100 Books Like The Last of the Really Great Whangdoodles

This book gets both mine and my eleven-year-old daughter’s vote. My daughter doesn’t like small talk, but when we were reading this adventure, this world got her talking and also imagining fan fiction!

Jessie lives on the Indiana frontier in the 1800s when diphtheria strikes her village, but she finds her way to the modern world in search of a cure. The stakes are high and the story made us feel like we were there!

I listened to this book in my first interaction with it and I love authors who’s narrative doesn’t talk down to me. Hope Mirlees’ prose is incredibly fun, but subtle. Fairies are real here, with unpredictable ways and alluring fairy fruit.

I loved the exploration of a world of mystery beyond the bounds of human control. Mirlees’ tone reminds me of Susan Collins’ Jonathan Strange and Mr. Norrell, which I also loved. 

This one is a great example of a middle-grade fantasy that deserves more attention. It pulled me right in and wouldn’t let go with its authentic Irish folklore and vivid narrative. Author Pat O’Shea is from Ireland and the sense of place is rich with history and atmosphere.

Brigit’s spunk is a perfect counterpoint to Pidge’s sober personality, and they were my friends. We were on an adventure together. 

I adored Howl’s Moving Castle but that novel probably isn’t Diana Wynne Jones’ best book. This compilation includes Charmed Life and The Lives of Christopher Chant in a fantasy world of magicians and bureaucratic management of magic. You would think in a world where magic is real it might get boring, but I trust Jones because she knows how to protect magic from becoming common, always respecting magic's economy.

Surprises abound in these stories, but it's easy to let go of my critical mind and just have fun. Bonus fact: Diana Wynne Jones was a student of JRR Tolkien’s at Oxford. I laughed my head off when I read Wynne’s descriptions of Tolkien’s lectures online. She is fascinating and also hilarious.

I love a good mystery set in a fantasy world, and this book was certainly that.

I appreciated the concept of the shadow world with its shadow creatures called umbra. The umbra (Latin for "shadow") is the innermost and darkest part of a shadow, where the light source is completely blocked by the occluding body—and I love how Janelle plays on this concept with the umbra shadow animals—wild creatures on the Nightmare Plains.

I enjoyed the mystery surrounding Mia and her younger brother, why they are "the ones" who can free the "Reaper King," and why their parents have organized for an umbra tamer to protect them.

I loved how this book portrayed women supporting each other instead of succumbing to hatred and jealousy. The book handled so many delicate topics beautifully. I wish I had the space to share them all.

One such element was the nuanced portrayal of women’s responses to sexual abuse, highlighting the complexities of victimhood and power dynamics. The entire story is profound, thought-provoking, and a must-read for those seeking YA feminist literature. 

Oh, what a delightfully chilling and decadent tale written by one of the most celebrated female gothic writers of the 20th century.

Carter leads us into the manor of a wealthy and powerful businessman who has recently been widowed, yet has chosen to take another young bride quite quickly. As he guides his new wife through each luxurious room at his estate, she is devoured by all its opulence and given the keys to each room. She may roam and play wherever she desires and conduct herself as she wishes, save for the one key to the one room that is forbidden.

A modern and mysterious take on the classic Greek myth, Pandora’s Box, with echoes of “The Robber Bridegroom” by The Brothers Grimm. It is a delicious read. 

It was fun to follow this pink-tinted journey—even though I can’t tell if it's pink from all the leotards or all the blood. I'm a sucker for atmosphere, and a bad girl story set against a backdrop of the cutthroat world of Parisian ballet was always going to be a win for me.

Immediately, I felt suffocated by Laure's world and her need to scrape for, claw for, and demand everything she deserves. I watched Laure put so much work into her craft only to be faced with ridicule and microaggressions, so when she finally decides to take what's her right – I’m egging her on.

At the core of the story, I had to admit I was happy to let the monster win.

I love this series of three short novels enough to have read it more times than I can count. The language of the novel is simple and evocative. I love the main character, a young wizard who starts out as proud, angry and arrogant, but becomes deeply compassionate when his hubris leads him to make a tragic and evil use of magic.

I could feel myself grabbed by the world of the novel, a world of men and dragons, of islands dotted in an endless sea, of powerful mages who interfere at their peril with the precarious balance of the world between good and evil. 

Though Tolkien’s Middle-earth was a centerpiece of fantasy for me, Lewis’ Narnia offset and balanced the more serious grave nature of Middle-earth with its more light-hearted adventures told through the eyes of children, where it feels like a fairy tale as everything in its world is simply extraordinary. 

The Chronicles of Narnia’s symbolism strikes me as being straightforward in its Christian allegory, which I find quite relatable. The aspect of being as children following the will of “our Heavenly Father” (in their case, walking in Aslan’s guidance) in what is truly a beautiful and imperfect world resonates so well with me, as it is a beautiful picture.

Its fairy tale style fantasy as a magical world just brings out the beauty of fantasy when its storytelling is kept simple. A simple beauty from levity, I love in contrast to the sorrowful beauty of Middle-earth that affects me on a… show more.