Books like The Highland Falcon Thief — picked by fans

This fascinating book answers questions you never thought to ask. What would Southern California be without citrus groves or palm trees? Why does the Australian eucalyptus cover so much of this western state, and who were the elite conservatives who saw their own survival in the battle to save the redwoods? Find out here!

This was a hard pick because I could easily have chosen any of Joanne Bischof’s other books.

She writes with such excellence and depth of feeling that you bond with the characters and go through their trials alongside them. I chose The Gold in These Hills over her other equally loved books because I read it with tears streaming down my face. The theme of restoration after loss and betrayal resonated with me. Deep despair gives way to soul-stretching hope.

Beautiful, quotable prose stuck with me long after I finished. If you want a novel about second chances that speaks deeply to the heart, give this one a try.  

I read The Brick People when it was first published in 1988.

At the time, I was already familiar with Morales’ work, but this historical novel about the Simons Brick Factory in Southern California and the Mexican migrants who the Simons brother depended upon for their success seized my imagination.

The author blends folklore, history, myth, and magical realism into a novel that relates the story of Mexican migrants and their complicity with or rebellion against the Simons brothers and the mores of the early 20th Century Los Angeles region.

Morales shows how history from the ground up is manifested in people’s lives. His characters work and play hard as they seek to build community and pursue dreams of social mobility even when customs and laws prohibit them.

Over Easy is the first part of Madge’s story, followed by The Customer is Always Wrong. They can be read separately as each stands on its own, but are best absorbed one after the other. These books are visually inventive and full of unforgettable characters who leap off the page and lodge in your imagination. The story follows Madge, an open-hearted artist who finds refuge and adventure in the wise-cracking, fast-talking, drug-taking world of the Imperial Café where she gets a job as a waitress after being denied financial aid to cover her last year in art school. Full of wit and pathos, Mimi Pond captures the perfect balance of hilarious and heartbreaking, all with fantastic drawings. She makes it look easy!

A flat-out clinic on how to infuse humor in mystery! Author Catriona McPherson is hilarious, both in person and on the page.

I am continually amazed by her ability to create fully realized characters, like series star Lexy Campbell, who read so true on the page while being laugh-out-loud funny. Oh! And I also greatly admire the plotting of each terrific installment in this long-running Last Ditch Mystery series.

To me, the discovery of a top-notch series is a gift that keeps on giving. I hope this one keeps it up for a long time.

Between 1954 and 1981, when this book was written, the number of cities in L.A. County nearly doubled from 45 to 81. Many of these new cities contracted with the county for their basic public services, and were consequently able to maintain low property tax rates. Homeowners "voted with their feet" by moving to these new cities, and previously middle-class places like Compton saw their tax bases plummet while their need for public services skyrocketed. As a native Angeleno, I found Miller's account of the fragmentation of Los Angeles fascinating and devastating. A gem of a chapter entitled "Is the Invisible Hand Biased?" presents a withering critique of the argument—standard in economic theory—that more choices make people better off.

I’ll end with a book that started it all for me!

I still remember, in the year 2010, reaching the end of the essay "Goodbye to All That" where the date of publication is noted—1967—and how startled I was to realize something that feels so contemporary and alive had been written decades earlier. As in so much of her work, in this collection Didion offers vivid details from her life and brings her extraordinary powers of analysis to understanding their meaning.

As she once put it herself—in another essay, "Why I Write"—"Had I been blessed with even limited access to my own mind there would have been no reason to write. I write entirely to find out what I'm thinking, what I'm looking at, what I see and what it means.”

María Amparo Ruiz de Burton lived through one of the most tumultuous periods of history in California. She was born in Baja California to an elite family but moved to Mexican Alta California, as it was then known, during the Mexican-American War, marrying US army captain Henry Burton and becoming a US citizen. Ruiz de Burton watched California’s transformation under US rule, and this 1885 novel uses fiction to lay bare the very real problem of land dispossession of the Mexican Californians (known as Californios) and the arrival of ‘squatters’ from the eastern US who were claiming contested property. Ruiz de Burton is considered to be one of the earliest Mexican-American female authors to write in English, and this work illustrates how Alta California’s transition to statehood upended the lives of many people who had lived there under Spanish and Mexican rule.

Mitali Perkins is a winsome, thoughtful writer who easily draws the reader into her discussions of the timelessness of each classic book. This book is a blend of memoir, literary criticism, and moral formation. My favorite part of Steeped in Stories was her contagious love for each book. She reminded me why I loved them, and why I wanted my children to read them when they were younger. Not only does Mitali guide the reader through what makes these books classics in a good sense, she also helps us see them with discerning eyes so that instead of ditching old books for problematic parts, she helps us navigate them with young readers in mind. Steeped in Stories discusses The Hobbit, Heidi, Emily of Deep Valley, Little Women, and The Silver Chair. 

Possibly the best and rarest of all publications about the start of the women’s music movement, this volume was prepared by the students at the University of California at Santa Cruz to serve as a textbook (and record of their experiences) for the first-ever course on feminism and music. Still available to good sleuths who find used copies floating around, the title page is Women in American Music. Women’s Studies, Kresge College, University of California, Santa Cruz, Spring 1975.

The idea for the class was initiated by Karlene Faith, who went on to be an influential producer and distributor; the book she helped edit includes interviews with early Olivia artists who were guest speakers and performers in the class. Before her untimely death, she too was working on a history of Olivia Records.