100 Books Like How To Be A Public Author

When the society, culture, and world we live in become unrecognizable and untenable, the genre of literature that best quells anxiety is satire. As the author of Satire State, I believe laughter is essential to survival and sanity. The tightly woven fabric of a society unravels slowly and then suddenly through a consecutive series of multiple actions by malignant forces. All the while, historical memory is gradually erased, and the new fabric is the only one recognized. Satire is the only way to chronicle the malignancy and force people to think hard. The following five books of satire that address urgent issues made me laugh, cringe, think, and mutter “too real” under my breath.

When the society, culture, and world we live in become unrecognizable and untenable, the genre of literature that best quells anxiety is satire. As the author of Satire State, I believe laughter is essential to survival and sanity. The tightly woven fabric of a society unravels slowly and then suddenly through a consecutive series of multiple actions by malignant forces. All the while, historical memory is gradually erased, and the new fabric is the only one recognized. Satire is the only way to chronicle the malignancy and force people to think hard. The following five books of satire that address urgent issues made me laugh, cringe, think, and mutter “too real” under my breath.

When the society, culture, and world we live in become unrecognizable and untenable, the genre of literature that best quells anxiety is satire. As the author of Satire State, I believe laughter is essential to survival and sanity. The tightly woven fabric of a society unravels slowly and then suddenly through a consecutive series of multiple actions by malignant forces. All the while, historical memory is gradually erased, and the new fabric is the only one recognized. Satire is the only way to chronicle the malignancy and force people to think hard. The following five books of satire that address urgent issues made me laugh, cringe, think, and mutter “too real” under my breath.

When the society, culture, and world we live in become unrecognizable and untenable, the genre of literature that best quells anxiety is satire. As the author of Satire State, I believe laughter is essential to survival and sanity. The tightly woven fabric of a society unravels slowly and then suddenly through a consecutive series of multiple actions by malignant forces. All the while, historical memory is gradually erased, and the new fabric is the only one recognized. Satire is the only way to chronicle the malignancy and force people to think hard. The following five books of satire that address urgent issues made me laugh, cringe, think, and mutter “too real” under my breath.

I fell in love with magical realism and stories that have a sense of whimsy after hearing my grandparents tell stories of their lives. They always embellished a bit, making a simple detail of a bread line or a penny found on the ground feel massive. Then I read Tom Robbins’s Fierce Invalids Home from Hot Climates. I didn’t understand at the time that the light touches of magic or moments that felt magical, even if not truly enchantment, were uplifting in stories both light and dark. I quickly fell under the spell and have placed elements of magic or whimsy in my own writing ever since. 

I’ve made my way in the world as a writer, mostly of TV and movies, mostly of comedy of one stripe or another. As a consumer, though, I’ve always been more drawn to cops and robbers than to material designed primarily to make me laugh. Then, in my 50s, I made an unexpected turn to detective fiction, with a series shaped like traditional, serious mysteries but with satirical undertones and, hopefully, plenty of smiles along the way. My new career made me start thinking more attentively about how comedy and crime worked together, how my work built on what came before, and how it differed from it.

As a former graduate student who holds an MA and Ph.D in English with a Creative Writing emphasis, but also as the child of immigrants and the first in my family to go to college, I love when writers deflate the pretensions of academia. I didn’t grow up around formally educated people so I can relate to the imposter syndrome some of the characters in these books experience. I don’t know who recommended Lucky Jim to me, but that book began my infatuation with the genre of academic satires or campus novels, of which there are many others. 

Some creative writers believe that stories carry a responsibility. The duty to entertain, of course, but also to educate, challenge and question the character(s) of the most powerful, the wealthiest. I am one of them. As an author, screenwriter, stage, and film actor, I’ve always believed in using stories as a platform to convey positively disruptive ideas, to highlight potentially destructive ideologies, to combat imperialism, expansionism, racism, and other toxic practices while delivering a neutral message devoid of political affiliations and emotional responses with no logical ground. Not unlike my latest novel, America is a Zoo, I am the product of a passionate soul, one who’s apolitical by design, yet political by conviction.

Second novels rarely get the love that they deserve. People come to them with all kinds of presumptions and expectations, mostly based on whatever they liked (or didn’t like!) about your first novel, and all writers live in fear of the dreaded “sophomore slump.” I spent a decade trying to write my second novel and was plagued by these very fears. To ward off the bad vibes, I want to celebrate some of my favorite second novels by some of my favorite writers. Some were bona fide hits from the get-go, while others were sadly overlooked or wrongly panned, but they’re all brilliant, beautiful, and full of heart.

I’m a classic Hollywood fanatic. I can name you every Best Picture Oscar Winner on command. I’ve written screenplays and seen the industry firsthand, but if I had my choice, I’d go live through the Hollywood Golden Age. I've published numerous non-fiction film history books and have a whole lot more classic-film-inspired novels coming. And I do it all simply for the single reason that writing a book is the closest thing to time travel that I can find. Immersing myself in this world with actors that have lived, and even a few that I’ve made up, is pure heaven that transports me back to the days of the silver screen.