Here are 82 books that The Ládjogahpir – The Foremothers` Hat of Pride fans have personally recommended if you like
The Ládjogahpir – The Foremothers` Hat of Pride.
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Although I’d been to Scandinavia many times as a translator and travel writer, it wasn’t until about twenty years ago that I spent significant time above the Arctic Circle, writing my travel book, The Palace of the Snow Queen. Over the course of three different winters spent in Lapland, I discovered a world of Sami history, politics, culture, and literature. I was particularly interested in the friendship between Emilie Demant Hatt and Johan Turi. It’s been inspiring over the past years to see a new generation of artists and activists shaping and sharing their culture and resisting continued efforts to exploit natural resources in territories long used by the Sami for herding and fishing.
If you’re curious about the woman who collected the Sami folktales, you’ll want to read Emilie Demant Hatt’s story of living in a tent with a Sami family in a community in Northern Sweden. You’ll be fascinated by her grueling journey with a group of Sami herders and their hundreds of reindeer over the icy mountains in the spring of 1908 to find summer pastures on the Norwegian coast. I’ve long loved the adventure, humor, and visual feast in this book, first published in 1913, and was eager to translate it and share it with readers curious about the high north of Scandinavia. Demant Hatt was a brilliant observer and an early immersive journalist who didn’t shy away from hard work, rough conditions, and learning the Sami language.
With the Lapps in the High Mountains is an entrancing true account, a classic of travel literature, and a work that deserves wider recognition as an early contribution to ethnographic writing. Published in 1913 and available here in its first English translation, With the Lapps is the narrative of Emilie Demant Hatt's nine-month stay in the tent of a Sami family in northern Sweden in 1907-8 and her participation in a dramatic reindeer migration over snow-packed mountains to Norway with another Sami community in 1908. A single woman in her thirties, Demant Hatt immersed herself in the Sami language and…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
Although I’d been to Scandinavia many times as a translator and travel writer, it wasn’t until about twenty years ago that I spent significant time above the Arctic Circle, writing my travel book, The Palace of the Snow Queen. Over the course of three different winters spent in Lapland, I discovered a world of Sami history, politics, culture, and literature. I was particularly interested in the friendship between Emilie Demant Hatt and Johan Turi. It’s been inspiring over the past years to see a new generation of artists and activists shaping and sharing their culture and resisting continued efforts to exploit natural resources in territories long used by the Sami for herding and fishing.
Johan Turi was a herder and hunter when he first met Emilie Demant Hatt on a train in Northern Sweden in 1904. He confided that he wanted to tell the story of the indigenous Sami, and she encouraged him to write what became the landmark text, Muitalus Sámiid birra, the first secular book in the Sami language. She translated it into Danish and it was published in a bilingual edition with his drawings in 1910. Combining history, folktales, explanations, and poetry, it’s a humorous, sometimes poignant, and remarkable compendium of Sami life a hundred years ago. I’ve enjoyed this book since I first read it in an earlier translation. This version, translated with care by noted scholar Thomas A. DuBois, has an excellent introduction to Turi’s life and work.
Although I’d been to Scandinavia many times as a translator and travel writer, it wasn’t until about twenty years ago that I spent significant time above the Arctic Circle, writing my travel book, The Palace of the Snow Queen. Over the course of three different winters spent in Lapland, I discovered a world of Sami history, politics, culture, and literature. I was particularly interested in the friendship between Emilie Demant Hatt and Johan Turi. It’s been inspiring over the past years to see a new generation of artists and activists shaping and sharing their culture and resisting continued efforts to exploit natural resources in territories long used by the Sami for herding and fishing.
A lot of books about the Sami people ignore the fact that the discrimination and territorial colonization they faced in the past is still ongoing, though it takes shape in new ways. This succinct book of interviews with twelve engaging and thoughtful activists from Sápmi is proceeded by a “short political history of Sápmi” by Gabriel Kuhn. In addition to history, we get personal observations from, among others, the artist/poet Synnøve Persson, the filmmaker Suvi West, the politician/ fisherman Aslak Holmberg and the rapper Maxida Märak. I find this book a superb source for Sami voices and perspectives, as well as for the images and English-language resources at the end.
The Sámi, who have inhabited Europe’s far north for thousands of years, are often referred to as the continent’s “forgotten people.” With Sápmi, their traditional homeland, divided between four nation-states—Norway, Sweden, Finland, and Russia—the Sámi have experienced the profound oppression and discrimination that characterize the fate of indigenous people worldwide: their lands have been confiscated, their beliefs and values attacked, their communities and families torn apart. Yet the Sámi have shown incredible resilience, defending their identity and their territories and retaining an important social and ecological voice—even if many, progressives and leftists included, refuse to listen.
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
Although I’d been to Scandinavia many times as a translator and travel writer, it wasn’t until about twenty years ago that I spent significant time above the Arctic Circle, writing my travel book, The Palace of the Snow Queen. Over the course of three different winters spent in Lapland, I discovered a world of Sami history, politics, culture, and literature. I was particularly interested in the friendship between Emilie Demant Hatt and Johan Turi. It’s been inspiring over the past years to see a new generation of artists and activists shaping and sharing their culture and resisting continued efforts to exploit natural resources in territories long used by the Sami for herding and fishing.
Another new book by two scholars who work with Sami linguistics and folklore, this volume is a must-read account of how, beginning in the 1970s, the Sami began to employ Sami-language media, from recordings, books, and periodicals to films, tweets, and YouTube recordings, to maintain and create social and political awareness and art. I loved reading about the work of filmmakers and musicians in a way that respects their innovative work in the context of Sápmi’s long-standing indigenous culture. I only wish that more Sámi films and art exhibits were available for viewing in North America. Luckily we have YouTube and music streaming services to accompany our reading!
Digital media-GIFs, films, TED Talks, tweets, and more-have become integral to daily life and, unsurprisingly, to Indigenous people's strategies for addressing the historical and ongoing effects of colonization. In Sami Media and Indigenous Agency in the Arctic North, Thomas DuBois and Coppelie Cocq examine how Sami people of Norway, Finland, and Sweden use media to advance a social, cultural, and political agenda anchored in notions of cultural continuity and self-determination. Beginning in the 1970s, Sami have used Sami-language media-including commercially produced musical recordings, feature and documentary films, books of literature and poetry, and magazines-to communicate a sense of identity both…
I’m an Australian writer. I came to creative writing late in life but have been an avid reader since my early school years. My fascination with mystery thrillers started with Enid Blyton and included Raymond Chandler books—not usually recommended for an 11-year-old. I have always had an inquisitive mind, asking difficult questions and seeking understanding. My first degree was a Bachelor of Science, majoring in Chemistry. My diverse working life spanned a variety of roles, building a rich tapestry of experience. I relish layered, complex, and thought-provoking stories both as a writer and a reader. I hope you enjoy my recommended books as much as I have.
This gripping historical thriller has World War II intrigue and Norwegian spies, so it can be described as a wartime murder mystery interwoven with a gripping espionage thriller. It’s a layered story that resonates with that era's tensions, conflicts, and mistrust. I felt like I was there; it was so rich in historical details.
The plot captures the real tensions between Nazi-occupied Norway and neutral Sweden. I learned so much and gained insights into the murky motivations of the time. For someone who pays attention to politics, the complex interplay of different interest groups and their political maneuvering had interesting parallels to the present.
The story has it all: layers of family drama, shared history, divided loyalties, and deep-seated hatred, with storylines weaving in political ideology, the true nature of war, and distorted notions of patriotism, ambition, and revenge. There is so much to think about and apply to today's…
When a courier for Sweden's Press and Military Office is killed on his final mission, the Norwegian government-in-exile appoints a writer to find the missing documents ... breathtaking WW2 thriller.
**International NUMBER ONE bestseller**
'A stylish stand-alone thriller from the godfather of Scandi noir ... Ola Dahl ratchets up the tension from the first pages and never lets go' Sunday Times
'Absorbing, heart-rending and perfectly plotted' Denzil Meyrick
'Expertly crafted' John Harvey
_________
Summer, 1943. Daniel Berkak, who works as a courier for the Press and Military Office in Sweden, is killed on his last cross-border mission to Norway.
I grew up in New York City and was deeply influenced by the women’s liberation movement, which helped me go on to combine a career as a historian with marriage and motherhood. While doing research for an academic article on the Beecher-Tilton scandal, I became convinced that only by writing a novel could I unravel the story from the point of view of Elizabeth, the woman involved in the love triangle. Historical fiction is a marvelous medium to explore events from the perspective of those outside circles of power. When I began writing, I felt that my embrace of fiction as medium had unleashed an electric current of creative energy.
Although I knew that this novel was unlikely to have a happy ending because few women emerge intact after being accused of witchcraft, I couldn’t put this book down. I became attached to the characters, reading on well past midnight to find out whether they would escape a terrible fate.
Women who didn’t conform to the strict code of female behavior in seventeenth-century Norway were all possible targets of the witch hunters. I was filled with admiration for those imprisoned women who held out against demands that they incriminate others and even felt sympathy for those who succumbed to torture to become informers or were cleverly manipulated by promises of leniency.
For me, the plot and subplots were fascinating; all the characters were vivid, and some displayed unbelievable heroism.
They will have justice. They will show their power. They will not burn.
'Three women's fight for survival in a time of madness' Kiran Millwood Hargrave, author of The Mercies
Norway, 1662. A dangerous time to be a woman, when even dancing can lead to accusations of witchcraft. After recently widowed Zigri's affair with the local merchant is discovered, she is sent to the fortress at Vardo to be tried as a witch.
Zigri's daughter Ingeborg sets off into the wilderness to try to bring her mother back home. Accompanying her on this quest is Maren - herself the daughter…
Resonant Blue and Other Stories
by
Mary Vensel White,
The first collection of award-winning short fiction from the author of Bellflower and Things to See in Arizona, whose writing reflects “how we can endure and overcome our personal histories, better understand our ancestral ones, and accept the unknown future ahead.”
"Write what you know" is worn-out advice you'll find on many a website, but I prefer to write what I want to know. Researching for background information is a far cry from studying the history of dates, places, and politics. For instance, you won't read in a history book that forks weren't used at the table in the Renaissance. That people didn't have zippers or right/left shoes, but they did have buttons. Noblemen wore high-heeled shoes. Women poisoned themselves with makeup of white lead (ceruse). Even with diaries, autobiographies, and social history books, trivial information of daily life is hard to find.
When I discovered Kristin Lavransdatter was 1000 pages, I never expected to fininsh it (I'm a slow reader). However, about 50 pages into it, I was hooked and was at a loss when I read the final chapter. Religion is pervasive but delivered indirectly. The Catholic Church in the Middle Ages was an absolute authority with an iron grip on the main character Kristin. Undset was not judgmental in the book, but I was in reading it.
'[Sigrid Undset] should be the next Elena Ferrante' -Slate
The Nobel Prize-winning masterpiece by Norway's literary master
Kristin Lavransdatter is the epic story of one woman's life in fourteenth-century Norway, from childhood to death. Sensitive and rebellious Kristin is sent to a convent as a girl, where she meets the charming but irresponsible Erlend. Defying her parents' wishes to pursue her own desires, she marries and raises seven sons. However, her husband's political ambitions threaten catastrophe for the family, and the couple become increasingly estranged as the world around them tumbles into uncertainty.
With its captivating heroine and emotional potency,…
I’m a British author for children and young adults, and was lucky to have a wonderful father who loved wildlife of all kinds. He took me on walks where we picked blackberries and hazelnuts, and spotted birds, foxes, rabbits, and deer. With him, I watched hours of wildlife programmes. (I saw so much of David Attenborough, I thought he was an uncle.) Dad also made sure I had many books about every sort of animal, from insects to whales, wolves, and big cats. So, when I was looking for stories to read, I always especially enjoyed folklore about animals—I think these tales were invented by someone like my Dad.
As a lover of folk-tale, legend, and myth—and having an especial love for Norse Myth—I soon sought out the folk-tales of Norway.
Asbjorsen and Moe are the Norwegian answer to the Brothers Grimm. Their collection is superb. There’s the Ash-Lad, who is rather like Jack of Beanstalk fame, and many trolls. There are twelve princes searching for twelve lost princesses, helpful griffins, abandoned babies, and ancient Norse gods pitching up in thin disguise.
And, of course, as the people who told these tales lived between mountains, sky, and sea, there are many tales of animals and birds.
The definitive English translation of the celebrated story collection regarded as a landmark of Norwegian literature and culture-now in paperback
The extraordinary folktales collected by Peter Christen AsbjOrnsen and JOrgen Moe began appearing in Norway in 1841. Over the next two decades the publication of subsequent editions under the title Norske folkeeventyr made the names AsbjOrnsen and Moe synonymous with Norwegian storytelling traditions. Tiina Nunnally's vivid translation of their monumental collection is the first new English translation in more than 150 years-and the first ever to include all sixty original tales.
Magic and myth inhabit these pages in figures both…
As a child, I desperately wanted a pet. Even if it maybe wasn’t a “real pet” like a rock or an egg. I used my imagination for pet possibilities. When I was researching If You Want A Friend In Washington I was constantly in awe of the strange and unusual pets of the White House. I wanted this list of pet books to be as diverse and unusual as the Presidential Pets. Maybe a Glacier is the perfect pet for you?
Maybe you are looking for a conventional pet? or maybe not? Ruby, the main character thought she might want a cat or dog but found loyalty in a less conventional pet. This whimsical book will leave readers with a different outlook on pet possibilities.
In a starred review Publishers Weekly raves: "It’s an avant-garde, surrealist story with a Hollywood-style tearjerker lurking within—and a surprisingly charming and affecting one at that."
Award-winning poet Matthea Harvey and illustrator extraordinaire Giselle Potter team up to create an indescribably unique picture book about wanting to be normal, then coming to appreciate being different. Ruby would love to be like everyone else—not easy when you have a tiara-wearing mother and a father who spends his time trimming outrageous topiary. She'd also like to get a nice normal pet, maybe a dog. Then, on a family vacation to Norway, she…
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken…
I think secrets are part of who we are. Everyone has things they keep secret and things they don’t want others to know. Why is this? I’ve always been fascinated by it, even though I don’t have any major secrets myself – but I still have aspects of how I think that I don’t wish to share. I see the same thing with my eight-year-old, who just doesn’t want to tell me about that one nightmare… Hm. We keep secrets perhaps because, somehow, having other people not know is critical to how we imagine ourselves. And they make for great stories, don’t they?
This book is for slightly younger readers, but I think it has genuine multi-generational appeal. I read it aloud to my eight-year-old, who laughed aloud and loved it – in fact, it was the first read-aloud chapter book that he stuck with. And his grandmother is also reading and loving it! Astrid has the feel of a classic, with its humor and its gentle wisdom. Though it’s a story about a feisty girl who loves sledding, it’s also a story about how someone you love can keep a hurtful secret. How does one forgive such a thing? Astrid figures it out.
"Classic storytelling at its best, delightful and moving. I loved it." M. G. Leonard, author of Beetle Boy
Maria Parr's second novel is a hilarious and heart-warming story about family and friendship that will delight fans of Pippi Longstocking.
Astrid Glimmerdal loves to spend her days racing down the mountainside on her sledge and skis - the faster the better! She just wishes there were other children to share in her adventures. Instead, she has to put up with a grumpy 74 year old for a best friend (although secretly, she knows she wouldn't have it any other way).