100 Books Like The Island

The Eightfold Path is the road map to freedom laid out by the Buddha. From this derives the mindfulness and concentration practices, as well as guidance on wisdom, ethics, and morality. Bhikkhu Bodhi packs more wisdom into this short book than any other Buddhist text you will read. So dense that a single sentence can send you off on days of reflection, I come back over and over to this book for guidance and inspiration.

The first of this great scholar’s series on the Buddha’s instructions for mindfulness, this sits as perhaps the greatest modern commentary on what has become a worldwide phenomenon. Building from the core “Satipatthana Sutta,” or “The Discourse on the Four Foundations of Mindfulness,” Analayo draws from his extensive translations and studies of both the Pali Canon and the Chinese versions of suttas that branched off long ago. While the footnotes sometimes take up more space than the text itself, every digression is worth following for those who want to truly understand what the Buddha taught. Warning: most of this book will only make sense to you if you have sat for at least a couple of ten-day meditation retreats.

Ñāṇamoli’s anthology invites us into the world of the Pali Canon, the oldest sizable source for early Buddhism and my favourite collection of ancient texts. Although full of transcendent yet practical wisdom, with smatterings of an earthy humour, sometimes it gives me a headache—thousands of pages, endless repetition, words that have no real English equivalent.

Through genius-level editing, Bhikkhu Ñāṇamoli has woven together translated excerpts from the Canon to make something like a modern biography of the Buddha. Reading The Life of the Buddha, I know I’m immersed in the authentic texts, and yet I still want to turn the page to see what will happen next.

Ajahn Chah was a Buddhist monk in the Thai Forest Tradition who taught and influenced a generation of Western Buddhist teachers, from Jack Kornfield to Ajahn Sumedho, Ajahn Amaro, and Ajahn Passano. Combining the commitment of an ascetic monk with the clarity of a Zen Master, Ajahn Chah’s teachings here are rich and alive. Far from the drier suttas of the Pali Canon, here we see Buddhism coming alive in practical and inspiring ways. Everything from how to meditate to how to be mindful in daily life is covered in stories and pithy teachings. Easy to pick up and read short passages.

This is the life story of Ayya Khema (1923-1997), who was the first Western woman to be ordained a Theravadin Buddhist nun. In this book, she recounts her rich and adventurous life. Born in Germany to Jewish parents before WWII, she joined a children's transport group going to England after the Kristal Nacht. After a year she met up with her parents in Shanghai, where the Japanese invasion forced them to give up their lives and live in a ghetto. From there on, her life takes many turns. She marries, has children, travels all over, and eventually steps onto the spiritual path in later life. She ordains as a Buddhist nun, initiates Nun's Island, a Buddhist monastery in Sri Lanka, and eventually comes back to Germany to create Buddha Haus. Ven. Ayya Khema writes more ‘from a distance,' and although we do not always get a glimpse into her inner… show more.

If you are looking for a ‘quick fix' or 'how to’ read, this book may at first glance not be the most obvious choice. Awake at the Bedside is not your traditional guidebook. It is a moving and insightful collection of essays written by clinicians, chaplains, caregivers, pioneers in end-of-life care, contemplative teachers, and poets. Each essay sheds light on the different facets of what it means to show up at the bedside and the opportunity to wake up to each moment. I contributed a chapter on spiritual care, but that’s not why I recommend this volume. I recommend it because it is written by caregivers for caregivers—honest, reflective, compassionate, inspirational, and practical. A human and compassionate vision for end-of-life care. 

Simple, lyrical, beautiful.

Siddhartha is the story of an epic journey of a man traveling through ancient India, with life lessons subtly woven through the narrative.

Ultimately, this book is about how all things are connected through nature, and more specifically, how attaching too much weight to individual events—good, bad, happy, sad—misses the totality of appreciating how those events work together to make a more joyful, meaningful life.

I like and dislike this book! Ricard is a scientist and a Buddhist monk, and is reported to be the happiest man on earth. I know, respect, and like Ricard, and this book harkens back to the Stoics by suggesting that moderation is the key to happiness. My research says yes and no to this.  Ricard is correct that spending too much time worrying about the past or future will drag down one's happiness. My research, and that of many others, have shown the positive effect of meditation on happiness and here Ricard is masterful in explaining how and why meditation is important. Calmness and self-insight are very important to avoiding depression and setting the conditions for happiness, but, as Ricard notes, we must be in communities of other people to truly thrive. A little wildness is awesome, go for it!

Batchelor’s book rocked the Buddhist world. He stripped away the mysticism and institutional superstructure which, over the centuries, has turned Buddhism into an organized religion.

Bachelor presented Buddhism not as something to believe in but as a down to earth practice available to anyone seeking on their own to relieve the stresses and anxieties of modern life. His work, coming out of the Buddhist community (Batchelor started off as a Buddhist monk), provided further evidence of the common approach to practical, personal liberation explored in my own work based on comparing Pyrrhonism and early Buddhism. 

History has had mixed perceptions of Chogyam Trungpa, yet as is implicit in this book, one should not mistake great art for the artist. It is often said that to make it commercially as an artist, you need to be very assertive, yet Trungpa argues that as we insist on asserting our expectations to what we want from ourselves and others in the creative process we become blind to inspiration. He calls such a mindset one of aggression and instead advocates the creative process as being one of non-aggression.