Books like The Arcades Project — picked by fans

The Uruguayan novelist Eduardo Galeano was by his own admission "a wretched history student," who set out "to rescue the kidnapped memory of all America, and especially of Latin America," from a "History [that] had stopped breathing: betrayed in academic texts, lied about in classrooms, drowned in dates, they had imprisoned her in museums and buried her, with floral wreaths, beneath statuary bronze and monumental marble."

In his Memory of Fire trilogy, Galeano resurrects the continent's real history in more than 1200 staccato images, built around quotations from colonial documents, contemporary press reports, and the like. These "fragments" come together in a "huge mosaic" to form a "voice of voices." This is exactly what I try to achieve in my own trilogy of books on the history of Prague.

Awarded the Nobel Prize in Literature in 2022, Annie Ernaux is one of France's best-loved writers. 

She writes through details. Collaging phrases, photographs, lines of songs, objects, advertising jingles, fragments of film, radio and TV programs, and the words of men in bed at night, Ernaux writes the history of modern France via an intensely personal memoir. Dien Bien Phu, the Algerian War, the May '68 revolt, 9–11 are all here, as seen through her eyes and told in her unmistakable voice. 

As one critic wrote, Ernaux "transforms her life into history and her memory into the collective memory of a generation." At once richly evocative and utterly unsentimental, this is one of the most original and impressive books I've read in a long while.

According to the Debord, concepts are fluid and open since they express alienation, class struggle, and the unavoidable contradictions inherent in capitalism.

Therefore, his theory has a strong anarchic character and does not ignore the economy or the social conflicts confronted in everyday life, as some readers of his theory may believe. The spectacle, as used by the Situationists and Debord, does not take place on a different plane from that of commodity fetishism or alienation in everyday living, as sadly some scholars hold.

His theory casts light on the idea of the inverted topsy-turvy world and the negativity that defetishises the apparent, closed, and reified forms, such as the bourgeois form of democracy and the state, that constitute a closed and fetishized social totality.

The filmmaker Humphrey Jennings was a leading British surrealist and a founder of the pioneering social research project Mass–Observation. 

Built out of quotations from letters, diaries, literature, scientific journals, and official reports, Pandaemonium is his "imaginative history" of the industrial revolution in Britain. These "images," he writes, "contain in little a whole world—they are the knots in a great net of tangled time and space—the moments at which the situation of humanity is clear—even if only for the flash time of the photographer or the lighting." 

Published long after Jennings's death, Pandaemonium formed the basis for Danny Boyle's spectacular opening ceremony at the 2012 London Olympic Games. Jennings's use of revelatory images has strongly influenced my own approach to writing history. 

What holds together this freewheeling part-memoir, part-meditation, part-history, part-cultural study, wafting across five continents, is the bad, seductive smell of tobacco. 

What it feels like to desire it, to inhale it, to crave it, to miss it. What smoking signifies. At sixteen it was Jean-Paul Belmondo in Breathless and Len Deighton's nameless spy in The Ipcress File who chain-smoked Gauloises blues. 

At sixty it was the withdrawal I felt when I reluctantly "gave up" not just the risky kicks but parts of a past and a self too, accepting that I was getting too old to party. I love this book because I am a smoker who no longer smokes.  

I love this book because I knew Lesley. But most of all, I love this book for Lesley's writing.    

I could have mentioned other books written by E.P. Thompson. Each of his books has influenced my work.

Customs and Tradition contains "Time, Work-Discipline and Industrial Capitalism." This brilliant and elegantly written essay shows how capitalism, to impose itself, had to modify the experience of time. This change occurred through numerous conflicts with the traditions and customs of the working classes.

E.P. Thompson teaches us to consider the political importance and emancipatory potential of these struggles and not to leave "tradition" and its energy to the right.

E.P. Thompson taught me to look at these conflicts not just as forms of resistance, but as tensions between mutually incompatible legal systems. A useful corrective to Foucault.

This book is one of the texts that gave rise to Italian “operaismo.”

For me, as for many other Marx scholars, it is a fundamental text that teaches how to look at capitalist relations from the perspective of class struggle. This shift in perspective means looking at capital as a response to a conflict that forces it into constant restructuring, innovation, and reconfiguration.

The conflict also innervates workers' institutions, so that sometimes a refusal to participate in a strike can also be read and acted upon as a refusal to participate in the union's reformist and compromising politics. It is a way of reading social relations to free their political potential.

This text, along with Walter Benjamin's On the Concept of History, introduces the notions of historical mutiversum and temporal strata.

Bloch develops these concepts to rethink the Marxist theory of history in relation to anticolonial struggles. He questions the idea of progress without abandoning it. Instead, he revisits progress from the perspective of complementary differentiations. This a crucial text for thinking about the plurality of times without falling into cultural relativism.

The style of this book is clear, direct, and energetic.

Bensaid's book addresses the ideas of Karl Marx, demonstrating their continuing relevance in the contemporary world. It explores how Marx's theories can be applied to analyze and understand the complex dynamics of capitalist societies, making it a valuable resource for those seeking insights into our time's economic, social, and political issues.

This collection of articles shows that the theory of the Situationists has a strong anarchic character and does not ignore the economy or the social conflicts confronted in everyday life, as some readers of their theory may believe.

The spectacle, as used by the Situationists, does not take place on a different plane to that of commodity fetishism or alienation in everyday living, as sadly some scholars hold.

In my understanding, the Situationists had a clear understanding of commodity fetishism and alienation in everyday life. They also had a concept of corporeal materialism and the negativity that defetishizes the apparent, closed, and reified social forms that constitute a fetishized social totality, like the state or the bourgeois form of democracy.