Here are 100 books that The Little Drummer Girl fans have personally recommended if you like
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I like fiction which makes a character confront what the poet Thom Gunn called ‘the blackmail of his circumstances’: where you are born, the expectations of you. I like to think I am very much a self-created individual, but I can never escape what I was born into; the self is a prison that the will is trying to break out of. I like literature which reflects that challenge.
I find Tom Ripley such a wonderful character—a con man who commits crimes under the guise of someone else, a male protagonist written by a lesbian.
I love the levels of deception the reader is pulled in, so is on the side of the criminal throughout, hoping for him not to get caught in his awful, amoral behaviour.
It is a masterful use of the narrative voice in crime fiction at its best.
It's here, in the first volume of Patricia Highsmith's five-book Ripley series, that we are introduced to the suave Tom Ripley, a young striver seeking to leave behind his past as an orphan bullied for being a "sissy." Newly arrived in the heady world of Manhattan, Ripley meets a wealthy industrialist who hires him to bring his playboy son, Dickie Greenleaf, back from gallivanting in Italy. Soon Ripley's fascination with Dickie's debonair lifestyle turns obsessive as he finds himself enraged by Dickie's ambivalent affections for Marge, a charming American dilettante, and Ripley begins a deadly game. "Sinister and strangely alluring"…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I like fiction which makes a character confront what the poet Thom Gunn called ‘the blackmail of his circumstances’: where you are born, the expectations of you. I like to think I am very much a self-created individual, but I can never escape what I was born into; the self is a prison that the will is trying to break out of. I like literature which reflects that challenge.
I first read Lolita when I was 14 and have read it every few decades since, learning something new each time.
I love the first-person immediacy of it and the way it is a crime novel in reverse: the narrator is already imprisoned but not for the crime he describes. It is a love story turned on its head: what the narrator says is love is in fact abuse.
It is a road trip across the vastness of the US, like one I took when I was a student.
'Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of my tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.'
Humbert Humbert is a middle-aged, frustrated college professor. In love with his landlady's twelve-year-old daughter Lolita, he'll do anything to possess her. Unable and unwilling to stop himself, he is prepared to commit any crime to get what he wants.
Is he in love or insane? A silver-tongued poet or a pervert? A tortured soul or a monster? Or is he all…
I like fiction which makes a character confront what the poet Thom Gunn called ‘the blackmail of his circumstances’: where you are born, the expectations of you. I like to think I am very much a self-created individual, but I can never escape what I was born into; the self is a prison that the will is trying to break out of. I like literature which reflects that challenge.
I could have chosen any Raymond Chandler novel for this list; he is such a brilliant stylist, one of the best in the language.
His lugubrious, heavy-drinking, first-person detective Philip Marlowe is my kind of fictional hero, a genre-defining character, perpetually alone though he yearns for the glamorous women he meets.
Raymond Chandler's first three novels, published here in one volume, established his reputation as an unsurpassed master of hard-boiled detective fiction.
The Big Sleep, Chandler's first novel, introduces Philip Marlowe, a private detective inhabiting the seamy side of Los Angeles in the 1930s, as he takes on a case involving a paralysed California millionaire, two psychotic daughters, blackmail and murder.
In Farewell, My Lovely, Marlowe deals with the gambling circuit, a murder he stumbles upon, and three very beautiful but potentially deadly women.
In The High Window, Marlowe searches the California underworld for a priceless gold coin and finds himself…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I like fiction which makes a character confront what the poet Thom Gunn called ‘the blackmail of his circumstances’: where you are born, the expectations of you. I like to think I am very much a self-created individual, but I can never escape what I was born into; the self is a prison that the will is trying to break out of. I like literature which reflects that challenge.
I loved the narration of this book: the protagonist is a painter being interrogated in a prison camp about his life.
It made me think about choices, different paths a person might go down. Here, the narrator feels guilty of some devastating event in the past. What, he wonders, caused his fall? It makes me wonder with him if selfishness in love is an essential component in an artistic personality.
Somehow, somewhere, Sammy Mountjoy lost his freedom, the faculty of freewill 'that cannot be debated but only experienced, like a colour or the taste of potatoes'. As he retraces his life in an effort to discover why he no longer has the power to choose and decide for himself, the narrative moves between England and a prisoner-of-war camp in Germany. In Free Fall, his fourth novel, William Golding has created a poetic fiction, and an allegory, as moving as it is unforgettable.
When I covered the White House as a young reporter I was always more interested in understanding what was happening in the upstairs residence than in what briefings we were getting from the president’s advisers in the Roosevelt Room. I was raised with the understanding that in the end everyone is equal and that no one, no matter how powerful they are, gets out of the human experience. I think that’s what makes me interested in iconic women, from Elizabeth Taylor to Betty Ford. There’s nothing I like better than reading their letters and trying to understand what made them tick, and how they navigated their complicated and very public lives.
The New York Times writer Gail Collins once wrote, “One of the tricks to being a great historical figure is to leave behind as much information as possible.”
Unfortunately, that means many voices have gone quiet as generations pass. Nathalia uncovers some of their untold stories in this book about the women who helped create the CIA. As she makes clear in her book, these stories were doubly difficult to tell because the women she’s writing about had made their careers out of being able to keep secrets.
But she does a remarkable job at getting to the heart of it, using archival research and interviews with current and former agents. The sacrifices these women made are nothing short of jaw-dropping.
** TO BE READ ON BBC RADIO 4 BOOK OF THE WEEK FROM 30 JAN 2023 **
'As much le Carre as it is Hidden Figures.' AMARYLLIS FOX, author of Life Undercover
'A sweeping epic of a book [which] rescues five remarkable women from obscurity and finally gives them their rightful place in world history ... A book you won't regret reading. Five women you won't forget.' KATE MOORE, author of The Radium Girls
'As entertaining as it is instructive.' GENERAL STANLEY MCCRYSTAL
The never-before-told story of a small cadre of influential female spies in the precarious early days of…
Green tracers in the sky over Baghdad. My first political memory is the start of the Gulf War in 1991. I remember writing angry essays criticizing the US decision to invade Iraq in 2003 for my high-school assignments. I have always been interested in US foreign policy and in how presidents make decisions. During my PhD, as I was working on a chapter on the origins of the Cuban Missile Crisis, I discovered the extent and–frankly–the madness of some of the plots the CIA and the White House concocted against Fidel Castro. More recently, the US government’s use of assassination and “targeted killings” have become the focus of my research.
As I researched the 1990s hunt for Osama Bin Laden for my book, I became aware that most of the team in the CIA virtual station tasked with tracking down the terrorist leader was composed of women. And yet, most histories of the CIA are histories of (white) men.
In this book, I could find a lot more detail on the women hunting Bin Laden, as well as on many others. Mundy provides a potted history of women in the CIA, from its origins to the present day. In the book, I admired Mundy’s ability to contact and fully connect with current and former CIA operatives. The stories are told in an almost unfiltered manner from the perspectives of those who lived through them.
In this manner, each aspect is made somewhat more real, from the fight for better roles, pay, and recognition to the central role in intelligence collection,…
A “rip-roaring” (Steve Coll), “staggeringly well-researched” (The New York Times) history of three generations at the CIA, “electric with revelations” (Booklist) about the women who fought to become operatives, transformed spycraft, and tracked down Osama bin Laden, from the bestselling author of Code Girls
A NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • A FOREIGN POLICY AND SMITHSONIAN BEST BOOK OF THE YEAR
In development as a series from Lionsgate Television, executive produced by Scott Delman (Station Eleven)
Created in the aftermath of World War II, the Central Intelligence Agency relied on women even as it attempted to channel their…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I played semi-professional baseball in France in 1986. If your baseball career has brought you to France, you should be rethinking your professional aspirations. No problem, I thought. I will write. I like to write. To my dismay, publishers were not fans of novels about French baseball players. The world of espionage I became acquainted with in Europe, however….
Washington Post national security reporter Ignatius may not know the world of espionage better than anyone, but he writes about it better than anyone. Agents of Innocence is such a realistic and engaging depiction of the life of a CIA case officer that a copy of it is left in the room of each new arrival at Camp Peary, the CIA training facility. It’s about an idealistic young CIA officer posted to Beirut to penetrate the PLO, and, in the process, learns hard lessons, not least of which is that once human lives are at stake, idealism takes a back seat to pragmatism. Ultimately, it is a compelling story with terrific characters, and I would have rooted for them had they been accountants or fishmongers rather than spies
Agents of Innocence is the book that established David Ignatius's reputation as a master of the novel of contemporary espionage. Into the treacherous world of shifting alliances and arcane subterfuge comes idealistic CIA man Tom Rogers. Posted in Beirut to penetrate the PLO and recruit a high-level operative, he soon learns the heavy price of innocence in a time and place that has no use for it.
Make-believe is my vocation, calling to me since earliest childhood. Not too surprising, for I was raised in a Southern Gothic household, simmering with mendacity and thwarted desires. Back then, I plotted stories for my dolls and scribbled plays of love and murder for backyard productions with the neighbor girls. Living and schooling were necessary preparation for the next story or play. To this day, while truly embracing my lived-life with passion and wonder, I still make sense of it, in part, through make-believe—an act that is both solitary and collaborative—writing dialogue for actors to interpret and novels for readers to perform in their own active imaginations.
Biography is one of my favorite ways to explore history, and this double-biography is a doozy. The feud between Sarah Bernhardt and rival actress Eleonora Duse comes to dramatic life on the page as these remarkable women thrill theater audiences across the globe with their on-stage performances and off-stage scandals. Bernhardt created her public persona as the first superstar, and her name and fame certainly endure. But Duse intrigues me even more in contrast with the Divine Sarah. Unlike Bernhardt playing herself while playing a role, Duse disappeared into her roles with her natural, believable style of acting. Her technique revolutionized the theater from the late 19th century onward. And Duse’s style is the one that I find plays best in my head each time I read a novel.
The riveting story of the rivalry between the two most renowned actresses of the nineteenth century: legendary Sarah Bernhardt, whose eccentricity on and off the stage made her the original diva, and mystical Eleonora Duse, who broke all the rules to popularize the natural style of acting we celebrate today.
Audiences across Europe and the Americas clamored to see the divine Sarah Bernhardt swoon-and she gave them their money's worth. The world's first superstar, she traveled with a chimpanzee named Darwin and a pet alligator that drank champagne, shamelessly supplementing her income by endorsing everything from aperitifs to beef bouillon,…
I grew up on the set of Little House on the Prairie. Yes, it was a fictional world created by Hollywood, but the foundation and lessons I learned about love, family, and faith have stayed with me. I now travel with the cast of Little House all over the country to engage and share with fans about how my experiences have shaped me. I can’t say enough about these memoirs or the cast members who wrote them. I know every Little House fan will love them too!
Charlotte’s tell-all memoir tells it ALL. This may not be appropriate for young readers, but I was wowed by all the roles she has played over the years, surprised by the numerous love interests with well-known actors and musicians, and inspired by her ability to overcome challenges, big and small, that have shaped her into the woman she is today.
I loved how Charlotte has embraced her past and learned from her mistakes. She is an inspiration to me and many others.
Charlotte Stewart is known by millions of fans worldwide for her role as the beloved schoolteacher, Miss Beadle, on the iconic TV show, Little House on the Prairie, currently broadcast in syndication in more than 100 countries around the world. Here for the first time an adult cast member writes about the experience of making the show—the challenges, the joys, and the sometimes-turbulent behind-the-scenes relationships. Charlotte, with Andy Demsky, reveal a no-holds-barred, heart-breaking, and ultimately joyful account of fifty years in film and television offers a backstage pass to Hollywood’s cocaine-fueled glory years in the 1970s, and includes Charlotte’s celebrated…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I love writing my steamy, happily ever after romance novels. Billionaires are my Prince Charmings and they have a lot to offer the heroines I write. However, none of my heroines are weak. They are strong and they love the billionaires for who they are, not what they offer. I want a world full of romance, steam, and happily ever afters, so that’s what I love to write. My books are perfect for a relaxing day on the beach that will leave you feeling good.
Nora Roberts is the absolute queen of romance. She is often
the first author anyone recommends in the genre, and as such, I am a huge fan.
Hideaway has a scrappy heroine, but the real reason I love this book is Dillon.
He’s hard-working and protective and just right for Cate.
I also really enjoyed the other background characters and
relationships. So many times romance novels focus only on the two leads (with
good reason!) but it’s always nice when the characters have outside
relationships, especially good ones. Dillon’s relationships made me smile and
love him all the more as a romance hero.
A powerful new novel from global bestseller Nora Roberts about finding what matters most in the least expected places.
If you're after the perfect pick-me-up, take-me-away-from-the-world read, then she's your woman' The GuardianOne day, she thought, one moment, one innocent game. How was it that day, that moment, that game never seemed to end? Caitlyn Sullivan is just nine years old when a game of Hide and Seek at a family party will change her life forever. The betrayal she experienced that night will shape Caitlyn's life, and for years she runs and runs, hiding from the aftermath of…
