Here are 100 books that The Dutch and Their Delta fans have personally recommended if you like
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I always wanted to be a writer but never thought I’d become a travel writer. And like many British teenagers, I also had a passion for the USA – its movies, its music, its writers – but never imagined I would end up living in Arizona. I’ve now traveled in the US widely and understand why its landscapes, its people, and its culture have produced so much good travel writing. It’s a country that’s inspiring and surprising in equal measure, ever-changing, vast, and even though I didn’t grow up there it certainly made me who I am.
Sometimes it takes an outsider to see deeper into a country. Raban was a respected English novelist and critic when he moved to the USA and settled there – something I would later do myself. He proceeded to produce a series of brilliantly vivid travel books about his new homeland, of which this was the first. Avoiding the inevitable road trip (though he did those later), he takes a motorboat for a solo journey down the Mississippi River. Long periods alone allow him the chance to reflect on the river, nature, and the USA, but he also has lively encounters with the people who live by the river, revealing their passions and their pains.
'Jonathan Raban is one of the world's greatest living travel writers.' William Dalrymple
'The best book of travel ever written by an Englishman about the United States' Jan Morris, Independent
Navigating the Mississippi River from Minneapolis to New Orleans, Raban opens himself to experience the river in all her turbulent and unpredictable old glory. Going wherever the current takes him, he joins a coon-hunt in Savana, falls for a girl in St Louis, worships with black Baptists in Memphis, hangs out with the housewives of Pemiscot and the hog-king of Dubuque. Through tears of laughter, we are led into…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I'm an Anglo-Dutch writer living in the Netherlands, and the author of two books. Growing up in England I never thought much about rivers, but in the Netherlands they’re hard to avoid, and I’ve become fascinated by them. These days, when we all work remotely and (when rules allow) usually travel by car, train, or plane rather than boat, it’s easy to think of rivers as just scenic backdrops, rather than anything more important. But the truth is many of our cities wouldn’t exist without the waters which flow through them, and waterways like the Rhine, Thames, and Seine have had a huge influence on the history and culture of the people living alongside them. If you want to understand why somewhere like Rotterdam, London or Paris is the way it is, you could spend the day in a library or museum – but you’d be better off going for a boat ride or swim, poking around under some bridges and talking to the fishermen, boatmen, and kayakers down at the waterline.
The Danube vies with the Rhine for the title of Europe's Amazon: a behemoth that spans a huge swathe of the continent, flowing from the Black Forest in Germany to the Black Sea in Romania. In this book, Andrew Eames travels along the river by bicycle, horse, boat, and on foot, meeting everyone from royals to boatmen and gypsies, and providing a sparkling history of south-eastern Europe on the way. Before Covid, I was planning to travel along the Danube myself and hopefully write something about it. If that ever happens, this will be in my backpack.
The Danube is Europe's Amazon. It flows through more countries than any other river on Earth - from the Black Forest in Germany to Europe's farthest fringes, where it joins the Black Sea in Romania. Andrew Eames' journey along its length brings us face to face with the Continent's bloodiest history and its most pressing issues of race and identity.
As he travels - by bicycle, horse, boat and on foot - Eames finds himself seeking a bed for the night with minor royalty, hitching a ride on a Serbian barge captained by a man called Attila and getting up…
I'm an Anglo-Dutch writer living in the Netherlands, and the author of two books. Growing up in England I never thought much about rivers, but in the Netherlands they’re hard to avoid, and I’ve become fascinated by them. These days, when we all work remotely and (when rules allow) usually travel by car, train, or plane rather than boat, it’s easy to think of rivers as just scenic backdrops, rather than anything more important. But the truth is many of our cities wouldn’t exist without the waters which flow through them, and waterways like the Rhine, Thames, and Seine have had a huge influence on the history and culture of the people living alongside them. If you want to understand why somewhere like Rotterdam, London or Paris is the way it is, you could spend the day in a library or museum – but you’d be better off going for a boat ride or swim, poking around under some bridges and talking to the fishermen, boatmen, and kayakers down at the waterline.
The White Nile is another classic, telling the story of how European explorers “discovered” Africa’s greatest river in the second half of the nineteenth century. It’s a rollicking tale, featuring cameos from everyone from Herodotus to Churchill, packed with wild tales of bull-headed men marching into areas which were, for them, literally blank spaces on the map. Some of the prose inevitably feels a little dated these days, but it overflows with drama and detail, and provides a fascinating insight into the history of a region which many people still know too little about. I lived near the source of the Nile in Uganda for quite a while, and have many happy memories of reading this before heading out for a swim.
Relive all the thrills and adventure of Alan Moorehead's classic bestseller The White Nile -- the daring exploration of the Nile River in the second half of the nineteenth century, which was at that time the most mysterious and impenetrable region on earth. Capturing in breathtaking prose the larger-than-life personalities of such notable figures as Stanley, Livingstone, Burton and many others, The White Nile remains a seminal work in tales of discovery and escapade, filled with incredible historical detail and compelling stories of heroism and drama.
For most of my life I’ve been both a writer and a swimmer. I’ve engaged in both activities for many decades, but I’ve always kept the two entirely separate. Write about swimming? Why? What would I say? What was there to say about water and the act of moving through it? It seemed to me that it was a case of “you have to be there,” that writing about swimming would be too removed from the immediacy, the tactility, the floating state of mind. It was only when I discovered works by some truly great writers that I began to see that I could write about my own love of being in water, and how I might go about it.
In the opinion of many water-lovers, Roger Deakins basically invented the swim memoir or “swimoir.” In the nineties, he set out on a year-long journey through the waterways of Britain, on a quest to experience life in what he called a “feral state.” His primary drive is to get into the water, to fully experienceit rather than conquer it, to become part of the water and vice versa. His specialty is distance, rather than speed. Competitive swimmers keep their heads down to maximize speed, but not Deakins. His head is up, looking at his surroundings and the abundant wildlife around him. Waterlog was a major inspiration for my own book, as it’s been for many writers – swimmers or not.
"A beautiful ode to the act of swimming outdoors. . . . Deakin’s insistence on wild swimming for all is really an insistence on a better ecosystem for all." ―The Atlantic
A masterpiece of nature writing, Roger Deakin’s Waterlog is a fascinating and inspiring journey into the aquatic world that surrounds us.
In an attempt to discover his island nation from a new perspective, Roger Deakin embarks from his home in Suffolk to swim Britain―the seas, rivers, lakes, ponds, pools, streams, lochs, moats, and quarries. Through the watery capillary network that braids…
I believe there is a supernatural spirit that guides the universe, and I am passionate about the God who created it. From the many experiences in my life, I have learned that there is a bigger picture. That picture is God. You can believe in his power to change lives or not. You can believe in him and his son or not, but that does not mean they don't exist. I may not believe in life in other galaxies, but that does not mean they are not out there somewhere.
This is undoubtedly the most captivating biography I’ve had the pleasure to read.
This woman, in the prime of her very ‘alive’, but somewhat distorted sexually active life is confused by her childhood, accosted by the Germans during the war, yet brings inspiration and love to those in the Nazi camp she finds herself living as wars escalate. She is hope.
On 8 March 1941, a 27-year-old Jewish Dutch student living in Nazi-occupied Amsterdam made the first entry in a diary that was to become one of the most remarkable documents to emerge from the Nazi Holocaust. Over the course of the next two and a half years, an insecure, chaotic and troubled young woman was transformed into someone who inspired those with whom she shared the suffering of the transit camp at Westerbork and with whom she eventually perished at Auschwitz. Through her diary and letters, she continues to inspire those whose lives she has touched since. She was an…
As an art historian and painter, I was inevitably drawn to the theme of artists and their muses when I started writing historical fiction. Female, passive, disempowered, and doomed sums up the fate of most muses. History is littered with their corpses - Rossetti’s model Lizzie Siddal committed suicide, Rodin’s model Camille Claudel went mad, Edie Sedgwick, made famous by Warhol, died of an overdose. The title ‘muse’ might offer immortality, but their lives were often hell on earth. My books set out to understand what drove these women, some of whom were artists in their own right, to make such huge sacrifices.
The muse occupies a slightly different role in Deborah Moggach's novel in that she spends a large part of the book supposedly already dead. Muses often exerted a posthumous influence on their artists, usually reflecting a legacy of guilt on the artist's part for his mistreatment or neglect. (Rossetti is a case in point. He had all his poems buried with his muse Lizzie Siddal, only to request permission to exhume them years later.) The painter, in this case, Jan van Loos, remains true, spending his life painting portraits of his muse Sophia and their love. Perhaps to be a muse, even a dead one, wasn't all bad.
From the bestselling author of The Best Exotic Marigold Hotel comes a thrilling story of power, lust and deception...
Seventeenth-century Amsterdam - a city in the grip of tulip fever.
Sophia's husband Cornelis is one of the lucky ones grown rich from this exotic new flower. To celebrate, he commissions a talented young artist to paint him with his beautiful bride. But as the portrait grows, so does the passion between Sophia and the painter; and ambitions, desires and dreams breed an intricate deception and a reckless gamble.
An Heir of Realms tells the tale of two young heroines—a dragon rider and a portal jumper—who fight dragon-like parasites to save their realms from extinction.
Rhoswen is training as a Realm Rider to work with dragons and burn away the Narxon swarming into her realm. Rhoswen’s dream is to…
I grew up in a small village in a very rural part of Scotland. It was perhaps inevitable, then, that I would have an interest in the urban. Cities, especially big cities, seemed wonderfully exciting when I was growing up, full of mystery and promise, intoxicating, transgressive, with a hint of danger and a whiff of excitement. That fascination has stayed with me throughout my academic career as I have explored different facets of the urban experience. I am aware of the growing inequality but remain optimistic about the progressive possibilities and redemptive power of the urban experience to change lives and attitudes.
The writer loves Amsterdam that much is clear. He deftly shows how this one city grew from the most unpromising location to become not only a great city in its own right, but also the city where tolerance, markets, and the ideals of liberal tolerant capitalist society were forged and burnished. Our modern liberal cosmopolitanism was created in Amsterdam. We owe a great deal to Amsterdam and its citizens.
Amsterdam is not just any city. Despite its relative size it has stood alongside its larger cousins - Paris, London, Berlin - and has influenced the modern world to a degree that few other cities have. Sweeping across the city's colourful thousand year history, Amsterdam brings the place to life: its sights and smells; its politics and people. Concentrating on two significant periods - the late 1500s to the mid 1600s and then from the Second World War to the present, Russell Shorto's masterful biography looks at Amsterdam's central preoccupations. Just as fin-de-siecle Vienna was the birthplace of psychoanalysis, seventeenth…
I've been going by the handle ‘Dr. Coffee’ online for over a decade now. I really do have a PhD. in coffee! In 2007 I embarked on a doctorate and wrote my thesis on ideas of quality in the coffee industry. The inevitable question is then, ‘what do you do with a PhD in coffee?’ and my answer was to open coffee shops, first in the UK and then in Canada. In recent years, I've switched from owning a coffee shop with books in it to a bookshop with coffee in it, but it still manages to satisfy both passions. I firmly believe there is no better combination than hot coffee and good books.
I am a fan of historical fiction anyway, but historical fiction and coffee? Brilliant! Liss’s book is set in 17th Century Amsterdam, which at the time was the centre of commerce in Europe, and in particular, one of the first ports to trade in the newly discovered coffee commodity. The main character, Miguel Lienzo is loosely based on Pasqua Rosé—the historical figure credited with opening the first coffee house in Oxford, England. There are diabolical schemes, adventure, plenty of double-crossing, flawed but likeable characters, and a very satisfying ending. To my knowledge, this is extremely historically accurate as well.
Amsterdam in the 1690s - a boom town with Europe's biggest stock exchange and traders who will stop at nothing to get even richer.
Lienzo, a Portugese Jew, stumbles across a new commodity - coffee - which, if he plays his cards right, will make him the richest man in Holland. But others stand in his way - rival traders who do all in their power to confuse the exchange and scupper his plans, his brother who is jealous of his financial wizardry and even his brother's beautiful wife who both tempts and spurns him in equal measure.
In 2010, I landed in Vienna on the last flight from Australia to a European airspace shut down by the eruption of the Icelandic volcano, Eyjafjallajökull. Before I left, I had booked a tour of Auschwitz-Birkenhau, and when I arrived, I discovered I was the only English-speaking tourist. For five hours, my passionate and knowledgeable guide and I wandered the camps. In such intimate circumstances, I was able to ask and receive forthright responses to even the most difficult and challenging questions about life and survival. Because of this and subsequent opportunities to talk with survivors, I could undertake detailed and targeted online research into life in the camps and in Amsterdam during the Nazi occupation.
I climbed the stairs to the annex. I passed by the bookcase that had hidden the family for just over 2 years. I sat on the beds, I stared at the pictures, I peered through the small window, but try as I could, I was unable to imagine the excruciating array of emotions that Anne and her family and friends must have experienced.
In all my favourite, should this be a suitable descriptor, books about the Holocaust, I am drawn to stories of hope and optimism against the odds, and of the harsh realities of the lengths we can, must, and will go to, to both protect those we love and/or to try to secure our own survival.
For me, there is no better account of these characteristics than Anne Frank’s descriptions of life in the attic at Prinsengracht 263-267, 1016 GV Amsterdam. Rather…
One of the most famous accounts of living under the Nazi regime of World War II comes from the diary of a thirteen-year-old Jewish girl, Anne Frank. Today, The Diary of a Young Girl has sold over 25 million copies world-wide; this is the definitive edition released to mark the 70th anniversary of the day the diary begins.
'12 June 1942: I hope I will be able to confide everything to you, as I have never been able to confide in anyone, and I hope you will be a great source of comfort and support'
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I find the seventeenth century fascinating, and both of my novels are set in that period. The century was a time of great flux, and I am especially interested in exploring the kinds of things that women might have done, even though their accomplishments weren’t recorded. There is a wonderful article by novelist Rachel Kadish called “Writing the Lives of Forgotten Women,” in which she refers to Hilary Mantel’s comments that people whose lives are not recorded fall through the sieve of history. Kadish says that, “Lives have run through the sieve, but we can catch them with our hands.” These novels all attempt to do that.
In seventeenth-century Holland, Catrin is an artist who is instrumental in the founding of Delft pottery.
Rembrandt appears as someone who recognizes Catrin’s artistic talent, and Vermeer is also a minor character, though he is usually just referred to as Johannes. It was a lot of fun when I first realized who this Johannes was!
Through Catrin’s challenges, Van der Vlugt also explores the challenges that women faced at the time, including domestic violence and the difficulty of entering the art world.
From Simone Van Der Vlugt comes her European bestselling novel of a young woman's rise as a painter in Holland's Golden Age—perfect for readers of The Miniaturist, Tulip Fever, and Girl with a Pearl Earring.
Amsterdam 1654: against the backdrop of Holland's Golden Age, a dangerous secret threatens to destroy a young widow's new life.
Following the sudden death of her husband, twenty-five-year old Catrin leaves her small village and takes a job as a housekeeper to the successful Van Nulandt merchant family. Amsterdam is a city at the peak of its powers: science and art are flourishing in the…
