100 Books Like Tropic of Night

Overstuffed and labyrinthine, Eco’s novel dives into a highly academic rabbit hole of conspiracy theories that toss me head over heels like a strong wave in the ocean. It reads a bit like The DaVinci Code written by Thomas Pynchon (who we’ll get to in a minute), the paranoias stemming from historical entities like the Knights Templar and the Rosicrucians.

I’d be hard-pressed to provide an accurate summary of events, but it all makes for a pleasantly bewildering reading experience.

I’ve read this book no less than five times, and it remains one of my all-time favorite books. Tartt’s literary style of writing is not only beautiful in its own right but becomes a tool to enrich the story that surrounds all things literary.

The idea of an exclusive New England college where you have the luxury of unabashedly studying the classics and taking school breaks in Italy is my ultimate idea of luxury. Where do I sign up?! Taking it a step further, the fact that these academic outcasts are stone-cold murderers hits my sweet spot.

This juxtaposition of elevation and depravation pulls me in every single time. When I went to college, I initially wanted to study criminal psychology, and this book is a perfect example of why.

Another fun bit of psychedelic folk horror, combined with a really cool history of the experimental films of Canada.

The narrator is compelling, and the whole time you feel the pull of her obsession to the film she’s looking into, even if it unsettles her and terrifies her at the same time. Love that pull of danger, wanting to look, to see, but knowing that doing so will probably kill you…

It's like horror novel catnip.

Superficially, The Minnesota Trilogy is a murder mystery. When two Norwegian tourists are slaughtered in a national forest, it seems like an open and shut case. All the evidence points in one direction, but park ranger Lance Hansen is not convinced. He suspects his own brother. Hansen’s amateur investigation accidentally uncovers a second mystery involving his ancestor and the death (murder?) of a nineteenth-century Ojibwe medicine man. Sundstøl’s depiction of contemporary rural Minnesota is as full of magic, menace, and intrigue as the best fantasy world-building. The American Midwest becomes a land of prophetic dreams and roaming ghosts. The clash of cultures is less political than mythic, and the stakes are spiritual. History is still happening. Family is deeper than blood. These books open my imagination and tear my heart in half.

Nhamo is the remarkable twelve-year-old heroine in this engrossing book who bravely sets out to escape an arranged marriage to a cruel man. Summoning uncommon courage, she builds a raft and launches it upon an enormous lake where she must war against enemies both seen and unseen as well as the threat of drowning and starvation. Mystical African beliefs come alive in this book written by a white woman who is deeply versed in the culture and customs of Mozambique and Zimbabwe. Skillfully rendered, it is often cited as a classic adventure story for young people and was one of the catalysts that convinced me to write my adventure stories.

I really enjoyed this excellent, ethereal collection of stories from Booker Prize winner Ben Okri who, from early on, has always infused the supernatural and dream logic into his literary work to get at a deeper truth in his very grounded stories about post-independence Nigeria and Nigerians. The lightest on its speculative elements out of all the books I’ve recommended, it’s also a great entry point for literary fiction fans looking to ease into the more flighty and wild parts of African speculative fiction. There are all the realities of life – anxiety, joy, poverty, war, love, but there are spirits and strange things too. Okri’s writing lures you in and takes you on a journey to observe Nigerian life from a skewed angle with unexpected tenderness. 

Anansi the Spider is one of the classic African stories that inspired me to go into storytelling as a career. Reading this book, and watching its animated counterpart as a child, totally enthralled me. The combination of the bright, bold colours and graphical aesthetic, with the mystique of the folklore felt just like magic to me. The fable told here comes off as profound yet funny and quirky. This book is a must for anyone interested in fables and African folklore in particular.

When Anne Innis Dagg was a little girl, she longed to study giraffes in Africa. Many obstacles including gender discrimination stood in her way, so she hide her female identity to get a job and then traveled to Africa on her own. Anne fulfilled her dream and became the world's leading scientific expert on giraffes, inspiring the next generation of women scientists to pursue their dreams.

This is a wonderful and diverse cross-section of stories from a variety of African countries representing a thematic focus on a world facing Disruption, whether via climate change, global pandemics, or a plethora of crises, that challenges us all with the necessity to find ways to join with each other if we are to survive. Stand-out stories for me were Zambian author Mbozi Haimbe's "Shelter" (shortlisted for a NOMMO Award this year—best in African Speculative Fiction 2022) and Kenyan Idza Luhumyo’s "Five Years Next Sunday," winner of the 2022 Caine Prize for African Writing. I loved the vibrancy and range of these stories, all bristling with energy and providing novel ways of seeing and learning to confront our global challenges.  

This extraordinary book forces anyone who attempts at studying African politics during the post-colonial period (‘on the postcolony’ in Achile Mbembe’s term) as well as in the late Cold War to (re)consider the role of Africans in the shaping of post-colonial Africa. The author uses various examples to nuance the dilemma of the African state-building process. The notion of ‘the politics of the belly’ derived from a Cameroonian saying, not a Bayart’s creation, as many in the West would think of it.