Here are 100 books that The Bloody Chamber fans have personally recommended if you like
The Bloody Chamber.
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Wolves are magickal to me. Their spirituality, their raw wild power, so fierce and brave, and yet there’s a gentleness present. I find them inspiring. Reading the wolf classics like Call of the Wild and White Fang gave me a foundation. Recently, I toured a wolf conservation in New York State and fell in love with a white wolf there. She pranced like a princess and had the eyes of an angel. Afterward, I became passionate about wolves and their mystery. Reading and writing about wolves sparked me into exploring them at a deeper level. I have a wandering notion that I was a wolf in a past life.
I read this novel some years ago and really loved it. It is incredibly beautifully written. The story has a spell-binding effect, and at other times, I was cracking open to understanding wolves and the wild elements of their nature—and the brutality of hunters.
High suspense drives this plot as does the conflict of trust and fear that keeps propelling the characters. Wolves are amazing creatures; the narrative has you breathing with the wolves as they run. I loved being inside the forests and trees of Scotland. The action brought on an aching as I read it—adventure and intrigue, romance too, and domestic violence and sexual abuse as the underbelly. Powerful images here that don’t fade easily.
A wild and gripping novel about one woman's quest to reintroduce wolves to the Scottish Highlands at any cost.
Inti Flynn arrives in the Scottish Highlands with fourteen grey wolves, a traumatised sister and fierce tenacity.
As a biologist, she knows the animals are the best hope for rewilding the ruined landscape and she cares little for local opposition. As a sister, she hopes the remote project will offer her twin, Aggie, a chance to heal after the horrific events that drove them both out of Alaska.
But violence dogs their footsteps and one night Inti stumbles over the body…
Wishes are dangerous. They can bring you a night out, a gown, even a pair of slippers. Or something you never should have wished for in the first place.
After the royal wedding, the girl in the glass slippers has everything she ever wanted: an escape from a life of…
As a child, growing up in New York as a first generation Greek-American, my family believed in the power of storytelling. My family embraced both classic Greek mythology and village folklore as words to live by. I learned how transformative storytelling can be. It transformed me as a child, finding solace in freedom in reading, and formed the foundation for my career as an actress and writer.
My new book, The House in the Middle of the Street, is my winter Gothic tale about a house, its occupants, and a yearly visit made by a boy and a girl on New Year’s Eve. It's a setting where magic and myth rule. The stories below spoke to me about the mystery that surrounds us all.
In this magnificent genre, Diane Setterfield brings a lightness to the spells and spooks of generational trauma. I love how she gives homage to the need to write through her two main characters, both writers hiding personal truths and harboring demons that they express through their storytelling.
Margaret, a young biographer, is beckoned by Vida Winters, a famous and reclusive author, to join her at her mysterious estate and begin to interview her, record, and write her life story. The two writers open doors, real and imagined, that blow out the cobwebs and ignite old, dangerous fires that belong to the past.
It is written with such warmth, unsettling darkness, and generous color. I wanted to take days off to just sit and finish this book in a marathon read….it was so engaging, satisfying, and fluid.
'Simply brilliant' Kate Mosse, international bestselling author of Labyrinth
***
Everybody has a story...
Angelfield House stands abandoned and forgotten.
It was once home to the March family: fascinating, manipulative Isabelle; brutal, dangerous Charlie; and the wild, untamed twins, Emmeline and Adeline. But the house hides a chilling secret which strikes at the very heart of each of them, tearing their lives apart...
Now Margaret Lea is investigating Angelfield's past, and its mysterious connection to the enigmatic writer Vida Winter. Vida's history is mesmering - a tale of ghosts, governesses, and gothic strangeness. But as Margaret succumbs to the power…
These days, I’m an author, but that was long predated by being a reader. I’ve loved fairy tales all my life and spent most of my childhood lugging around a thick paperback copy of the Brothers Grimm's stories. My nationally bestselling second novel, Bear, is a reimagining of my favorite tale: “Snow-White and Rose-Red. " It is about two sisters who live in a cottage with their mother and whose lives are upended when a bear shows up at their door.
Eowyn Ivey’s work hits every one of my interests: lush writing, Alaskan wilderness, family drama, untamed beasts, folklore and fairy tales, parenthood, childhood, and the struggle to survive…I mean, really, it couldn’t be more perfect.
Her debut novel references the Russian fairy tale “Snegurochka,” about a girl made of ice. It’s an absolutely gorgeous and transporting book that also happens to have been a finalist for the Pulitzer Prize—again, perfect, right?
A bewitching tale of heartbreak and hope set in 1920s Alaska, Eowyn Ivey's THE SNOW CHILD was a top ten bestseller in hardback and paperback, and went on to be a Finalist for the Pulitzer Prize.
Alaska, the 1920s. Jack and Mabel have staked everything on a fresh start in a remote homestead, but the wilderness is a stark place, and Mabel is haunted by the baby she lost many years before. When a little girl appears mysteriously on their land, each is filled with wonder, but also foreboding: is she what she seems, and can they find room in…
We are all surrounded by darkness. And we are all drawn to the light.
The Orkney Islands north of Scotland are steeped in stories of selkies, seal folk who swim in cold ocean waters and shed their skins to sing and dance on land.
These days, I’m an author, but that was long predated by being a reader. I’ve loved fairy tales all my life and spent most of my childhood lugging around a thick paperback copy of the Brothers Grimm's stories. My nationally bestselling second novel, Bear, is a reimagining of my favorite tale: “Snow-White and Rose-Red. " It is about two sisters who live in a cottage with their mother and whose lives are upended when a bear shows up at their door.
Machado is a master storyteller, a writer who plays with form and structure and our narrative expectations to create entirely new ways of telling tales. This collection was her groundbreaking debut.
I’ve always loved fairy tales and folklore for the ways they play with character archetypes, repetition, and deceptively simple story shapes. Machado does the same thing here, upending our ideas about wives, lovers, and monsters with these tales that might trick you into thinking you know what’s coming next—until she flips you over and turns you around. She’s a new Brother Grimm, a fairy-tale writer for the modern age.
SHORTLISTED FOR THE NATIONAL BOOK AWARD FICTION PRIZE 2017 SHORTLISTED FOR THE INTERNATIONAL DYLAN THOMAS PRIZE 2018
'Brilliantly inventive and blazingly smart' Garth Greenwell
'Impossible, imperfect, unforgettable' Roxane Gay
'A wild thing ... covered in sequins and scales, blazing with the influence of fabulists from Angela Carter to Kelly Link and Helen Oyeyemi' New York Times
In her provocative debut, Carmen Maria Machado demolishes the borders between magical realism and science fiction, comedy and horror, fantasy and fabulism. Startling narratives map the realities of women's lives and the violence visited on their bodies, both in myth and in practice.
These days, I’m an author, but that was long predated by being a reader. I’ve loved fairy tales all my life and spent most of my childhood lugging around a thick paperback copy of the Brothers Grimm's stories. My nationally bestselling second novel, Bear, is a reimagining of my favorite tale: “Snow-White and Rose-Red. " It is about two sisters who live in a cottage with their mother and whose lives are upended when a bear shows up at their door.
Oyeyemi plays with symbol, myth, and magic in all of her books, and this gorgeous novel is no exception.
This book turns the Snow White story inside out to tell a twentieth-century tale of race, beauty, and family. I’m always blown away by the range of Oyeyemi’s imagination and the depth of her skill. She is an absolutely extraordinary storyteller.
As seen on the cover of the New York Times Book Review, where it was described as “gloriously unsettling… evoking Toni Morrison, Haruki Murakami, Angela Carter, Edgar Allan Poe, Gabriel García Márquez, Chris Abani and even Emily Dickinson,” and already one of the year’s most widely acclaimed novels:
“Helen Oyeyemi has fully transformed from a literary prodigy into a powerful, distinctive storyteller…Transfixing and surprising.”—Entertainment Weekly (Grade: A)
“I don’t care what the magic mirror says; Oyeyemi is the cleverest in the land…daring and unnerving… Under Oyeyemi’s spell, the fairy-tale conceit makes a brilliant setting in which to explore the alchemy…
These days, I’m an author, but that was long predated by being a reader. I’ve loved fairy tales all my life and spent most of my childhood lugging around a thick paperback copy of the Brothers Grimm's stories. My nationally bestselling second novel, Bear, is a reimagining of my favorite tale: “Snow-White and Rose-Red. " It is about two sisters who live in a cottage with their mother and whose lives are upended when a bear shows up at their door.
This collection of slim, clever, bleak, surprising short stories is as scary as it is fantastic. It’s a wonderful read. Plus, if you’re at all interested in Russian history, Petrushevskaya is an extraordinary recorder of Soviet and Russian life. Through her fiction—which was often censored by the Soviet government—she tells the truth about the world around her.
New York Times Bestseller Winner of the World Fantasy Award One of New York magazine’s 10 Best Books of the Year One of NPR’s 5 Best Works of Foreign Fiction
The celebrated scary fairy tales of Russia’s preeminent contemporary fiction writer—the author of the prizewinning memoir about growing up in Stalinist Russia, The Girl from the Metropol Hotel
Vanishings and aparitions, nightmares and twists of fate, mysterious ailments and supernatural interventions haunt these stories by the Russian master Ludmilla Petrushevskaya, heir to the spellbinding tradition of Gogol and Poe. Blending the miraculous with the macabre, and leavened by a mischievous…
Before the Wizard. Before Glinda. Before Dorothy and her broken companions.
Oz was a land of darkness.
Spun into a world she doesn’t understand, Dolly is trapped in a twisted Oz—where skies are ashen, lands barren, and shadows whisper of horrors. No golden roads, only a path of crimson bricks,…
Wolves are magickal to me. Their spirituality, their raw wild power, so fierce and brave, and yet there’s a gentleness present. I find them inspiring. Reading the wolf classics like Call of the Wild and White Fang gave me a foundation. Recently, I toured a wolf conservation in New York State and fell in love with a white wolf there. She pranced like a princess and had the eyes of an angel. Afterward, I became passionate about wolves and their mystery. Reading and writing about wolves sparked me into exploring them at a deeper level. I have a wandering notion that I was a wolf in a past life.
The prose in this book felt like a wolf bite. Stories of destiny and power are juicy, and this has it in abundance. A young woman, Red, sacrifices herself for the good of all to the Wolf of the Wood. The woods are magickal, with haunted trees and shadows, creating an intense atmosphere that held me throughout. So moody! Murderous realms, too, which I sunk into easily.
Not quite like "Little Red Riding Hood," but the suspense certainly had me turning the pages. I admired how the author weaved in the emotional elements among the empowerment and disempowerment themes. The myth and folklore elements brought me back to my childhood nostalgia of curling up in bed, secretly turning the pages without regard for bedtime.
AN INSTANT NEW YORK TIMES BESTSELLER AND TIKTOK SENSATION!
The first daughter is for the Throne. The second daughter is for the Wolf.
An instant NYT bestseller and word-of-mouth sensation, this dark, romantic debut fantasy weaves the unforgettable tale of a young woman who must be sacrificed to the legendary Wolf of the Wood to save her kingdom. But not all legends are true, and the Wolf isn't the only danger lurking in the Wilderwood.
As the only Second Daughter born in centuries, Red has one purpose—to be sacrificed to the Wolf in the Wood in the hope he'll return…
Wolves are magickal to me. Their spirituality, their raw wild power, so fierce and brave, and yet there’s a gentleness present. I find them inspiring. Reading the wolf classics like Call of the Wild and White Fang gave me a foundation. Recently, I toured a wolf conservation in New York State and fell in love with a white wolf there. She pranced like a princess and had the eyes of an angel. Afterward, I became passionate about wolves and their mystery. Reading and writing about wolves sparked me into exploring them at a deeper level. I have a wandering notion that I was a wolf in a past life.
This book, told from the perspective of wolves, had me mesmerized. The author’s keen sense of metaphors brought depth to the story that heightened the wolves' emotions, intelligence, desires, and survival. Despite a lot of killing, the romance between Kar and Lark is enchanting. There is unforgettable bravery going on here.
I learned a lot about the intelligence of wolves, their aggression, and family loyalty. I can’t imagine anyone reading this book and not being captivated.
It is an icy night in the country that long ago was known as Transylvania. The wintry ground crackles as a hunter's paw breaks the hard earth. The wolf pauses, her breath like smoke in the cold air, then a howl pierces the night. But it is her eyes, not her howl, that speak of danger.
Beware of the Sight.
In the shadow of the Carpathian mountains, a pack of wolves seeks shelter from the vicious winter. A legend clings to them - a story of man and wolf, of power and death. The Sight has come into their world.…
Wolves are magickal to me. Their spirituality, their raw wild power, so fierce and brave, and yet there’s a gentleness present. I find them inspiring. Reading the wolf classics like Call of the Wild and White Fang gave me a foundation. Recently, I toured a wolf conservation in New York State and fell in love with a white wolf there. She pranced like a princess and had the eyes of an angel. Afterward, I became passionate about wolves and their mystery. Reading and writing about wolves sparked me into exploring them at a deeper level. I have a wandering notion that I was a wolf in a past life.
Absolutely thought-provoking. Lots of shudders. Real chills. Famous fairy tales like Jack and the Beanstalk, Cinderella, and Goldilocks are wild, dark, and grim. I was haunted long after I closed the book. If it’s true that fairy tales are embedded in our subconscious minds, these stories pretty much ripped the darkness up so that I was cringing.
Some of it went a bit far into madness and disturbing, but the reach struck me as highly inventive. Macabre, yes indeedy. I actually don’t read this level of horror, but the experience of these extreme fairy tales was a new adventure. Blazing. This is a one-of-a-kind adult fairy tale book, for sure.
"..these stories kept me nose-deep into the book from beginning to end.”
Hold a mirror to a shadow and you will see the world of dark and twisted fairy tales, written for adults to re-imagine familiar characters in a sinister light. For generations these tales have magnetized a moral compass for children across the earth. The time has come to reset the poles.
Thrown into a world of adult madness, the fairy tales must mature to defend themselves from a relentless censorship. Restrictions to their expression…
In this collection of nine stories, J.C. Gemmell takes readers on a quest into the future.
Tion is a dystopian civilisation built on the wreckage of a drowned Earth. Here, technology saves and oppresses, and mankind clings to survival in a place where the privileged live above the clouds, and…
As a child, growing up in New York as a first generation Greek-American, my family believed in the power of storytelling. My family embraced both classic Greek mythology and village folklore as words to live by. I learned how transformative storytelling can be. It transformed me as a child, finding solace in freedom in reading, and formed the foundation for my career as an actress and writer.
My new book, The House in the Middle of the Street, is my winter Gothic tale about a house, its occupants, and a yearly visit made by a boy and a girl on New Year’s Eve. It's a setting where magic and myth rule. The stories below spoke to me about the mystery that surrounds us all.
I absolutely fell in love with this tragic Hans Christian Andersen fairy tale.
When I was around 8 years old, my Uncle gifted me The Classic Collection of Hans Christian Andersen Fairy Tales. I devoured the book and its beautiful illustrations. I still have it!
So many of Andersen’s stories are legendary, like "The Little Mermaid” and “The Snow Queen,” and are all revised nowadays through Disney with sweetened, wrapped-in-a-red-bow endings. Yet, the original tales that I read, and could not get enough of, have brutal ends that mark the realities of humanity in their extremes.
The Little Match Girl brings you into the world of a desolate, poor young girl on New Year’s Eve. She struggles to stay warm, walking the cold pavement barefoot in hopes of selling matches to bring money home to her cruel father. She becomes so cold on that night, she takes the chance…
Features fantastic and eye-popping modern art--a truly novel approach to such a classic story. - A great book for art collectors and Hans Christian Anderson fans.
