Here are 75 books that The House at Riverton fans have personally recommended if you like
The House at Riverton.
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As the author of a historical/mystery/romance series that has won over sixty international awards in multiple categories, I’m attracted to books that cannot be pinned to one genre. I love sweeping sagas with elements of all three, perhaps because I was so immersed in classic literature as a kid and fascinated by stories of the past. I suspect I may have once lived in the 1930s and, having yet to discover a handy time machine lying around, I have resorted to writing about the era as a way of getting myself back there. I am, not surprisingly, addicted to period dramas and big band music.
I came upon this 3-part series almost by accident and quickly gobbled it up, surprised that it is not more well known. It is a fabulous upstairs/downstairs type of saga in which both the aristocracy and the servants who wait upon them are upended by the outbreak of WW1. Excellent writing; hard to put down.
Before Downton Abbey, there was Abingdon Pryory, the elegant country home of the Grevilles - a titled English family who, along with their servants, see their world turned upside down when England goes to war - and their well-kept lawns and whirling social seasons give way to the horrors of battle leaving no one, upstairs or downstairs, untouched.
When Hannah finds the ring buried in her garden and it gives her a physical shock, she embarks on a quest to discover who had once owned it, and how they lost it. Her research leads her to a woman lost…
As the author of a historical/mystery/romance series that has won over sixty international awards in multiple categories, I’m attracted to books that cannot be pinned to one genre. I love sweeping sagas with elements of all three, perhaps because I was so immersed in classic literature as a kid and fascinated by stories of the past. I suspect I may have once lived in the 1930s and, having yet to discover a handy time machine lying around, I have resorted to writing about the era as a way of getting myself back there. I am, not surprisingly, addicted to period dramas and big band music.
While walking through a Barnes and Noble some thirty years ago, I stumbled upon Anthony Trollope—probably because he took up about three whole shelves. Curious, I chose one of his fifty novels and then another and another until I concluded that he is undoubtedly one of the most underrated authors in the English language. Both of his series—The Chronicles of Barsetshire and The Pallisers—make Downton Abbey look like upstairs/downstairs-lite. Highly recommended!
As the author of a historical/mystery/romance series that has won over sixty international awards in multiple categories, I’m attracted to books that cannot be pinned to one genre. I love sweeping sagas with elements of all three, perhaps because I was so immersed in classic literature as a kid and fascinated by stories of the past. I suspect I may have once lived in the 1930s and, having yet to discover a handy time machine lying around, I have resorted to writing about the era as a way of getting myself back there. I am, not surprisingly, addicted to period dramas and big band music.
I read all of Catherine Cookson’s novels at a much too-young age, having “borrowed” them from my mom’s bookshelf when she wasn’t looking. I was immediately hooked. So many of Cookson’s books, not just The Girl, pit the wealthy, landed class against their poorer servants, and this theme made a deep impression on me. In fact, I think that Cookson, along with Dickens, probably had the most influence on my personal writing style.
She appeared in Ned Riley's stable yard like some wraith of the morning mist to seek Ned's help. Her name was Hannah Boyle, she was eight years old, and she had walked many miles from Newcastle with her mother, who was seriously ill.
An eyewitness account of the first major international war-crimes tribunal since the Nuremberg trials, Twilight of Impunity is a gripping guide to the prosecution of Slobodan Milošević for war crimes, crimes against humanity, and genocide committed during nearly a decade of wars in the former Yugoslavia.
As the author of a historical/mystery/romance series that has won over sixty international awards in multiple categories, I’m attracted to books that cannot be pinned to one genre. I love sweeping sagas with elements of all three, perhaps because I was so immersed in classic literature as a kid and fascinated by stories of the past. I suspect I may have once lived in the 1930s and, having yet to discover a handy time machine lying around, I have resorted to writing about the era as a way of getting myself back there. I am, not surprisingly, addicted to period dramas and big band music.
Williams is another of my absolute favorite authors. I love anything she writes, but I chose to showcase the Schuler Sisters series because, again, it consists of an overarching saga with some fantastic mystery elements. Williams’ strength is that she is able to place the reader directly in the scene with her perfect attention to detail without overdoing it. She expertly weaves multiple storylines in different eras to produce one delicious book.
A story of love and intrigue that travels from Kennedy-era Manhattan to World War I Europe from the New York Times bestselling author of Her Last Flight and The Golden Hour.
Fresh from college, irrepressible Vivian Schuyler defies her wealthy Fifth Avenue family to work at cutthroat Metropolitan magazine. But this is 1964, and the editor dismisses her…until a parcel lands on Vivian’s Greenwich Village doorstep that starts a journey into the life of an aunt she never knew, who might give her just the story she’s been waiting for.
In 1912, Violet Schuyler Grant moved to Europe to study…
I was born and raised in Mississippi, where ink and river mud run through our veins in equal measure. My parents were readers, and thus, I followed in their footsteps. Before long, I was reading their library choices and mine and still running out of books before it was time to visit again. From the moment I laid eyes on Elizabeth Peters’ Amelia Peabody series, I was hooked on historical mysteries. It took me forty years of life to realize I had stories of my own to share. I now live in Oxford, England, with my husband, two daughters, three cats, and lots of shadowy corners for inspiration.
I love a well-written underdog, and Ashley Gardner delivers in this book. Captain Gabriel Lacey acts as the bridge between the highest echelons of society and the poor at the bottom, humanizing every one of them while solving twisty crimes.
I adored the unexpected friendship between the retired military man and Grenville, a fashion-conscious man of high society. This long-running series remains one of my absolute favorites because of the mix of upstairs/downstairs intrigues and excellent character development.
London, 1816 Cavalry captain Gabriel Lacey returns to Regency London from the Napoleonic wars, burned out, fighting melancholia, his career ended. His interest is piqued when he learns of a missing girl, possibly kidnapped by a prominent member of Parliament. Lacey's search for the young woman leads to murder, corruption, and dealings with a leader of the underworld. At the same time, he struggles with his transition from a soldier's life to the civilian world, redefining his role with his former commanding officer, and making new friends--from the top of society to the street girls of Covent Garden.
I have loved visiting country houses ever since I was a child. There is something unique about the combination of art, architecture, and people. Over my lifetime, I have been privileged to visit all sorts of houses and castles. I used to work at Christie’s and during that time I visited many country houses, some of which were completely private. It was a natural progression when I moved to Goodwood and became the curator of the art collection, enjoying the house as part of my daily life. The view from my office looks out through the columns of the portico, across the park, with the sea glinting in the distance. What could be better?
This book takes the reader on a journey back into the mists of time. I was fascinated by how one house can hold so many secrets, that the author, Jane Mulvagh, unravels as she tells her tale. Madresfield was the inspiration for Evelyn Waugh’s famous fictional house Brideshead, although the real story is much more complex and interesting. Inspired by this book, I included Madresfield as one of the ten houses in my own book.
Madresfield Court is an arrestingly romantic stately home in the Malvern Hills in Worcestershire. It has been continuously owned and lived in by the same family, the Lygons, back to the time of the Domesday Book, and, unusually, remains in the family's hands to this day. Inside, it is a very private, unmistakably English, manor house; a lived-in family home where the bejewelled sits next to the threadbare. The house and the family were the real inspiration for Brideshead Revisited: Evelyn Waugh was a regular visitor, and based his story of the doomed Marchmain family on the Lygons. Never before…
The woman who inspired Don Quixote sets out across the dangerous roads of Spain to honor her dying lover's final plea.
The daughter of a wealthy merchant, young Dolça Llull Prat is besotted with the dashing, bootstrapping Miguel Cervantes from their first meeting. Despite Miguel's entreaties, the ever-practical Dolça, with…
I’ve taught English for 20 years and the novels I’ve enjoyed teaching most – because the students have enjoyed them most – are those with the first-person perspectives of young narrators. These characters’ voices ring loud and clear as they learn, change, and grow, often suffering and having to find resilience and strength to survive. The limited perspective also takes us into the mind and heart of the protagonist, so that we feel all the feels with them. This is why I chose a first-person perspective for the narrator of my own book ‘Cuckoo in the Nest’: Jackie Chadwick is sarcastic, funny, and observant. Readers love her.
You know when you first go to someone else’s house and realise that not every family lives the way yours does?
It’s part of the coming-of-age process and can be both illuminating and destabilising. In Adichie’s story, set in post-colonial Nigeria, 15-year-old Kambili gets the chance to escape her wealthy but religiously-oppressive household and stay with her vibrant, liberal aunt.
I love the way Kambili’s narrative expresses the new freedom she feels there: she has a voice at last and the liberty to experience a sexual awakening. She needs these new strengths as her own family disintegrates into tragedy.
“One of the most vital and original novelists of her generation.” —Larissa MacFarquhar, The New Yorker
From the bestselling author of Americanah and We Should All Be Feminists
Fifteen-year-old Kambili and her older brother Jaja lead a privileged life in Enugu, Nigeria. They live in a beautiful house, with a caring family, and attend an exclusive missionary school. They're completely shielded from the troubles of the world. Yet, as Kambili reveals in her tender-voiced account, things are less perfect than they appear. Although her Papa is generous and well respected, he is fanatically religious and tyrannical at home—a home that…
Whenever in Oxford, I feel I’ve come “home.” It’s a magical city steeped in beauty, history, literature, culture, and fascinating people. I’ve been blessed to have taken graduate courses at the University, participated in numerous conferences, brought tour groups, lived “in college,” and conducted walking tours of the town. My familiarity with the city enabled me to write the original chapter on Oxford for Rick Steves’ England guidebook, and it’s where I set my fictional series, The Oxford Chronicles. When I can’t be there in person, I love to visit vicariously through good books. I hope these novels will enable you to experience some of the magic of Oxford too.
I first became acquainted with this 20th-century classic when it was turned into a popular miniseries, and I felt compelled to read the novel for myself.
Although the narrative traverses settings from London and a great English country house to Europe and even the Americas, the inception of the story is grounded in post-WWI Oxford, where the narrator introduces us to Waugh’s memorably charming but doomed character, Lord Sebastian Flyte.
Waugh’s portrayal of the exuberance of youthful college high-jinx juxtaposed against the perils of dissipation powerfully depicts the inner struggle of his narrator’s search for love, meaning, and ultimately faith.
I greatly admire Waugh’s hauntingly lyrical prose, which vividly captures the aching beauty and mystique of Oxford.
It is WW2 and Captain Charles Ryder reflects on his time at Oxford during the twenties and a world now changed. As a lonely student Charles was captivated by the outrageous and decadent Sebastian Flyte and invited to spend time at the Flyte's family home - the magnificent Brideshead. Here Charles becomes infatuated by its eccentric, aristocratic inhabitants, and in particular with Julia, Sebastian's startling and remote sister. But as his own spiritual and social distance becomes marked, Charles discovers a crueller world, where duty and desire, faith and happiness can only ever conflict.
Denise Kiernan is a multiple New York Times bestselling author of narrative nonfiction books including The Girls Of Atomic City, The Last Castle, and We Gather Together. Throughout her career as a journalist and an author, she has explored underrepresented stories and characters and the impact they have had on history. These stories of the unsung offer fresh perspectives on historical tales we think we already know. At the heart of many of Kiernan’s nonfiction explorations are women from a variety of different backgrounds and time periods.
There are many ways to approach history. Donna Lucey brilliantly chose to usher readers into the world of the Gilded Age via the captivating canvases of that era’s most sought-after portraitist, John Singer Sargent. There are always more stories lurking behind Sargent’s luxurious depictions of his subjects, and Lucey gets beneath the paint and the posing to give us her own picture of four very real women whose lives are far more nuanced than any portrait sitting can convey.
With unprecedented access to newly discovered sources, Donna M. Lucey illuminates the lives of four women painted by the society portraitist John Singer Sargent. With uncanny clairvoyance, Sargent's portraits hint at the mysteries, passions and tragedies that unfolded in his subjects' lives. Elsie Palmer carried on a labyrinthine love life in a Rocky Mountain castle; Elizabeth Chanler stepped into a maze of infidelity with her best friend's husband; as the veiled image of Sally Fairchild emerged on the canvas, her sister was lured into an ill-fated life in art; and shrewd Isabella Stewart Gardner collected both art and young men.…
When Cass leaves London with a broken heart, she plans to settle on the beautiful Australian coastline where she holidayed as a child. Yet when she arrives, the old house she purchased is not what she expected, nor are the eerie noises in the night.
As a former journalist, I was trained to look at all sides of a story. When I read, I am drawn to books that have multiple characters with their own narratives. Sometimes the stories intersect with an “aha!” moment, and sometimes they’re told side-by-side inside each character’s head. Either way, it’s intriguing to have different perspectives—especially in a mystery or thriller. That’s why I use the points of view of three wives in An Inconvenient Wife to give my readers insight into each of these fascinating women.
I have always been drawn to stories that are ripped from the headlines but are still so entirely their own.
When I first got the book, I was a little daunted by the length but as I read, I discovered I couldn’t put it down and was so sorry when it was over. A missing girl, a desperate mother—all set against the backdrop of an island that’s the playground of the ultra-wealthy. What’s not to love?
'Gripping, stomach-churning . . . Marwood is in a class of her own' LISA JEWELL
'Heart stopping' SUNDAY TIMES, CRIME BOOK OF THE MONTH
'A ripped-from-the-headlines thriller . . . I couldn't put it down' MARK EDWARDS ________________
Sun-drenched glamour and obscene wealth hide the darkest of secrets and lost girls in this ripped-from-the-headlines thriller.
1985 For twelve-year-old Mercedes, La Kastellana is the place she calls home. It is an island untouched by the modern world, with deep-rooted traditions - though that is all about to change with the arrival of multimillionaire Matthew Meade and his spoiled young daughter, Tatiana.…
