Here are 81 books that The Ládjogahpir – The Foremothers` Hat of Pride fans have personally recommended if you like
The Ládjogahpir – The Foremothers` Hat of Pride.
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Although I’d been to Scandinavia many times as a translator and travel writer, it wasn’t until about twenty years ago that I spent significant time above the Arctic Circle, writing my travel book, The Palace of the Snow Queen. Over the course of three different winters spent in Lapland, I discovered a world of Sami history, politics, culture, and literature. I was particularly interested in the friendship between Emilie Demant Hatt and Johan Turi. It’s been inspiring over the past years to see a new generation of artists and activists shaping and sharing their culture and resisting continued efforts to exploit natural resources in territories long used by the Sami for herding and fishing.
If you’re curious about the woman who collected the Sami folktales, you’ll want to read Emilie Demant Hatt’s story of living in a tent with a Sami family in a community in Northern Sweden. You’ll be fascinated by her grueling journey with a group of Sami herders and their hundreds of reindeer over the icy mountains in the spring of 1908 to find summer pastures on the Norwegian coast. I’ve long loved the adventure, humor, and visual feast in this book, first published in 1913, and was eager to translate it and share it with readers curious about the high north of Scandinavia. Demant Hatt was a brilliant observer and an early immersive journalist who didn’t shy away from hard work, rough conditions, and learning the Sami language.
With the Lapps in the High Mountains is an entrancing true account, a classic of travel literature, and a work that deserves wider recognition as an early contribution to ethnographic writing. Published in 1913 and available here in its first English translation, With the Lapps is the narrative of Emilie Demant Hatt's nine-month stay in the tent of a Sami family in northern Sweden in 1907-8 and her participation in a dramatic reindeer migration over snow-packed mountains to Norway with another Sami community in 1908. A single woman in her thirties, Demant Hatt immersed herself in the Sami language and…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Although I’d been to Scandinavia many times as a translator and travel writer, it wasn’t until about twenty years ago that I spent significant time above the Arctic Circle, writing my travel book, The Palace of the Snow Queen. Over the course of three different winters spent in Lapland, I discovered a world of Sami history, politics, culture, and literature. I was particularly interested in the friendship between Emilie Demant Hatt and Johan Turi. It’s been inspiring over the past years to see a new generation of artists and activists shaping and sharing their culture and resisting continued efforts to exploit natural resources in territories long used by the Sami for herding and fishing.
Johan Turi was a herder and hunter when he first met Emilie Demant Hatt on a train in Northern Sweden in 1904. He confided that he wanted to tell the story of the indigenous Sami, and she encouraged him to write what became the landmark text, Muitalus Sámiid birra, the first secular book in the Sami language. She translated it into Danish and it was published in a bilingual edition with his drawings in 1910. Combining history, folktales, explanations, and poetry, it’s a humorous, sometimes poignant, and remarkable compendium of Sami life a hundred years ago. I’ve enjoyed this book since I first read it in an earlier translation. This version, translated with care by noted scholar Thomas A. DuBois, has an excellent introduction to Turi’s life and work.
Although I’d been to Scandinavia many times as a translator and travel writer, it wasn’t until about twenty years ago that I spent significant time above the Arctic Circle, writing my travel book, The Palace of the Snow Queen. Over the course of three different winters spent in Lapland, I discovered a world of Sami history, politics, culture, and literature. I was particularly interested in the friendship between Emilie Demant Hatt and Johan Turi. It’s been inspiring over the past years to see a new generation of artists and activists shaping and sharing their culture and resisting continued efforts to exploit natural resources in territories long used by the Sami for herding and fishing.
A lot of books about the Sami people ignore the fact that the discrimination and territorial colonization they faced in the past is still ongoing, though it takes shape in new ways. This succinct book of interviews with twelve engaging and thoughtful activists from Sápmi is proceeded by a “short political history of Sápmi” by Gabriel Kuhn. In addition to history, we get personal observations from, among others, the artist/poet Synnøve Persson, the filmmaker Suvi West, the politician/ fisherman Aslak Holmberg and the rapper Maxida Märak. I find this book a superb source for Sami voices and perspectives, as well as for the images and English-language resources at the end.
The Sámi, who have inhabited Europe’s far north for thousands of years, are often referred to as the continent’s “forgotten people.” With Sápmi, their traditional homeland, divided between four nation-states—Norway, Sweden, Finland, and Russia—the Sámi have experienced the profound oppression and discrimination that characterize the fate of indigenous people worldwide: their lands have been confiscated, their beliefs and values attacked, their communities and families torn apart. Yet the Sámi have shown incredible resilience, defending their identity and their territories and retaining an important social and ecological voice—even if many, progressives and leftists included, refuse to listen.
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
Although I’d been to Scandinavia many times as a translator and travel writer, it wasn’t until about twenty years ago that I spent significant time above the Arctic Circle, writing my travel book, The Palace of the Snow Queen. Over the course of three different winters spent in Lapland, I discovered a world of Sami history, politics, culture, and literature. I was particularly interested in the friendship between Emilie Demant Hatt and Johan Turi. It’s been inspiring over the past years to see a new generation of artists and activists shaping and sharing their culture and resisting continued efforts to exploit natural resources in territories long used by the Sami for herding and fishing.
Another new book by two scholars who work with Sami linguistics and folklore, this volume is a must-read account of how, beginning in the 1970s, the Sami began to employ Sami-language media, from recordings, books, and periodicals to films, tweets, and YouTube recordings, to maintain and create social and political awareness and art. I loved reading about the work of filmmakers and musicians in a way that respects their innovative work in the context of Sápmi’s long-standing indigenous culture. I only wish that more Sámi films and art exhibits were available for viewing in North America. Luckily we have YouTube and music streaming services to accompany our reading!
Digital media-GIFs, films, TED Talks, tweets, and more-have become integral to daily life and, unsurprisingly, to Indigenous people's strategies for addressing the historical and ongoing effects of colonization. In Sami Media and Indigenous Agency in the Arctic North, Thomas DuBois and Coppelie Cocq examine how Sami people of Norway, Finland, and Sweden use media to advance a social, cultural, and political agenda anchored in notions of cultural continuity and self-determination. Beginning in the 1970s, Sami have used Sami-language media-including commercially produced musical recordings, feature and documentary films, books of literature and poetry, and magazines-to communicate a sense of identity both…
I’m an Australian writer. I came to creative writing late in life but have been an avid reader since my early school years. My fascination with mystery thrillers started with Enid Blyton and included Raymond Chandler books—not usually recommended for an 11-year-old. I have always had an inquisitive mind, asking difficult questions and seeking understanding. My first degree was a Bachelor of Science, majoring in Chemistry. My diverse working life spanned a variety of roles, building a rich tapestry of experience. I relish layered, complex, and thought-provoking stories both as a writer and a reader. I hope you enjoy my recommended books as much as I have.
This gripping historical thriller has World War II intrigue and Norwegian spies, so it can be described as a wartime murder mystery interwoven with a gripping espionage thriller. It’s a layered story that resonates with that era's tensions, conflicts, and mistrust. I felt like I was there; it was so rich in historical details.
The plot captures the real tensions between Nazi-occupied Norway and neutral Sweden. I learned so much and gained insights into the murky motivations of the time. For someone who pays attention to politics, the complex interplay of different interest groups and their political maneuvering had interesting parallels to the present.
The story has it all: layers of family drama, shared history, divided loyalties, and deep-seated hatred, with storylines weaving in political ideology, the true nature of war, and distorted notions of patriotism, ambition, and revenge. There is so much to think about and apply to today's…
When a courier for Sweden's Press and Military Office is killed on his final mission, the Norwegian government-in-exile appoints a writer to find the missing documents ... breathtaking WW2 thriller.
**International NUMBER ONE bestseller**
'A stylish stand-alone thriller from the godfather of Scandi noir ... Ola Dahl ratchets up the tension from the first pages and never lets go' Sunday Times
'Absorbing, heart-rending and perfectly plotted' Denzil Meyrick
'Expertly crafted' John Harvey
_________
Summer, 1943. Daniel Berkak, who works as a courier for the Press and Military Office in Sweden, is killed on his last cross-border mission to Norway.
As a child, I desperately wanted a pet. Even if it maybe wasn’t a “real pet” like a rock or an egg. I used my imagination for pet possibilities. When I was researching If You Want A Friend In Washington I was constantly in awe of the strange and unusual pets of the White House. I wanted this list of pet books to be as diverse and unusual as the Presidential Pets. Maybe a Glacier is the perfect pet for you?
Maybe you are looking for a conventional pet? or maybe not? Ruby, the main character thought she might want a cat or dog but found loyalty in a less conventional pet. This whimsical book will leave readers with a different outlook on pet possibilities.
In a starred review Publishers Weekly raves: "It’s an avant-garde, surrealist story with a Hollywood-style tearjerker lurking within—and a surprisingly charming and affecting one at that."
Award-winning poet Matthea Harvey and illustrator extraordinaire Giselle Potter team up to create an indescribably unique picture book about wanting to be normal, then coming to appreciate being different. Ruby would love to be like everyone else—not easy when you have a tiara-wearing mother and a father who spends his time trimming outrageous topiary. She'd also like to get a nice normal pet, maybe a dog. Then, on a family vacation to Norway, she…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
I think secrets are part of who we are. Everyone has things they keep secret and things they don’t want others to know. Why is this? I’ve always been fascinated by it, even though I don’t have any major secrets myself – but I still have aspects of how I think that I don’t wish to share. I see the same thing with my eight-year-old, who just doesn’t want to tell me about that one nightmare… Hm. We keep secrets perhaps because, somehow, having other people not know is critical to how we imagine ourselves. And they make for great stories, don’t they?
This book is for slightly younger readers, but I think it has genuine multi-generational appeal. I read it aloud to my eight-year-old, who laughed aloud and loved it – in fact, it was the first read-aloud chapter book that he stuck with. And his grandmother is also reading and loving it! Astrid has the feel of a classic, with its humor and its gentle wisdom. Though it’s a story about a feisty girl who loves sledding, it’s also a story about how someone you love can keep a hurtful secret. How does one forgive such a thing? Astrid figures it out.
"Classic storytelling at its best, delightful and moving. I loved it." M. G. Leonard, author of Beetle Boy
Maria Parr's second novel is a hilarious and heart-warming story about family and friendship that will delight fans of Pippi Longstocking.
Astrid Glimmerdal loves to spend her days racing down the mountainside on her sledge and skis - the faster the better! She just wishes there were other children to share in her adventures. Instead, she has to put up with a grumpy 74 year old for a best friend (although secretly, she knows she wouldn't have it any other way).
I’m not a genre purist. I adore combining classic forms in new and exciting ways to make stories that have never been told before. The novels on this list are like that. They refuse to obey genre rules. Detective fiction suggests our questions have answers. The truth is rational and we can discover it. The supernatural elements of occult fiction say otherwise. Human consciousness cannot comprehend the nature of reality. Our investigations fail to understand our lives—the best we can do is explain them away. When these perspectives collide, it can result in interesting ways to see the world, familiar but fresh, as we have never known it before.
Superficially, The Minnesota Trilogy is a murder mystery. When two Norwegian tourists are slaughtered in a national forest, it seems like an open and shut case. All the evidence points in one direction, but park ranger Lance Hansen is not convinced. He suspects his own brother. Hansen’s amateur investigation accidentally uncovers a second mystery involving his ancestor and the death (murder?) of a nineteenth-century Ojibwe medicine man. Sundstøl’s depiction of contemporary rural Minnesota is as full of magic, menace, and intrigue as the best fantasy world-building. The American Midwest becomes a land of prophetic dreams and roaming ghosts. The clash of cultures is less political than mythic, and the stakes are spiritual. History is still happening. Family is deeper than blood. These books open my imagination and tear my heart in half.
Winner of the Riverton Prize for best Norwegian crime novel and named by Dagbladet as one of the top twenty-five Norwegian crime novels of all time, The Land of Dreams is the chilling first installment in Vidar Sundstol's critically acclaimed Minnesota Trilogy, set on the rugged north shore of Lake Superior and in the region's small towns and deep forests.
The grandson of Norwegian immigrants, Lance Hansen is a U.S. Forest Service officer and has a nearly all-consuming passion for local genealogy and history. But his quiet routines are shattered one morning when he comes upon a Norwegian tourist brutally…
I'm Stefán Máni, the Dark prince of Nordic noir. I was an avid book reader from an early age but I didn’t believe I could become a writer myself one day. I dropped out of school at the age of 17, worked in the fishing industry, and travelled to Europe and the United States. I started writing at the age of 23, published my first book at the age of 26, and my first best-seller at the age of 34; the thriller Black’s Game that became a popular movie in 2012. Since then I've written many best sellers and created the most popular character in Icelandic literature; detective Hordur Grímsson.
Knut Hamsun is one the greatest writers of all time, in my opinion.
And yes, I am separating the work from the person and the political views. Hamsun was a strange guy and he wrote mainly about strange guys.
Lieutenant Thomas Glahn is one of them, the protagonist of Pan. Glahn is an ex-soldier, living in a hunting hut near a small harbour town in Norway. Technically, Pan is a love story. But it is not a typical love story. It is so co-dependent and twisted that it literally hurts.
Glahn is at best an idiot, at worst some kind of a sociopath. He thinks he is in love but his “love” is not innocent and pure but ugly and even dirty. It is easy to feel sorry for Glahn, easier to simply hate him.
But the book is so well written and the story so fascinating that the…
The Nobel Prize winner's lyrical and disturbing portrait of love and the dark recesses of the human psyche
A Penguin Classic
A lone hunter accompanied only by his faithful dog, Aesop, Thomas Glahn roams Norway's northernmost wilds. Living out of a rude hut at the edge of a vast forest, Glahn pursues his solitary existence, hunting and fishing, until the strange girl Edvarda comes into his life. Sverre Lyngstad's superb translation of Hamsun's 1894 novel restores the power and virtuosity of Hamsun's original and includes an illuminating introduction and explanatory notes.
For more than seventy years, Penguin has been the…
I grew up in New York City and was deeply influenced by the women’s liberation movement, which helped me go on to combine a career as a historian with marriage and motherhood. While doing research for an academic article on the Beecher-Tilton scandal, I became convinced that only by writing a novel could I unravel the story from the point of view of Elizabeth, the woman involved in the love triangle. Historical fiction is a marvelous medium to explore events from the perspective of those outside circles of power. When I began writing, I felt that my embrace of fiction as medium had unleashed an electric current of creative energy.
Although I knew that this novel was unlikely to have a happy ending because few women emerge intact after being accused of witchcraft, I couldn’t put this book down. I became attached to the characters, reading on well past midnight to find out whether they would escape a terrible fate.
Women who didn’t conform to the strict code of female behavior in seventeenth-century Norway were all possible targets of the witch hunters. I was filled with admiration for those imprisoned women who held out against demands that they incriminate others and even felt sympathy for those who succumbed to torture to become informers or were cleverly manipulated by promises of leniency.
For me, the plot and subplots were fascinating; all the characters were vivid, and some displayed unbelievable heroism.
They will have justice. They will show their power. They will not burn.
'Three women's fight for survival in a time of madness' Kiran Millwood Hargrave, author of The Mercies
Norway, 1662. A dangerous time to be a woman, when even dancing can lead to accusations of witchcraft. After recently widowed Zigri's affair with the local merchant is discovered, she is sent to the fortress at Vardo to be tried as a witch.
Zigri's daughter Ingeborg sets off into the wilderness to try to bring her mother back home. Accompanying her on this quest is Maren - herself the daughter…