Here are 100 books that The Little Drummer Girl fans have personally recommended if you like
The Little Drummer Girl.
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I like fiction which makes a character confront what the poet Thom Gunn called ‘the blackmail of his circumstances’: where you are born, the expectations of you. I like to think I am very much a self-created individual, but I can never escape what I was born into; the self is a prison that the will is trying to break out of. I like literature which reflects that challenge.
I find Tom Ripley such a wonderful character—a con man who commits crimes under the guise of someone else, a male protagonist written by a lesbian.
I love the levels of deception the reader is pulled in, so is on the side of the criminal throughout, hoping for him not to get caught in his awful, amoral behaviour.
It is a masterful use of the narrative voice in crime fiction at its best.
It's here, in the first volume of Patricia Highsmith's five-book Ripley series, that we are introduced to the suave Tom Ripley, a young striver seeking to leave behind his past as an orphan bullied for being a "sissy." Newly arrived in the heady world of Manhattan, Ripley meets a wealthy industrialist who hires him to bring his playboy son, Dickie Greenleaf, back from gallivanting in Italy. Soon Ripley's fascination with Dickie's debonair lifestyle turns obsessive as he finds himself enraged by Dickie's ambivalent affections for Marge, a charming American dilettante, and Ripley begins a deadly game. "Sinister and strangely alluring"…
During the 1970s and 80s, the Soviet Union penetrated the corporate economy and financial systems of the United States to engage in industrial espionage.
Cold Warrior is the story of Kasia Kerenski, a street mime who is “discovered” to work as a Hollywood actress. Coerced into becoming a double agent…
I like fiction which makes a character confront what the poet Thom Gunn called ‘the blackmail of his circumstances’: where you are born, the expectations of you. I like to think I am very much a self-created individual, but I can never escape what I was born into; the self is a prison that the will is trying to break out of. I like literature which reflects that challenge.
I first read Lolita when I was 14 and have read it every few decades since, learning something new each time.
I love the first-person immediacy of it and the way it is a crime novel in reverse: the narrator is already imprisoned but not for the crime he describes. It is a love story turned on its head: what the narrator says is love is in fact abuse.
It is a road trip across the vastness of the US, like one I took when I was a student.
'Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of my tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.'
Humbert Humbert is a middle-aged, frustrated college professor. In love with his landlady's twelve-year-old daughter Lolita, he'll do anything to possess her. Unable and unwilling to stop himself, he is prepared to commit any crime to get what he wants.
Is he in love or insane? A silver-tongued poet or a pervert? A tortured soul or a monster? Or is he all…
I grew up reading murder mysteries and watching old black-and-white films on television. As a teenager, I couldn’t get enough of Agatha Christie, Raymond Chandler, and Sir Arthur Conan Doyle, and I loved challenging myself to solve the mystery before the end of the book, sometimes successfully, sometimes not.
One thing I noticed in reading the classics is that LGBTQ+ people were either completely absent or used for comic relief or tragic effect. I wanted to change that with my stories, showing that they can be compelling protagonists, solving murders and sometimes finding love.
What’s not to love about this? I first experienced The Big Sleep by viewing the classic Humphrey Bogart movie, and while I thoroughly enjoyed the film, I admit I was a bit perplexed over some of the plot points.
Reading the book cleared up some, but not all, of my confusion, and yet it’s a book I would read again and again. The classic 1930s setting of Los Angeles and Hollywood, the noir elements, and the hard-boiled detective, Phillip Marlowe, are an unbeatable combination in my mind.
Raymond Chandler's first three novels, published here in one volume, established his reputation as an unsurpassed master of hard-boiled detective fiction.
The Big Sleep, Chandler's first novel, introduces Philip Marlowe, a private detective inhabiting the seamy side of Los Angeles in the 1930s, as he takes on a case involving a paralysed California millionaire, two psychotic daughters, blackmail and murder.
In Farewell, My Lovely, Marlowe deals with the gambling circuit, a murder he stumbles upon, and three very beautiful but potentially deadly women.
In The High Window, Marlowe searches the California underworld for a priceless gold coin and finds himself…
Buried Secrets. A web of deceit, betrayal, and danger. Can she survive her fight for justice and truth? Laura thought she knew everything about her late husband before he died. Now, her life and the lives of those she loves are in danger. As Laura delves into his previous role…
I like fiction which makes a character confront what the poet Thom Gunn called ‘the blackmail of his circumstances’: where you are born, the expectations of you. I like to think I am very much a self-created individual, but I can never escape what I was born into; the self is a prison that the will is trying to break out of. I like literature which reflects that challenge.
I loved the narration of this book: the protagonist is a painter being interrogated in a prison camp about his life.
It made me think about choices, different paths a person might go down. Here, the narrator feels guilty of some devastating event in the past. What, he wonders, caused his fall? It makes me wonder with him if selfishness in love is an essential component in an artistic personality.
Somehow, somewhere, Sammy Mountjoy lost his freedom, the faculty of freewill 'that cannot be debated but only experienced, like a colour or the taste of potatoes'. As he retraces his life in an effort to discover why he no longer has the power to choose and decide for himself, the narrative moves between England and a prisoner-of-war camp in Germany. In Free Fall, his fourth novel, William Golding has created a poetic fiction, and an allegory, as moving as it is unforgettable.
When I covered the White House as a young reporter I was always more interested in understanding what was happening in the upstairs residence than in what briefings we were getting from the president’s advisers in the Roosevelt Room. I was raised with the understanding that in the end everyone is equal and that no one, no matter how powerful they are, gets out of the human experience. I think that’s what makes me interested in iconic women, from Elizabeth Taylor to Betty Ford. There’s nothing I like better than reading their letters and trying to understand what made them tick, and how they navigated their complicated and very public lives.
The New York Times writer Gail Collins once wrote, “One of the tricks to being a great historical figure is to leave behind as much information as possible.”
Unfortunately, that means many voices have gone quiet as generations pass. Nathalia uncovers some of their untold stories in this book about the women who helped create the CIA. As she makes clear in her book, these stories were doubly difficult to tell because the women she’s writing about had made their careers out of being able to keep secrets.
But she does a remarkable job at getting to the heart of it, using archival research and interviews with current and former agents. The sacrifices these women made are nothing short of jaw-dropping.
** TO BE READ ON BBC RADIO 4 BOOK OF THE WEEK FROM 30 JAN 2023 **
'As much le Carre as it is Hidden Figures.' AMARYLLIS FOX, author of Life Undercover
'A sweeping epic of a book [which] rescues five remarkable women from obscurity and finally gives them their rightful place in world history ... A book you won't regret reading. Five women you won't forget.' KATE MOORE, author of The Radium Girls
'As entertaining as it is instructive.' GENERAL STANLEY MCCRYSTAL
The never-before-told story of a small cadre of influential female spies in the precarious early days of…
Green tracers in the sky over Baghdad. My first political memory is the start of the Gulf War in 1991. I remember writing angry essays criticizing the US decision to invade Iraq in 2003 for my high-school assignments. I have always been interested in US foreign policy and in how presidents make decisions. During my PhD, as I was working on a chapter on the origins of the Cuban Missile Crisis, I discovered the extent and–frankly–the madness of some of the plots the CIA and the White House concocted against Fidel Castro. More recently, the US government’s use of assassination and “targeted killings” have become the focus of my research.
As I researched the 1990s hunt for Osama Bin Laden for my book, I became aware that most of the team in the CIA virtual station tasked with tracking down the terrorist leader was composed of women. And yet, most histories of the CIA are histories of (white) men.
In this book, I could find a lot more detail on the women hunting Bin Laden, as well as on many others. Mundy provides a potted history of women in the CIA, from its origins to the present day. In the book, I admired Mundy’s ability to contact and fully connect with current and former CIA operatives. The stories are told in an almost unfiltered manner from the perspectives of those who lived through them.
In this manner, each aspect is made somewhat more real, from the fight for better roles, pay, and recognition to the central role in intelligence collection,…
A “rip-roaring” (Steve Coll), “staggeringly well-researched” (The New York Times) history of three generations at the CIA, “electric with revelations” (Booklist) about the women who fought to become operatives, transformed spycraft, and tracked down Osama bin Laden, from the bestselling author of Code Girls
A NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • A FOREIGN POLICY AND SMITHSONIAN BEST BOOK OF THE YEAR
In development as a series from Lionsgate Television, executive produced by Scott Delman (Station Eleven)
Created in the aftermath of World War II, the Central Intelligence Agency relied on women even as it attempted to channel their…
Having grown up in South Africa in the ’70s & '80s with the whole world against the corrupt, racist government and pretty much cut off from the world, I still managed to achieve my dreams and change the lives of peoples of all races and cultures in over 165 countries globally. My book reflects ‘real-life’ authentic tips to help everyone discover their magic!
I always thought I had an interesting life, but hell did Cassandra Petersen go through up and downs in her career.
This book gave me even more respect for her success in life. When it comes to an inspirational life story of hope and being able to achieve anything in life, against all odds, Elvira is a must read.
At only eighteen months old, Cassandra Peterson reached for a pot on the stove and doused herself in boiling water, resulting in third-degree burns over 35 percent of her body. She miraculously survived, but burned and scarred, the impact would stay with her and become an obstacle she was determined to overcome. Cassandra left home at fourteen and supported herself as a go-go dancer. By age seventeen, she was performing as a showgirl in Las Vegas. Then a chance encounter with the "King" himself, Elvis Presley, inspired her to travel to Europe where she worked in film and toured Italy…
Ever since I can remember, I have been fascinated with people’s stories. I think this came from my grandfather, who, whether we liked it or not, would gather his grandkids in his study and wax poetically about his life. He was a writer and a teacher, so he knew how to spin a tale and keep even the most inattentive grandchildren captivated. I have for many years referred to myself as a “memoir junkie,” consuming life after life like a starving drifter. Memoirs are a great way to continue to remind ourselves that life is guaranteed to provide us with struggle, but we are equipped to overcome it. We must endure, explore, and prevail.
I love this book because I can’t recall the last time I laughed so much while reading. As Leslie would say, “This b*tch is crazy!” Leslie’s wild stories about how she navigated her way into standup comedy made me throw my head back and howl with laughter.
I listened to the audiobook and enjoyed her narration style. She didn’t seem to be reading at all, rather than just following the general topics of the chapters. I don’t think that reading a paper book of Leslie’s story would have been as entertaining. Her magnetic personality shined, and I felt like I was just hanging out with her while she riffed about her life, telling hilarious story after story while I moved about my day.
WINNER OF THE 2024 AUDIE AWARD FOR HUMOR A NEW YORK TIMES BESTSELLER A BARNES AND NOBLE'S BEST BOOKS OF THE YEAR A TOWN & COUNTRY BEST CELEBRITY MEMOIR OF 2023 A VULTURE BEST COMEDY BOOK OF 2023
Hey you guys, it’s Leslie. I’m excited to share my story with you.
Now, I’m gonna be honest: Some of the details might be vague because a b*tch is fifty-five and she’s smoked a ton of weed. But while bits might be a touch hazy, I can promise you the underlying truth is REAL. Whether I’m talking about my childhood growing up…
Hollywood and celebrity gossip can be a fun diversion, from their fabulous clothing and closets to their ability to influence a worldwide audience. It is something I have long been drawn to and love to be immersed in. The idea of fame has always intrigued me. Is it good? Bad? Somewhere in between? Sometimes, the very pop star who the world is idolizing can be tortured behind the scenes—maybe even by fame itself. I am intrigued by the ways one goes from anonymity to notoriety, as well as the ways fame can change one’s life.
This was a compelling, fascinating read. Davis shares the story of her life, from her experiences with childhood poverty, abuse, and racism to her path into acting.
I loved following along the steps she took to emerge from a challenging childhood to winning an Academy Award. It was also amazing to listen to the audiobook and hear Davis tell the story in her own voice. It is easy to see why this book was awarded a Grammy. It was one of my favorite books of the year.
'A breathtaking memoir...I was so moved by this book.' Oprah
'It is startlingly honest and, at times, a jaw-dropping read, charting her rise from poverty and abuse to becoming the first African-American to win the triple crown of an Oscar, Emmy and Tony for acting.' BBC News
THE DEEPLY PERSONAL, BRUTALLY HONEST ACCOUNT OF VIOLA'S INSPIRING LIFE
In my book, you will meet a little girl named Viola who ran from her past until she made a life changing decision to stop running forever. This is my story, from a crumbling apartment in Central Falls,…
The Secessionist’s Wife is a spy/journalism thriller about a terrorist attack on Ft. Riley. This genre-buster includes features of romance and domestic suspense as well.
For journalist Anna Jones of the New York Daily Journal, nothing is more important than finding the truth. So when Fort Riley, Kansas, suffers a…
As a brainy, bullied Queer theater kid, I was 14 before I ever saw anyone like myself onstage or onscreen. Then—Wham—in June of 1980 I sawA Chorus Lineon Broadway and Fame at the movies. But there weren’t any books that showed the theater life as it was actually lived. When I published my love letter to my high school theater friends in 2004, no one had written a novel about our kind. Today, as someone who’s managed to make a living as a writer-director of musicals, I strive to share the whole truth with the young artists I mentor.
Like Hamlet says, “The play’s the thing,” so any reading list for theater people should include the reason we’re here in the first place. Alice Childress’s indictment of the degrading condescension inflicted on Black people in the theater by self-proclaimed white allies is as true today as when she wrote it in 1955. That makes me sad and angry, as does the fact it took 66 years for it to finally be produced on Broadway. But it also gives me hope when high-quality work gets recognized. And as a writer who finds the funny in any situation, I love how Childress serves up bitter pills of truth in spoonfuls of honeyed laughs.
“A masterpiece . . . Trouble in Mind still contains astonishing power; it could have been written yesterday.” —Vulture
Ahead of its time, Trouble in Mind, written in 1955, follows the rehearsal process of an anti-lynching play preparing for its Broadway debut. When Wiletta, a Black actress and veteran of the stage, challenges the play’s stereotypical portrayal of the Black characters, unsettling biases come to the forefront and reveal the ways so-called progressive art can be used to uphold racist attitudes. Scheduled to open on Broadway in 1957, Childress objected to the requested changes in the script that would “sanitize”…
