Books like Beautiful Revolutionary — picked by fans

Raven is the best, most comprehensive, and most thoroughly researched book on Jim Jones, Jonestown, and Peoples Temple. Reiterman is a fine investigative journalist who was part of a group to visit Jonestown, Guyana in November of 1978. The visitors included, among others, eight members of the press; Congressman Leo Ryan and his aide Jackie Speier; and thirteen representatives of the “Concerned Relatives,” their own name for the group. Every member of the group had defected from the Temple in San Francisco. Only some of these visitors—Reiterman and a few of the other journalists, Ryan and Speier, and a small number of the group of relatives—were finally and reluctantly admitted in by Jones, on the stern advice of Jones’s lawyers. The Concerned Relatives were there to see if—as they strongly suspected—those in Jonestown were being held against their will.  The journalists wanted to find the truth about life in the… show more.

Layton escaped, at great risk, to try to prevent the tragedy of Jonestown. Her book is the best book yet to read to see Jonestown and Jim Jones through the eyes of a survivor. Layton entered Jonestown (as did most of Ron’s and my students) later than early settlers, when the situation was getting more and more dire as Jones was deteriorating. 

Twenty-four at the time, Layton accompanied her mother, who believed Jones could cure her cancer. As Charles Krause says in the foreword, “Debbie quickly realized that she and the others had been deliberately deceived: Jonestown was essentially a concentration camp in the jungle.” Layton had been in the church since she was a teen. Jones had immediately recognized her intelligence and energy, and eventually made her one of his inner circle. When she left, he declared her a traitor. The book is fascinating and well written.

In 1988, I watched a TV special marking the tenth anniversary of the massacre at Jonestown. Did the producers ask who the dead were? How they’d found the People’s Temple? What they’d hoped for when they’d joined? If so, the answers didn’t stick. Nothing stuck but the heaps of corpses in lurid Technicolor—scenes from a horror film misfiled in real life. No wonder I sealed that story and others like it in a pit marked “evil,” “madness,” “them.” 

In this book, Scheeres shows that many entered the People’s Temple seeking what life outside had so far denied them: comfort, camaraderie, and the chance to serve what seemed a worthy cause. She shows how some fought to survive. She returns a throng of “them” to the ring of human understanding.

A nonfiction book that reads like a novel; I loved this book because it gave context to one of San Francisco’s darkest days. On November 27, 1978, California suffered a terrible blow as its beloved mayor, George Moscone, and its first openly gay Supervisor, Harvey Milk, were assassinated.

With its infamous ‘Twinkie defense,” the assailant, Dan White, attempted to convince the city that he was temporarily insane. I loved learning about the behind-the-scenes politics.

I wish I had read this memoir long before I moved to Japan. Otowa married her U.S. college sweetheart and found herself transported to a small town near Kyoto, where she plopped down into the traditional hamlet her husband’s ancestors founded. In the town of Otowa, she becomes the matron of the heritage home of 350 years.

She writes beautifully about traditional Japanese life, folk traditions, and seasonal rituals, all of which bound her to her home, which she considers a living, breathing entity. A beautiful tribute to a house. 

This was a hard pick because I could easily have chosen any of Joanne Bischof’s other books.

She writes with such excellence and depth of feeling that you bond with the characters and go through their trials alongside them. I chose The Gold in These Hills over her other equally loved books because I read it with tears streaming down my face. The theme of restoration after loss and betrayal resonated with me. Deep despair gives way to soul-stretching hope.

Beautiful, quotable prose stuck with me long after I finished. If you want a novel about second chances that speaks deeply to the heart, give this one a try.  

White Crow is a story that takes place in the early 1800s in California when it was still a territory, a part of Mexico, and before it became a state. The book details the story of a white boy, raised by Indians because his parents were killed. He becomes an Indian warrior whom they call White Crow and accept into their tribe. The book is like a western story, but much more complex. It shares the struggles of the lead character, Isaiah Crow, and how he becomes a part of the tribe. He marries an Indian woman and they have a child. Their son, Jedadiah grows up and carries on many of the traditions and customs he learns from the tribe but in a more modern California. I enjoyed this story because it's such a gripping story and Wood does an outstanding job of character development in this book.… show more.

Growing up in rural East Texas, some of my earliest memories center around the fire station where my father was a volunteer firefighter.

Although this book is set in Northern California, it manages to render the small town and its politics familiar enough that I can almost smell the smoke. Lex’s reluctance to return to where everyone else in her immediate family died is tempered by the romance igniting between her and an old flame, but everyone has secrets here—and some can be deadly.

An introductory chapter describes our greater Bay Area climate and its microclimates. The plants listed are ones that will thrive in the region with a minimum of summer water. The glory of the book is in the photographs by Saxon Holt, which include close shots for identification and wider shots that will inspire you to combine plants handsomely in your garden. 

I’ll end with a book that started it all for me!

I still remember, in the year 2010, reaching the end of the essay "Goodbye to All That" where the date of publication is noted—1967—and how startled I was to realize something that feels so contemporary and alive had been written decades earlier. As in so much of her work, in this collection Didion offers vivid details from her life and brings her extraordinary powers of analysis to understanding their meaning.

As she once put it herself—in another essay, "Why I Write"—"Had I been blessed with even limited access to my own mind there would have been no reason to write. I write entirely to find out what I'm thinking, what I'm looking at, what I see and what it means.”