Books like The Girl — picked by fans

I came upon this 3-part series almost by accident and quickly gobbled it up, surprised that it is not more well known. It is a fabulous upstairs/downstairs type of saga in which both the aristocracy and the servants who wait upon them are upended by the outbreak of WW1. Excellent writing; hard to put down.  

While walking through a Barnes and Noble some thirty years ago, I stumbled upon Anthony Trollope—probably because he took up about three whole shelves. Curious, I chose one of his fifty novels and then another and another until I concluded that he is undoubtedly one of the most underrated authors in the English language. Both of his series—The Chronicles of Barsetshire and The Pallisers—make Downton Abbey look like upstairs/downstairs-lite. Highly recommended! 

Kate Morton is the penultimate professional at combining sweeping historical fiction and a mystery element. Any of her books are a delight, but I chose to showcase The House at Riverton because of its English aristocratic setting and the heavy mystery element. I adore Morton’s almost magical ability to successfully weave two or even three plotlines, all in different eras, into one tight story.  

Williams is another of my absolute favorite authors. I love anything she writes, but I chose to showcase the Schuler Sisters series because, again, it consists of an overarching saga with some fantastic mystery elements. Williams’ strength is that she is able to place the reader directly in the scene with her perfect attention to detail without overdoing it. She expertly weaves multiple storylines in different eras to produce one delicious book.  

This is by all estimation the greatest of the sagas. I would even claim that its excellence allows it to be fairly mentioned in the same breath as the Iliad, Don Quixote, and the tragedies of Shakespeare. It is quite complex and I would suggest, if I am allowed to, my Why is Your Axe Bloody? (2014) as a guide. But the present Penguin translation is a travesty and should be avoided. The best English translation available is the older Penguin translated by Magnus Magnusson and Hermann Pálsson (1961) and still available from various used booksellers online. Their translation is as good as a translation can get. Hrafnkels saga is a perfect entry to the sagas because it is short and compact and prepares one for the complexity of Njáls saga. 

I think this is a brilliant and, for me, unforgettable novel. It took an aspect of Ottoman history that I knew about as dry fact and imprinted it on my heart. I was fascinated by the daily lives of varied peoples in one small Ottoman town, how intertwined they were, even writing one language in the alphabet of another.

They tell their own stories of love and ambition, family and friendship, and how the Great War and its aftermath tore them apart. It reads like an epic unfolding through the eyes and voices of ordinary people, humane, evocative, humorous and brutal. 

The closest thing to a "novel" from medieval Scandinavia, The Saga of the Volsungs was written down in the 1200s in Iceland by an author who knew the poems about the Volsungs in the Poetic Edda, but also knew a vast wealth of additional poems about them that are otherwise lost to us. Rather than transmit the poems directly, this unknown author chose to attempt to put together a cohesive story of the sprawling generations of this family, beginning with the fathering of their first ancestor by the god Odin and continuing through all the events that lead Odin himself to engineer the death of its last generations. Here we have dwarves forging magic swords, dragon-slayers, Valkyries laboring under the weight of ill-considered oaths, and star-crossed lovers seeking bloody revenge. This volume also includes the medieval "fanfic" sequel, The Saga of Ragnar Lothbrók, written shortly after The Saga of the… show more.

An excellent account of this supremely intelligent Machiavellian rogue and wit of a Norwegian king by the eminent Norwegian historian and namesake Sverre Bagge. King Sverrir’s saga was written by an Icelander with the king looking over his shoulder and apparently dictating portions of it. Nothing quite captures a medieval insurgency any better than this saga when read through the lens of Bagge’s astute commentary. 

Growing up in Philadelphia, I remember hearing stories of the fear settlers had on fires breaking out and of course learning about some historic fires always stuck with me for the sheer terror those residence must have felt. 

This book perfectly encapsulates that for me with a slightly more modern time setting. With so much focus of 1940s literature on WWII books, I was swept up by the story of a devastating fire in Maine and a mother navigating it with small children.

As a mother myself, I can’t imagine the fear Grace must have felt not only on having to literally wade into the ocean to protect her children, but then not knowing what happened to her husband. Grace’s transformation from the ashes is one that has burned years after I’ve finished reading her story. 

This book, from a fin de siècle Scotsman, is a classic of literature in its own right. It contains a perfectly brilliant reading of the sagas as well as other works of medieval literature. It has never been surpassed and is perhaps unsurpassable. Every sentence is an elegant gem, with one nonobvious insight after another. He just nails it. Ker reminds you that literary criticism need not be pretentious and badly written as it so often is. Treat yourself.