Here are 100 books that Fairy Tales of Hans Christian Andersen fans have personally recommended if you like
Fairy Tales of Hans Christian Andersen.
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I grew up without a TV (well, we had a monitor for movies), so we spent a lot of time as a family reading. And the novels that I gravitated more and more towards were ones with psychological themes. It didn’t matter if they were modern or ancient; if they got at something unexplainable (or even explainable) about the human psyche, about what motivates us to behave in the ways that we do—especially if those behaviors are self-destructive—I wanted to read them. And I still do.
I know it’s a bit cliché, but I can never stop myself from talking about my favorite novel of all time—Jane Eyre.
Not only does Jane’s voice sweep me off my feet every time I reopen the novel, but the novel itself always gets me thinking. It’s one of those rare books that somehow contains every genre, and does it well.
I get sucked into the mystery of the noises in Rochester’s house. My heart breaks when Jane’s only friend, Helen, dies. But most of all, I feel the romance, the chemistry between Mr. Rochester and Jane. All of it keeps me coming back for more.
Introduction and Notes by Dr Sally Minogue, Canterbury Christ Church University College.
Jane Eyre ranks as one of the greatest and most perennially popular works of English fiction. Although the poor but plucky heroine is outwardly of plain appearance, she possesses an indomitable spirit, a sharp wit and great courage.
She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order. All of which circumscribe her life and position when she becomes governess to the daughter of the mysterious, sardonic and attractive Mr Rochester.
Resonant Blue and Other Stories
by
Mary Vensel White,
The first collection of award-winning short fiction from the author of Bellflower and Things to See in Arizona, whose writing reflects “how we can endure and overcome our personal histories, better understand our ancestral ones, and accept the unknown future ahead.”
I’ve spent a lifetime reading horror, I was probably in third grade when I stumbled across a battered collection of short stories by Saki in the adult section of the library—where I wasn’t supposed to be. I snuck the book back to the children’s section, started reading, and I was hooked. Then it was Edgar Allan Poe, and from Poe until now, it’s been every horror novel or short story I could find. The best of them have never left me. And they make up my list, The Most Terrifying Novels You Can’t Escape From.
I love Ghost Story because it didn’t just scare the hell out of me, it scared the hell out of me in a very personal way.
It felt like it was something that could have happened to me. Worse, it felt like something that still might happen to me. And at any time. It lingered in my psyche, like the threat of something waiting to occur. The ghost of terror yet to come.
#1 New York Times bestselling author Peter Straub’s classic tale of horror, secrets, and the dangerous ghosts of the past...
What was the worst thing you’ve ever done?
In the sleepy town of Milburn, New York, four old men gather to tell each other stories—some true, some made-up, all of them frightening. A simple pastime to divert themselves from their quiet lives.
But one story is coming back to haunt them and their small town. A tale of something they did long ago. A wicked mistake. A horrifying accident. And they are about to learn that no one can bury…
It’s natural for humans to wonder who or what might have power over our actions. We’ve clawed our way to the top of the food chain, channeled the power of the elements, and tamed much of nature to our whim. What if something out there was the architect—or more—of our successes and failures? It’s something I’ve explored since I first began writing: fed by the adventures of living as an “Army brat” with a new life every two years, in keeping with my natural inclination to solve puzzles, and spurred by my fear of death and the equally frightening possibility that someone is or isn’t pulling the strings…
As a speculative fiction fan, I love to read horror, science fiction, and fantasy, and Spacelingis one of my favorite science fiction escapes. I first read it as a teenager and immediately connected with the idea of having a power that could literally transport me to another world. I was already a bit of an outsider, but I wanted to be an outsider like Daryl—wisecracking, resourceful, and fearless when it came to taking the leap and letting Fate’s cards fall where they may. This book is sometimes labeled YA fiction, but Doris Piserchia once said she wrote what she liked and had no specific aged audience in mind. I re-read it whenever I want to feel that rush of endless possibilities.
The ability to see other-dimensional rings that float in Earth's atmosphere was a late mutation of a few space-age humans. Daryl was under the care of the institution for muters, and she had discovered that if you jumped through the right ring at the right time it would land you in another dimensional world and another shape.
Spaceling is the story of Daryl's desperate efforts to unravel the mystery of why she was being held captive and of what was really going on in a certain alien dimension. Because she was sure it was all bad and that someday everyone…
Resonant Blue and Other Stories
by
Mary Vensel White,
The first collection of award-winning short fiction from the author of Bellflower and Things to See in Arizona, whose writing reflects “how we can endure and overcome our personal histories, better understand our ancestral ones, and accept the unknown future ahead.”
It’s natural for humans to wonder who or what might have power over our actions. We’ve clawed our way to the top of the food chain, channeled the power of the elements, and tamed much of nature to our whim. What if something out there was the architect—or more—of our successes and failures? It’s something I’ve explored since I first began writing: fed by the adventures of living as an “Army brat” with a new life every two years, in keeping with my natural inclination to solve puzzles, and spurred by my fear of death and the equally frightening possibility that someone is or isn’t pulling the strings…
This is an anthology that falls most recognizably into the theme of this list. It’s the “what if…” premise that examines how villains are made. Nurture versus nature. Fate at its most cruel and cunning. There are 33 stories in this book by different authors working to show you what is and make you wonder what might have been. (And spoiler alert: this collection includes my origin story for the wicked witch from Hansel and Gretel.)
What makes someone a villain? What makes a person "evil"? What drove them to their actions? Were they good once, or have they always had a heart full of darkness? See things from the other side as these 33 stories explore just what makes a villain tick.
Featuring 33 stories by Steven S. Hood, Devin Lagasse, T.C. Cumberland, Jesse Weiner, Michelle Mellon, M A Smith, Alex Collingwood, Eddie D. Moore, Jesse Sprague, A.P. Sessler, Helen Mihajlovic, Lionel Ray Green, J.G. Formato, Ville Merilainen, Nicole Tanquary, J. Patton, P.J. Reed, Kristyl Gravina, Chad A. Clark, S. Locke, Jared Zygarlicke, Paul Tanner,…
The last story in my collection is a 13,000-word contemplation about laziness (titled "Indolence: Notebooks"). Of course, paradoxically, to write about laziness (or read about it) is to succumb to it. Diligence is often paired with "virtue" or determination. But I've been fascinated with the flip side; what are the positive aspects of inaction, procrastination, or daydreaming? Some people always try to look and stay busy, while others avoid work shamelessly at all costs.
True Story: after an exhausting day teaching classes at an overseas college, I looked out my window and saw two shepherds seated comfortably against a tree, yawning as they watched their sheep grazing in the field. Ahh, what price civilization!?
I love Andersen because his stories almost out-Kafka Kafka.
His animal characters are not exactly philosophers, but they observe, they dread, they dream. Animals—like humans—rarely challenge the natural order of things, but they must deal with the world as it actually is.
One Danish critic said that Andersen wrote more self-portraits than Rembrandt ever painted. Andersen’s great contribution to literature is recognizing how little is needed to produce a story and how little a great story really needs to say.
One story tells of a chance meeting and spurned friendship between two toys in a drawer. Andersen seems capable of turning anything into a story.
This annotated hardback edition by a folklore scholar is one of the most beautiful-looking books I own.
In her most ambitious annotated work to date, Maria Tatar celebrates the stories told by Denmark's "perfect wizard" and re-envisions Hans Christian Andersen as a writer who casts his spell on both children and adults. Andersen's most beloved tales, such as "The Emperor's New Clothes," "The Ugly Duckling," and "The Little Mermaid," are now joined by "The Shadow" and "Story of a Mother," mature stories that reveal his literary range and depth. Tatar captures the tales' unrivaled dramatic and visual power, showing exactly how Andersen became one of the world's ten most translated authors, along with Shakespeare, Dickens, and Marx.…
I teach writing for children and I’ve analyzed the elements that make a winning story. One of these elements is the magic of three. My idea for Finley Finds his Fortune, was sparked by a desire to write a folk tale with the magic of three and also by my visit to Whitechurch, the last working watermill in England. I was awed by the power and beauty of its water wheel so I wove a water mill into my story. To do this, I had to first study how a mill works. That’s what I love about writing children’s books―that I can explore my own personal interests and passions.
I’ve alwaysloved the author/illustrator, Margot Zemach so when I met her, I just had to buy two of her prints. Here she takes a familiar story and tells it simply, letting her illustrations enhance character. It’s about a woodcutter who frees an imp and as thanks is given three wishes. When his wife learns this she imagines all the grand things they could have! But now the husband says, “I just wish for a pan of sausages.” Poof! The first wish is used up. In anger, the wife wishes the sausages grow on his nose and so they must use their final wish to have the sausages removed from his nose and back in the pan. As they eat the hot sausages, they express gratitude for all that they already have. Perfect.
Once again, Margot Zemach brings new life to a traditional story: the tale of the three wishes granted to those who are kind and compassionate. In Zemach's interpretation, a poor woodcutter and his wife are working in the forest when they hear a faint voice calling: "Help, someone help me!" They promptly rescue an imp whose tail is caught under a fallen tree, and in return he rewards them with three wishes. "Wish wisely, my friends," the imp says in parting. Prophetic words indeed. It soon looks as if this windfall will be nothing but trouble for the woodcutter and…
I’m a British author for children and young adults and have lost count of the number of books I’ve published. You learn how to write by reading, and I know that I learned to write from the books I loved and read under the blankets with a torch when I’d been told to go to sleep. I think the books I recommend could all teach children a lot about the art of writing—and they would think they were simply enjoying a story!
Because of this book, I crept out of bed and downstairs while my parents slept.
Why? I hoped to catch my mother’s ornaments coming to life as they do in Andersen’s tales. I reasoned that Andersen was an adult and would know about such things. Why did he put it in his book if it wasn’t true?
I never caught the china horse galloping along the shelf, but I still loved these stories. They are full of fantastical imaginings and, at the same time, thoroughly down to earth. I read the account of the mermaids’ gardens beneath the sea again and again. (And Andersen’s Little Mermaid is far better than any film of it.)
If there is a child in your life who reads, they need this book!
Who has not laughed at the emperor's new clothes, thrilled to the song of the nightingale, or sympathized with the ugly duckling? In the 170 years since they first began to appear, Hans Christian Andersen's Fairy Tales have entranced and bewitched millions of readers, adults and children alike.
Writing in the midst of a Europe-wide rebirth of national literature, Anderson broke new ground with his fairy tales in two important ways. First, he composed them in the vernacular, mimicking the language he used in telling them to children aloud. Second, he set his tales in his own land and time,…
Years ago, as I began teaching kids yoga, I noticed a lack of quality yoga-inspired children’s books. So, I took matters into my own hands and published my first book, The ABCs of Yoga for Kids, filling a void and sparking a series published in five languages. This success led to my Little Mouse Adventures series, blending storytelling with yoga and life skills. I believe in subtly imparting positive messages through playful storytelling, weaving in lessons along the way. My hope is young readers not only enjoy my stories but develop a lasting love for yoga and valuable life skills, just like the impact stories had on my own children.
This book is like stepping into a time machine with your little ones and emerging into a time long ago.
One of the things I love about this story is the timeless quality and rich layers of storytelling. Kids love it because of the characters, magical settings, and adventures, while adults will relate to the universal themes and find something new to relate to with every reading.
In a fast-paced world, sometimes it’s nice to escape into the classics.
"The Snow Queen" is one of Hans Christian Andersen’s longest and most popular tales. It’s about Gerda and her friend Kai growing up through many adventures. Exploring the struggle between good and evil, it’s a story of a magic mirror, trolls, sorceresses, and power.
I am a Disney historian, author, and editor of 50 books about Disney. I became passionate about Disney's history when I realized how rich the history of Disney is and how talented the artists who worked for Disney were and still are. Early on, I realized that when Disney built his studio in the 1930s, thanks to the Great Depression, he was able to hire the best artists from around the world (who were then unemployed). I also noticed that little was known about them. Since those artists have been revolutionizing the popular arts for 100 years, I could not help but be fascinated by their talent and their stories.
In order to really understand Disney history, I felt that I had to learn more about all of the ideas that Disney has explored and shelved. I could not believe my eyes when I discovered Charles Solomon’s volume on that very subject.
This book is one of a handful that changed my life as it led to a life-long fascination for the “hidden art” of Disney. Along with John Canemaker’s Before the Animation Begins: The Art and Lives of Disney Inspirational Sketch Artists, it is one of the two books that led me to write my own artbooks. I still re-read it from time to time up to this day.
Disney artists worked on many projects, both shorts and feature-length films, and their rich and varied work - whether in the form of concept art, animation drawings, storyboards, or gags - is a testament to the quality and innovation the studio achieved, even on unfinished projects. After a brief Introduction examining how the studio operated during Walt Disney's day, Solomon surveys the many categories of uncompleted film, illustrating each with beautiful examples of work by the staff artists: Mickey, Donald, and Goofy shorts; Fairy Tale Projects like Hans Christian Andersen tales and the ambitious feature Chanticleer and Reynard; wartime propaganda…
I have been fascinated by the richness of fairy tales since I was a child. The fantasy writing offers endless possibilities to nourish my mind’s eye and pearls of wisdom that I can transfer to real life. I remember from childhood that I cried reading the Little Mermaid by Hans Christian Andersen. This childhood memory never left me. Fantasy writing is interwoven with the realm of nature and beings other than humans that offer a tapestry for the tradition of storytelling and nature writing, which I found a fascinating field to explore. I hope you can find the same in the books on this list.
I love Jackie Morris’s introduction about the author of this book's life story. I found it inspiring and heartwarming to learn that it was written by a twelve-year-old girl’s prodigy child.
I understood how the girl's genius captures the natural world's mystery, fantasy, and wonder and expresses it with crystalline words.
'An enchanting book. These pages simply quiver with the beauty, happiness and vigour of forests, seas and mountains . . . I can safely promise joy to any reader of it. Perfection' Eleanor Farjeon, Winner of the Carnegie Medal and The Hans Christian Andersen Award
Discover this extraordinary lost classic of nature writing - a fable about wildness and the desire to escape - beautifully illustrated by beloved artist and The Lost Words creator Jackie Morris
'Miraculous - a fearless odyssey into a dreamtime of wildness and enchantment. Gloriously illuminated by Jackie Morris's moving art, this is a work of…
