Books like The Glass Bead Game — picked by fans

I loved this book because it captures childhood in the rawest way—messy, painful, confusing, and resilient.

Walls writes about instability and survival with such clarity that I found myself nodding through entire chapters. I related deeply to the burden of growing up too fast and learning how to take care of people before you ever learned how to take care of yourself.

What moved me most was the love within the chaos—the complicated, contradictory love between parent and child that shapes you long after you’ve grown. It reminded me that you can carry pain and tenderness at the same time, and both can be true.

An engaging story of how a person can transform her life through travel and formal education.

While teaching English at a community college, I assigned this memoir to my students. Many of my students came from disadvantaged backgrounds and could identify with the childhood hardships and abuse experienced by Tara Westover.

I was delighted to share a story that resonates with my own life and demonstrates how a young person, even against overwhelming obstacles, can overcome insecurities, transform personal views, and navigate beyond the limitations imposed by one’s childhood.

Since I spent part of my childhood living within an hour of Cambridge University, I also enjoyed the part of the story that transpired in the halls and turrets of an old English institution.

I am in awe of the repressed, elegiac emotion that Ishiguro brings to his characters.

Never Let Me Go kept me in a state of constant tension between Kathy’s version of events (which is full of omissions and self-deception) and the version I was constructing in my own head (which was so often at odds with hers).

This is something Ishiguro also does brilliantly in other books, but here I was particularly drawn to the deft way he shows us a morally bankrupt adult world through the eyes of an adolescent protagonist – that’s exactly the territory I write.

Like the fish who doesn’t realise the water is there, Kathy struggles to understand the true nature of Hailsham until it’s far too late; and there’s real moral anger behind the quiet delivery.

The backpacker word-of-mouth bestseller I read in my twenties in a hostel in Rome or Siena rather than Bangkok.

The story of Richard, a backpacker in search of paradise in Thailand who discovers it, along with the darker aspects of himself and the others he meets there. A dark desert island classic, submerged in tension and foreboding, it takes utopia and smashes it apart on a razor-sharp coral reef.

Yes, bad shit happens. Both escapist and terrifying.

I love chess, and even though I’m not brilliant at it, I really enjoy books where the characters play chess. The Royal Game by Stefan Zweig is probably the most famous, but I really enjoyed this murder mystery with a game of chess at its heart, which beautifully mirrors the plot as it unfolds.

The game is featured mid-game in a Flemish fifteenth-century painting. The modern protagonists analyze it forward and backward to understand the past and future. I loved the fact that the book includes illustrations of the game as it proceeds for the reader to analyze. There are also some interesting allusions to Douglas Hofstadter’s idea of strange loops, which is another one of my obsessions. 

This science fiction novel always appealed to me because of its conceit that a society’s games are a reflection of its culture, ethos, and philosophy. Azad, the game at the heart of the book, is used by the Empire to determine the political, social, and economic structure of the whole planet. The prize for winning is to become emperor and to implement your strategy in real life.

I love the description of the game. It’s played on three huge boards that are more like landscapes than regular playing boards. Perhaps one might regard all the games that we have created and played on this planet collectively as Earth’s version of Azad.

This book is Hogwarts meets The Glass Bead Game meets The Handmaid's Tale. I was recommended it when I talked about my games book at a local bookshop. I must admit that I was initially very nervous about a book riffing on one of my favorite books of all time (The Glass Bead Game), but I really enjoyed it.

It is set in a school that trains students to play the game against a political backdrop that Margaret Atwood could easily have conjured up. It helped to give another perspective on Hesse’s fictional game that, as I said in my first recommendation, I’ve been obsessed with ever since reading about it as a student.

This book by G. Edelman played an important role in the development of our mathematical MES theory for complex "living" systems. Our specific application of MES to neuro-cognitive systems, named MENS, represents a kind of mathematical translation of Edelman’s book into Category Theory. 

Specifically, leveraging the categorical concept of a 'colimit,' we expand upon Edelman's principle of the "degeneracy of the neural code" by introducing a form of non-isomorphic redundancy termed the Multiplicity Principle (MP), wherein the system admits multifaceted components. Subsequently, we establish a significant result: if an MES adheres to the MP, the system is reliant not on pure reductionism but rather on an "emergentist-reductionism" as defined by the philosopher and physicist Mario Bunge.

We appreciate this book because it helped us to introduce the concept of a ‘hierarchical category,’ which is necessary to describe our MES. We accomplished this by translating Koestler's concept of a "hierarchy of holons," where a holon embodies a 'hybrid nature' akin to a two-faced Janus.

Technically, a hierarchical category organizes objects into numbered levels (0 to m). An object at level n is dual-faced: 'simple' compared to levels above n, but 'complex' compared to levels < n, this object being the "colimit" (or combination) of linked objects < n. Within a hierarchical category, we compute the 'complexity order' for each object. The category aligns with pure reductionism if it lacks objects with a complexity order greater than 1.

Thom's work on the "physics of meaningful forms," also known as Semiophysics, deeply influenced our approach to modeling structural changes in Memory-Evolutive Systems (MES). Indeed, in ‘natural’ systems, he classifies these changes as one of four standard changes—Birth, Death, Confluence, and Scission—which offer valuable insights into how components and interactions evolve over time within these systems. Integrating Thom's framework has enriched our understanding of MES dynamics. 

In MES, this led us to formulate the "Complexification Theorem," which characterizes the resulting category following structural changes: Birth or Death corresponds to adding or removing components, while Confluence leads to the formation of a colimit for a specific pattern of interconnected components, and Scission results in the decomposition of a given colimit.