100 Books Like Tropic of Night

Overstuffed and labyrinthine, Eco’s novel dives into a highly academic rabbit hole of conspiracy theories that toss me head over heels like a strong wave in the ocean. It reads a bit like The DaVinci Code written by Thomas Pynchon (who we’ll get to in a minute), the paranoias stemming from historical entities like the Knights Templar and the Rosicrucians.

I’d be hard-pressed to provide an accurate summary of events, but it all makes for a pleasantly bewildering reading experience.

I’ve read this book no less than five times, and it remains one of my all-time favorite books. Tartt’s literary style of writing is not only beautiful in its own right but becomes a tool to enrich the story that surrounds all things literary.

The idea of an exclusive New England college where you have the luxury of unabashedly studying the classics and taking school breaks in Italy is my ultimate idea of luxury. Where do I sign up?! Taking it a step further, the fact that these academic outcasts are stone-cold murderers hits my sweet spot.

This juxtaposition of elevation and depravation pulls me in every single time. When I went to college, I initially wanted to study criminal psychology, and this book is a perfect example of why.

Another fun bit of psychedelic folk horror, combined with a really cool history of the experimental films of Canada.

The narrator is compelling, and the whole time you feel the pull of her obsession to the film she’s looking into, even if it unsettles her and terrifies her at the same time. Love that pull of danger, wanting to look, to see, but knowing that doing so will probably kill you…

It's like horror novel catnip.

Superficially, The Minnesota Trilogy is a murder mystery. When two Norwegian tourists are slaughtered in a national forest, it seems like an open and shut case. All the evidence points in one direction, but park ranger Lance Hansen is not convinced. He suspects his own brother. Hansen’s amateur investigation accidentally uncovers a second mystery involving his ancestor and the death (murder?) of a nineteenth-century Ojibwe medicine man. Sundstøl’s depiction of contemporary rural Minnesota is as full of magic, menace, and intrigue as the best fantasy world-building. The American Midwest becomes a land of prophetic dreams and roaming ghosts. The clash of cultures is less political than mythic, and the stakes are spiritual. History is still happening. Family is deeper than blood. These books open my imagination and tear my heart in half.

Nhamo is the remarkable twelve-year-old heroine in this engrossing book who bravely sets out to escape an arranged marriage to a cruel man. Summoning uncommon courage, she builds a raft and launches it upon an enormous lake where she must war against enemies both seen and unseen as well as the threat of drowning and starvation. Mystical African beliefs come alive in this book written by a white woman who is deeply versed in the culture and customs of Mozambique and Zimbabwe. Skillfully rendered, it is often cited as a classic adventure story for young people and was one of the catalysts that convinced me to write my adventure stories.

I really enjoyed this excellent, ethereal collection of stories from Booker Prize winner Ben Okri who, from early on, has always infused the supernatural and dream logic into his literary work to get at a deeper truth in his very grounded stories about post-independence Nigeria and Nigerians. The lightest on its speculative elements out of all the books I’ve recommended, it’s also a great entry point for literary fiction fans looking to ease into the more flighty and wild parts of African speculative fiction. There are all the realities of life – anxiety, joy, poverty, war, love, but there are spirits and strange things too. Okri’s writing lures you in and takes you on a journey to observe Nigerian life from a skewed angle with unexpected tenderness. 

I loved how this book, set in an unnamed southern African country featuring the turbulent times of colonialism, civil war, and the HIV virus, combined historical facts and magical realism to captivate and charm me.

I was mesmerized as I followed Genie as she travelled through time, experiencing high adventure, heartache, and beauty. The characters are unforgettable, and the writing exquisite. It’s an incomparable novel.

I love this book and have taught it a number of times because the protagonist challenges us not to like her, and we do anyway. The novel's first line is that her brother died, and she is not sad. From that point on, you are enveloped in the complex and conflicting dynamics of an extended Shona family that has been changed by missionary education in what was then Southern Rhodesia.

It becomes clear that Western education, mostly by design, introduces students to concepts (if not languages) foreign to their families of origin. The result can be estrangement and division. The novel is semi-autobiographical and a moving illustration of colonialism's social and cultural impact.

One of the best examples of “history from below” I’ve read.

It tells the well-known story of David Livingstone’s last journey–how after he died in tropical Africa, his servants marched his body across the continent to the port of Dar es Salaam, so that it could be shipped back to England and buried there with appropriate pomp and reverence. This forms the framework for an utterly original novel that presents this epic trek from the perspective of two of Livingstone’s slave servants: his feisty Muslim cook, Halima, who brings her gossipy sardonic perspective to the enterprise, and his devout and pompous body servant Joseph, a Christian determined to do right by his master.

This work sparkles with energy and humor, as well as presenting a fresh perspective on a well-trodden path.

An invaluable scholarly source for understanding the Atlantic slave system at its source.  Among the book’s virtues are details of the cultures and politics in the area of European penetration and African slavery itself and the African participation in the European trade. This book should be recognized with the extensive literature on the Atlantic slave trade for its acknowledgment of the great range of African languages and cultures that ended up in Brazil, the Caribbean, and North America.