Here are 100 books that The Futurological Congress fans have personally recommended if you like
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Sci-fi has been part of my life since Sunday afternoons in front of the radio listening to Journey to the Moon and the original Quatermass serial. Then it was Doctor Who and Star Trek. Despite this, I have never written a serious sci-fi book until now, but I can boast of knowing all the characters in both the radio and TV sci-fi shows. I guess I can admit to being a Trekkie.
Another pioneer writer and the writer who started the cyberpunk genre. I loved this book because it is different, and if you are a true sci-fi nut, this one is for you.
I think Adams must have been on another planet when he wrote this. It is sci-fi comedy, and unlike many others who try and fail with comedy in this genre, this is a giant of a series. It is funny and serious with unforgettable characters. I love it.
This box set contains all five parts of the' trilogy of five' so you can listen to the complete tales of Arthur Dent, Ford Prefect, Zaphod Bebblebrox and Marvin the Paranoid Android! Travel through space, time and parallel universes with the only guide you'll ever need, The Hitchhiker's Guide to the Galaxy.
Read by Stephen Fry, actor, director, author and popular audiobook reader, and Martin Freeman, who played Arthur Dent in film version of The Hitchhiker's Guide to the Galaxy. He is well known as Tim in The Office.
The set also includes a bonus DVD Life, the Universe and…
In this collection of nine stories, J.C. Gemmell takes readers on a quest into the future.
Tion is a dystopian civilisation built on the wreckage of a drowned Earth. Here, technology saves and oppresses, and mankind clings to survival in a place where the privileged live above the clouds, and…
I’ve been teaching “Writing Humor and Comedy” at Drexel University (where I’m an English professor) twice a year forever, and I’m proud (and still a little awed) that at least one of my students has gone on to have a successful humor-writing career. My very first publication was a satirical story back in 1996, and in more recent years, my humor has been published in The Oxford University Press Humor Reader, McSweeney’s, and Points in Case. Writing funny fiction is my main focus as a novelist, and my sequel, The Great American Betrayal, was named one of "The Best Comedy Books of 2022" by New York magazine's Vulture.com.
The Code of the Woostersmight be the best funny novel of them all. The all-knowing valet Jeeves and the hilarious narrator Bertram Wooster helped inspire the relationship in my novels between the coffeebot narrator Arjay and private investigator Frank Harken. Wodehouse’s plotting is superb and beyond clever, but it’s the prose—the playful and inventive sentences and paragraphs—that makes me come back to read this book again and again. A sample sentence: “He spoke with a certain what-is-it in his voice, and I could see that, if not actually disgruntled, he was far from being gruntled, so I tactfully changed the subject.”
Follow the adventures of Bertie Wooster and his gentleman's gentleman, Jeeves, in this stunning new edition of one of the greatest comic novels in the English language. When Aunt Dahlia demands that Bertie Wooster help her dupe an antique dealer into selling her an 18th-century cow-creamer. Dahlia trumps Bertie's objections by threatening to sever his standing invitation to her house for lunch, an unthinkable prospect given Bertie's devotion to the cooking of her chef, Anatole. A web of complications grows as Bertie's pal Gussie Fink-Nottle asks for counseling in the matter of his impending marriage to Madeline Bassett. It seems…
I’ve been teaching “Writing Humor and Comedy” at Drexel University (where I’m an English professor) twice a year forever, and I’m proud (and still a little awed) that at least one of my students has gone on to have a successful humor-writing career. My very first publication was a satirical story back in 1996, and in more recent years, my humor has been published in The Oxford University Press Humor Reader, McSweeney’s, and Points in Case. Writing funny fiction is my main focus as a novelist, and my sequel, The Great American Betrayal, was named one of "The Best Comedy Books of 2022" by New York magazine's Vulture.com.
Dave Barry is most famous as a humor columnist and nonfiction writer. His first novel Big Trouble, with a story that reads like a suspenseful thriller, is full of comedic events and clever twists. It’s worth reading, however, for the prose alone. Sample sentence: “En route to the polling place, the old man picked up seven other voters, all men, some quite aromatic.”
Dave Barry makes his fiction debut with a ferociously funny novel of love and mayhem in south Florida.
In the city of Coconut Grove, Florida, these things happen: A struggling adman named Eliot Arnold drives home from a meeting with the Client From Hell. His teenage son, Matt, fills a Squirtmaster 9000 for his turn at a high school game called Killer. Matt's intended victim, Jenny Herk, sits down in front of the TV with her mom for what she hopes will be a peaceful evening for once. Jenny's alcoholic and secretly embezzling stepfather, Arthur, emerges from the maid's room,…
In this collection of nine stories, J.C. Gemmell takes readers on a quest into the future.
Tion is a dystopian civilisation built on the wreckage of a drowned Earth. Here, technology saves and oppresses, and mankind clings to survival in a place where the privileged live above the clouds, and…
I’ve been teaching “Writing Humor and Comedy” at Drexel University (where I’m an English professor) twice a year forever, and I’m proud (and still a little awed) that at least one of my students has gone on to have a successful humor-writing career. My very first publication was a satirical story back in 1996, and in more recent years, my humor has been published in The Oxford University Press Humor Reader, McSweeney’s, and Points in Case. Writing funny fiction is my main focus as a novelist, and my sequel, The Great American Betrayal, was named one of "The Best Comedy Books of 2022" by New York magazine's Vulture.com.
You might know Hugh Laurie as the actor who played Dr. Gregory House in House,though he’s been great in lots of other stuff, including playing Bertie Wooster in Jeeves and Wooster. He’s also a hell of a writer. The Gun Sellerhas the pacing of a spy novel and the sentences you might expect if P.G. Wodehouse and Raymond Chandler went into that gene-combining teleportation portal from The Flyand emerged as P.G. Chandlerhouse. Sample sentence: “But Rayner was also three inches taller than me, four stones heavier, and at least eight however-you-measure-violence units more violent.”
When Thomas Lang, a hired gunman with a soft heart, is contracted to assassinate an American industrialist, he opts instead to warn the intended victim - a good deed that doesn't go unpunished.
Within hours Lang is butting heads with a Buddha statue, matching wits with evil billionaires, and putting his life (among other things) in the hands of a bevy of femmes fatales, whilst trying to save a beautiful lady ... and prevent an international bloodbath to boot.
A wonderfully funny novel from one of Britain's most famous comedians and star of award-winning US TV medical drama series, House.
I love short-story collections. I’ve read dozens to hundreds of them, starting as a child reading Richard Scarry, and I still make them a regular part of my reading diet. I started trying my own hand at short fiction in 2012 and have since finished more than one hundred stories, including the ones in Animal Husbandry. I’m now working on my first novel after years as a short-story writer, and it gives me additional admiration for how many outstanding novelists are also able to master short fiction. It’s two different skill sets, and the five authors I mentioned here (among many others) excel at both.
Vonnegut has been one of my favorite authors for a long time, and this might be the first collection I read that wasn’t specifically for young readers. Some of the future-set stories like “Harrison Bergeron” and “Tomorrow and Tomorrow and Tomorrow” changed how I saw science fiction.
Welcome to the Monkey House introduced me to Vonnegut and to a love of short-story collections as a form, and it holds up remarkably well.
A MASTERFUL COLLECTION OF TWENTY-FIVE SHORT STORIES FROM THE INIMITABLE AUTHOR OF SLAUGHTERHOUSE 5, KURT VONNEGUT
'Vonnegut is George Orwell, Dr Caligari and Flash Gordon compounded into one writer...a zany but moral mad scientist' Time
A diabolical government asserts control by eliminating orgasms. A scientist discovers the secret to unlocking instant happiness, with unexpected consequences. In an America where everyone is equal every which way, a tennage boy plans to overthrow the system.
Welcome to the Monkey House gathers together twenty-five of Kurt Vonnegut's short stories from the 1950s and 1960s. Shot through with Vonnegut's singular humour, wit and bewilderment…
I’ve always been fascinated by the 1930s. In Britain, the decade was haunted by troubling memories of the Great War and growing fears of a more terrible conflict to come. In other words, it was a decade dominated by geopolitics. After more than 30 years as a journalist for the Reuters news agency, I’ve learned that geopolitics will never leave us alone. My novel is the first in a series of stories examining what geopolitics does to ordinary people caught in its grip. This selection of fiction and nonfiction titles is a fascinating introduction to what the poet WH Auden called ‘a low dishonest decade’.
George Orwell is rightly famous for 1984 and Animal Farm. But I heartily recommend this book for its witty, gritty trudge through the social treacle of 1930s Britain. Orwell’s tale of Gordon Comstock, a young writer who embraces poverty in order to defeat the ‘money-god’, also foreshadows key themes of his later work.
Comstock has chucked in a well-paid job as a copywriter so he can write poetry. His disdain for the copywriter’s art allows Orwell to explore the emptiness of words yoked to advertising. ‘Vitamalt’, ‘Truweet’ and ‘Bovex’ are my favourites! Orwell, the journalist-novelist, is reliably strong on those under-the-skin details, from cheap cigarettes to the cost of lodgings in seedier parts of London.
A pre-cursor to his more famous works of Animal Farm and 1984, Keep the Aspidistra Flying is Orwell's social commentary on capitalism's constraints. Orwell captures the struggles of an aspiring writer with almost pitch-perfect attention to psychological detail, exploring the gulf between art and life. Gordon Comstock is a poor young man who works in a grubby London bookstore and spends his evenings shivering in a rented room, trying to write. He is determined to stay free of the "money world" of lucrative jobs, family responsibilities, and the kind of security symbolized by the homely aspidistra plant that sits in…
I’ve long been fascinated with the dark side of science and human behavior, and grew up on a combination of dystopian classics and horror fiction. When I started writing for publication, apocalyptic themes quickly emerged. As the world around us grows more fraught by the day, I find a strange sort of comfort in reading and writing fiction that doesn’t shy away from depicting the negative aspects of social media, genetic engineering, artificial intelligence, or any other technology that has the capacity to create manmade disasters beyond our understanding. And as a small-press author myself, I’m always on the lookout for books that didn’t get enough love.
Told as a series of movie reviews, A Short Film About Disappointment unfurls its dystopia gradually. A hacker attack kicks off a global multi-decade economic depression, and to prevent this from ever happening again the Internet is abolished and replaced with the “Betternet,” a neutered and highly censored version of the Internet. Personal screens are also banned in this nanny state, leading to a robust cinema culture that the unread reviewer wants to contribute to with a dense art film of his own. The hilarious capsule descriptions of eighty (fictional) films serve as an oblique way of introducing the world, while the numerous tangents of the writer “Noah Body” tell a personal story of love, filmmaking, and a literal haunting by an ex-friend.
An ingenious novel about art and revenge, insisting on your dreams and hitting on your doctor, told in the form of 80 movie reviews
In near-future America, film critic Noah Body uploads his reviews to an underread content aggregator. His job is dreary routine: watch, seethe, pan. He dreams of making his own film, free of the hackery of commercial cinema. Faced with writing on lousy movies for a website that no one reads, Noah smuggles into his reviews depictions of his troubled life on the margins.
Amid his movie reviews, we learn that his apartment in the vintage slum…
When I was eighteen, I had an experience I call religious: I was sitting outside of an ivy-covered building at my undergraduate school and reading the opening words of Vergil’s Roman epic, The Aeneid (in Latin, but I didn’t know Latin yet). The sky became clearer; it shone with different light. It became clear to me at that moment that I was supposed to be a poet. So, yeah, I went on to learn lots of stuff, including languages, so that I could read poetry in them. I did all that to serve the greater goal of being a poet.
This book taught me that you can surf the line between realism and the incredible (even the ridiculous). The main character, Oedipa Maas, is my favorite heroine because of her openness to every tantalizing possibility (and the possibilities keep ramifying infinitely).
Everything in this book is both fully a symbol and fully itself.
By far the shortest of Pynchon's great, dazzling novels - and one of the best.
Suffused with rich satire, chaotic brilliance, verbal turbulence and wild humour, The Crying of Lot 49 opens as Oedipa Maas discovers that she has been made executrix of a former lover's estate. The performance of her duties sets her on a strange trail of detection, in which bizarre characters crowd in to help or confuse her. But gradually, death, drugs, madness and marriage combine to leave Oepida in isolation on the threshold of revelation, awaiting The Crying of Lot 49.
I am passionate about this topic for two main reasons. The first is the narrative skill required to write a story with or from the perspective of a fully-formed, believable child character. I admire this skill, and I think it is deeply important, which leads me to my second reason. Stories about children in need, danger, and overwhelming burden are deeply moving and are a quick way into another person’s perspective. While one may be able to brush away the experiences of adults, and, importantly, justify this dismissal, the child begins in a position of sympathy and vulnerability, which automatically triggers a reader’s care.
This was one of the first books I read at university. I admired Marie Munkara’s gruff voice and the way she delicately balanced satirical humour and dark truths.
Juxtaposing the voices of colonial guards and officers with 16-year-old Aboriginal mother, Sugar, lends this novel a messy complexity which is always compelling.
At the beginning, I found it easy to mock and deride the white colonial officers: the overtly racist Drew, the well-meaning but exploitative Ralphie, the bumbling, inadequate Hump with his mistaken ambitions of grandeur. I thought I’d figured it all out, that I’d grasped all of Munkara’s meaning.
But as Sugar’s fate is revealed, and more significantly, she recognises the inevitability of her downfall, I was humbled. Munkara’s book taught me to look beyond the seemingly obvious characters and literary devices to the nuance within.
When the society, culture, and world we live in become unrecognizable and untenable, the genre of literature that best quells anxiety is satire. As the author of Satire State, I believe laughter is essential to survival and sanity. The tightly woven fabric of a society unravels slowly and then suddenly through a consecutive series of multiple actions by malignant forces. All the while, historical memory is gradually erased, and the new fabric is the only one recognized. Satire is the only way to chronicle the malignancy and force people to think hard. The following five books of satire that address urgent issues made me laugh, cringe, think, and mutter “too real” under my breath.
Francis Plug is a drunken fictional author crashing literary festivals, manufacturing chaos in whichever space he steps into, collecting autographs of “real writers,” and offering absurd wisdom on how to behave like a proper prize-winning novelist.
It’s satire for writers and readers who love the literary world... and love to roast it, too.
How To Be A Public Author is a novel all about the Man Booker, using the prize as a springboard to explore what it means to be an author - and a human being - in the 21st century. It documents a series of fictitious happenings at real author events, as visited by the wonderful anti-hero Francis Plug - a troubled and often drunk misfit who causes chaos and confusion wherever he goes. Inventive, funny and moving, How To Be A Public Author is both a brilliant slapstick comedy and a surprising and touching meditation on loneliness.