Here are 100 books that The Land of Dreams fans have personally recommended if you like
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Life is taking a bite of the comedy/tragedy sandwich, savoring the mix of flavors, deciding how you feel about the taste, and taking another bite. I love writing that can gather experiences from across the emotional spectrum and incorporate them into a narrative that is absurd and all the more true because of it. These five books do it better than the rest.
Overstuffed and labyrinthine, Eco’s novel dives into a highly academic rabbit hole of conspiracy theories that toss me head over heels like a strong wave in the ocean. It reads a bit like The DaVinci Code written by Thomas Pynchon (who we’ll get to in a minute), the paranoias stemming from historical entities like the Knights Templar and the Rosicrucians.
I’d be hard-pressed to provide an accurate summary of events, but it all makes for a pleasantly bewildering reading experience.
Three book editors, jaded by reading far too many crackpot manuscripts on the mystic and the occult, are inspired by an extraordinary conspiracy story told to them by a strange colonel to have some fun. They start feeding random bits of information into a powerful computer capable of inventing connections between the entries, thinking they are creating nothing more than an amusing game, but then their game starts to take over, the deaths start mounting, and they are forced into a frantic search for the truth
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’ve always thought that the most clear-eyed, unforgiving observers in literature are teenagers, not because adolescence is simple (it’s the opposite), but because young people haven’t yet learned to shrug and look away. The novels I've chosen here all have central characters who see the adult world's failures, hypocrisies, and prejudices with a directness that most of us gradually lose; and they all use coming of age as a way to confront a world that is already, in some fundamental way, broken – by grief, violence, or the gap between what adults promise and what they deliver. Those are exactly the themes I love to write about.
I’ve always been fascinated by strange social enclaves and secretive, sealed-off, private worlds, and this book has both.
But in fact, the thing I admire most here is the sense of place and atmosphere. Tartt writes with a lush, immersive style which I found is increasingly compelling as the book went on.
Using a murder as the gateway drug to what’s really a literary fiction character study is both sneaky and brilliant: I was hooked by the story in the first chapter, but once I’d finished the book, it was Richard’s voice, those eerie characters, their strange insular co-dependency, and the biting Vermont winter landscape that really stayed with me.
'Everything, somehow, fit together; some sly and benevolent Providence was revealing itself by degrees and I felt myself trembling on the brink of a fabulous discovery, as though any morning it was all going to come together---my future, my past, the whole of my life---and I was going to sit up in bed like a thunderbolt and say oh! oh! oh!'
Under the influence of a charismatic classics professor, a group of clever, eccentric misfits at a New England college discover a way of thought and life a world away from their banal contemporaries.…
I’ve loved weird horror from a young age, and that passion only grew as the years went on. It all started when I was ten, and I got an anthology of classic horror for my birthday. Inside I read The White People by Machen, Cast the Runes by MR James, and The Colour Out of Space by Lovecraft, and I was hooked. Ever since then I chased that same thrill of the horror that is so out there and strange it just breaks your brain and changes you inside out. I have a feeling I’ll be chasing that obsession until the end of my days.
Another fun bit of psychedelic folk horror, combined with a really cool history of the experimental films of Canada.
The narrator is compelling, and the whole time you feel the pull of her obsession to the film she’s looking into, even if it unsettles her and terrifies her at the same time. Love that pull of danger, wanting to look, to see, but knowing that doing so will probably kill you…
The award-winning author of the Hexslinger Series "explores the world of film and horror in a way that will leave you reeling" (Jeff VanderMeer, author of the Southern Reach Trilogy).
Former film teacher Lois Cairns is struggling to raise her autistic son while freelancing as a critic when, at a screening, she happens upon a sampled piece of silver nitrate silent footage. She is able to connect it to the early work of Mrs. Iris Dunlopp Whitcomb, the spiritualist and collector of fairy tales who mysteriously disappeared from a train compartment in 1918.
I’m not a genre purist. I adore combining classic forms in new and exciting ways to make stories that have never been told before. The novels on this list are like that. They refuse to obey genre rules. Detective fiction suggests our questions have answers. The truth is rational and we can discover it. The supernatural elements of occult fiction say otherwise. Human consciousness cannot comprehend the nature of reality. Our investigations fail to understand our lives—the best we can do is explain them away. When these perspectives collide, it can result in interesting ways to see the world, familiar but fresh, as we have never known it before.
I love the Jimmy Paz novels. I wish there were more of them. Gruber’s are the most conventional crime plots on my list—tightly-crafted, intricate, and intelligent. His detective is the archetypal hero: smart, resourceful, big-hearted, brave. But in this world, science and rational deduction are insufficient to solve the crime because reality is not just unknown. It is unknowable. This is the cardinal sin of the detective genre. Even worse, Gruber completely gets away with it. With forays into Siberian Shamanism and Santeria, Tropic of Night is as much an investigation of consciousness and perception as it is the hunt for a murderous warlock. When the orishas finally arrive for the climax, my hands trembled. I got some small inkling of what it means for the fear of god to be the beginning of wisdom.
Jane Doe had been a promising anthropologist, an expert on shamanism. Now she is nothing, a shadow. After faking her own suicide, she is living under an assumed identity in Miami, with a traumatised little girl to protect. Everyone thinks Jane is dead - or so she hopes.
Then the killings start: a series of ritualistic murders that terrifies the entire city. The investigating detective, Jimmy Paz, locates the witnesses to these events but they can recall almost nothing, as though their memories have been erased. As if a spell has been cast on them...
I am a writer of true crime, which makes me keenly aware of the credibility of police procedural books. I also write crime fiction and am drawn to series that provide an interesting and thought-provoking protagonist in the framework of excellent writing. I survived an attempted abduction as a child and have had an interest in crime books since then, starting with the Jane Withers mystery my dad brought home from Goodwill and, of course, the Nancy Drew series.
I was stunned by the glimpses into another culture and by the beauty of the setting of this first story in a twenty+ book series.
Sheriff Cork O’Connor is a fascinating protagonist torn between the two cultures of his mixed-race family and struggling for balance and fairness on both sides.
Once I read this book, I knew I would keep reading until I read every one.
The 20th anniversary edition of the first novel in William Kent Krueger's beloved and bestselling Cork O'Connor mystery series-includes an exclusive bonus short story!
"A brilliant achievement, and one every crime reader and writer needs to celebrate." -Louise Penny, #1 New York Times bestselling author of Glass Houses
"A master craftsman [and] a series of books written with a grace and precision so stunning that you'd swear the stories were your own." -Craig Johnson, author of the Walt Longmire series
"Among thoughtful readers, William Kent Krueger holds a very special place in the pantheon." -C.J. Box, #1…
In my third novel, Great Circle, a fictional aviator named Marian Graves disappears while trying to fly around the world north-south in 1950. While researching and writing, I became a travel journalist, partly so I could follow my character into far-flung, rugged corners of the world. Traveling, I encountered people who lead truly adventurous lives, and I started to seek out riskier experiences myself. I swam with humpback whales, tracked snow leopards in the Himalayas, and journeyed across huge seas to Antarctica’s Ross Ice Shelf. I still don’t consider myself a full-fledged adventurer, but I love reading about women contending with the challenges of wild places and their own internal landscapes.
I love cold, northern places and dogs, and, if you haven’t already noticed, warts-and-all stories about women finding strength they didn’t know they had in the wilderness. Blair Braverman’s memoir checks all these boxes. As a teenager, she goes to a folk school in the Norwegian Arctic and learns to work with sled dogs, something she later continues as a guide in Alaska. (Braverman is now a professional musher and has run the Iditarod.) The book’s subtitle is Chasing Fear and Finding Home In the Great White North, and Braverman is unsparing in her exploration of fear rooted in both the human and natural world. I read this book on a series of airplanes in one long travel day, and I’m still reminded of it every time I see Braverman’s delightful Twitter stories about her dogs.
A rich and revelatory memoir of a young woman reclaiming her courage in the stark landscapes of the north.
By the time Blair Braverman was eighteen, she had left her home in California, moved to arctic Norway to learn to drive sled dogs, and found work as a tour guide on a glacier in Alaska. Determined to carve out a life as a “tough girl”—a young woman who confronts danger without apology—she slowly developed the strength and resilience the landscape demanded of her.
By turns funny and sobering, bold and tender, Welcome to the Goddamn Ice Cube brilliantly recounts Braverman’s…
An Heir of Realms tells the tale of two young heroines—a dragon rider and a portal jumper—who fight dragon-like parasites to save their realms from extinction.
Rhoswen is training as a Realm Rider to work with dragons and burn away the Narxon swarming into her realm. Rhoswen’s dream is to…
As a child, I desperately wanted a pet. Even if it maybe wasn’t a “real pet” like a rock or an egg. I used my imagination for pet possibilities. When I was researching If You Want A Friend In Washington I was constantly in awe of the strange and unusual pets of the White House. I wanted this list of pet books to be as diverse and unusual as the Presidential Pets. Maybe a Glacier is the perfect pet for you?
Maybe you are looking for a conventional pet? or maybe not? Ruby, the main character thought she might want a cat or dog but found loyalty in a less conventional pet. This whimsical book will leave readers with a different outlook on pet possibilities.
In a starred review Publishers Weekly raves: "It’s an avant-garde, surrealist story with a Hollywood-style tearjerker lurking within—and a surprisingly charming and affecting one at that."
Award-winning poet Matthea Harvey and illustrator extraordinaire Giselle Potter team up to create an indescribably unique picture book about wanting to be normal, then coming to appreciate being different. Ruby would love to be like everyone else—not easy when you have a tiara-wearing mother and a father who spends his time trimming outrageous topiary. She'd also like to get a nice normal pet, maybe a dog. Then, on a family vacation to Norway, she…
I grew up in New York City and was deeply influenced by the women’s liberation movement, which helped me go on to combine a career as a historian with marriage and motherhood. While doing research for an academic article on the Beecher-Tilton scandal, I became convinced that only by writing a novel could I unravel the story from the point of view of Elizabeth, the woman involved in the love triangle. Historical fiction is a marvelous medium to explore events from the perspective of those outside circles of power. When I began writing, I felt that my embrace of fiction as medium had unleashed an electric current of creative energy.
Although I knew that this novel was unlikely to have a happy ending because few women emerge intact after being accused of witchcraft, I couldn’t put this book down. I became attached to the characters, reading on well past midnight to find out whether they would escape a terrible fate.
Women who didn’t conform to the strict code of female behavior in seventeenth-century Norway were all possible targets of the witch hunters. I was filled with admiration for those imprisoned women who held out against demands that they incriminate others and even felt sympathy for those who succumbed to torture to become informers or were cleverly manipulated by promises of leniency.
For me, the plot and subplots were fascinating; all the characters were vivid, and some displayed unbelievable heroism.
They will have justice. They will show their power. They will not burn.
'Three women's fight for survival in a time of madness' Kiran Millwood Hargrave, author of The Mercies
Norway, 1662. A dangerous time to be a woman, when even dancing can lead to accusations of witchcraft. After recently widowed Zigri's affair with the local merchant is discovered, she is sent to the fortress at Vardo to be tried as a witch.
Zigri's daughter Ingeborg sets off into the wilderness to try to bring her mother back home. Accompanying her on this quest is Maren - herself the daughter…
I’m an Australian writer. I came to creative writing late in life but have been an avid reader since my early school years. My fascination with mystery thrillers started with Enid Blyton and included Raymond Chandler books—not usually recommended for an 11-year-old. I have always had an inquisitive mind, asking difficult questions and seeking understanding. My first degree was a Bachelor of Science, majoring in Chemistry. My diverse working life spanned a variety of roles, building a rich tapestry of experience. I relish layered, complex, and thought-provoking stories both as a writer and a reader. I hope you enjoy my recommended books as much as I have.
This gripping historical thriller has World War II intrigue and Norwegian spies, so it can be described as a wartime murder mystery interwoven with a gripping espionage thriller. It’s a layered story that resonates with that era's tensions, conflicts, and mistrust. I felt like I was there; it was so rich in historical details.
The plot captures the real tensions between Nazi-occupied Norway and neutral Sweden. I learned so much and gained insights into the murky motivations of the time. For someone who pays attention to politics, the complex interplay of different interest groups and their political maneuvering had interesting parallels to the present.
The story has it all: layers of family drama, shared history, divided loyalties, and deep-seated hatred, with storylines weaving in political ideology, the true nature of war, and distorted notions of patriotism, ambition, and revenge. There is so much to think about and apply to today's…
When a courier for Sweden's Press and Military Office is killed on his final mission, the Norwegian government-in-exile appoints a writer to find the missing documents ... breathtaking WW2 thriller.
**International NUMBER ONE bestseller**
'A stylish stand-alone thriller from the godfather of Scandi noir ... Ola Dahl ratchets up the tension from the first pages and never lets go' Sunday Times
'Absorbing, heart-rending and perfectly plotted' Denzil Meyrick
'Expertly crafted' John Harvey
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Summer, 1943. Daniel Berkak, who works as a courier for the Press and Military Office in Sweden, is killed on his last cross-border…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I’m a British author for children and young adults, and was lucky to have a wonderful father who loved wildlife of all kinds. He took me on walks where we picked blackberries and hazelnuts, and spotted birds, foxes, rabbits, and deer. With him, I watched hours of wildlife programmes. (I saw so much of David Attenborough, I thought he was an uncle.) Dad also made sure I had many books about every sort of animal, from insects to whales, wolves, and big cats. So, when I was looking for stories to read, I always especially enjoyed folklore about animals—I think these tales were invented by someone like my Dad.
As a lover of folk-tale, legend, and myth—and having an especial love for Norse Myth—I soon sought out the folk-tales of Norway.
Asbjorsen and Moe are the Norwegian answer to the Brothers Grimm. Their collection is superb. There’s the Ash-Lad, who is rather like Jack of Beanstalk fame, and many trolls. There are twelve princes searching for twelve lost princesses, helpful griffins, abandoned babies, and ancient Norse gods pitching up in thin disguise.
And, of course, as the people who told these tales lived between mountains, sky, and sea, there are many tales of animals and birds.
The definitive English translation of the celebrated story collection regarded as a landmark of Norwegian literature and culture-now in paperback
The extraordinary folktales collected by Peter Christen AsbjOrnsen and JOrgen Moe began appearing in Norway in 1841. Over the next two decades the publication of subsequent editions under the title Norske folkeeventyr made the names AsbjOrnsen and Moe synonymous with Norwegian storytelling traditions. Tiina Nunnally's vivid translation of their monumental collection is the first new English translation in more than 150 years-and the first ever to include all sixty original tales.
Magic and myth inhabit these pages in figures both…
