Books like The Fiction Writer's Guide to Dialogue

I had zero interest in creative writing until a remarkable family story gripped my heart 30 years ago and wouldn’t let go. Years later, I decided to jump in at the deep end and write this story as fiction, but I had a problem: I had absolutely no idea what I was doing. I worked hard to learn the craft of writing fiction, and my award-winning historical novel, Of White Ashes, was published five years later. These five books inspired and helped me to understand the essentials of writing and build my confidence. I hope they’re helpful to you as you bring the novel only you can write to life!

I’m an oral historian as well as a writer, so I’ve always been fascinated by how people speak and how they interact with each other through dialogue. I soon realized some of the ways spoken language differs from written language and began exploring those differences. When I started writing, the dialogue came fairly easily, but this was deceptive, as I wasn’t being rigorous enough–I wasn’t making the dialogue really work for the script. So, I’m always trying to get better at that. I’ve had over 60 scripts performed on stage, radio, and screen, but I still gobble up books about speech and dialogue–there is always more to be learned. 

I’m an oral historian as well as a writer, so I’ve always been fascinated by how people speak and how they interact with each other through dialogue. I soon realized some of the ways spoken language differs from written language and began exploring those differences. When I started writing, the dialogue came fairly easily, but this was deceptive, as I wasn’t being rigorous enough–I wasn’t making the dialogue really work for the script. So, I’m always trying to get better at that. I’ve had over 60 scripts performed on stage, radio, and screen, but I still gobble up books about speech and dialogue–there is always more to be learned. 

I’m an oral historian as well as a writer, so I’ve always been fascinated by how people speak and how they interact with each other through dialogue. I soon realized some of the ways spoken language differs from written language and began exploring those differences. When I started writing, the dialogue came fairly easily, but this was deceptive, as I wasn’t being rigorous enough–I wasn’t making the dialogue really work for the script. So, I’m always trying to get better at that. I’ve had over 60 scripts performed on stage, radio, and screen, but I still gobble up books about speech and dialogue–there is always more to be learned. 

I have always been drawn to the ocean. When I decided to start writing novels, I knew that I wanted to set them in coastal locations. I live in the Boston suburbs and spend time whenever I can at the beach. I have written books centered in Cape Elizabeth, Maine, Portsmouth, New Hampshire, and Cape Cod. I am working on a story set on the north shore of Massachusetts. I am a high school social studies teacher of twenty-four years and a parent of two teenagers. All of my writing includes cooking and the enjoyment of good food as a major focus. I hope my books make you hungry!

I want to make the world a better place. After many failed attempts to achieve this goal, I realized that I didn’t understand the world well enough to make a positive impact. Serendipitously, I started working with Farnam Street, a company that is dedicated to mastering the best of what other people have figured out. One of our most significant projects is The Great Mental Models book series, which consists of four volumes of fundamentals about the world. Learning and using the models to co-write this book series is how I found all the books on this list. I plan to give a set to each of my children to give them a jump start on living effectively. 

Saving the planet one death at a time is truly what the world needs now: to reduce our carbon footprint and go out in eco-friendly style. As the one-woman funeral service in the rural town of Boring, Oregon, I support the philosophy of old-school burial practices that are kinder to both humans, the earth, and our wallets. I have humbly been baptized the Green Reaper for my passionate advocacy of green burial, and as an undertaker and the owner and undertaker of Cornerstone Funeral, the first green funeral home in the Portland area. I love to devour all literature possible on green burial and environmentally friendly death care.

I am a Professor at MIT and co-founder of both the inter-university Program on Negotiation at Harvard Law School and the not-for-profit Consensus Building Institute that provides help in resolving some of the most complex resource management disputes around the world. I have been teaching negotiation and dispute resolution, doing research about the circumstances under which various negotiation strategies do and don’t work, and offering online training for more than four decades. Given the many negotiations I've observed, I’m convinced that negotiating for mutual advantage is the way to go -- avoid unnecessary conflict, get what you want in all kinds of negotiating situations, and walk away with good working relationships and a solid reputation.

One of my favourite sounds is teens interacting—especially when they are throwing shade. I spent twenty-five years as a junior and senior high teacher, and I miss rocking and rolling during class discussions with my students. As a writer of contemporary fiction (actually in anything I write), I work hard at using dialogue as an engine to drive each scene. Each line needs to be refined to ensure that it’s snappy, engaging, and real. I’m a writer from southeast Saskatchewan, Canada, where there’s no shortage of great one-liners to use. I hope you enjoy the dialogue in these five recommendations as much as I did.