Here are 100 books that The Arcades Project fans have personally recommended if you like
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I am a professor emeritus of history and sociology, who has taught in universities in Canada and the UK. In the 20th century, Prague Castle was the seat of a gamut of modern political regimes, from democracy through fascism to communism. Gazing across the river at the Castle one night during my first visit to the city in early 1990, soon after the fall of communism, it occurred to me that there can be few better vantage points from which to rethink "the modern condition." My interest in imaginative histories, which montage details rather than attempting to provide an overarching grand narrative, stems from wrestling with how to communicate this complexity.
The Uruguayan novelist Eduardo Galeano was by his own admission "a wretched history student," who set out "to rescue the kidnapped memory of all America, and especially of Latin America," from a "History [that] had stopped breathing: betrayed in academic texts, lied about in classrooms, drowned in dates, they had imprisoned her in museums and buried her, with floral wreaths, beneath statuary bronze and monumental marble."
In his Memory of Fire trilogy, Galeano resurrects the continent's real history in more than 1200 staccato images, built around quotations from colonial documents, contemporary press reports, and the like. These "fragments" come together in a "huge mosaic" to form a "voice of voices." This is exactly what I try to achieve in my own trilogy of books on the history of Prague.
Genesis , the first volume in Eduardo Galeano's Memory of Fire trilogy, is both a meditation on the clashes between the Old World and the New and, in the author's words, an attempt to rescue the kidnapped memory of all America." It is a fierce, impassioned, and kaleidoscopic historical experience that takes us from the creation myths of the Makiritare Indians of the Yucatan to Columbus's first, joyous moments in the New World to the English capture of New York.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I am a professor emeritus of history and sociology, who has taught in universities in Canada and the UK. In the 20th century, Prague Castle was the seat of a gamut of modern political regimes, from democracy through fascism to communism. Gazing across the river at the Castle one night during my first visit to the city in early 1990, soon after the fall of communism, it occurred to me that there can be few better vantage points from which to rethink "the modern condition." My interest in imaginative histories, which montage details rather than attempting to provide an overarching grand narrative, stems from wrestling with how to communicate this complexity.
Awarded the Nobel Prize in Literature in 2022, Annie Ernaux is one of France's best-loved writers.
She writes through details. Collaging phrases, photographs, lines of songs, objects, advertising jingles, fragments of film, radio and TV programs, and the words of men in bed at night, Ernaux writes the history of modern France via an intensely personal memoir. Dien Bien Phu, the Algerian War, the May '68 revolt, 9–11 are all here, as seen through her eyes and told in her unmistakable voice.
As one critic wrote, Ernaux "transforms her life into history and her memory into the collective memory of a generation." At once richly evocative and utterly unsentimental, this is one of the most original and impressive books I've read in a long while.
Considered by many to be the iconic French memoirist's defining work, The Years is a narrative of the period 1941 to 2006 told through the lens of memory, impressions past and present, cultural habits, language, photos, books, songs, radio, television, advertising and news headlines. Annie Ernaux invents a form that is subjective and impersonal, private and communal, and a new genre - the collective autobiography - in order to capture the passing of time. At the confluence of autofiction and sociology, The Years is 'a Remembrance of Things Past for our age of media domination and consumerism' (New York Times),…
I am a professor emeritus of history and sociology, who has taught in universities in Canada and the UK. In the 20th century, Prague Castle was the seat of a gamut of modern political regimes, from democracy through fascism to communism. Gazing across the river at the Castle one night during my first visit to the city in early 1990, soon after the fall of communism, it occurred to me that there can be few better vantage points from which to rethink "the modern condition." My interest in imaginative histories, which montage details rather than attempting to provide an overarching grand narrative, stems from wrestling with how to communicate this complexity.
The filmmaker Humphrey Jennings was a leading British surrealist and a founder of the pioneering social research project Mass–Observation.
Built out of quotations from letters, diaries, literature, scientific journals, and official reports, Pandaemonium is his "imaginative history" of the industrial revolution in Britain. These "images," he writes, "contain in little a whole world—they are the knots in a great net of tangled time and space—the moments at which the situation of humanity is clear—even if only for the flash time of the photographer or the lighting."
Published long after Jennings's death, Pandaemonium formed the basis for Danny Boyle's spectacular opening ceremony at the 2012 London Olympic Games. Jennings's use of revelatory images has strongly influenced my own approach to writing history.
Collecting texts taken from letters, diaries, literature, scientific journals and reports, Pandaemonium gathers a beguiling narrative as it traces the development of the machine age in Britain.
Covering the years between 1660 and 1886, it offers a rich tapestry of human experience, from eyewitness reports of the Luddite Riots and the Peterloo Massacre to more intimate accounts of child labour, Utopian communities, the desecration of the natural world, ground-breaking scientific experiments, and the coming of the railways.
Humphrey Jennings, co-founder of the Mass Observation movement of the 1930s and acclaimed documentary film-maker, assembled an enthralling narrative of this key period…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
I am a professor emeritus of history and sociology, who has taught in universities in Canada and the UK. In the 20th century, Prague Castle was the seat of a gamut of modern political regimes, from democracy through fascism to communism. Gazing across the river at the Castle one night during my first visit to the city in early 1990, soon after the fall of communism, it occurred to me that there can be few better vantage points from which to rethink "the modern condition." My interest in imaginative histories, which montage details rather than attempting to provide an overarching grand narrative, stems from wrestling with how to communicate this complexity.
What holds together this freewheeling part-memoir, part-meditation, part-history, part-cultural study, wafting across five continents, is the bad, seductive smell of tobacco.
What it feels like to desire it, to inhale it, to crave it, to miss it. What smoking signifies. At sixteen it was Jean-Paul Belmondo in Breathless and Len Deighton's nameless spy in The Ipcress File who chain-smoked Gauloises blues.
At sixty it was the withdrawal I felt when I reluctantly "gave up" not just the risky kicks but parts of a past and a self too, accepting that I was getting too old to party. I love this book because I am a smoker who no longer smokes.
I love this book because I knew Lesley. But most of all, I love this book for Lesley's writing.
"The Smoking Book" is built on the foundation of two questions: how does it feel to smoke, and what does smoking mean? Lesley Stern muses on these questions through intersecting stories and essays. Stern writes of addictions and passionate attachments, of the body and bodily pleasure, of autobiography and cultural history. Smoking is Stern's seductive pretext, her way of entering unknown and mysterious regions. The book begins with accounts of growing up on a tobacco farm in colonial Rhodesia, reminiscences that permeate subsequent excursions into precolonial tobacco production and postcolonial life in Zimbabwe, as well as vignettes set in Australia,…
I have always been fascinated by the relationship between the concept of time, history, and politics. My first publications were in the philosophy of history. I started by translating some Left Hegelians. Then I moved toward Kant and Benjamin. My research background was constituted by the attempt to liberate Marxism from any kind of teleological philosophy of history. Recently, I began digging into concrete historical cases to extract political and legal categories. I’m interested in the reactivation of past possibilities to reconfigure the present and open alternative futures. I am now fortunate to teach courses on Temporalities and History in the History of Consciousness Department at UCSC.
I could have mentioned other books written by E.P. Thompson. Each of his books has influenced my work.
Customs and Tradition contains "Time, Work-Discipline and Industrial Capitalism." This brilliant and elegantly written essay shows how capitalism, to impose itself, had to modify the experience of time. This change occurred through numerous conflicts with the traditions and customs of the working classes.
E.P. Thompson teaches us to consider the political importance and emancipatory potential of these struggles and not to leave "tradition" and its energy to the right.
E.P. Thompson taught me to look at these conflicts not just as forms of resistance, but as tensions between mutually incompatible legal systems. A useful corrective to Foucault.
Customs in Common is the remarkable sequel to E.P. Thompson's influential, landmark volume of social history, The Making of the English Working Class. The product of years of research and debate, Customs in Common describes the complex culture from which working class institutions emerged in England a panoply of traditions and customs that the new working class fought to preserve well into Victorian times.
In a text marked by both empathy and erudition, Thompson investigates the gradual disappearance of a range of cultural customs against the backdrop of the great upheavals of the eighteenth century. As villagers were subjected to…
I have always been fascinated by the relationship between the concept of time, history, and politics. My first publications were in the philosophy of history. I started by translating some Left Hegelians. Then I moved toward Kant and Benjamin. My research background was constituted by the attempt to liberate Marxism from any kind of teleological philosophy of history. Recently, I began digging into concrete historical cases to extract political and legal categories. I’m interested in the reactivation of past possibilities to reconfigure the present and open alternative futures. I am now fortunate to teach courses on Temporalities and History in the History of Consciousness Department at UCSC.
This book is one of the texts that gave rise to Italian “operaismo.”
For me, as for many other Marx scholars, it is a fundamental text that teaches how to look at capitalist relations from the perspective of class struggle. This shift in perspective means looking at capital as a response to a conflict that forces it into constant restructuring, innovation, and reconfiguration.
The conflict also innervates workers' institutions, so that sometimes a refusal to participate in a strike can also be read and acted upon as a refusal to participate in the union's reformist and compromising politics. It is a way of reading social relations to free their political potential.
Workers and Capital is universally recognised as the most important work produced by operaismo, a current of political thought emerging in the 1960s that revolutionised the institutional and extra-parliamentary Left in Italy and beyond. In the decade after its first publication in 1966, the debates over Workers and Capital produced new methods of analysis and a new vocabulary for thousands of militants, helping to inform the new forms of workplace, youth and community struggles. Concepts like 'neocapitalism', 'class composition', 'mass-worker', 'the plan of capital', 'workers' inquiry' and 'co-research' became an established part of the Italian Left's political lexicon. Over five…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
I have always been fascinated by the relationship between the concept of time, history, and politics. My first publications were in the philosophy of history. I started by translating some Left Hegelians. Then I moved toward Kant and Benjamin. My research background was constituted by the attempt to liberate Marxism from any kind of teleological philosophy of history. Recently, I began digging into concrete historical cases to extract political and legal categories. I’m interested in the reactivation of past possibilities to reconfigure the present and open alternative futures. I am now fortunate to teach courses on Temporalities and History in the History of Consciousness Department at UCSC.
This text, along with Walter Benjamin's On the Concept of History, introduces the notions of historical mutiversum and temporal strata.
Bloch develops these concepts to rethink the Marxist theory of history in relation to anticolonial struggles. He questions the idea of progress without abandoning it. Instead, he revisits progress from the perspective of complementary differentiations. This a crucial text for thinking about the plurality of times without falling into cultural relativism.
It is always better to take your reader straight to the point and spare him a long preamble. This is particularly advisable when the book itself is offered as an introduction. If it takes a long time to get to the matter, the mind tends to refuse what is really needful. This work consists largely of material first delivered as lec tures. If the spoken word can still be heard (where it should be heard), well and good. It helps if you tell someone the way as well as point it out; yet…
I have always been fascinated by the relationship between the concept of time, history, and politics. My first publications were in the philosophy of history. I started by translating some Left Hegelians. Then I moved toward Kant and Benjamin. My research background was constituted by the attempt to liberate Marxism from any kind of teleological philosophy of history. Recently, I began digging into concrete historical cases to extract political and legal categories. I’m interested in the reactivation of past possibilities to reconfigure the present and open alternative futures. I am now fortunate to teach courses on Temporalities and History in the History of Consciousness Department at UCSC.
The style of this book is clear, direct, and energetic.
Bensaid's book addresses the ideas of Karl Marx, demonstrating their continuing relevance in the contemporary world. It explores how Marx's theories can be applied to analyze and understand the complex dynamics of capitalist societies, making it a valuable resource for those seeking insights into our time's economic, social, and political issues.
The end of Soviet Socialism signalled to some observers that the ghost of Marx had finally been laid to rest. But history's refusal to grind to a halt and the global credit crisis that began in 2008 have rekindled interest in capitalism's most persistent critic. Written during the mid-nineties, a period of Western complacency and neo-liberal reaction, Marx for Our Times is a critical reading of dialectical materialism as a method of resistance. Without denying the contradictory character of Marx's thought, and with a sensitivity to the plurality of theories it has inspired, Daniel Bensaid sets out to discover what…
I went to Paris the first time when I was nineteen. I was sitting in a cheap restaurant when a man entered carrying a burlap sack filled with escargots, and put some on my plate (all very unsanitary) for me to taste. Delicious! I was in France in the 1970s when Robert Parker was discovering French wine. (We didn’t meet then, but did after my series was published many years later.) Subsequent stays in Paris and other areas of France (Champagne, Bordeaux, Burgundy) afforded me a food and wine sensibility that over decades has permeated my lifestyle, my friendships—and my writing.
The description above segues nicely into The New Paris by Lindsey Traumata, published in 2017. Traumata now has a second book published, and hosts a podcast, and is popular on social media. I have spent at least a month (and sometimes three) in Paris annually over the past six years and think of Traumata’s first book as a good friend. She writes wonderful profiles of people, and she keeps readers updated about bistros, winemakers, new cuisine. Her writing is elegant, and I read her descriptions as avidly as I do a novel, constantly making notes. So different from the usual guidebooks.
The city long-adored for its medieval beauty, old-timey brasseries, and corner cafes has even more to offer today. In the last few years, a flood of new ideas and creative locals has infused a once-static, traditional city with a new open-minded sensibility and energy. Journalist Lindsey Tramuta offers detailed insight into the rapidly evolving worlds of food, wine, pastry, coffee, beer, fashion, and design in the delightful city of Paris. Tramuta puts the spotlight on the new trends and people that are making France's capital a more whimsical, creative, vibrant, and curious place to explore than its classical reputation might…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
I’m American but I’ve been a Francophile for ages. I didn’t get a chance to visit France until well into adulthood. So much history lives in France and it’s been my joy to illuminate it for readers who tell me they feel transported. There is no higher compliment, in my mind. I’ve been writing novels for thirty years, set in the Rocky Mountains, America’s heartland, and the scenic villages of France. The Bennett Sisters Mysteries are now up 18 books in the series, featuring settings from Paris to Champagne to the Dordogne, with more in the works. I must go back to France to research, oui?
I love weaving history into my mysteries so I was drawn to this dark tale of Paris in the Belle Époque. An English girl goes to Paris to study art but, desperately poor, throws her fate into the hands of some shady characters. The atmosphere and scene-setting of Paris during a terrible rainy winter are unforgettable.
Extra material includes a deleted scene and a Q&A with Imogen Robertson
Maud Heighton came to Lafond's famous Academy to paint, and to flee the constraints of her small English town. It took all her courage to escape, but Paris eats money. While her fellow students enjoy the dazzling joys of the Belle Epoque, Maud slips into poverty. Quietly starving, and dreading another cold Paris winter, Maud takes a job as companion to young, beautiful Sylvie Morel. But Sylvie has a secret: an addiction to opium. As Maud is drawn into the Morels' world of elegant luxury, their secrets become…
