100 Books Like The Secret Life of Violet Grant

As the author of a historical/mystery/romance series that has won over sixty international awards in multiple categories, I’m attracted to books that cannot be pinned to one genre. I love sweeping sagas with elements of all three, perhaps because I was so immersed in classic literature as a kid and fascinated by stories of the past. I suspect I may have once lived in the 1930s and, having yet to discover a handy time machine lying around, I have resorted to writing about the era as a way of getting myself back there. I am, not surprisingly, addicted to period dramas and big band music. 

As the author of a historical/mystery/romance series that has won over sixty international awards in multiple categories, I’m attracted to books that cannot be pinned to one genre. I love sweeping sagas with elements of all three, perhaps because I was so immersed in classic literature as a kid and fascinated by stories of the past. I suspect I may have once lived in the 1930s and, having yet to discover a handy time machine lying around, I have resorted to writing about the era as a way of getting myself back there. I am, not surprisingly, addicted to period dramas and big band music. 

As the author of a historical/mystery/romance series that has won over sixty international awards in multiple categories, I’m attracted to books that cannot be pinned to one genre. I love sweeping sagas with elements of all three, perhaps because I was so immersed in classic literature as a kid and fascinated by stories of the past. I suspect I may have once lived in the 1930s and, having yet to discover a handy time machine lying around, I have resorted to writing about the era as a way of getting myself back there. I am, not surprisingly, addicted to period dramas and big band music. 

As the author of a historical/mystery/romance series that has won over sixty international awards in multiple categories, I’m attracted to books that cannot be pinned to one genre. I love sweeping sagas with elements of all three, perhaps because I was so immersed in classic literature as a kid and fascinated by stories of the past. I suspect I may have once lived in the 1930s and, having yet to discover a handy time machine lying around, I have resorted to writing about the era as a way of getting myself back there. I am, not surprisingly, addicted to period dramas and big band music. 

Although I’m neither a healthcare professional nor a historian, my passions are reading great fiction and continually striving to write it. Degrees in literature led to college teaching and then full-time writing. And that, to the publication of six works of fiction, including four historical novels. So, add to the mix, then, the years spent studying and teaching literature as well as those spent writing and rewriting—and, too, being an inveterate reader—and you have, in brief, the sum of my expertise. Each of the works listed below, I feel, has super qualities. I certainly enjoyed reading such masterful work and hope you will as well.   

Having spent my youth watching dramas Crown Court and L.A. Law on TV and reading Rumpole of the Bailey, it’s not surprising I became a lawyer and then went on to write legal thrillers myself. The courtroom is an inherently theatrical place, where emotions and tensions run high. It’s a place where egos collide, theories are propounded and punctured and the liberty (and sometimes the life) of the accused is at stake. It follows, then, that lawyers operate in a totally even-handed system, where they’ll always achieve a fair and just result and uncover the truth. All the books I’ve recommended challenge this notion in different (but equally brilliant) ways.

As a child I would invent stories to entertain my cousins but at school I developed a passion for thrillers, devouring every Agatha Christie novel I could get my hands on and delighted in discovering new authors to satisfy my appetite. However, after my encounter with a man on a train, who went on to become a serial killer and after suffering a few other attacks, I crafted a novel using my experiences and melded fact with fiction to create my first psychological thriller, Killing Me Softly. It was extremely cathartic and now is a series of six, with another on the way. I’ve written eighteen books and even my historical novels are thrillers.

I set out to write my novel, a magical realism western, despite knowing nothing about magical realism or Westerns. I had to quickly get myself versed in both, and I was somewhat surprised to discover that, even in the 21st century, the Westerns that are often held up as the best feature a lot of tired stereotypes about brave white men, lawless people of color (when they are mentioned at all), women without agency, and a wild land that requires taming. I believe that my novel upends some of these Western tropes, and I am happy to report that many other novels in recent years have done the same. 

I was a scared kid who loved spooky stories. I can still remember sitting on the couch, reading Frankenstein by Mary Shelley, mumbling the words aloud, both terrified and enthralled. I checked out every book in the library on Bigfoot, the Abominable Snowman, the Loch Ness Monster, werewolves, and vampires. I’ve hiked the Pacific Northwest, sailed Loch Ness, and chased a ghost light on a mountain. While I missed Bigfoot and Nessie, I caught the ghost. Now I write the kind of spooky monster mystery books I’ve loved for a lifetime.

I started reading crime fiction when I was a very young child. My granny introduced me to mysteries through authors like Tony Hillerman, who wrote books set in the Four Corners region of the American Southwest. That early introduction into mysteries set in small towns and rural areas stuck. My books also focus on smaller towns and rural areas, which I love to visit through fiction or in real life. I have often made my home in a small town and work as a crime fiction author and a developmental editor, so I have an eye for both solid mysteries and life in a rural community.