I have a passion for critical theory since I was intrigued by the heretical idea, which originates in Marx’s Capital, that what limits our freedom and democracy is not the apparent personified power held by the state and politicians. On the contrary, real power lies in the fact that, in capitalism, labour that must succumb to the standards of time is money, that runs through each one of us. So, to an extent, we all are forced to become slaves to the rationale of capital. In this book, I analyse this idea to the philosophers mentioned. This perspective is far away from their mainstream reading and casts a completely different light on their philosophy.
Through the negative dialectics of Theodore Adorno, Illusion and Fetishism in Critical Theory offers an examination of Nietzsche, Benjamin, Castoriadis,…
Nietzsche demystifies the idea that the state in capitalism provides stability and certainty in our lives and, as a result, the concept that it is necessary.
He has a dialectic between phenomenon and essence, for which the state is the social form that corresponds to the alienation we experience in our everyday life in capitalism.
Thus, as a corresponding social form to the mass culture, it reiterates our unfreedom. Nietzsche holds a concept of fetishization that brings him much closer to critical Marxism than previously thought.
This English translation-the first since 1909-restores Human, All Too Human to its proper central position in the Nietzsche canon. First published in 1878, the book marks the philosophical coming of age of Friedrich Nietzsche. In it he rejects the romanticism of his early work, influenced by Wagner and Schopenhauer, and looks to enlightened reason and science. The "Free Spirit" enters, untrammeled by all accepted conventions, a precursor of Zarathustra. The result is 638 stunning aphorisms about everything under and above the sun.
According to the Debord, concepts are fluid and open since they express alienation, class struggle, and the unavoidable contradictions inherent in capitalism.
Therefore, his theory has a strong anarchic character and does not ignore the economy or the social conflicts confronted in everyday life, as some readers of his theory may believe. The spectacle, as used by the Situationists and Debord, does not take place on a different plane from that of commodity fetishism or alienation in everyday living, as sadly some scholars hold.
His theory casts light on the idea of the inverted topsy-turvy world and the negativity that defetishises the apparent, closed, and reified forms, such as the bourgeois form of democracy and the state, that constitute a closed and fetishized social totality.
The Das Kapital of the 20th century. An essential text, and the main theoretical work of the situationists. Few works of political and cultural theory have been as enduringly provocative. From its publication amid the social upheavals of the 1960's up to the present, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism, and everyday life in the late 20th century. This is the original translation by Fredy Perlman, kept in print continuously for the last 30 years, keeping the flame alive when no-one else cared.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
For my study, Benjamin succeeds in showing how the dominant social forms in each capitalist society can be debunked and that the official narrative that perpetuates the logic that supports the current system can be seriously questioned.
Benjamin’s goal was not to build another totality, another theoretical system that would bring certainty and stability to those who want to change the world radically towards socialism.
Rather, his philosophy encourages us to continue fighting to open the cracks in capitalism, to create multiple ruptures in the capitalist system, even though we do not have all the answers and are aware that our struggle will have an uncertain result.
This is how we redeem and vindicate past generations who spilled their blood for another world. This is how we redeem Benjamin himself, who dedicated his life's work to this purpose.
"To great writers," Walter Benjamin once wrote, "finished works weigh lighter than those fragments on which they labor their entire lives." Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project (in German, Das Passagen-Werk) is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas."
Focusing on the arcades of nineteenth-century Paris-glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them…
This collection of articles shows that the theory of the Situationists has a strong anarchic character and does not ignore the economy or the social conflicts confronted in everyday life, as some readers of their theory may believe.
The spectacle, as used by the Situationists, does not take place on a different plane to that of commodity fetishism or alienation in everyday living, as sadly some scholars hold.
In my understanding, the Situationists had a clear understanding of commodity fetishism and alienation in everyday life. They also had a concept of corporeal materialism and the negativity that defetishizes the apparent, closed, and reified social forms that constitute a fetishized social totality, like the state or the bourgeois form of democracy.
The Situationist International Anthology is the most comprehensive and accurately translated collection of situationist writings in English.
In 1957 a few European avant-garde groups came together to form the Situationist International. Picking up where the dadaists and surrealists had left off, the situationists challenged people’s passive conditioning with carefully calculated scandals and the playful tactic of détournement (“rerouting, hijacking”). Seeking a more extreme social revolution than was dreamed of by most leftists, they developed an incisive critique of the global spectacle-commodity system and of its “Communist” pseudo-opposition, and their new methods of agitation helped trigger the May 1968 revolt in…
American Panic explores questions unanswered in other books about political panics from our nation’s past and turbulent present. The overall question being: Why do some people panic when others don’t? Political panic has traditionally been associated with lack of education, lack of wealth, or other demographics – none of which…
Through the negative dialectics of Theodore Adorno, Illusion and Fetishism in Critical Theory offers an examination of Nietzsche, Benjamin, Castoriadis, and the Situationists, who put the concept of illusion at the forefront of their philosophical thought.
Grollios illustrates that these political philosophers, except Castoriadis, have up to now been wrongly considered by many scholars to be far from the line of thinking of negative dialectics, Critical Theory, and the early Frankfurt School/Open Marxist tradition. He illustrates how these thinkers focused on the illusions of capitalism and attempted to show how capitalism, by its innate rationale, creates social forms that are presented as unavoidable and universal, yet are historically specific and of dubious sustainability, and therefore how we open cracks in capitalism and radicalize democratic social practice today.
What were America's first prisons like? How did penal reformers, prison administrators, and politicians deal with the challenges of confining human beings in long-term captivity as punishment--what they saw as a humane intervention?
The Deviant Prison centers on one early prison: Eastern State Penitentiary. Built in Philadelphia, one of the…
History has always celebrated the "Founding Fathers, ” yet we almost never hear of the courageous, resourceful women whose actions shaped the nation.
In Obstinate Daughters, New York Times bestselling author Denise Kiernan asserts that, “If storytellers now, in the present day, continue to exclude these lives, experiences, and…
