Here are 100 books that Blue River, Black Sea fans have personally recommended if you like
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I always wanted to be a writer but never thought I’d become a travel writer. And like many British teenagers, I also had a passion for the USA – its movies, its music, its writers – but never imagined I would end up living in Arizona. I’ve now traveled in the US widely and understand why its landscapes, its people, and its culture have produced so much good travel writing. It’s a country that’s inspiring and surprising in equal measure, ever-changing, vast, and even though I didn’t grow up there it certainly made me who I am.
Sometimes it takes an outsider to see deeper into a country. Raban was a respected English novelist and critic when he moved to the USA and settled there – something I would later do myself. He proceeded to produce a series of brilliantly vivid travel books about his new homeland, of which this was the first. Avoiding the inevitable road trip (though he did those later), he takes a motorboat for a solo journey down the Mississippi River. Long periods alone allow him the chance to reflect on the river, nature, and the USA, but he also has lively encounters with the people who live by the river, revealing their passions and their pains.
'Jonathan Raban is one of the world's greatest living travel writers.' William Dalrymple
'The best book of travel ever written by an Englishman about the United States' Jan Morris, Independent
Navigating the Mississippi River from Minneapolis to New Orleans, Raban opens himself to experience the river in all her turbulent and unpredictable old glory. Going wherever the current takes him, he joins a coon-hunt in Savana, falls for a girl in St Louis, worships with black Baptists in Memphis, hangs out with the housewives of Pemiscot and the hog-king of Dubuque. Through tears of laughter, we are led into…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I'm an Anglo-Dutch writer living in the Netherlands, and the author of two books. Growing up in England I never thought much about rivers, but in the Netherlands they’re hard to avoid, and I’ve become fascinated by them. These days, when we all work remotely and (when rules allow) usually travel by car, train, or plane rather than boat, it’s easy to think of rivers as just scenic backdrops, rather than anything more important. But the truth is many of our cities wouldn’t exist without the waters which flow through them, and waterways like the Rhine, Thames, and Seine have had a huge influence on the history and culture of the people living alongside them. If you want to understand why somewhere like Rotterdam, London or Paris is the way it is, you could spend the day in a library or museum – but you’d be better off going for a boat ride or swim, poking around under some bridges and talking to the fishermen, boatmen, and kayakers down at the waterline.
The White Nile is another classic, telling the story of how European explorers “discovered” Africa’s greatest river in the second half of the nineteenth century. It’s a rollicking tale, featuring cameos from everyone from Herodotus to Churchill, packed with wild tales of bull-headed men marching into areas which were, for them, literally blank spaces on the map. Some of the prose inevitably feels a little dated these days, but it overflows with drama and detail, and provides a fascinating insight into the history of a region which many people still know too little about. I lived near the source of the Nile in Uganda for quite a while, and have many happy memories of reading this before heading out for a swim.
Relive all the thrills and adventure of Alan Moorehead's classic bestseller The White Nile -- the daring exploration of the Nile River in the second half of the nineteenth century, which was at that time the most mysterious and impenetrable region on earth. Capturing in breathtaking prose the larger-than-life personalities of such notable figures as Stanley, Livingstone, Burton and many others, The White Nile remains a seminal work in tales of discovery and escapade, filled with incredible historical detail and compelling stories of heroism and drama.
I'm an Anglo-Dutch writer living in the Netherlands, and the author of two books. Growing up in England I never thought much about rivers, but in the Netherlands they’re hard to avoid, and I’ve become fascinated by them. These days, when we all work remotely and (when rules allow) usually travel by car, train, or plane rather than boat, it’s easy to think of rivers as just scenic backdrops, rather than anything more important. But the truth is many of our cities wouldn’t exist without the waters which flow through them, and waterways like the Rhine, Thames, and Seine have had a huge influence on the history and culture of the people living alongside them. If you want to understand why somewhere like Rotterdam, London or Paris is the way it is, you could spend the day in a library or museum – but you’d be better off going for a boat ride or swim, poking around under some bridges and talking to the fishermen, boatmen, and kayakers down at the waterline.
This book tells the story of how the people of the Netherlands – the country where I’ve lived for more than a decade, and which I wrote my first book about – have not just managed to survive below sea level, in a land riddled with rivers and canals, but managed to turn their boggy environment to their advantage, becoming grandmasters at building dikes, draining land and constructing water-pumping windmills. The book isn’t a heavy read – the emphasis is on photos, maps, and interesting factoids – but it’s full of insights into everything from how Amsterdam was built to why the Dutch aren’t too worried about climate change. Perfect reading when I’m sitting in my garden in the Dutch countryside, with water on both sides.
All over the world, people learn in school that the Netherlands is a country that lies below sea-level. Dikes, polders, windmills and wooden shoes are well-known icons of this unusual nation, while its sturdy dams and storm surge barriers also enjoy world fame. But how does it all work? How can a country exist under such circumstances and even be prosperous? One would expect the Dutch to panic about climate change but they don’t seem to be; how come? This book will tell you all about it, both in words and photos, striking a balance between developments in the past,…
Coyote weather is the feral, hungry season, drought-stricken, and ready to catch fire. It’s 1967, and the American culture is violently remaking itself while the country is forcibly sending its young men to fight in a deeply unpopular war.
Jerry has stubbornly made no plans for the future because he…
For most of my life I’ve been both a writer and a swimmer. I’ve engaged in both activities for many decades, but I’ve always kept the two entirely separate. Write about swimming? Why? What would I say? What was there to say about water and the act of moving through it? It seemed to me that it was a case of “you have to be there,” that writing about swimming would be too removed from the immediacy, the tactility, the floating state of mind. It was only when I discovered works by some truly great writers that I began to see that I could write about my own love of being in water, and how I might go about it.
In the opinion of many water-lovers, Roger Deakins basically invented the swim memoir or “swimoir.” In the nineties, he set out on a year-long journey through the waterways of Britain, on a quest to experience life in what he called a “feral state.” His primary drive is to get into the water, to fully experienceit rather than conquer it, to become part of the water and vice versa. His specialty is distance, rather than speed. Competitive swimmers keep their heads down to maximize speed, but not Deakins. His head is up, looking at his surroundings and the abundant wildlife around him. Waterlog was a major inspiration for my own book, as it’s been for many writers – swimmers or not.
"A beautiful ode to the act of swimming outdoors. . . . Deakin’s insistence on wild swimming for all is really an insistence on a better ecosystem for all." ―The Atlantic
A masterpiece of nature writing, Roger Deakin’s Waterlog is a fascinating and inspiring journey into the aquatic world that surrounds us.
In an attempt to discover his island nation from a new perspective, Roger Deakin embarks from his home in Suffolk to swim Britain―the seas, rivers, lakes, ponds, pools, streams, lochs, moats, and quarries. Through the watery capillary network that braids…
I’ve been fascinated by Central and Eastern Europe all of my adult life. Many cruises along the Danube and around the Baltic Sea have allowed me to see the stunning best of the region. Since the early 1990s, I’ve taught the history of the Polish-Lithuanian Commonwealth, the Habsburg Monarchy, and the Russian Empire to a generation of students. Professor of Polish-Lithuanian History at University College London since 2013, my next challenge is to promote the history of Poland to allcomers via the Polish History Museum in Warsaw, the wonderful city which is my home.
Robert Evans’s masterpiece is the reader’s equivalent of scaling Himalayan peaks—and marveling at the views. The author’s linguistic and intellectual range is breathtaking. Those who read this classic of learned prose carefully will be taken on an unforgettable journey right over and below the horizon of the Central European mind between the Renaissance and the Enlightenment. One of the greatest works of early modern intellectual history ever written.
This book examines and accounts for the emergence of a powerful Habsburg state in central Europe during the 16th and 17th centuries. Charting the transformation of the Habsburg lands from a casual juxtaposition of territories into a major and reasonably stable commonwealth, Evans examines the social and economic changes brought about by the Counter-Reformation, the interaction between regions and central government, and the intellectual evolution from the Renaissance to the Baroque.
I am researching how elites and societies in Russia and East Central Europe have adapted to the social, political, and economic transformation processes following the end of Communism. What fascinates me about this topic is understanding why many of these countries continued to fall back to the same patterns of re-autocratization as they did during the Communist times. My answer is that it is because many institutions and elites in these regions have continued certain policies and behaviors from Communist times, which are still affecting their politics and economics. I also examine the impact of the transformational shock on Russia's international revisionism and democratic backsliding across the region.
Like the above, the book analyses the social consequences of the transition across the post-communist region. It tracks how painful and shocking some of its aspects were to the corresponding countries. It helps us understand why the reform overachievers, the countries that did best in reforming their economies (like Hungary and Poland), subsequently suffered some of the most pronounced political backlashes against these reforms.
The book is well-written and fun to read despite the serious topic.
Kristen Ghodsee and Mitchell A. Orenstein blend empirical data with lived experiences to produce a robust picture of who won and who lost in post-communist transition, contextualizing the rise of populism in Eastern Europe.
After the fall of the Berlin Wall in 1989, more than 400 million people suddenly found themselves in a new reality, a dramatic transition from state socialist and centrally planned workers' states to liberal democracy (in most cases) and free markets. Thirty years later, postsocialist citizens remain sharply divided on the legacies of transition. Was it a success that produced great progress after a short…
Homeless following the death of his adoptive parents in a car crash and the subsequent loss of their farm tenancy, Seb decides to enrol as a residential student at the Asklepios Foundation, a College of Natural Medicine, boasting a sanctuary modelled on an ancient Greek healing temple. Spending a night…
If you’re curious about the world, you can find secret doors that open onto sudden vistas. For me, exploring the lives and origins of the caracaras unveiled an astonishing story about life on Earth—and though the books in my list are mostly nonfiction, they all explore real worlds as absorbing as any fantasy.
This book is the second in a trilogy about a long journey Fermor made—mostly on foot—from Holland to Istanbul in 1934, when he was nineteen years old. Fermor wrote the books from memory many years afterward, so their veracity is open to question, but his imagination and skill aren't: he might resent the comparison, but his books gave me the same thrills as an adult that I remember from my parents reading The Lord of the Rings to me as a child. Though all three are astounding, Between the Woods and the Water is my favorite— it begins as he crosses the Danube into Hungary from the west, follows him across Romania, and ends up in the Balkans, a region that would soon be transformed (and, in part, erased) by World War II. Fermor knows that too, but he doesn't mention it: he lets the places he walks through and…
The acclaimed travel writer's youthful journey - as an 18-year-old - across 1930s Europe by foot began in A Time of Gifts, which covered the author's exacting journey from the Lowlands as far as Hungary.
Picking up from the very spot on a bridge across the Danube where his readers last saw him, we travel on with him across the great Hungarian Plain on horseback, and over the Romanian border to Transylvania.
The trip was an exploration of a continent which was already showing signs of the holocaust which was to come. Although frequently praised for his lyrical writing, Fermor's…
I’m an information junkie who loves to dance. I fell in love with folk dancing at age 6, European archaeology at 11, linguistics and cognition at 21—and could never drop any of them. My scientist-father always said, “Follow the problem, not the discipline,” and I began to see how these fields could help answer each other’s questions. Words can survive for millennia—with information about what archaeologists don’t find, like oh-so-perishable cloth. Determining how to reconstruct prehistoric textiles (Women’s Work: The First 20,000 Years) then led me to trace the origins of various European folk costumes, and finally even to reconstruct something about the origins of the dances themselves.
Humans also draft dance to help heal body and mind. I loved Kligman’s personal ventures deep into the complex concerns about life and death, fertility and health, found in related pre-Christian rituals in three areas of the Balkans: the Căluşariin SW Romania, the Rusaltsiin NW Bulgaria, and the Kraljevi—often with other names—just west in former Yugoslavia. (The word Rusaltsicomes from Rusalka, a Slavic name for the “dancing goddess”, as does Rusalii, the thrice-yearly festival in their honor.) Her intriguing study comes from direct observation of the healing rituals, and on personal discussions with the dancers—including one who was particularly vulnerable to trance! This is also true of L. Danforth’s remarkable account of the firewalkers of SE Bulgaria and northern Greece (Firewalking and Religious Healing).
I moved to Britain from Belgrade, then the capital of Yugoslavia, in 1986. Still in my early twenties, I was a published poet in Serbian, but I didn’t dream I would eventually become a novelist in English. I devoured any English book that dealt with East-West encounters. I must have read several hundred as I researched my first book, Inventing Ruritania, a cultural study of the “Wild East”. I returned to them when I wrote Iron Curtain, a novel about a “Red Princess” from an unnamed East European country who marries an impecunious English poet. I sometimes thought of it as Ruritania writes back.
This is another story of a hapless, now unnamed, English academic in Eastern Europe, yet McGuinness’s Romanian novel couldn’t be more different from Bradbury’s Rates of Exchange, and not only for being tied to a very specific moment and place: Bucharest in the final months of 1989.
It captures the darkness and the deprivations of Ceaușescu’s regime just before its fall. It is a Cold War novel written by a poet and this shows in the richness of its melancholy and sinister atmosphere.
Once the gleaming "Paris of the East," Bucharest in 1989 is a world of corruption and paranoia, in thrall to the repressive regime of Nicolae Ceausescu. Old landmarks are falling to demolition crews, grocery shelves are empty, and informants are everywhere. Into this state of crisis, a young British man arrives to take a university post he never interviewed for. He is taken under the wing of Leo O'Heix, a colleague and master of the black market, and falls for the sleek Celia, daughter of a party apparatchik. Yet he soon learns that in this society, friendships are compromised, and…
Marriage and Fatherhood in the Nazi SS
by
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
As a stranger in the land I grew up in, I’ve always considered myself a world citizen and have never sought a settled life. My first book,Insomnia: A Cultural History, detailed the often enriching experience of being estranged from those sleeping in the night-time. I researched and wrote Astrayout of a sense of frustration. Creative estrangement or the unfamiliar typically precedes—and sometimes helps create—norms, yet it is often judged by them, and humans, too, judge other humans this way. Yet, historically, wandering or being a stranger isthe human norm, and in the warming world we have made it will be key to all our futures.
I often reread this marvelous book, the result of the author’s 1990s fieldwork with Hungarian Roms, for its relevance to all seeking to live aslant from mainstream culture’s obsession with economic growth and so-called success in those terms.
Stewart shows how the horse-trading Roms he lived among made the market a heroic arena where the movement of money is key, and where the luck Roms typically live by is given center-stage in consummate acts of bargaining.
Historically, the Rom are our only people living without a dream of homeland, and the centrality of interaction—with Gadje, non-Roms—to their lives, where unbelonging drives exchange, and exchanges become futures, is pertinent to all who will have to disinvest from belief in property, becoming traveling strangers in our increasingly unpredictable world.
Offers an intimate view of the Hungarian Gypsies who, despite persecution, hostility, and racism, have managed to retain their rich cultural and communal heritage.. The Time of the Gypsies is about the refusal of one group of Gypsiesthe Romto abandon their way of life and accept assimilation into the majority population. It is a story about the sources of cultural diversity in modern industrial society and about the fear and hatred that such social and cultural difference may give rise to. The core of the book, based on the authors eighteen months of observation of daily life in a Gypsy…