Here are 100 books that The Lake House fans have personally recommended if you like
The Lake House.
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I grew up without a TV (well, we had a monitor for movies), so we spent a lot of time as a family reading. And the novels that I gravitated more and more towards were ones with psychological themes. It didn’t matter if they were modern or ancient; if they got at something unexplainable (or even explainable) about the human psyche, about what motivates us to behave in the ways that we do—especially if those behaviors are self-destructive—I wanted to read them. And I still do.
I know it’s a bit cliché, but I can never stop myself from talking about my favorite novel of all time—Jane Eyre.
Not only does Jane’s voice sweep me off my feet every time I reopen the novel, but the novel itself always gets me thinking. It’s one of those rare books that somehow contains every genre, and does it well.
I get sucked into the mystery of the noises in Rochester’s house. My heart breaks when Jane’s only friend, Helen, dies. But most of all, I feel the romance, the chemistry between Mr. Rochester and Jane. All of it keeps me coming back for more.
Introduction and Notes by Dr Sally Minogue, Canterbury Christ Church University College.
Jane Eyre ranks as one of the greatest and most perennially popular works of English fiction. Although the poor but plucky heroine is outwardly of plain appearance, she possesses an indomitable spirit, a sharp wit and great courage.
She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order. All of which circumscribe her life and position when she becomes governess to the daughter of the mysterious, sardonic and attractive Mr Rochester.
Pregnant out of wedlock, sixteen-year-old Annie Moore is sent to live at a convent for fallen women. When the nuns take her baby, Annie escapes, determined to find a way to be reunited with her daughter. But few rights or opportunities are available to a woman in the 1860s, and…
I was twelve years old when I first read Jane Eyre, the beginning of my love for gothic fiction. Murder mysteries are fine, but add a remote location, a decaying old house, some tormented characters, ancient family secrets, and I’m all in. Traditional Gothic, American Gothic (love this painting), Australian Gothic, Mexican Gothic (perfect title by the way), I love them all. The setting in gothic fiction is like a character in itself, and wherever I travel, I’m drawn to these locations, all food for my own writing.
So much so that I’ve read it several times since I first encountered it as a teenager. (Plus watched both movie versions, twice each.)
The first line, "Last night I dreamt I went to Manderley again," drew me in and refused to let go. I wanted to return to Manderley. I wanted to find out what dark secrets would be revealed there. The unnamed, naive young heroine is haunted by the all-pervading presence of her husband’s first wife, Rebecca… and so was I.
And although some of the social attitudes are jarring to a 21st-century reader, and although I know the plot by heart now… I will still return to it.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
I’ve spent my career with my students exploring microbes in all kinds of worlds, from cosmetics on our skin to the glaciers of Antarctica. In Antarctica, I discovered bizarre bacteria that form giant red blobs; we call them the “red nose” life form. In our lab at Kenyon College, we isolated new microbes from a student’s beauty blenders. These experiences, and those of the books I list here, inspire the microbial adventures of my science fiction. If microbes could talk, how would they deal with us? Find out in my novel, Brain Plague. And I hope you enjoy all the microbial tales on this list!
This is the best novel I’ve read about bubonic plague.
Student historian Kivrin travels back in time to England of the Middle Ages—unknowingly at the start of the Black Death. The cause of Black Death was the plague bacteria, unknown to people of that time.
What makes the book memorable is its depiction of everyday life, where children who get lost in the forest must find their way home by the tolling of the village church bell. Ultimately, the bell tolls for all the plague’s victims.
The vivid characterization makes me experience people of a time so distant their minds feel alien to us, yet still deeply human.
"Ambitious, finely detailed and compulsively readable" - Locus
"It is a book that feels fundamentally true; it is a book to live in" - Washington Post
For Kivrin Engle, preparing an on-site study of one of the deadliest eras in humanity's history was as simple as receiving inoculations against the diseases of the fourteenth century and inventing a bullet-proof backstory. For her instructors in the twenty-first century, it meant painstaking calculations and careful monitoring of the rendezvous location where Kivrin would be received.
Pregnant out of wedlock, sixteen-year-old Annie Moore is sent to live at a convent for fallen women. When the nuns take her baby, Annie escapes, determined to find a way to be reunited with her daughter. But few rights or opportunities are available to a woman in the 1860s, and…
It’s quite simple, I just love history. I particularly like the dual timeline format because it’s a reminder that what has happened in the past remains relevant to the present. The narratives might be set hundreds of years apart, but there are common themes that continue to shape our lives and define us as human beings–some of them good and others that are potentially more destructive. I now write this sort of fiction, and I continue to devour it as a reader. I hope you enjoy the books on this list as much as I have.
I love a dramatic setting. This is the first in Kate Mosse's Languedoc trilogy (the second is also dual-timeline). From the very beginning, I felt as if she had picked me up and dropped me in the heart of the fortified city of Carcassonne, which has a history as dramatic as its setting.
I’m also quite interested in archaeology, so moving between a modern narrative that takes place on an archaeological dig and an 800-year-old crusade in what is now a UNESCO World Heritage Site was a perfect combination.
July 2005. In the Pyrenees mountains near Carcassonne, Alice, a volunteer at an archaeological dig, stumbles into a cave and makes a startling discovery-two crumbling skeletons, strange writings on the walls, and the pattern of a labyrinth.
Eight hundred years earlier, on the eve of a brutal crusade that will rip apart southern France, a young woman named Alais is given a ring and a mysterious book for safekeeping by her father. The book, he says, contains the secret of the true Grail, and the ring, inscribed with a labyrinth, will identify a guardian of the Grail. Now, as crusading…
I write novels for children, YA, and adults, most of which reflect my fascination with history, mystery, crime, and fantasy. I particularly enjoy writing timeslip novels, exploring how the past can inform the present and vice versa. I recently updated and revised my award-winning Shalott trilogy, which visits both the historical past and also the quasi-medieval world of Camelot in a reinterpretation of the legend of King Arthur and the Knights of the Round Table, and with reference also to The Lady of Shalott, the wonderful and mysterious poem by Alfred, Lord Tennyson. (A reviewer recently compared my Shalott trilogy with the novels of Diana Gabaldon = wow!)
This remarkable ‘novel’ opens (and closes) with the author being given a journal written by Roger, Duke of Lunel, ‘l’Escrivel’, from whom he claims to be descended. This diary forms the bulk of the novel, and it seems to be a translation of a real diary, an intimate and detailed account of the penitent Roger’s journey to Jerusalem in company with other pilgrims on the First Crusade. At times poetic and beautiful, Roger lays bare his innermost reflections on his faith, his sexuality, his guilty love for his friend’s wife, and his search for his soul and for redemption. In excruciating detail, we also learn of the venality, ambition, and greed of those in charge of the various crusader armies who seek power and position in their conquered territories, and the absolute brutality of the conquering crusaders who, in the name of Christ, slaughter, behead and burn all those men,…
A young French nobleman, Roger, Duke of Lunel, leaves his home to join the forces to recapture Jerusalem, yet the holy crusade turns horribly wrong as he witnesses savagery, betrayal, and deceit all around him, and he begins to believe that he will neverreturn home
It’s quite simple, I just love history. I particularly like the dual timeline format because it’s a reminder that what has happened in the past remains relevant to the present. The narratives might be set hundreds of years apart, but there are common themes that continue to shape our lives and define us as human beings–some of them good and others that are potentially more destructive. I now write this sort of fiction, and I continue to devour it as a reader. I hope you enjoy the books on this list as much as I have.
I’m so glad that I didn’t have a lot of big deadlines looming when I started reading this epic story, because I would have failed to meet them. I couldn’t put it down–all 757 pages of it!
I’ve since visited many of the places and some of the castles that feature in Matilda’s story, and I’ve walked in her footsteps with her voice still ringing inside my head. I found the sinister re-telling in the modern-day story of cynical journalist Jo Clifford equally gripping.
As the past starts to manifest in the present, it becomes a psychological thriller to rival the best of that genre. It is simply a masterpiece of dual-timeline fiction.
A story spanning centuries. A long awaited revenge.
In London, journalist Jo Clifford plans to debunk the belief in past-lives in a hard-hitting magazine piece. But her scepticism is shaken when a hypnotist forces her to relive the experiences of Matilda, Lady of Hay, a noblewoman during the reign of King John.
She learns of Matilda's unhappy marriage, her love for the handsome Richard de Clare, and the brutal death threats handed out by King John, before it becomes clear that Jo's past and present are inevitably entwined. She realises that eight hundred years on, Matilda's story of secret passion…
I am an author of mysteries with three published books in the genre to date. Novels involving a mysterious house will immediately grab my attention. Throw in an otherworldly presence and I’m hooked. So it was no surprise when my muse guided me to create a mystery series that centers around a Victorian home haunted by the spirits of its original inhabitants. Inspiration came from personal experience—a real-life ghostly encounter in my New England country home which bordered an ancient cemetery—and influence from classic tales that delve into the paranormal and the psychological. This is the type of book I will always rush to read (and write).
The Haunting of Maddy Clare is a historic tale of ghost hunters who find exactly what they are seeking in Maddy Clare—a powerful and angry specter that haunts the barn where she ended her life. The characters are well drawn in a story that offers just the right balance of fright and romantic tension. The atmosphere is as dark and unsettling as one would hope to discover in a story about a haunting spirit, with enough mystery and suspense to keep the reader wondering about the ending for each of the characters—including Maddy Clare herself.
For readers who enjoy mysteries, ghost stories, and romantic suspense…The Haunting of Maddy Clare offers all of that and more.
A woman of limited means and even less experience must confront a vengeful spirit in this haunting novel from the New York Times bestselling author of The Broken Girls and The Sun Down Motel.
1920s England. Sarah Piper’s lonely, threadbare existence changes when her temporary agency sends her to assist an obsessed ghost hunter. Alistair Gellis—rich, handsome, and scarred by World War I—has been summoned to investigate the spirit of the nineteen-year-old maid Maddy Clare, who is said to haunt the barn where she committed suicide.
Maddy hated men in life, and she will not speak to them in death.…
I was twelve years old when I first read Jane Eyre, the beginning of my love for gothic fiction. Murder mysteries are fine, but add a remote location, a decaying old house, some tormented characters, ancient family secrets, and I’m all in. Traditional Gothic, American Gothic (love this painting), Australian Gothic, Mexican Gothic (perfect title by the way), I love them all. The setting in gothic fiction is like a character in itself, and wherever I travel, I’m drawn to these locations, all food for my own writing.
It’s the voice that gets me with We Have Always Lived in the Castle.
Merricat Blackwood is such a strange, chilling young narrator. Mysterious and vaguely unsettling, I could never be sure whether to believe her version of events. Or not.
Plus, it has some of my favourite story ingredients: a family tragedy, a murder trial, an unwelcome visitor, and a little bit of magic.
Living in the Blackwood family home with only her sister, Constance, and her Uncle Julian for company, Merricat just wants to preserve their delicate way of life. But ever since Constance was acquitted of murdering the rest of the family, the world isn't leaving the Blackwoods alone. And when Cousin Charles arrives, armed with overtures of friendship and a desperate need to get into the safe, Merricat must do everything in her power to protect the remaining family.
The first books I loved were Gothic classics like Jane Eyre and Rebecca, because of their isolated settings and secretive characters. When I first started writing, it was always stories about communities–the first novel I wrote featured a retirement village and a circus. Maybe that’s because I love observing communities in everyday life, like local pubs in which everybody has their place. When domestic suspense novels really took off, I started devouring crime books with close-knit settings and soon was writing them, too. I love the claustrophobia, the backstories, the landscape, the web of relationships. It can be done in so many different and brilliant ways.
To be honest, I could have picked multiple books by Lisa Jewell. She’s my favorite thriller writer, and many of her books use close-knit communities to set up mysteries in which I constantly change my mind about who I can trust. Exactly what I love about domestic noir!
In this book, the setting is a picturesque village in the Surrey Hills, where teenage parents Tallulah and Zach head out on a date to the local pub and never come home. There are two aspects of the seemingly idyllic community that really sucked me in: a mysterious mansion just outside the village known as Dark Place and a boarding school with its own long-kept secrets. Jewell uses the setting not only to heighten the sense of mystery–there are secret tunnels, woods where bad things happen, clues in old paintings, all the good stuff!–but also to explore themes of class, sexuality, and…
From the #1 New York Times bestselling author of Then She Was Gone comes “her best thriller yet” (Harlan Coben, New York Times bestselling author) about a young couple’s disappearance on a gorgeous summer night, and the mother who will never give up trying to find them.
On a beautiful summer night in a charming English suburb, a young woman and her boyfriend disappear after partying at the massive country estate of a new college friend.
One year later, a writer moves into a cottage on the edge of the woods that border the same estate. Known locally as the…
As a mystery author, I’ve long been drawn to stories about missing persons, particularly novels featuring missing mothers. I suspect the special appeal of books about missing moms is because my own mother was M-I-A during my childhood. Whereas my older sisters lost our mother to mental illness at the tender ages of four and seven, in some ways, I was fortunate because I was an infant when our mom was institutionalized and, thus, had never fully bonded with her. And yet, the longing for my mother was ever-present. She left behind a large empty space in our family.
Having grown up in a waterfront community, I couldn’t resist this atmospheric thriller featuring a young woman drawn back to a small Southern town built around a lake. Years ago, her mother had abandoned her, leaving her with her stepfather. Or so she’s always been told.
But as she peels away family secrets and lies, she discovers that her mother never intended to leave her, and she has no idea who hurt her mother or who may be trying to silence her. The plot twists and sense of ever-present dread kept me reading long into the night!
Her father was the town detective. Her mother its most notorious criminal. Now the secrets of Mirror Lake are coming to the surface…and changing everything. "[A] stunning psychological thriller from one of the most insightful writers around” (CrimeReads), don’t miss the latest from Megan Miranda, the instant New York Times bestselling author of All the Missing Girls, The Last to Vanish, and The Only Survivors.
“Miranda…exposes revelation after twisty revelation…Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller” (Kirkus Reviews, starred review).
