Here are 73 books that Madresfield fans have personally recommended if you like
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I have loved visiting country houses ever since I was a child. There is something unique about the combination of art, architecture, and people. Over my lifetime, I have been privileged to visit all sorts of houses and castles. I used to work at Christie’s and during that time I visited many country houses, some of which were completely private. It was a natural progression when I moved to Goodwood and became the curator of the art collection, enjoying the house as part of my daily life. The view from my office looks out through the columns of the portico, across the park, with the sea glinting in the distance. What could be better?
Reading this book is like sheer escapism to the Highlands of Scotland. Beautifully illustrated, the author has an engaging style that carries you along as she tells the story of Highland lodges and how Scotland became the place to go to find rest and escapism as well as great sport. You come away seeing Scotland in a new light and wanting to spend August amongst the heather and hills.
Featuring breathtaking photographs of some of Scotland s most remarkable and little-known houses, this book tells the story of how incomers adopted the North of Scotland as a recreational paradise and left an astonishing legacy of architecture and decoration inspired by the romanticized image of the Highlands. Known as shooting lodges because they were designed principally to accommodate the parties of guests that flocked north for the annual sporting season, these houses range from Picturesque cottages ornees and Scotch Baronial castles to Arts and Crafts mansions and modern eco-lodges. While their designs respond to some of Britain s wildest and…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I have loved visiting country houses ever since I was a child. There is something unique about the combination of art, architecture, and people. Over my lifetime, I have been privileged to visit all sorts of houses and castles. I used to work at Christie’s and during that time I visited many country houses, some of which were completely private. It was a natural progression when I moved to Goodwood and became the curator of the art collection, enjoying the house as part of my daily life. The view from my office looks out through the columns of the portico, across the park, with the sea glinting in the distance. What could be better?
The country house is a subject that has always fascinated me, but I’ve often struggled to define it accurately. Clive Aslet, former editor of Country Life magazine does a brilliant job of refining the topic into very readable, succinct, chapters filled with plenty of anecdotes and charming illustrations. As soon as I finished it, I wanted to read it all over again.
The fascinating story of the evolution of the country house in Britain, from its Roman precursors to the present
The Story of the Country House is an authoritative and vivid account of the British country house, exploring how they have evolved with the changing political and economic landscape. Clive Aslet reveals the captivating stories behind individual houses, their architects, and occupants, and paints a vivid picture of the wider context in which the country house in Britain flourished and subsequently fell into decline before enjoying a renaissance in the twenty-first century. The genesis, style, and purpose of architectural masterpieces such…
I have loved visiting country houses ever since I was a child. There is something unique about the combination of art, architecture, and people. Over my lifetime, I have been privileged to visit all sorts of houses and castles. I used to work at Christie’s and during that time I visited many country houses, some of which were completely private. It was a natural progression when I moved to Goodwood and became the curator of the art collection, enjoying the house as part of my daily life. The view from my office looks out through the columns of the portico, across the park, with the sea glinting in the distance. What could be better?
This book is a fascinating insight into the sisters of the 3rd Duke of Richmond and their lives played out among the country houses of England and Ireland. They were all brilliant letter writers, and although they were separated for long periods, kept up a constant correspondence. After reading it, I felt I knew the sisters personally, even though they had lived 250 years ago. It became an instant bestseller when it first came out over twenty years ago and was made into a film, with Julian Fellowes playing the 2nd Duke of Richmond.
The Lennox Sisters--great-granddaughters of a king, daughters of a cabinet minister, and wives of politicians and peers--lived lives of real public significance, but the private texture of their family-centered world mattered to them and they shared their experiences with each other in countless letters. From this hitherto unknown archive, Stella Tillyard has constructed a group biography of privileged eighteenth-century women who, she shows, have much to tell us about our own time.
Coyote weather is the feral, hungry season, drought-stricken, and ready to catch fire. It’s 1967, and the American culture is violently remaking itself while the country is forcibly sending its young men to fight in a deeply unpopular war.
Jerry has stubbornly made no plans for the future because he…
I have loved visiting country houses ever since I was a child. There is something unique about the combination of art, architecture, and people. Over my lifetime, I have been privileged to visit all sorts of houses and castles. I used to work at Christie’s and during that time I visited many country houses, some of which were completely private. It was a natural progression when I moved to Goodwood and became the curator of the art collection, enjoying the house as part of my daily life. The view from my office looks out through the columns of the portico, across the park, with the sea glinting in the distance. What could be better?
This book combines superb photographs with scholarly text by two of the most eminent writers on the country house today, with additional essays by other authors who are respected experts in their fields. I like nothing more than to just open it up and flick through the pages, dipping into the text and enjoying the images. The book is a beautiful object in itself.
From The Crown to Downton Abbey, the country house speaks to our fantasies of rustic splendour, style, and escape. Featuring three hundred photos from the National Trust, this lavish book draws back the curtain on the finest and most important historic homes in England, Wales, Scotland, and Ireland, revealing these great houses' intriguing pasts, grand interiors, and vi-brant reinventions for the enjoyment of modern-day visitors, residents, and armchair travellers. Locations include Knole, Cragside, Castle Howard, Chatsworth, Polesden Lacey, Petworth, Castle Bodiam, Blenheim, Longleat, and dozens more. Illuminating essays by country house expert Jeremy Musson, legendary British author and historian David…
As the author of a historical/mystery/romance series that has won over sixty international awards in multiple categories, I’m attracted to books that cannot be pinned to one genre. I love sweeping sagas with elements of all three, perhaps because I was so immersed in classic literature as a kid and fascinated by stories of the past. I suspect I may have once lived in the 1930s and, having yet to discover a handy time machine lying around, I have resorted to writing about the era as a way of getting myself back there. I am, not surprisingly, addicted to period dramas and big band music.
Kate Morton is the penultimate professional at combining sweeping historical fiction and a mystery element. Any of her books are a delight, but I chose to showcase The House at Riverton because of its English aristocratic setting and the heavy mystery element. I adore Morton’s almost magical ability to successfully weave two or even three plotlines, all in different eras, into one tight story.
Summer 1924: On the eve of a glittering Society party, by the lake of a grand English country house, a young poet takes his life. The only witnesses, sisters Hannah and Emmeline Hartford, will never speak to each other again.Winter 1999: Grace Bradley, 98, one-time house-maid of Riverton Manor, is visited by a young director making a film about the poet's suicide. Ghosts awaken and memories, long consigned to the dark reaches of Grace's mind, begin to sneak back through the cracks. A shocking secret threatens to emerge; something history has forgotten but Grace never could.Set as the war-shattered Edwardian…
Whenever in Oxford, I feel I’ve come “home.” It’s a magical city steeped in beauty, history, literature, culture, and fascinating people. I’ve been blessed to have taken graduate courses at the University, participated in numerous conferences, brought tour groups, lived “in college,” and conducted walking tours of the town. My familiarity with the city enabled me to write the original chapter on Oxford for Rick Steves’ England guidebook, and it’s where I set my fictional series, The Oxford Chronicles. When I can’t be there in person, I love to visit vicariously through good books. I hope these novels will enable you to experience some of the magic of Oxford too.
I first became acquainted with this 20th-century classic when it was turned into a popular miniseries, and I felt compelled to read the novel for myself.
Although the narrative traverses settings from London and a great English country house to Europe and even the Americas, the inception of the story is grounded in post-WWI Oxford, where the narrator introduces us to Waugh’s memorably charming but doomed character, Lord Sebastian Flyte.
Waugh’s portrayal of the exuberance of youthful college high-jinx juxtaposed against the perils of dissipation powerfully depicts the inner struggle of his narrator’s search for love, meaning, and ultimately faith.
I greatly admire Waugh’s hauntingly lyrical prose, which vividly captures the aching beauty and mystique of Oxford.
It is WW2 and Captain Charles Ryder reflects on his time at Oxford during the twenties and a world now changed. As a lonely student Charles was captivated by the outrageous and decadent Sebastian Flyte and invited to spend time at the Flyte's family home - the magnificent Brideshead. Here Charles becomes infatuated by its eccentric, aristocratic inhabitants, and in particular with Julia, Sebastian's startling and remote sister. But as his own spiritual and social distance becomes marked, Charles discovers a crueller world, where duty and desire, faith and happiness can only ever conflict.
Homeless following the death of his adoptive parents in a car crash and the subsequent loss of their farm tenancy, Seb decides to enrol as a residential student at the Asklepios Foundation, a College of Natural Medicine, boasting a sanctuary modelled on an ancient Greek healing temple. Spending a night…
I'm the multiple, award-winning author of 4 novels and one novella, raised in Memphis, Tennessee, and now living in Southern California. The geographical distance gives me a laser-sharp, appreciative perspective of the South, and I celebrate the literary greats from the region. The South is known as the last romantic place in America, and I believe this to be true. The South’s culture, history, and social mores are part and parcel to its fascinating characters, and nothing is more important in the South than the telling of a good story. As a writer, I'm in love with language. I love Southern turns of phrase and applaud those writers who capture Southern nuance. It is well worth writing about Southern sensibilities.
Peachtree Road is considered a modern-day Gone with The Wind, in that it is set in the pivotal, changing times of 1960’s Atlanta, and concerns the opulent area of Buckhead, where the privileged who built modern-day Atlanta live. The story is narrated in lyrical language by Shep Bondurant, an insightful young man born to privilege, who tells the coming-of-age story of Southern traditions and hypocrisy, and the impact of growing up alongside his troubled cousin, Lucy. A deeply probing story on multiple levels concerning society and the impact of family.
“A blockbuster of a novel. . . . Peachtree Road is the meaty and absorbing story of a city turned on to power and of the privileged inhabitants who led it to its current station as a mecca of business, culture, and progress. . . . To say this book is potent does not come close to doing it justice. More than merely powerful, it is mesmerizing, enthralling, and totally unforgettable.” — Chattanooga Free Press
A masterful tale of love, hate, and rebellion set in an elite world of class and wealth, New York Times bestselling author Anne Rivers Siddons's…
My name is Carl Rhodes, and I am a Professor of Management and Organization at the University of Technology Sydney. Like many others, in recent years I have become increasingly concerned, sometimes angry even, about how the organization of business and the economy is creating massive economic injustice. I am convinced that the economic system that has billionaires at its apex is deeply unfair, creating hardship, pain, and even death for too many people around the world. I am also convinced that we do not have to accept this gross injustice as being inevitable.
Ingrid Robeyns opens her book provocatively. She poses the question: ‘Can a person be too rich?’ Her answer is ‘yes’! I value this book because it opens bold new ways of thinking about what can be done about inequality. Robeyns coined the term ‘limitarianism’ to explore how democratic societies might enforce specific caps on wealth.
This limitarianism is, for Robeyns, a ‘regulative ideal’ that should inform government policy and regulation. While limitarianism may appear idealistic at first glance, I found Robeyns book to offer very practical solutions as they relate to providing true socially funded equal opportunity, implementing progressive taxation and wealth capping, and a re-orientating society to valuing equality.
"A powerful case for limitarianism-the idea that we should set a maximum on how much resources one individual can appropriate. A must-read!" -Thomas Piketty, bestselling author of Capital in the Twenty-First Century
An original, bold, and convincing argument for a cap on wealth by the philosopher who coined the term "limitarianism."
How much money is too much? Is it ethical, and democratic, for an individual to amass a limitless amount of wealth, and then spend it however they choose? Many of us feel that the answer to that is no-but what can we do about it?
I love a romance where the hero has his viewpoint changed by the woman he falls in love with. He might become a better family man, or transform his politics, or change his priorities, but it all cases loving her alters him. Additionally, I love a heroine who is exceptional in a distinct way but overlooked or dismissed by others. They can be bluestockings or spinsters, reformers or quiet and shy, but they’re all steadfast and they all derive strength from the hero’s support. In short, the love they find together makes them better people.
This is a great book because love makes Mulligan reevaluate what matters most.
Mulligan isn’t a villain exactly, but he does less than admirable things. He believes money is the way to accrue power, and he tries to fix Justine’s problems with bribery. She can’t accept his methods as a way to solve problems, and he is faced with the choice to either rule the criminal world or love the girl.
Obviously, he picks the girl. His story arc is so satisfying because he will do anything for her!
"Nothing makes me happier than a new book from Joanna Shupe!"-Sarah MacLean
The final novel in Joanna Shupe's critically acclaimed Uptown Girl series about a beauitful do-gooder who must decide if she can team up with one of New York's brashest criminals without losing something irreplaceable: her heart.
Manhattan kingpin.
Brilliant mastermind.
Gentleman gangster.
He's built a wall around his heart...
Orphaned and abandoned on the Bowery's mean streets, Jack Mulligan survived on strength, cunning, and ambition. Now he rules his territory better than any politician or copper ever could. He didn't get here by being soft. But…
Marriage and Fatherhood in the Nazi SS
by
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
I started my career writing about rock music. Rock stars dated models, and I soon started writing about them, too, which led me to cover the fashion world, where I was often seated near the rich and famous at runway shows in London, Paris, Milan, and New York, and began to study them. Thus began years of reading and writing about Society, first for The New York Times and New York magazine, and later in a series of books on the worlds of the rich and the famous. The latest, Flight of the WASP: The Rise, Fall, and Future of America's Original Ruling Class, will be published this fall.
When I was a boy, I dreamed of writing pop fiction. As a young writer in the 1980s, I was riveted by the novels of Dominick Dunne, a former film and TV producer who’d started covering Society as a journalist for Vanity Fair, but also wrote novels where he told the sort of stories that couldn’t get past fact-checkers and libel lawyers. This one is the most trenchant and revealing book ever written about the “Nouvelle Society” of the Reagan years. It’s as delicious as dinner used to be at Le Cirque.
Before they had Too Much Money, the inhabitants of Dominick Dunne’s glitzy, gossipy New York Times bestselling novels were People Like Us.
The way journalist Gus Bailey tells it, old money is always preferred, but occasionally new money sneaks in–even where it is most unwelcome. After moving from Cincinnati, Elias and Ruby Renthal strike it even richer in New York, turning their millions into billions. It would be impolite for high society to refuse them now. Not to mention disadvantageous. As long as the market is strong, there’s absolutely nothing to worry about–except for those nasty secrets from the past.…
