Books like The Drinker — picked by fans

The plot of this book seems simple enough. A guy goes to Vegas to drink himself to death, but whilst there, he develops a relationship with a prostitute. Now, if this were Hollywood, they’d end up eloping and starting a new life together. Yet, whilst there is indeed an excellent Hollywood adaptation of it starring Nicholas Cage, it is no less bleaker than the novel it is based on. A novel that was written by an alcoholic who killed himself and whose book was called a suicide note by his father.

Despite its sadness, however, the book is beautifully written. Aside from its doomed romance, it also has a romantic sense of being doomed, which I like.

Told with unflinching honesty, this dark Japanese classic is often considered a kind of suicide note by its author, who killed himself shortly before its publication.

Whilst I cannot say that I’ve necessarily gone through some of the extreme experiences of its protagonist, I can nevertheless say that I’ve experienced a very similar sense of alienation, which has at times made me feel less than human, making this one of the most relatable books that I have ever read.

Considering its contents, I should probably not tell that to my psychiatrist. I'm just kidding; I don’t have one. However, considering the book’s classic status, it seems that I am far from the only one who relates to its author’s struggles.

It takes courage to name your book that. Especially in the 90s before self-publishing became a thing. Which did not stop its renegade author from selling xeroxed copies of it in the streets.

Its titular protagonist, who is jobless and homeless after his girlfriend kicks him out, is based on the author himself. He struggles with feelings of inadequacy and a sense of purposelessness. He works odd jobs, writes an occasional poem, meets eccentric strangers, engages in substance abuse, and gets into sticky situations on account of his bad decisions.

While I don’t know about you, I can strongly relate to the character. The book's dark humor is also enough to make it one of my favorites.

This book is about a heroin addict. However, you don’t need to be a heroin addict to sympathize with its protagonist’s existential weariness—or ennui, as the French call it. I know I do. After exiting a rehabilitation clinic, he wanders around listlessly, visiting friends and acquaintances, trying to find a reason to go on, yet finding none.

The story may be better known for the excellent film adaptation by Louis Malle—which switches heroin for alcohol—yet the terse and evocative writing of the original novel nevertheless packs a punch. The fact that the protagonist was closely inspired by the author’s friend lends an element of authenticity to it, making his suffering all the more relevant.

A really great short story collection can sweep you off your feet and take you to a lot of different places, in a way that novels can't quite manage. And Swamy's debut collection is haunting in the best possible way. These dreamlike stories feature characters who are lost and dislocated, carried along by other people's desires, and the best of them have something to say about art as well as relationships. In one story, an artist who is descending into alcoholism gets into a relationship with the god Krishna, and in another, a "laughter artist" has perfected her laughter to the point where all laughter seems artificial. Swamy conveys the feeling of being lost but seen, in a really beautiful, arresting way.

One alcoholic helping another is the way the 12 Step program works.

This book explores Steps 6 and 7 from the personal experiences of others in recovery. It helped me examine my defects, you know, the rocks I held that were sinking me. But I am not alone in my quest to drop these rocks.

This book includes personal stories that let me know how others have overcome the same roadblocks as myself. They talk to me, addressing my need to spiritually surrender my shortcomings. Various insights help contribute to my sobriety which, after all, is what I strive for in a clean and sober life.

This book was an absolute joy for me! It was not just a guide; it was a vibrant and relatable companion, filled with wit and unwavering honesty. With every page, it opened up a world of possibilities, offering a roadmap to live my best life, liberated from the suppression of ethanol.

Holly transformed the way I viewed the drinking culture, and the journey it took me on was utterly exhilarating. I adore this book for its genuine approach and the sheer excitement it brought for me to embrace an alcohol-free life.

You can’t stay married if you’re dead. Don’t die. Read this book. 

There’s a reason TIME Magazine included the central text of the world’s most prolific recovery organization on its list of Best 100 Nonfiction Books of All Time: the book that gave AA its name likely has saved more lives than any other singular narrative in the past century.

AA not really for you? Reading Alcoholics Anonymous does not mean joining Alcoholics Anonymous. The themes co-authors Bill Wilson and Dr. Bob Smith discuss – and the Twelve Steps of Recovery in particular – have near-universal relevance to anyone attempting to break the grip of alcohol or drugs.

More than eight decades after its publication, the book offers timeless truths that captivate addicts via ironclad identification. 

In a world where addiction is associated with “abuse” and “addicts” are often depicted as morally depraved, physically unfit, and mentally unsound, it’s not difficult to figure out why people suffering from addiction – and their family members– are in denial. They simply don’t fit the stereotype. When Terry McGovern, daughter of Senator George McGovern, was a college student, she drank an average of five or six beers, three or four shots of hard liquor, or a bottle of wine every day. Despite her increasingly heavy drinking, occasional marijuana and barbiturate use, and suicidal behavior, Terry’s psychotherapist did not believe that she was an alcoholic; instead, he diagnosed her underlying problems as depression and unresolved psychological conflicts – a clear case of “professional denial.” It’s a fact that many of us have experienced childhood trauma. But when drug use continues despite serious and recurring problems, the “real problem” that must… show more.

This is the only book I put in the hands of new memoir writers who want to understand the difference between memoir and autobiography, who are endeavoring to learn structure and who need to understand how to write a book that takes on one single aspect of their lives at a time.