Here are 73 books that Working Days fans have personally recommended if you like
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I enjoyed writing The Karma Kaper. Just as there's tragedy and comedy in every aspect of our lives there's humor in crime. It's fun bringing that humor to my audience. I also believe in justice for all. Sadly, as American courts are currently more concerned with criminals' rights than victims' rights there are no guarantees victims will receive the justice they deserve. No one can predict if a jury of 12 will find a defendant who has committed a crime guilty. Then, there's the highest court of appeal - fiction! Between the covers of a novel, a crafty writer can ensure just verdicts and devise macabre punishments for the bad guys! It doesn't get any better!
In elegant prose, Nien Cheng, a Shell Oil Company in 1966, recounts her life in Shanghai in 1966, when Chairman Mao launched the Great Proletarian Cultural Revolution.
Mao’s Red Guards ransacked Cheng and her husband’s bourgeois home and then delivered her to No. 1 Detention House in Shanghai where she was held in solitary confinement of 7 years until her rehabilitationand release after several struggle trials.
Her work is prescient as the United States in under attack by a radical woke ideology. Many Americans have been cancelled or have been made to attendstruggle sessions.
Nein Chen is a heroic woman, a brilliant writer, and an example of how one courageous woman can stand up to a totalitarian regime.
A first-hand account of China's cultural revolution.
Nien Cheng, an anglophile and fluent English-speaker who worked for Shell in Shanghai under Mao, was put under house arrest by Red Guards in 1966 and subsequently jailed. All attempts to make her confess to the charges of being a British spy failed; all efforts to indoctrinate her were met by a steadfast and fearless refusal to accept the terms offered by her interrogators. When she was released from prison she was told that her daughter had committed suicide. In fact Meiping had been beaten to death by Maoist revolutionaries.
The wolves of the Wood do more than hunt you… they know your name.
When Red’s life collides with the royal family of Alameth, she is drawn into the haunting mystery of the wolves and the shadowed Wood that preys on her and her people. But as darkness closes in,…
I enjoyed writing The Karma Kaper. Just as there's tragedy and comedy in every aspect of our lives there's humor in crime. It's fun bringing that humor to my audience. I also believe in justice for all. Sadly, as American courts are currently more concerned with criminals' rights than victims' rights there are no guarantees victims will receive the justice they deserve. No one can predict if a jury of 12 will find a defendant who has committed a crime guilty. Then, there's the highest court of appeal - fiction! Between the covers of a novel, a crafty writer can ensure just verdicts and devise macabre punishments for the bad guys! It doesn't get any better!
Flannery O’Connor’s saturnine stories of the American South are jewels of American literature.
They are laced with humor and violence but are at the same time deeply spiritual. In fact, the Catholic Church banned her work until it was discovered that her stories were written to show Grace in the lives of her parochial characters.
In Everything That Rises Must Converge, a story from A Good Man is Hard to Find and Other Stories published in 1955, O'Connor writes about Julian, a young college-educated writer who lives with his mother in a decadent neighborhood that lost its prominence as the Old South faded.
His mother who believes she must uphold the dignity of her family's antebellum name insists on "keeping up appearances." For instance, she likes to tell folks that Jason's first job as a writer "selling typewriters" was a good sign because "Rome wasn't built in a day."
Flannery O'Connor was working on Everything That Rises Must Converge at the time of her death. This collection is an exquisite legacy from a genius of the American short story, in which she scrutinizes territory familiar to her readers: race, faith, and morality. The stories encompass the comic and the tragic, the beautiful and the grotesque; each carries her highly individual stamp and could have been written by no one else.
I’ve been fascinated with history and adventure for as long as I can remember. Nothing thrills me more than an epic quest, particularly if the hero is flawed. As an author of historical fiction, I’ve read countless books and spent thousands of hours researching topics and places, from South America to Europe to Asia. I hope you enjoy these epic historical adventures as much as I have! If you have recommendations of your own, please share!
I read The Count of Monte Cristo as a kid, and it’s one of those books I regularly think about and can read an infinite number of times. I’m completely invested in Edmond Dantès and his transformation from an innocent young sailor into the enigmatic Count.
Alexandre Dumas weaves together hidden identities, intricate schemes, shocking revelations, and unforgettable characters. It’s nearly 200 years old but still feels fresh. I especially love long-laid plans unfold as seemingly unrelated events clicked into place in deeply satisfying ways.
Beneath the thrilling adventure lies a thoughtful exploration of forgiveness, vengeance, and the cost of obsession. By the end, I always feel I’ve experienced one of literature's greatest epics, and it's a novel I'll enthusiastically recommend for years to come.
The epic tale of wrongful imprisonment, adventure and revenge, in its definitive translation
Thrown in prison for a crime he has not committed, Edmond Dantes is confined to the grim fortress of If. There he learns of a great hoard of treasure hidden on the Isle of Monte Cristo and he becomes determined not only to escape, but also to use the treasure to plot the destruction of the three men responsible for his incarceration. Dumas' epic tale of suffering and retribution, inspired by a real-life case of wrongful imprisonment, was a huge popular success when it was first serialized…
As one of 67 million Americans who serve as caretakers to their elderly parents, Susan Hartzler cared for her dad for three years, gaining profound insight into Parkinson's disease and the multifaceted challenges of caregiving. Throughout this period, Hartzler's rescue dog, Baldwin, a precious gift from her late mom, provided…
The older one gets, the more one gains in self-understanding–or so I’d like to believe about myself. One aspect of mature self-knowledge is recognizing how much energy we expend over the years in avoiding knowledge about ourselves and the world around us. It’s a moment of self-reckoning, one of many important ones we can have throughout our lives. But why does that happen at all? Why would anyone not want to have information, which can only help us make better decisions–right? Wrong–the truth can also threaten things dear to us. These are the questions that have occupied me for two decades now and which I address in my book.
Every couple of years–or whenever I’m feeling very blue–I pick up Dicken’s novel and reacquaint myself with the beguiling Samuel Pickwick, Esq., the only saint whose company I can bear. Samuel is a retired businessman who now wants to enjoy life with a jolly band of dim misfits like himself, and they set off for adventures across Britain.
Mainly, though, his jolly naïveté gets them into scrapes. Pickwick is a true innocent, ignorant of the ways of men and ignorant of himself. And so, in the end, he must be bailed out by the less deceived. Yes, ignorance can be bliss for beautiful souls–but only if someone else is driving.
In The Pickwick Papers we are introduced not just to one of the greatest writers in the English language, but to some of fiction's most endearing and memorable characters, starting with the 'illustrious, immortal and colossal-minded' Samuel Pickwick himself. It is a rollicking tour de force through an England on the brink of the Victorian era. Reform of government, justice and commercial life are imminent, as are rail travel, social convulsion and the death of deference, but Pickwick sails through on a tide of delirious adventure, fortifying us for the future - whatever it might throw at us.
As a social scientist, I've always been interested in how the communities we live in shape our values, priorities, and behavior. I also care about how institutional change—from small things like a college offering a new major to big things like a town choosing to incorporate—can shape communities. Each of these books has changed my thinking about how we influence, and are influenced by, the communities we live in, for better or worse. I'm a professor in the departments of Political Science and Quantitative Theory and Methods at Emory University in Atlanta, and I hold a Ph.D. in the Social Sciences from Caltech.
Between 1954 and 1981, when this book was written, the number of cities in L.A. County nearly doubled from 45 to 81. Many of these new cities contracted with the county for their basic public services, and were consequently able to maintain low property tax rates. Homeowners "voted with their feet" by moving to these new cities, and previously middle-class places like Compton saw their tax bases plummet while their need for public services skyrocketed. As a native Angeleno, I found Miller's account of the fragmentation of Los Angeles fascinating and devastating. A gem of a chapter entitled "Is the Invisible Hand Biased?" presents a withering critique of the argument—standard in economic theory—that more choices make people better off.
The battle line in the urban conflict lies between the central city and the affluent suburb. The city, needing to broaden its tax base in order to provide increasingly necessary social services, has sought to annex the suburb. The latter, in order to hold down property taxes, has sought independence through incorporation.
Cities by Contract documents and dissects this process through case studies of communities located in Los Angeles County. The book traces the incorporation of "Lakewood Plan" cities, municipalities which contract with the county for the provision of basic—which is to say minimal—services.
I’m the author of the short story collection I Meant It Once. I often say it’s a book about being a mess in your twenties, but to speak more personally, writing it was a necessity, a way to make sense of both the intensity and mundanity of my own experiences. I love a book where you can palpably feel the author working to make sense of their own life, through language—and, in turn, sorting out what it is for any of us to be a person. Books like these are essential reading when life feels thorny, beautiful, and impossible to make sense of, and all you can do is try to write it down.
I still remember, in the year 2010, reaching the end of the essay "Goodbye to All That" where the date of publication is noted—1967—and how startled I was to realize something that feels so contemporary and alive had been written decades earlier. As in so much of her work, in this collection Didion offers vivid details from her life and brings her extraordinary powers of analysis to understanding their meaning.
As she once put it herself—in another essay, "Why I Write"—"Had I been blessed with even limited access to my own mind there would have been no reason to write. I write entirely to find out what I'm thinking, what I'm looking at, what I see and what it means.”
Joan Didion's savage masterpiece, which, since first publication in 1968, has been acknowledged as an unparalleled report on the state of America during the upheaval of the Sixties Revolution.
We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were
In her non-fiction work, Joan Didion not only describes the subject at hand - her younger self loving and leaving New York, the murderous housewife, the little girl trailing the rock group, the millionaire bunkered in…
How can a musically gifted man and deaf introverted woman find a compatible life together? And rise to the challenge of lighting a path to a better future for human society?
This powerful story of interconnected lives, ironic twists, and democratic challenges that move from the personal to the political…
As a former librarian I have long been fascinated with Borges’s view of books: their metaphysical shape and their tendency to open into the uncanny and the infinite. Illness early in life drove me to books, to their particular isolation. Since then, I’ve found that worlds can open almost anywhere in literature by way of a mood, a patina of language, a vision, a set of images completely beyond the control of the writer. Now, I read these books to remind me of what fiction can do, the places it can go, the worlds it will open.
I stumbled on this book in a free box outside a bookstore when I was a teenager and the family I had moved across the country to be with had collapsed.
My sisters and stepmother moved out of state, my brother moved to California, and my dad, after borrowing my student loan money for truck driving school, went over the road.
Bloodsport was rain-rippled—with a gigantic, dried fly smashed flat in the middle, sliding like a secret toy over the page.
An entire world opened up. I felt no less alone, but the experience changed my understanding of realism, the mythic, and the surreal: a book of immense oddness about a father and son journey up an apocalyptic river, toward Ratnose, the leader of a motorcycle gang.
Welcome to the wilderness of masculinity, where anything goes-where women throw themselves unreservedly at men and games are played to the death. This is the outdoor paradise of the Hassayampa, a legendary river whose bank is overrun with prehistoric and mystical creatures prime for hunting and whose water is said to turn honest men into liars. Here a father takes his prepubescent son on an unforgettable adventure, a rite-of-passage quest that starts as an innocent fishing trip and soon turns into a bizarre Homeric journey. In turn comic and brutal, Blood Sport is more than just the ultimate cult outdoor…
I've always loved reading to myself and others. I've been an English teacher for years. I love sharing good books and have the reputation of being a good resource, especially for moms with children. I’m happy to share everything from memoirs and history books to classics and children’s picture books. Walking through a library or a bookstore is a favorite activity, so finding not only new books but excellent books about books is always a treat. I love to understand what makes a book work well as a story, thus books that delve into the richness of a story through personal narrative or literary criticism have been favorites to keep on my shelves.
Mitali Perkins is a winsome, thoughtful writer who easily draws the reader into her discussions of the timelessness of each classic book. This book is a blend of memoir, literary criticism, and moral formation. My favorite part of Steeped in Stories was her contagious love for each book. She reminded me why I loved them, and why I wanted my children to read them when they were younger. Not only does Mitali guide the reader through what makes these books classics in a good sense, she also helps us see them with discerning eyes so that instead of ditching old books for problematic parts, she helps us navigate them with young readers in mind.Steeped in Stories discusses The Hobbit, Heidi, Emily of Deep Valley, Little Women, and The Silver Chair.
The stories we read as children shape us for the rest of our lives. But it is never too late to discover that transformative spark of hope that children's classics can ignite within us.
Award-winning children's author Mitali Perkins grew up steeped in stories—escaping into her books on the fire escape of a Flushing apartment building and, later, finding solace in them as she navigated between the cultures of her suburban California school and her Bengali heritage at home. Now Perkins invites us to explore the promise of seven timeless children's novels for adults living in uncertain times: stories that…
My first book love was Agatha Christie’s And Then There Were None. The game between author and reader that centers a whodunit has always delighted me. The breadcrumb trail of clues, the misdirection, the inevitable I should have seen it! are my jam. Now an author of whodunits—I have one series published and a second on the way, along with several short stories – I read mysteries with greater scrutiny—in admiration and with a selfish desire to learn from other authors’ envious talents. Each of the books on my list excited me for their excellent storytelling. In the end, I found them just plain entertaining. I hope you do too!
A flat-out clinic on how to infuse humor in mystery! Author Catriona McPherson is hilarious, both in person and on the page.
I am continually amazed by her ability to create fully realized characters, like series star Lexy Campbell, who read so true on the page while being laugh-out-loud funny. Oh! And I also greatly admire the plotting of each terrific installment in this long-running Last Ditch Mystery series.
To me, the discovery of a top-notch series is a gift that keeps on giving. I hope this one keeps it up for a long time.
Despite efforts to create a safe environment to see out the pandemic, the residents of the Last Ditch Motel face more dangers than they imagined possible in this hilarious yet claustrophobic mystery.
March 2020 and Operation Cocker is a go! The owners of the Last Ditch Motel, with a little help from their friend Lexy Campbell, are preparing to support one another through the oncoming lockdown, offering the motel's spare rooms to a select few from the local area in need of sanctuary.
While the newbies are settling in, an ambiguous banner appears demanding one of them return home. But…
The Dog Boy by Noel Anenberg is a historical novel set in 1945, following Phosie Mae Eaton, an African-American mother from Texas, as she travels to Los Angeles to care for her son, a heroic Marine wounded during the battle for Iwo Jima.
All my writing starts with the question, How did we get here? As the granddaughter of a grocer and the daughter of a food editor, I grew up wondering about the quest for new and better foods—especially when other people began saying “new” and “better” were contradictions. Which is better, native or imported? Heirloom or hybrid? Our roses today are patented, and our food supplies are dominated by multi-national seed companies, but not very long ago, the new sciences of evolution and genetics promised an end to scarcity and monotony. If we explore the sources of our gardens, we can understand our world. That‘s what I tried to do in The Garden of Invention, and that’s why I recommend these books.
This fascinating book answers questions you never thought to ask. What would Southern California be without citrus groves or palm trees? Why does the Australian eucalyptus cover so much of this western state, and who were the elite conservatives who saw their own survival in the battle to save the redwoods? Find out here!
At the intersection of plants and politics, Trees in Paradise is an examination of ecological mythmaking and conquest. The first Americans who looked out over California saw arid grasslands and chaparral, and over the course of generations, they remade those landscapes according to the aesthetic values and economic interests of settlers, urban planners, and boosters. In the San Fernando Valley, entrepreneurs amassed fortunes from vast citrus groves; in the Bay Area, gum trees planted to beautify neighborhoods fed wildfires; and across the state, the palm came to stand for the ease and luxury of the rapidly expanding suburbs. Meanwhile, thousands…