Here are 100 books that A Most Peculiar Act fans have personally recommended if you like
A Most Peculiar Act.
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I am passionate about this topic for two main reasons. The first is the narrative skill required to write a story with or from the perspective of a fully-formed, believable child character. I admire this skill, and I think it is deeply important, which leads me to my second reason. Stories about children in need, danger, and overwhelming burden are deeply moving and are a quick way into another person’s perspective. While one may be able to brush away the experiences of adults, and, importantly, justify this dismissal, the child begins in a position of sympathy and vulnerability, which automatically triggers a reader’s care.
As someone who considers her brother her creative muse, I would describe this novel as one interested in siblings.
Between Leonie and Given, and Jojo and Kayla is an indescribable, utterly unique bond, held within and beyond both family and friendship.
I was utterly consumed by this heartbreaking novel. From the opening scene where Pop and Jojo kill and skin a goat, to the heat in Leonie’s car and the scene of Jojo’s police cuffing, Ward delivers a pace, language, and viscerality that means you can’t look away.
Somewhat surprisingly, I was even compelled by the book’s ghostly elements. I found they enhanced the magnitude of the characters’ burdens, especially for thirteen-year-old Jojo, who already shoulders so much.
I highly recommend this book, as a pleasure and as a duty to your fellow human beings.
SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2018 WINNER OF THE NATIONAL BOOK AWARD 2017 ONE OF BARACK OBAMA'S BEST BOOKS OF 2017 SELECTED AS A BOOK OF THE YEAR BY THE NEW YORK TIMES, THE NEW STATESMAN, THE FINANCIAL TIMES, THE NEW YORK TIMES BOOK REVIEW, TIME AND THE BBC Finalist for the PEN/Faulkner Award for Fiction Finalist for the Kirkus Prize Finalist for the Andrew Carnegie Medal Finalist for the National Book Critics Circle Award 'This wrenching new novel by Jesmyn Ward digs deep into the not-buried heart of the American nightmare. A must' Margaret Atwood 'A powerfully…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I am passionate about this topic for two main reasons. The first is the narrative skill required to write a story with or from the perspective of a fully-formed, believable child character. I admire this skill, and I think it is deeply important, which leads me to my second reason. Stories about children in need, danger, and overwhelming burden are deeply moving and are a quick way into another person’s perspective. While one may be able to brush away the experiences of adults, and, importantly, justify this dismissal, the child begins in a position of sympathy and vulnerability, which automatically triggers a reader’s care.
I loved the Glaswegian (quasi-Irish!) voice of Shuggie Bain, but what I will always remember it for is its gut-wrenching depiction of the consequences of poverty and alcoholism for the titular child character.
There were times when I was reading this novel that I literally flinched from it. It’s one of the most poignant times that I can remember having such a visceral reaction to a book.
What I found truly remarkable was the book’s sense of simultaneous inevitability and hope. At once, I felt that there was only one possible end for Agnes and Shuggie, and yet I also somehow believed that both characters would escape their miserable situation.
This idea, that hope sustains even against the most improbable odds, accesses something fundamentally human. A book that can do that is one I would recommend any day.
WINNER OF THE BOOKER PRIZE NEW YORK TIMES BESTSELLER FINALIST FOR THE NATIONAL BOOK AWARD
A stunning debut novel by a masterful writer telling the heartwrenching story of a young boy and his alcoholic mother, whose love is only matched by her pride.
Shuggie Bain is the unforgettable story of young Hugh “Shuggie” Bain, a sweet and lonely boy who spends his 1980s childhood in run-down public housing in Glasgow, Scotland. Thatcher’s policies have put husbands and sons out of work, and the city’s notorious drugs epidemic is waiting in the wings.
I am passionate about this topic for two main reasons. The first is the narrative skill required to write a story with or from the perspective of a fully-formed, believable child character. I admire this skill, and I think it is deeply important, which leads me to my second reason. Stories about children in need, danger, and overwhelming burden are deeply moving and are a quick way into another person’s perspective. While one may be able to brush away the experiences of adults, and, importantly, justify this dismissal, the child begins in a position of sympathy and vulnerability, which automatically triggers a reader’s care.
This was my first introduction to Richard Flanagan’s writing, and it was the beginning of a deep, ongoing love affair.
I adore and admire Flanagan’s prose and the small, often invisible truths it contains. What I loved about Wanting was how it delved into and distinctly portrayed the innermost thoughts and feelings of multiple characters.
When interviewed, Flanagan describes this book as his attempt to understand passion, desire, and wanting. I can attest that Wanting is a nuanced and sympathetic portrayal of what motivates human behaviour and how this process can become incredibly twisted and rife with ill intent.
In Mathina’s story, there is little light or hope. An indictment of what happens to the discarded when the powerful don’t want them anymore, her downfall is tender, devastating, and utterly important as an emotionally charged, narrative account of Australian history.
Coyote weather is the feral, hungry season, drought-stricken, and ready to catch fire. It’s 1967, and the American culture is violently remaking itself while the country is forcibly sending its young men to fight in a deeply unpopular war.
Jerry has stubbornly made no plans for the future because he…
I am passionate about this topic for two main reasons. The first is the narrative skill required to write a story with or from the perspective of a fully-formed, believable child character. I admire this skill, and I think it is deeply important, which leads me to my second reason. Stories about children in need, danger, and overwhelming burden are deeply moving and are a quick way into another person’s perspective. While one may be able to brush away the experiences of adults, and, importantly, justify this dismissal, the child begins in a position of sympathy and vulnerability, which automatically triggers a reader’s care.
I am a die-hard Tim Winton fan, but I only recently picked up The Shepherd’s Hut. True to form, Winton produced yet another Australian masterpiece: I can still call myself a Winton fanatic.
Like always, I loved Winton’s distinctly Australian voice and setting and the delicate care with which he approached Jaxie’s character. Not a single sentence nor word is wasted; every moment is brimming with Australianess.
The transformation of Jaxie’s remoteness to rough tenderness is where this book is at its best. In Fintan McGillis, Jaxie finally finds a parental figure who sticks by him, who leads with love, even when he’s tough, and who doesn’t leave first.
This novel defied my expectations and didn’t end where or how I thought it would. I thoroughly enjoyed embarking on this derailed journey with Jaxie.
The concept of whether a woman can truly be the subject of her own life has always fascinated me. It was an invisible struggle I didn’t know I had. Until I set out to finish the 54 unmet dreams of my late father, whose life had been cut short in a car crash. It wasn’t until I looked at the world through main character lenses, the kind that just seem to come more naturally to men, that I was able to see myself truly. This is just one lesson from my book. If you’ve ever felt different, remember: you’re not. You just haven’t seen yourself as the main character yet. These books will guide you.
Before I was an author, I was primarily a national magazine copy editor, a job I finally scored after eight years of climbing up the magazine journalism ladder.
I wrote once in a while, but this mostly meant TV recaps by the time I was entrenched in magazines. But one day, an article about a safe-driving activist crossed my desk, and soon I was speaking with him in high schools.
Around the time I checked off “swim the width of a river” from my father’s bucket list, I also read Huckleberry Finn, as the setting seemed only right. I wrote a tribute to it in the second chapter of my book. My dad’s favorite author was Twain, but what I appreciated about him was that he wrote the novel as veiled propaganda. It’s a book that professes Twain’s anti-racism perspective. He just put his cause into a novel.
I've benefited from (or perhaps been cursed by) a diverse life. I've lived and worked in six countries on three continents. I've been an English teacher, copywriter, magazine columnist, internet entrepreneur (in Bangkok, of all places), author, and creativity consultant. But before that, I was a child with an overactive imagination. I delighted in science fiction, surrealism, and humor. Outlandish ideas inspire me. And I love absurdity when done well. It is easy to come up with nonsense. Creating meaningful nonsense is far more difficult. But when it works, it is brilliant!
In my teenage years in the 1970s, I read science fiction voraciously. I loved the ideas and imaginativeness, but it was all rather serious stuff. So, I was delighted when I discovered Robert Sheckley, a rare humorist and absurdist in a largely serious genre.
I reckon his best novel is this one. It tells the story of a rather dull civil servant who wins the grand prize in a galactic lottery. He is whisked across space and time to Galactic Central to receive his prize: a shape-shifting, talking device/creature. Unfortunately, there is no provision for returning home, so an absurd journey begins from galactic bureaucracy to bizarre alternative Earths and homes. Maybe.
In addition to this book, I recommend diving into any of Sheckley's short story collections.
'Hilarious SF satire. Douglas Adams said it was the only thing like The Hitchhiker's Guide to the Galaxy, although written ten years earlier. It's wonderful' Neil Gaiman
This madcap cosmic farce relates the adventures of the hapless human Carmody, as he attempts to make his way home to Earth after winning the grand prize in the Intergalactic Sweepstake, encountering parallel worlds, incompetent bureaucrats and talking dinosaurs on the way.
'The greatest entertainer ever produced by science fiction ... a feast of wit and intelligence' J. G. Ballard
Homeless following the death of his adoptive parents in a car crash and the subsequent loss of their farm tenancy, Seb decides to enrol as a residential student at the Asklepios Foundation, a College of Natural Medicine, boasting a sanctuary modelled on an ancient Greek healing temple. Spending a night…
While doing a college humor column I was hoping to be the next Art Buchwald, but instead ended up first as a lawyer, then a film critic and college professor. When I finally got around to writing fiction, the blending of science fiction and comedy was a natural fit (with occasional forays into horror and fantasy). I’ve done four novels and a couple of dozen published stories to date and when readers tell me they’ve enjoyed them I answer, “If it made you laugh, I did my job.” When I came up with the mashup title of “Father of the Bride of Frankenstein” I said, “I have to write this.”
Oy, forget the mediocre movie. George Burns was perfectly cast but the reason God appears as a little old Jewish man is that he’s granting an interview to a Jewish freelance journalist, not a white bread grocery store clerk played by John Denver. This book taught me that a writer could be laugh out loud funny and still have something serious to say, something I’ve aspired to in my own fiction.
For a God whom philosophers have proclaimed dead, it’s time for a little PR in this novel from the New York Times–bestselling author of Kramer vs. Kramer. “God grants you an interview. Go to 600 Madison Ave., room 3700, Monday, at 11 a.m.” When a struggling writer receives this typed note in the mail one morning, curiosity wins out and he finds himself keeping this mysterious appointment. Soon he’s in an ordinary conference room with an intercom on the floor, furiously scribbling shorthand notes as he interviews God, a deity who badly wants to improve His public profile. Sometimes God…
When the society, culture, and world we live in become unrecognizable and untenable, the genre of literature that best quells anxiety is satire. As the author of Satire State, I believe laughter is essential to survival and sanity. The tightly woven fabric of a society unravels slowly and then suddenly through a consecutive series of multiple actions by malignant forces. All the while, historical memory is gradually erased, and the new fabric is the only one recognized. Satire is the only way to chronicle the malignancy and force people to think hard. The following five books of satire that address urgent issues made me laugh, cringe, think, and mutter “too real” under my breath.
Francis Plug is a drunken fictional author crashing literary festivals, manufacturing chaos in whichever space he steps into, collecting autographs of “real writers,” and offering absurd wisdom on how to behave like a proper prize-winning novelist.
It’s satire for writers and readers who love the literary world... and love to roast it, too.
How To Be A Public Author is a novel all about the Man Booker, using the prize as a springboard to explore what it means to be an author - and a human being - in the 21st century. It documents a series of fictitious happenings at real author events, as visited by the wonderful anti-hero Francis Plug - a troubled and often drunk misfit who causes chaos and confusion wherever he goes. Inventive, funny and moving, How To Be A Public Author is both a brilliant slapstick comedy and a surprising and touching meditation on loneliness.
I love most all genre fiction, but I’m a sucker for dark fiction—and I have a particular fondness for dark fiction that explores the hidden shadows of men and women as they make dubious choices that lead to consequences rife with fear, despair, and unflinching terror. Whether it’s young men meeting in a basement to engage in a secret barbaric club or a world gone mad following the literal death of God, my favorite dark fiction is woven with sly satire and subversive social commentary.
Max Barry’s satirical science-fiction novel, Machine Man, is a dark and funny mediation on contemporary society’s compulsive over-reliance on technology. The narrator, Charles Neumann, is a mechanical engineer who, while obsessively searching for his phone, loses his leg in an industrial accident. After building himself a new machine leg, Charles purposely loses his other leg, so he can replace it with another machine leg. After seeing how great his new legs work, Charles wonders if maybe he should replace more of his body parts with machine parts, begging the question: Where does humanity end and technology begin?
Scientist Charles Neumann loses a leg in an industrial accident. It's not a tragedy. It's an opportunity. Charlie always thought his body could be better. He begins to explore a few ideas. To build parts. Better parts.
Prosthetist Lola Shanks loves a good artificial limb. In Charlie, she sees a man on his way to becoming artificial everything. But others see a madman. Or a product. Or a weapon.
A story for the age of pervasive technology, Machine Man is a gruesomely funny unraveling of one man's quest for ultimate self-improvement.
Marriage and Fatherhood in the Nazi SS
by
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
Through the 88 years of my life, I have experienced more diverse situations than most people even dream about, from being the youngest dentist in Canada at age 21 being the first Canadian to invent, patent, obtain international approval, and market several of the most successful dental implant systems in the world for humans and small animals, attempt to sail around the world, be the oldest rugby player in the world at age 85, and meet and befriend a myriad of weird and wonderful people by practicing the mantra of saying "YES." I am not ashamed to pass on my lessons from these experiences.
I can totally relate to his non-conformist views on subjects that too many unthinking flocks of people religiously believe in. I absolutely love the way he fearlessly challenges societal norms and his generally humorous discussion of taboo subjects.
Discover the untold stories, the triumphs, and the unfiltered truth behind the laughter. Dive into the extraordinary journey of one of comedy's most influential icons, Ricky Gervais.
From his groundbreaking work on "The Office" to his fearless hosting gigs, this captivating book takes you behind the scenes, revealing the man behind the comedy. Get ready to laugh, reflect, and be inspired by the wit, satire, and unapologetic honesty of Ricky Gervais.
"THE EXTRAORDINARY LIFE AND COMEDY OF RICKY GERVAIS" is a must-read for fans and newcomers alike. Embark on this inspiring and thought-provoking journey today!