a boy and a girl on New Year’s Eve. It's a setting where magic and myth rule. The stories below spoke to me about the mystery that surrounds us all.
Oh, what a delightfully chilling and decadent tale written by one of the most celebrated female gothic writers of the 20th century.
Carter leads us into the manor of a wealthy and powerful businessman who has recently been widowed, yet has chosen to take another young bride quite quickly. As he guides his new wife through each luxurious room at his estate, she is devoured by all its opulence and given the keys to each room. She may roam and play wherever she desires and conduct herself as she wishes, save for the one key to the one room that is forbidden.
A modern and mysterious take on the classic Greek myth, Pandora’s Box, with echoes of “The Robber Bridegroom” by The Brothers Grimm. It is a delicious read.
Discover Angela Carter's classic feminist retelling of favourite fairy tales interwoven by a master of seductive, luminous storytelling.
From familiar fairy tales and legends - Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves - Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.
'Magnificent set pieces of fastidious sensuality' Ian McEwan
'A quirky, original, and baroque stylist' Margaret Atwood
Featuring an introduction from award-winning short story writer Helen Simpson
As a child, growing up in New York as a first generation Greek-American, my family believed in the power of storytelling. My family embraced both classic Greek mythology and village folklore as words to live by. I learned how transformative storytelling can be. It transformed me as a child, finding solace in freedom in reading, and formed the foundation for my career as an actress and writer.
My new book, The House in the Middle of the Street, is my winter Gothic tale about a house, its occupants, and a yearly visit made by a boy and a girl on New Year’s Eve. It's a setting where magic and myth rule. The stories below spoke to me about the mystery that surrounds us all.
This is said to be published in 1740 and holds close to 500 supernatural stories in its collection dating back to the Qing Dynasty.
My son has a love for ancient Chinese history and its legends, both historic and mystical. This is one of the collections I discovered through him.
These Chinese classics let me experience what daily life might have been in this time period while weaving a remarkable landscape of mythical creatures and spirits that communicate with the humans of the day. Like all lasting fairy tales, it offers, in gorgeous poetic style, the themes of justice, corruption, and love.
These stories always address the challenges of their world and leave a moral to consider. Humanity, then and now, is certainly recognizable.
The Strange Tales of Pu Songling (1640-1715) are exquisite and amusing miniatures that are regarded as the pinnacle of classical Chinese fiction. With their elegant prose, witty wordplay and subtle charm, the 104 stories in this selection reveal a world in which nothing is as it seems. Here a Taoist monk conjures up a magical pear tree, a scholar recounts his previous incarnations, a woman out-foxes the fox-spirit that possesses her, a child bride gives birth to a thimble-sized baby, a ghostly city appears out of nowhere and a heartless daughter-in-law is turned into a pig. In his tales of…
Serendipity is a magical story told by a grandmother to a granddaughter, introducing us to the traditional way of living of the Scottish Travellers and their Cant language.
A fantasy tale for children of 8 years old and older inspired by three real places in Scotland. Serendipity takes us to…
As a child, growing up in New York as a first generation Greek-American, my family believed in the power of storytelling. My family embraced both classic Greek mythology and village folklore as words to live by. I learned how transformative storytelling can be. It transformed me as a child, finding solace in freedom in reading, and formed the foundation for my career as an actress and writer.
My new book, The House in the Middle of the Street, is my winter Gothic tale about a house, its occupants, and a yearly visit made by a boy and a girl on New Year’s Eve. It's a setting where magic and myth rule. The stories below spoke to me about the mystery that surrounds us all.
This is one of my favorite stories from Gaiman who I absolutely revere.
His style is a perfect whimsical blend of mythological fairy tales with the insightful science fiction grit and truth-telling of Rod Sterling’s "Twilight Zone” tales.
This particular story of Gaiman’s ushered me into this world with its poetic rhythm. A man returns to his childhood home and meets a girl named Lettie and her family. It felt like I stepped into a world where all things are possible, a homecoming is at hand, filled with the threat of danger and the loss of self. As the man remembers his past, he travels through time and crosses between our world and a darker one that brings terror as well as an understanding and protection.
It’s a beautiful story that informs my writing and deepens my love for a modern fairy tale.
A brilliantly imaginative and poignant fairy tale from the modern master of wonder and terror, The Ocean at the End of the Lane is Neil Gaiman's first new novel for adults since his #1 New York Times bestseller Anansi Boys.
This bewitching and harrowing tale of mystery and survival, and memory and magic, makes the impossible all too real...
It’s natural for humans to wonder who or what might have power over our actions. We’ve clawed our way to the top of the food chain, channeled the power of the elements, and tamed much of nature to our whim. What if something out there was the architect—or more—of our successes and failures? It’s something I’ve explored since I first began writing: fed by the adventures of living as an “Army brat” with a new life every two years, in keeping with my natural inclination to solve puzzles, and spurred by my fear of death and the equally frightening possibility that someone is or isn’t pulling the strings…
The main reason I’m recommending this book is “The Little Mermaid” (the original version, not a sanitized later edition or off-the-mark Disney interpretation). I loved fairy tales as a kid and “The Little Mermaid” is my favorite because it doesn’t have a happy ending. (Not for the mermaid, at least.) I loved that just because we think things should happen a certain way doesn’t mean they will. The mermaid thought she was fated to be with the prince. But all her planning and sacrifice and suffering didn’t change the possibility that the prince was fated to be with the woman he chose. It was an early and valuable lesson for me on seeing things from a different perspective, and inspiration for one of my own short stories.
A new collection of Hans Christian Anderson's fairy tales. There are 12 stories which include old favourites such as "The Ugly Duckling", "The Princess and the Pea" and "The Snow Queen", as well as some less well known tales such as "The Shepherdess and the Chimney Sweep" and "The Shadow".
Years ago, as I began teaching kids yoga, I noticed a lack of quality yoga-inspired children’s books. So, I took matters into my own hands and published my first book, The ABCs of Yoga for Kids, filling a void and sparking a series published in five languages. This success led to my Little Mouse Adventures series, blending storytelling with yoga and life skills. I believe in subtly imparting positive messages through playful storytelling, weaving in lessons along the way. My hope is young readers not only enjoy my stories but develop a lasting love for yoga and valuable life skills, just like the impact stories had on my own children.
This book is like stepping into a time machine with your little ones and emerging into a time long ago.
One of the things I love about this story is the timeless quality and rich layers of storytelling. Kids love it because of the characters, magical settings, and adventures, while adults will relate to the universal themes and find something new to relate to with every reading.
In a fast-paced world, sometimes it’s nice to escape into the classics.
"The Snow Queen" is one of Hans Christian Andersen’s longest and most popular tales. It’s about Gerda and her friend Kai growing up through many adventures. Exploring the struggle between good and evil, it’s a story of a magic mirror, trolls, sorceresses, and power.
The last story in my collection is a 13,000-word contemplation about laziness (titled "Indolence: Notebooks"). Of course, paradoxically, to write about laziness (or read about it) is to succumb to it. Diligence is often paired with "virtue" or determination. But I've been fascinated with the flip side; what are the positive aspects of inaction, procrastination, or daydreaming? Some people always try to look and stay busy, while others avoid work shamelessly at all costs.
True Story: after an exhausting day teaching classes at an overseas college, I looked out my window and saw two shepherds seated comfortably against a tree, yawning as they watched their sheep grazing in the field. Ahh, what price civilization!?
I love Andersen because his stories almost out-Kafka Kafka.
His animal characters are not exactly philosophers, but they observe, they dread, they dream. Animals—like humans—rarely challenge the natural order of things, but they must deal with the world as it actually is.
One Danish critic said that Andersen wrote more self-portraits than Rembrandt ever painted. Andersen’s great contribution to literature is recognizing how little is needed to produce a story and how little a great story really needs to say.
One story tells of a chance meeting and spurned friendship between two toys in a drawer. Andersen seems capable of turning anything into a story.
This annotated hardback edition by a folklore scholar is one of the most beautiful-looking books I own.
In her most ambitious annotated work to date, Maria Tatar celebrates the stories told by Denmark's "perfect wizard" and re-envisions Hans Christian Andersen as a writer who casts his spell on both children and adults. Andersen's most beloved tales, such as "The Emperor's New Clothes," "The Ugly Duckling," and "The Little Mermaid," are now joined by "The Shadow" and "Story of a Mother," mature stories that reveal his literary range and depth. Tatar captures the tales' unrivaled dramatic and visual power, showing exactly how Andersen became one of the world's ten most translated authors, along with Shakespeare, Dickens, and Marx.…
I teach writing for children and I’ve analyzed the elements that make a winning story. One of these elements is the magic of three. My idea for Finley Finds his Fortune, was sparked by a desire to write a folk tale with the magic of three and also by my visit to Whitechurch, the last working watermill in England. I was awed by the power and beauty of its water wheel so I wove a water mill into my story. To do this, I had to first study how a mill works. That’s what I love about writing children’s books―that I can explore my own personal interests and passions.
I’ve alwaysloved the author/illustrator, Margot Zemach so when I met her, I just had to buy two of her prints. Here she takes a familiar story and tells it simply, letting her illustrations enhance character. It’s about a woodcutter who frees an imp and as thanks is given three wishes. When his wife learns this she imagines all the grand things they could have! But now the husband says, “I just wish for a pan of sausages.” Poof! The first wish is used up. In anger, the wife wishes the sausages grow on his nose and so they must use their final wish to have the sausages removed from his nose and back in the pan. As they eat the hot sausages, they express gratitude for all that they already have. Perfect.
Once again, Margot Zemach brings new life to a traditional story: the tale of the three wishes granted to those who are kind and compassionate. In Zemach's interpretation, a poor woodcutter and his wife are working in the forest when they hear a faint voice calling: "Help, someone help me!" They promptly rescue an imp whose tail is caught under a fallen tree, and in return he rewards them with three wishes. "Wish wisely, my friends," the imp says in parting. Prophetic words indeed. It soon looks as if this windfall will be nothing but trouble for the woodcutter and…
I have a passion for this because I feel that books nowadays focus more on being dark to shock, and while everyone deserves to read what they like, I don’t want people to lose sight of things such as happy endings. There’s enough darkness in the world and reading should make people smile.
Another story from my childhood, this tells the tale of the Bastable children, sweet siblings who are searching for treasure to help the father who recently lost everything. Stories about siblings have always piqued my interest as I myself have 3 siblings :) and stories about siblings who treat each other good are often my absolute favorites!
I’m an award-winning and USA Today Best-Selling author whose work includes everything from short stories in school journals to horror and epic fantasy. But I’ve long been obsessed with books that work as well for adults as they do for children. The prose must be beautiful and designed to read aloud; the plot must be on point, and the characters must be compelling. And all of this with a PG rating. A tricky ask, even when the authors haven’t added Easter egg extras for adults. It’s because of this that I believe these are some of the best fantasy books ever written. So, enjoy!
I adored this book. It was so brilliant that I couldn’t write for a week after reading it. The crisp, clear, poetic text and darkly-edged brilliance of this fairytale absolutely blew me away.
The imagery and fairytale elements resonated with so many of the old childhood fairytales that it took the story to another level. Added to that was the adventure, with stakes that ramped up with every page. For me, it wasn’t just an unputdownable story but one I didn’t want to leave.
Ryan and his friends don't think twice about stealing some money from a wishing well. After all, who's really going to miss a few tarnished coins?
The well witch does.
And she demands payback: Now Ryan, Josh, and Chelle must serve her . . . and the wishes that lie rotting at the bottom of her well. Each takes on powers they didn't ask for and don't want. Ryan grows strange bumps—are they eyes?—between his knuckles; Chelle starts speaking the secrets of strangers, no matter how awful and bloody; and Josh can suddenly—inexplicably—grant even the darkest of wishes, the kind…
