Here are 100 books that The Haunting of Maddy Clare fans have personally recommended if you like
The Haunting of Maddy Clare.
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I am drawn to books in which family history is never as simple as it first appears. I have always loved fiction about memory, silence, and the choices people make when they discover that something they believed about their past was not entirely true. As a novelist, I keep returning to these themes because I am fascinated by the way family stories shape who we become. I am especially interested in women who have to rebuild their sense of themselves when old explanations stop making sense. The books on this list stay with me because they do more than reveal secrets; they show what happens after the truth is known.
I first loved Rebecca for its atmosphere, but what stayed with me was something more unsettling: how completely another person’s version of the past can shape the present.
I remember finishing it and thinking about how easily we accept a story when everyone around us seems to believe it. As a writer, I keep returning to that idea.
Du Maurier showed me that an absence can dominate a novel as powerfully as a living character, and that what people refuse to say can matter as much as what they reveal. That has stayed with me in my own writing about memory, silence, and family secrets.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
In the 1920s, famous psychic Margery Crandon astounds her followers and confounds scientists and magician Harry Houdini.
Will Houdini be her undoing? At a time when spiritualism draws many wishing to commune with their dearly departed, medium Margery Crandon entertains Boston society and intrigues psychic researchers. Her deceased brother, Walter,…
I write historical fiction about real people, and I found the subject of a medium who faced off against Harry Houdini altogether irresistible. Still, writing about a medium presented unique challenges. I had to ask myself: Did I believe it was possible to summon the dead? Would readers be skeptical if I pushed this belief on them? Or would readers who didn’t believe in spiritualism think I’d gone too far in representing otherworldly events? So I read many books and studied how other authors handled these questions. I hope this list of stories about mediums, seances, and ghosts will chill and thrill you.
Sarah Waters is one of my all-time favorite authors, and this book did not disappoint.
From the story’s opening pages, I experienced the unsettling sense that something was not quite right. The story barrels along with enough twists to make you wonder if you’ve landed in the territory of Charles Dickens, which in a way you have, because this is Victorian London and there’s a prison and questionable loyalties, to say nothing of a séance gone wrong.
I happily went on this ride, even though it got downright creepy at points.
'Affinity is the work of an intense and atmospheric imagination . . . Sarah Waters is such an interesting writer, a kind of feminist Dickens' Fiona Pitt-Kethley, Daily Telegraph
Set in and around the women's prison at Milbank in the 1870s, Affinity is an eerie and utterly compelling ghost story, a complex and intriguing literary mystery and a poignant love story with an unexpected twist in the tale. Following the death of her father, Margaret Prior has decided to pursue some 'good work' with the lady criminals of one of London's most notorious gaols. Surrounded by prisoners, murderers and common…
I am an author of mysteries with three published books in the genre to date. Novels involving a mysterious house will immediately grab my attention. Throw in an otherworldly presence and I’m hooked. So it was no surprise when my muse guided me to create a mystery series that centers around a Victorian home haunted by the spirits of its original inhabitants. Inspiration came from personal experience—a real-life ghostly encounter in my New England country home which bordered an ancient cemetery—and influence from classic tales that delve into the paranormal and the psychological. This is the type of book I will always rush to read (and write).
The Lake House was recommended to me because the style of writing and the themes of the story have been compared to my own books.I especially enjoy the techniques of interweaving present-day stories with tales from the past and employing multiple perspectives. Kate Morton’s characters are always well-developed, and her descriptions provide atmospheric depth. The country lake home, Loeanneth—beautifully described in its prime—is an abandoned, crumbling estate decades later. Family secrets abound and having two unrelated mysteries at work brings texture to the story. As a writer, I do appreciate when one of the main characters is an author, and I enjoyed observing Alice Edevane's approach to her writing life. Be patient as the mystery twists and builds. You won’t be disappointed!
June 1933, and the Edevane family's country house, Loeanneth, is polished and gleaming, ready for the much-anticipated Midsummer Eve party. But by the time midnight strikes and the fireworks light up the night skies, the Edevane family will have suffered a loss so great that they leave Loeanneth forever. Seventy years later, after a particularly troubling case, Detective Sadie Sparrow retreats on an enforced holiday to her beloved grandfather's cottage in Cornwall. Venturing further into the countryside on her daily runs, she stumbles upon a long-abandoned house surrounded by overgrown gardens and dense woods, and learns the terrible story of…
LOT 16 WAS NEVER TO BE SOLD. Generations pass and the estate’s directive is overturned.
Situated on a grassy hilltop overlooking a lake and wildlife preserve, the 30-acre parcel is perfect for Nora and Dex. They’ll escape their city’s rising crime, build a home with an amazing view, work remotely,…
I am a multi-published author of mainly Gothic, haunted house, and ghostly novels, novellas, and short stories. I love nothing more than exploring historic houses, ancient stone circles and places that are noted for having a certain atmosphere that hints – or, in some cases, screams – a macabre and interesting past. I am the person you will spot, hunched over an old gravestone peering at the much-degraded carving, searching for the name of its owner and a hint to their story. Why? I blame a childhood spent reading M.R. James.
Whenever people think of Shirley Jackson, The Haunting of Hill House springs to mind, and, for many years, I stopped right there. I was wrong.
In my opinion, We Have Always Lived in the Castle is actually a much better book – better in terms of plot and characterization. In telling the story of the decidedly disturbed and disturbing Blackwood family and their sinister home, Shirley Jackson explores small-town prejudice as well as the creeping impression that, while something awful has already happened, there is much worse to follow.
Merricat is a character I identified with. She is strong, determined, and a fighter. With the odds stacked so firmly against her, she needs to be. Jackson’s last novel is, for me at least, her greatest.
Living in the Blackwood family home with only her sister, Constance, and her Uncle Julian for company, Merricat just wants to preserve their delicate way of life. But ever since Constance was acquitted of murdering the rest of the family, the world isn't leaving the Blackwoods alone. And when Cousin Charles arrives, armed with overtures of friendship and a desperate need to get into the safe, Merricat must do everything in her power to protect the remaining family.
I write historical fiction about real people, and I found the subject of a medium who faced off against Harry Houdini altogether irresistible. Still, writing about a medium presented unique challenges. I had to ask myself: Did I believe it was possible to summon the dead? Would readers be skeptical if I pushed this belief on them? Or would readers who didn’t believe in spiritualism think I’d gone too far in representing otherworldly events? So I read many books and studied how other authors handled these questions. I hope this list of stories about mediums, seances, and ghosts will chill and thrill you.
I don’t read that many nonfiction books, but this one was well worth my time.
After World War I and the Great Influenza epidemic of 1918, many people turned to spiritualism. Jaher digs into the rivalry between Margery Crandon, dubbed by some the Witch of Lime Street, and Harry Houdini.
I enjoyed learning about the many feats Margery regaled her admirers with. And I saw a side of Houdini that most people don’t know about: he was more than a great magician and escape artist.
And the first time I put the book on my bedside table and turned off the lights, I discovered that the book cover glows in the dark!
History comes alive in this textured account of the rivalry between Harry Houdini and the so-called Witch of Lime Street, whose iconic lives intersected at a time when science was on the verge of embracing the paranormal.
The 1920s are famous as the golden age of jazz and glamour, but it was also an era of fevered yearning for communion with the spirit world, after the loss of tens of millions in the First World War and the Spanish-flu epidemic. A desperate search for reunion with dead loved ones precipitated a tidal wave of self-proclaimed psychics—and, as reputable media sought…
A writer is made in many ways. From an early age, I had my nose in a book and spent any free time I had going to and from the local library. ‘Here she comes,’ said the librarian a little wearily as I was insatiable. For me, reading opened the door into alternative ways of seeing and of being. During the day, I put on the school uniform and learned about maths and why tax is necessary. Back home, I plunged into every kind of adventure, from the exotic and the frightening to the quietly reassuring stories of families who stuck together. It turned me into a writer.
Immersed in a boarding school with my parents living on another continent, I searched for comfort and found it in Charlotte Brontë’s novel of a young orphan struggling to make her way in Victorian England.
Although considered by some to be shocking when it was published in 1847, it was a sensation and has never been out of print since.
"Do you think," she cries to the rich Mr Rochester, the man she loves, "because I am poor, plain and little, that I am soulless and heartless? You think wrong – I have as much soul as you – and full as much heart."
Complete with Gothic frills, brooding landscapes and high drama, leavened with intelligence and psychological acuity, Jane Eyre is a love story which contains one of the great cries for equality in literature.
Who could fail to respond? I certainly did, and I remember it every time…
Little treasures, the FLAME TREE COLLECTABLE CLASSICS are chosen to create a delightful and timeless home library. Each stunning, gift edition features deluxe cover treatments, ribbon markers, luxury endpapers and gilded edges. The unabridged text is accompanied by a Glossary of Victorian and Literary terms produced for the modern reader.
Perhaps one of the most well-known books in the world, Jane Eyre follows the life of its eponymous orphaned protagonist. From her early life Jane is strong-willed, passionate and kind but comes up against a lot of struggles. She lives with her aunt and uncle during early childhood, where…
I write historical fiction about real people, and I found the subject of a medium who faced off against Harry Houdini altogether irresistible. Still, writing about a medium presented unique challenges. I had to ask myself: Did I believe it was possible to summon the dead? Would readers be skeptical if I pushed this belief on them? Or would readers who didn’t believe in spiritualism think I’d gone too far in representing otherworldly events? So I read many books and studied how other authors handled these questions. I hope this list of stories about mediums, seances, and ghosts will chill and thrill you.
Spiritualism was very popular in Victorian England, but it could be a cutthroat business. Mrs. Wood is held in high esteem by her customers, who are entertained in lavish seances, but then a young woman who wants to be her apprentice enters the picture. Things quickly get complicated.
Lucy Barker paints the Victorian period with all its fusty atmosphere—and she made me feel sympathy for these women trying to carve out a place in the world at a time when females’ options were limited. I believed these characters, and Barker does a great job showing the challenges they face, which all adds up to a suspenseful read.
'A charming debut that sparks with fun and fizz' GOOD HOUSEKEEPING
'A must read!' SOPHIE IRWIN
'Storytelling at its finest' STYLIST
A DAILY MAIL BOOK OF THE YEAR
LONGLISTED FOR THE HISTORICAL WRITERS' ASSOCIATION DEBUT CROWN PRIZE
Mrs Wood is London's most celebrated medium. She's managed to survive decades in the competitive world of contacting the Other Side, has avoided the dreaded slips that revealed others as frauds and is still hosting packed-out seances for Victorian high society.
Yet, some of her patrons have recently cancelled their…
I write historical fiction about real people, and I found the subject of a medium who faced off against Harry Houdini altogether irresistible. Still, writing about a medium presented unique challenges. I had to ask myself: Did I believe it was possible to summon the dead? Would readers be skeptical if I pushed this belief on them? Or would readers who didn’t believe in spiritualism think I’d gone too far in representing otherworldly events? So I read many books and studied how other authors handled these questions. I hope this list of stories about mediums, seances, and ghosts will chill and thrill you.
I loved the complexity of this novel, which grapples with so many themes—poverty, family ties, women’s hardships in a male-dominated society, and the tension between falsehood and sincerity.
Nairna, a young Scottish girl, travels the countryside with her father, who is basically a conman. But Nairna has real talent, and when she comes to the attention of Edinburgh Spiritualists, she is drawn into a dangerous circle.
But the novel brings in another thread, that of a widow who lost her husband in the coal mines. I had empathy for both of these characters, who are united by their experience with mesmerism.
As spiritualism reaches its fevered pitch at the dawn of the 20th century, a Scottish girl crosses the veil to unlock a powerful connection within an infamous asylum in this thrillingly atmospheric, exquisitely evocative exploration of feminine rage and agency for readers of Sarah Penner, Alice Hoffman, and Hester Fox.
Leaving behind a quiet life of simple comforts, Nairna Liath traverses the Scottish countryside with her charlatan father, Tavish. From remote cottages to rural fairs, the duo scrapes by on paltry coins as Tavish orchestrates “encounters” with the departed, while Nairna interprets tarot cards for those willing to pay for…
I grew up reading Agatha Christie, Dorothy Sayers, and everything British. My first novel celebrated American literature and small towns, and my first murder mystery was a love letter to England. I once spent twenty days visiting almost thirty bookshops and reading my way all over England, and let me tell you, I learned a thing or two about murders.
I love Frances Brody's indomitable amateur sleuth, Kate Shackleton. The series takes place in London and Yorkshire in the 1930s, and this book will be particularly pleasing for fans of the Bronte sisters and Wuthering Heights. Seven keen amateur photographers gather for the most popular openings of the decade. Only six will return.
'Frances Brody has made it to the top rank of crime writers' Daily Mail
Taking the perfect photograph can be murder . . .
Yorkshire, 1928. Indomitable sleuth Kate Shackleton is taking a well-deserved break from her detective work and indulging in her other passion: photography. When her local Photographic Society proposes an outing, Kate jumps at the chance to visit Haworth and Stanbury, in the heart of Bronte country, the setting for Wuthering Heights.
But when an obnoxious member of their party is murdered, the group is thrown into disarray. Is the murderer amongst them, or did the loud-mouthed…
I’m a writer of cosy crimes and unapologetic in my love for the genre! There’s nothing better, in my opinion than a well-thumbed Agatha Christie or a foxed, old copy of Dorothy L Sayers. And it’s the role of the amateur sleuth that I love the best; that happy accident that brings a person with a sharp mind and perhaps a particular skill set together with a murderous villain, and we, the lucky reader, get to ride alongside them and work out the mystery for ourselves. Pour that tea, snuggle up and settle in with these five brilliant examples of amateur sleuths with just something a little different to offer…
I have to admit I saw the cover of this book and was smitten… then I discovered what makes this crime novel and its amateur sleuth a little bit different. Josephine Tey revisits the scene of a death at Charleston Farmhouse in 1915, and now, twenty years later, she realises that it might have been more sinister than ‘just’ an accident—and she, who was there at the time, might be implicated in the murder herself. Josephine Tey, as well as being the book’s protagonist, was also the real-life pen name of Elizabeth MacKintosh, who wrote eight murder mysteries as Tey. That Upson has so cleverly fictionalised the real-life Tey is what makes this book, and the others in the series, so different—brilliantly so, in my opinion.
** Longlisted for the CWA Sapere Books Historial Dagger 2020 **
'Haunting . . . Superlative.' Sunday Times Crime Book of the Month
'A terrific novel.' A. N. Wilson
Summer, 1915: a young woman falls to her death at Charleston Farmhouse on the Sussex Downs. But was it an accident?
Twenty years later, Josephine Tey is faced with the accusation that it was murder, and that she was complicit in the crime. Can she clear her name and uncover the truth, exposing the darkest secrets of that apparently idyllic summer?