100 Books Like Strange Tales from a Chinese Studio

It is a fun Gothic novel.

In this magnificent genre, Diane Setterfield brings a lightness to the spells and spooks of generational trauma. I love how she gives homage to the need to write through her two main characters, both writers hiding personal truths and harboring demons that they express through their storytelling. 

Margaret, a young biographer, is beckoned by Vida Winters, a famous and reclusive author, to join her at her mysterious estate and begin to interview her, record, and write her life story. The two writers open doors, real and imagined, that blow out the cobwebs and ignite old, dangerous fires that belong to the past. 

It is written with such warmth, unsettling darkness, and generous color. I wanted to take days off to just sit and finish this book in a marathon read….it was so engaging, satisfying, and fluid. 

Oh, what a delightfully chilling and decadent tale written by one of the most celebrated female gothic writers of the 20th century.

Carter leads us into the manor of a wealthy and powerful businessman who has recently been widowed, yet has chosen to take another young bride quite quickly. As he guides his new wife through each luxurious room at his estate, she is devoured by all its opulence and given the keys to each room. She may roam and play wherever she desires and conduct herself as she wishes, save for the one key to the one room that is forbidden.

A modern and mysterious take on the classic Greek myth, Pandora’s Box, with echoes of “The Robber Bridegroom” by The Brothers Grimm. It is a delicious read. 

I absolutely fell in love with this tragic Hans Christian Andersen fairy tale.

When I was around 8 years old, my Uncle gifted me The Classic Collection of Hans Christian Andersen Fairy Tales. I devoured the book and its beautiful illustrations. I still have it! 

So many of Andersen’s stories are legendary, like "The Little Mermaid” and “The Snow Queen,” and are all revised nowadays through Disney with sweetened, wrapped-in-a-red-bow endings. Yet, the original tales that I read, and could not get enough of, have brutal ends that mark the realities of humanity in their extremes. 

The Little Match Girl brings you into the world of a desolate, poor young girl on New Year’s Eve. She struggles to stay warm, walking the cold pavement barefoot in hopes of selling matches to bring money home to her cruel father. She becomes so cold on that night, she takes the chance… show more.

This is one of my favorite stories from Gaiman who I absolutely revere.

His style is a perfect whimsical blend of mythological fairy tales with the insightful science fiction grit and truth-telling of Rod Sterling’s "Twilight Zone” tales. 

This particular story of Gaiman’s ushered me into this world with its poetic rhythm. A man returns to his childhood home and meets a girl named Lettie and her family. It felt like I stepped into a world where all things are possible, a homecoming is at hand, filled with the threat of danger and the loss of self. As the man remembers his past, he travels through time and crosses between our world and a darker one that brings terror as well as an understanding and protection.

It’s a beautiful story that informs my writing and deepens my love for a modern fairy tale. 

I think this is the best up-to-date history of the Qing dynasty. I use it for teaching because it’s completely reliable, covers everything you might need to know, and lays it all out clearly.

It also has a really good balance between the history of major events like the Opium Wars and the Taiping Rebellion and the social history and context. And I like the fact that it explains the big debates that scholars are having in clear and simple terms.

This is a series of six essays that present a “new Qing history” approach to 17th and 18th century Chinese military history, specifically the culture involved in the military campaigns from 1636 to 1799.  Waley-Cohen not only presents a more positive view of the Qing’s Manchu rulers, but also the centrality of military activities and culture to Chinese culture.  The Qing government enthusiastically promoted its martial accomplishments, and martial culture was in turn reflected in visual culture, religion, and popular culture.

Outsiders do not grasp the frequency let alone the magnitude of the civil and foreign wars that ravaged China well into the Maoist era. Sometimes China was the aggressor and sometimes the victim and, in its many civil wars, the Chinese government was always brutal. Concise chapters describe each conflict.

There is an argument to be made that Jin Yong (aka Louis Cha) is modern China’s version of William Shakespeare. From Cha’s unimaginably rich and bottomless imagination come unforgettable stories and characters that have had a huge impact on not only contemporary China but the rest of the world. Writing in the category of wuxia (martial arts fiction) he sold 100 million copies of his books, making him China’s most famous author. Countless films and TV shows have been based on his stories, that typically portray the under classes struggling against overlords. One of my favorite memories of travels in China was sitting at the tea house inside Hong Kong’s Peninsula hotel and spending the day reading this book and munching on dim sum. If I’d stepped out and been hit by a bus, I would have died a happy monk.

Few include the White Lotus War in their discussion of nineteenth-century rebellions. Yet, in many ways, it provides the perfect starting point. Lasting over eight years, plowing a path of destruction across five central Chinese provinces, and emphatically marking the end to nearly a century of peace and commercial prosperity, the White Lotus War is an ominous harbinger of what was to follow. Chinese historian Yingcong Dai highlights the many disparate factors – from bureaucratic negligence and administrative apathy to the rise of secret societies and charismatic religious leaders – that transformed otherwise weakly connected local protests into a massive revolt that threatened to upend the Qing imperial state (1644-1911). As a specialist on Chinese warfare and imperial governance, the author pulls back the curtain on a rarely told tale that brings turn-of-the-18th-century China to life.

The Qing dynasty is covered in both volumes 10 and 11 of this wonderful series. Volume 10 contains essays that earlier in my career I would always go back to—not for the riveting prose but for the solid information. John K. Fairbank (1907-1991), the father of U.S. Sinology and longtime professor at Harvard University, invited the finest Sinologists to contribute to these volumes. Pick and choose from among the excellent chapters including: Joseph Fletcher (Inner Asia and Sino-Russian relations), John K. Fairbank (the treaty port system), Philip A. Kuhn (the Taiping Rebellion) in volume 10; and Immanuel C. Y. Hsu (foreign relations), Marius Jansen (Japan and the 1911 Revolution) in volume 11. Beware that the two volumes are very much scholarly works—in both the positive and negative meanings of the word, scholarly.