Here are 100 books that The Keeper of Happy Endings fans have personally recommended if you like
The Keeper of Happy Endings.
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I am a lover of romance. I feel love is one feeling that no one can get rid of; it is one of the elements that can patch up hurt, and it is also an element that can be expressed in many different forms. Having a wide imagination also adds to this passion. I grew up watching Disney movies such as Ariel and FairyTopia. Not only do I draw my inspiration from movies but also from books. I love reading romance books, the image we create in our mind can take us beyond some images created in movies. It takes us to a world we normally don't see in real life.
Jane Austin is a classical writer of romance and a perfect combination of well-written English. The love Mr Darcy had for Elizabeth was explained with passion through the English language.
It addressed issues within that time, and the beauty of a girl, as well as the strength of a man, was portrayed well. Jane Austin has other books, but my favorite was this one.
Jane Austen's best-loved novel is an unforgettable story about the inaccuracy of first impressions, the power of reason, and above all the strange dynamics of human relationships and emotions.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is illustrated by Hugh Thomson and features an afterword by author and critic, Henry Hitchings.
A tour de force of wit and sparkling dialogue, Pride and…
A novel about becoming, healing and courage, which spans over 40 years, interweaving complex characters from different worlds, all gravitating around a common timeless axis: the desire for happiness.
Lia, a tenacious woman who has been working successfully on her own for many years, starts a new project, one that…
I’m drawn to stories about human nature and the many lifestyles people choose to live. My mother often tells me I’m like my great aunt Freda, who has a love for beautiful and fantastic things. Freda was famous in my mind, and I believe I was further drawn to reading about fame because I wanted to know what that world looked like. Is too much money stressful? Are social events unwanted obligations? Are famous marriages bound to fail? This list is a glimpse into the lifestyles of the rich and famous and both the curses and blessings of their daily lives.
This is a story that many of us have experienced. The reality of it pulled me in. When I was in middle school, a boy I had “dated” made copies of a very personal letter I had written him. He and his buddy then handed the letter out to everyone. Classmates mockingly read the letter out loud to me. How mortifying. I feel you, Cannie Shapiro.
I also love this story because Cannie hits it off with a starlet who turns into a close friend. Who doesn’t want a famous bff? As Cannie pushed to find her way through the heartache and betrayal, I felt for her and wanted her to heal so she could find love and happiness again.
#1 New York Times bestselling author Jennifer Weiner brings to life an irresistibly funny and relatable heroine in the novel The Boston Globe called “funny, fanciful, extremely poignant, and rich with insight.”
For twenty-eight years, things have been tripping along nicely for Cannie Shapiro. Sure, her mother has come charging out of the closet, and her father has long since dropped out of her world. But she loves her friends, her rat terrier, Nifkin, and her job as pop culture reporter for The Philadelphia Examiner. She’s even made a tenuous peace with her plus-size body.
As a feminist writer, I first gravitated to light female-driven stories in college as a break from the heavy academic tomes I was reading. I tore through the chick lit section of my local bookstores and realized that there was so much more to the genre than I knew or had heard it given credit for. They explored relatable themes— friendship, injustice, love, loss, sex—while being unapologetically feminine and light. For my own writing, I still read a lot of heavy nonfiction about injustice and smashing the patriarchy, but I keep the lightness by blending the heavy stuff with humor—this genre’s specialty.
I came across this book in the research stage of writing my new novel and from the very beginning I was hooked. I love a good fairytale, in this case Rapunzel, retold as feminist historical fiction. The characters are deliciously multi-faceted, the alternating storylines deftly woven together, and I felt like I was being doled out insights into where we are now as women through the lens of where we’ve been before. Engaging and enlightening. After reading it I felt inspired to read more of her work, write more of my own, and empower as many women as possible.
A Library Journal Best Book of 2014: Historical Fiction
The amazing power and truth of the Rapunzel fairy tale comes alive for the first time in this breathtaking tale of desire, black magic and the redemptive power of love
French novelist Charlotte-Rose de la Force has been banished from the court of Versailles by the Sun King, Louis XIV, after a series of scandalous love affairs. At the convent, she is comforted by an old nun, Sœur Seraphina, who tells her the tale of a young girl who, a hundred years earlier, is sold by her parents for a handful…
Actress Katherine Parr narrates the audiobook of Only Charlotte, speaking as Lenore James and a whole cast of eccentric characters, her voice rich with mystery and menace, ardor and innuendo.
In post-Civil War New Orleans, Lenore suspects her brother, Dr. Gilbert Crew, has been beguiled by the lovely and…
As a feminist writer, I first gravitated to light female-driven stories in college as a break from the heavy academic tomes I was reading. I tore through the chick lit section of my local bookstores and realized that there was so much more to the genre than I knew or had heard it given credit for. They explored relatable themes— friendship, injustice, love, loss, sex—while being unapologetically feminine and light. For my own writing, I still read a lot of heavy nonfiction about injustice and smashing the patriarchy, but I keep the lightness by blending the heavy stuff with humor—this genre’s specialty.
I love Janet Evanovich’s writing and the entire Stephanie Plum series, but this book is my favorite. I laugh-cried more than once (making family members back out of the room slowly, sure I’d finally lost my mind), ignored all other obligations as I read it in one sitting, and developed a real crush on a fictional character (Team Ranger). I love that Stephanie Plum is such an endearing and well-rounded character. She does some badass things, makes a lot of (often gross) mistakes, has a big heart, and gets to have an enviable love life all while figuring out how to be an independent woman who, however blundering, saves herself. It’s fun, sexy, and hilarious.
Trouble seems to find Stephanie everywhere she goes, and once again she's struggling with her tangled love life, chaotic family, and her God-given gift for destroying every car she drives. This time, Plum has decided to quit her job as a bounty hunter. She's tired of creeps, weirdos and stalkers. But just when she thinks she's out, they pull her back in! So fasten you seatbelt and hang on - Stephanie's back in town.
I left home in Melbourne to spend a year travelling in Asia when I was in my mid-twenties. I ended up living abroad for a decade in London, Bangladesh, and Myanmar before returning to Sydney in 2016. My first book is about the four years I lived in Myanmar and I’m currently writing my second, which is about the year I spent backpacking from Cambodia to Pakistan. My third book will be about the three years I worked as a journalist in Bangladesh. My plan is to write a ‘trilogy’ of memoirs. Living abroad has enriched my life and travel memoirs are one of my favourite genres, both as a reader and a writer.
What’s not to love about a book set in Paris about a journalist who falls in love with a Frenchman? This book is a delight. Turnbull writes beautifully, and with modesty and humour about making every faux pas imaginable in Paris. It’s light and insightful at the time. The pages practically turned themselves.
Almost French takes readers on a tour fraught with culture clashes but rife with insight and deadpan humour - a charming true story of what happens when a strong-willed Aussie girl meets a very French Frenchman.
Backpacking around Europe, twenty-something Sarah Turnbull meets Frederic and impulsively accepts his invitation to visit him for a week in Paris. Eight years later, she is still there - and married to him. The feisty journalist swaps vegemite for vichyssoise and all things French, but commits the fatal errors of bowling up to strangers at classy receptions, helping herself to champagne, laughing too loudly…
I’m American but I’ve been a Francophile for ages. I didn’t get a chance to visit France until well into adulthood. So much history lives in France and it’s been my joy to illuminate it for readers who tell me they feel transported. There is no higher compliment, in my mind. I’ve been writing novels for thirty years, set in the Rocky Mountains, America’s heartland, and the scenic villages of France. The Bennett Sisters Mysteries are now up 18 books in the series, featuring settings from Paris to Champagne to the Dordogne, with more in the works. I must go back to France to research, oui?
I love weaving history into my mysteries so I was drawn to this dark tale of Paris in the Belle Époque. An English girl goes to Paris to study art but, desperately poor, throws her fate into the hands of some shady characters. The atmosphere and scene-setting of Paris during a terrible rainy winter are unforgettable.
Extra material includes a deleted scene and a Q&A with Imogen Robertson
Maud Heighton came to Lafond's famous Academy to paint, and to flee the constraints of her small English town. It took all her courage to escape, but Paris eats money. While her fellow students enjoy the dazzling joys of the Belle Epoque, Maud slips into poverty. Quietly starving, and dreading another cold Paris winter, Maud takes a job as companion to young, beautiful Sylvie Morel. But Sylvie has a secret: an addiction to opium. As Maud is drawn into the Morels' world of elegant luxury, their secrets become…
I have a passion for critical theory since I was intrigued by the heretical idea, which originates in Marx’s Capital, that what limits our freedom and democracy is not the apparent personified power held by the state and politicians. On the contrary, real power lies in the fact that, in capitalism, labour that must succumb to the standards of time is money, that runs through each one of us. So, to an extent, we all are forced to become slaves to the rationale of capital. In this book, I analyse this idea to the philosophers mentioned. This perspective is far away from their mainstream reading and casts a completely different light on their philosophy.
For my study, Benjamin succeeds in showing how the dominant social forms in each capitalist society can be debunked and that the official narrative that perpetuates the logic that supports the current system can be seriously questioned.
Benjamin’s goal was not to build another totality, another theoretical system that would bring certainty and stability to those who want to change the world radically towards socialism.
Rather, his philosophy encourages us to continue fighting to open the cracks in capitalism, to create multiple ruptures in the capitalist system, even though we do not have all the answers and are aware that our struggle will have an uncertain result.
This is how we redeem and vindicate past generations who spilled their blood for another world. This is how we redeem Benjamin himself, who dedicated his life's work to this purpose.
"To great writers," Walter Benjamin once wrote, "finished works weigh lighter than those fragments on which they labor their entire lives." Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project (in German, Das Passagen-Werk) is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas."
Focusing on the arcades of nineteenth-century Paris-glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them…
I was born in England to Australian parents and have lived most of my life in Australia. My family all live there, and I grew up in Sydney. Most of my books have been about Australian-related themes or historical figures. I don’t think enough is known about Australian history outside Australia. Australian writers have always struggled for recognition outside Australia. Publishing can be an unfair business. I’m more interested in reading nonfiction than fiction. True stories are much harder to write and get right, and there’s a bigger responsibility involved. You’re dealing with real people. The dead ones also have families.
One of the original Aussie literary expats in the 1940s, Kershaw penned this slim but sparkling memoir of his time in Paris and rural France before his death in 1995.
It is superbly written and completely unknown. Grab a copy if you’re lucky enough to find it. It proves that books don’t have to be long to stick in the memory. Sometimes, the shortest ones are the best.
In this witty and entertaining illustrated memoir, Alister Kershaw describes the pleasures of his prolonged residence in France - a country of villages - from 1948, when even Paris was a series of villages. In post-war Paris, Kershaw lived a penniless but joyous existence and captures a Paris long gone. The author conjures Paris prior to the triumph of the technocrats and town planners. It also traces the author's move into the Berry, two hours south of Paris, where he lives in a hamlet of six houses and finds a rural life amongst a small group of traditional Sancerre winemakers.…
I went to Paris the first time when I was nineteen. I was sitting in a cheap restaurant when a man entered carrying a burlap sack filled with escargots, and put some on my plate (all very unsanitary) for me to taste. Delicious! I was in France in the 1970s when Robert Parker was discovering French wine. (We didn’t meet then, but did after my series was published many years later.) Subsequent stays in Paris and other areas of France (Champagne, Bordeaux, Burgundy) afforded me a food and wine sensibility that over decades has permeated my lifestyle, my friendships—and my writing.
The description above segues nicely into The New Paris by Lindsey Traumata, published in 2017. Traumata now has a second book published, and hosts a podcast, and is popular on social media. I have spent at least a month (and sometimes three) in Paris annually over the past six years and think of Traumata’s first book as a good friend. She writes wonderful profiles of people, and she keeps readers updated about bistros, winemakers, new cuisine. Her writing is elegant, and I read her descriptions as avidly as I do a novel, constantly making notes. So different from the usual guidebooks.
The city long-adored for its medieval beauty, old-timey brasseries, and corner cafes has even more to offer today. In the last few years, a flood of new ideas and creative locals has infused a once-static, traditional city with a new open-minded sensibility and energy. Journalist Lindsey Tramuta offers detailed insight into the rapidly evolving worlds of food, wine, pastry, coffee, beer, fashion, and design in the delightful city of Paris. Tramuta puts the spotlight on the new trends and people that are making France's capital a more whimsical, creative, vibrant, and curious place to explore than its classical reputation might…
I’ve always been attracted to the Gothic before I even knew the term. From watching The Munstersas a child to wanting to live in a haunted house and devouring classic Gothic novels like The Mysteries of Udolpho and Dracula, I’ve never been able to get enough of the Gothic. After fully exploring British Gothic in my book The Gothic Wanderer, I discovered the French Gothic tradition, which made me realize how universal the genre is. Everyone can relate to its themes of fear, death, loss, guilt, forgiveness, and redemption. On some level, we are all Gothic wanderers, trying to find meaning in what is too often a nightmarish world.
You may know this book as The Hunchback of Notre Dame, but you probably don’t really know it. Films, most notably the Disney cartoon, have grossly distorted this novel, often having Esmeralda ride off into the sunset with Phoebus. But the novel is really a very dark, Gothic story of love and lust, and one of the first existential novels. Frollo and Quasimodo both love Esmeralda, but she loves Phoebus, and he only loves himself. In the end, everyone dies, allowing their lust to destroy their common sense. Hugo wrote it to help popularize and save Notre-Dame Cathedral from falling into further disrepair. It influenced British author William Harrison Ainsworth to writeThe Tower of London, thus revitalizing British Gothic in a new way just as it did French Gothic.
Victor Hugo's great story of Quasimodo, the deformed bell ringer of Notre Dame and his unrequited love for the dancer, Esmeralda. Classics Illustrated tells this wonderful tale in colourful comic strip form, offering an excellent introduction for younger readers. This edition also includes theme discussions and study questions, which can be used both in the classroom and at home to further engage the reader in the story.
