100 Books Like With the Lapps in the High Mountains

Johan Turi was a herder and hunter when he first met Emilie Demant Hatt on a train in Northern Sweden in 1904. He confided that he wanted to tell the story of the indigenous Sami, and she encouraged him to write what became the landmark text, Muitalus Sámiid birra, the first secular book in the Sami language. She translated it into Danish and it was published in a bilingual edition with his drawings in 1910. Combining history, folktales, explanations, and poetry, it’s a humorous, sometimes poignant, and remarkable compendium of Sami life a hundred years ago. I’ve enjoyed this book since I first read it in an earlier translation. This version, translated with care by noted scholar Thomas A. DuBois, has an excellent introduction to Turi’s life and work. 

A lot of books about the Sami people ignore the fact that the discrimination and territorial colonization they faced in the past is still ongoing, though it takes shape in new ways. This succinct book of interviews with twelve engaging and thoughtful activists from Sápmi is proceeded by a “short political history of Sápmi” by Gabriel Kuhn. In addition to history, we get personal observations from, among others, the artist/poet Synnøve Persson, the filmmaker Suvi West, the politician/ fisherman Aslak Holmberg and the rapper Maxida Märak. I find this book a superb source for Sami voices and perspectives, as well as for the images and English-language resources at the end. 

This stunningly designed new book, available from the Sami publishers in Norway, has a fascinating historical text (in English and North Sami), put together by Sami artist Outi Pieski and Finnish curator Eeva-Kristiina Harlin. Together, they collaborated on a project centered around the ládjogahpir, the horn hat once widely worn by Sami women across the high North. They inventoried the remaining examples in museums and they began to hold workshops to teach contemporary Sami women how to make the hats. Along the way, they tell stories of how the hats disappeared or were collected, and discuss the idea of “rematriation” as part of new initiatives in the Nordic countries to return Sami craft and culture.

Another new book by two scholars who work with Sami linguistics and folklore, this volume is a must-read account of how, beginning in the 1970s, the Sami began to employ Sami-language media, from recordings, books, and periodicals to films, tweets, and YouTube recordings, to maintain and create social and political awareness and art. I loved reading about the work of filmmakers and musicians in a way that respects their innovative work in the context of Sápmi’s long-standing indigenous culture. I only wish that more Sámi films and art exhibits were available for viewing in North America. Luckily we have YouTube and music streaming services to accompany our reading!

This novel had to go to the top of my list because it’s brilliant and delivered through an indigenous perspective.

Authored by the Swedish Sámi journalist Ann-Helén Laestadius, the book tells a story–based on real events–involving reindeer, an essential part of culture and identity for many Sámi. It takes place in a part of the world where I spent many years, Sápmi, which is the Sámi region that contains parts of, and predates, the modern borders of Sweden, Norway, Finland, and the Kola Peninsula of Russia.

Laestadius brings a compelling voice to the still prevalent issue of prejudice against this cultural minority. A film adaptation of the book will air on Netflix in April 2024, and I’m excited to see it because so many friends from that part of the world worked on it.  

The first book I read by the Swedish master of suspense.

There's nothing like being caught by a good book: Just one more chapter, even though it's the middle of the night and work starts in three hours.

Almost like getting kidnapped with a small but significant difference: you don't want to be released.

Without Mankell, there would be no Millennium series, and this book is one of the reasons I started to write in the same genre. It's a long but, at the same time, quick read.

The characters are portrayed as real human beings with multiple flaws and shortcomings. I don't want to reveal the plot here, but I promise you: this murder case is like nothing else.

It was Nordic Noir before the genre got its name.

Truth doesn’t have to be flashy to captivate. I was instantly drawn to the mystique of this book’s manuscript and the secretive author who sent it to me. In it, I discovered that beauty is a feeling, and anxiety is a prelude to exhilaration.

Normally, I'm not one for self-help, but the poetic wisdom in this book resonated on a personal level, a comforting reminder that healing isn’t a one-size-fits-all journey.

Are ex-CIA agents all living in isolation taunted by their deeds? We may never know, they may have to kill us if we do. Dan Hendricks, the main character is torn between justice and protecting agents he knew in the frosty cold of Sweden.

It was a page-turner for me. I enjoy stories set in faraway places where the rules aren’t always the same. Having been to Sweden in winter I am familiar with the sting of the biting breezes. Brrr.

Make-believe was one of my favorite pastimes as a little girl. When I wasn’t writing a story, chances were, I was off with a sister in a world of imagination. And when I was there, it was as if my fancy was reality. I think that’s why I identify with this charming picture book so much. The main character’s potent imagination pulls his surroundings into his play reality. But the ending leaves us to ponder, along with Baby Ben’s mama…can his imagination conjure things into the tangible world? This translation from the original Swedish expertly converted the rhymes, and the pictures add so very much to the adventure. If you have a little adventurer in your life, this is a must-read!  

Christina of Sweden, known today primarily through Greta Garbo’s portrayal of her in the 1933 film, became queen at age six when her father was killed in battle; she received the education of a prince, including the study of statecraft, for which she read the Latin biography of Elizabeth I. Initially deemed a boy at birth, Christina’s habit of crossdressing, her refusal to marry, and her romantic attachments to both women and men bespeak her ambiguous sexuality. Veronica Buckley’s biography does justice to this idiosyncratic and controversial figure who abdicated her throne, converted to Catholicism, and moved to Rome. Although she took Alexander the Great as her model and sought to rule Naples and Poland-Lithuania after her abdication, she revealingly recorded in her memoirs her thoughts concerning the predicament she faced as a female sovereign: “Women should never be rulers... Women who rule make themselves ridiculous one way or the… show more.