Here are 100 books that The Drinker fans have personally recommended if you like
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I have always liked antiheroes and characters that are in some way doomed. To me, there’s something romantic about them. And over time I have come to replace the fictional protagonists of noir and horror with antiheroes from real life. With miserable authors who wrote about their own lives, where instead of gangsters or monsters, they waged battle against themselves, against their own demons and despair. Books like these have kept me company during some of the darkest periods of my life, and their unflinching honesty has inspired me to become a writer. Perhaps they can do the same for you.
The plot of this book seems simple enough. A guy goes to Vegas to drink himself to death, but whilst there, he develops a relationship with a prostitute. Now, if this were Hollywood, they’d end up eloping and starting a new life together. Yet, whilst there is indeed an excellent Hollywood adaptation of it starring Nicholas Cage, it is no less bleaker than the novel it is based on. A novel that was written by an alcoholic who killed himself and whose book was called a suicide note by his father.
Despite its sadness, however, the book is beautifully written. Aside from its doomed romance, it also has a romantic sense of being doomed, which I like.
A re-issue of John O'Brien's debut novel, a masterpiece of modern realism about the perils of addiction and love in a city of loneliness.
Leaving Las Vegas, the first novel by John O'Brien, is the disturbing and emotionally wrenching story of a woman who embraces life and a man who rejects it.
Sera is a prostitute, content with the independence and routine she has carved out for herself in a city defined by recklessness. But she is haunted by a spectre in a yellow Mercedes, a man from her past who is committed to taking control of her life again.…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I have always liked antiheroes and characters that are in some way doomed. To me, there’s something romantic about them. And over time I have come to replace the fictional protagonists of noir and horror with antiheroes from real life. With miserable authors who wrote about their own lives, where instead of gangsters or monsters, they waged battle against themselves, against their own demons and despair. Books like these have kept me company during some of the darkest periods of my life, and their unflinching honesty has inspired me to become a writer. Perhaps they can do the same for you.
Told with unflinching honesty, this dark Japanese classic is often considered a kind of suicide note by its author, who killed himself shortly before its publication.
Whilst I cannot say that I’ve necessarily gone through some of the extreme experiences of its protagonist, I can nevertheless say that I’ve experienced a very similar sense of alienation, which has at times made me feel less than human, making this one of the most relatable books that I have ever read.
Considering its contents, I should probably not tell that to my psychiatrist. I'm just kidding; I don’t have one. However, considering the book’s classic status, it seems that I am far from the only one who relates to its author’s struggles.
Portraying himself as a failure, the protagonist of Osamu Dazai's No Longer Human narrates a seemingly normal life even while he feels himself incapable of understanding human beings. Oba Yozo's attempts to reconcile himself to the world around him begin in early childhood, continue through high school, where he becomes a "clown" to mask his alienation, and eventually lead to a failed suicide attempt as an adult. Without sentimentality, he records the casual cruelties of life and its fleeting moments of human connection and tenderness.
I have always liked antiheroes and characters that are in some way doomed. To me, there’s something romantic about them. And over time I have come to replace the fictional protagonists of noir and horror with antiheroes from real life. With miserable authors who wrote about their own lives, where instead of gangsters or monsters, they waged battle against themselves, against their own demons and despair. Books like these have kept me company during some of the darkest periods of my life, and their unflinching honesty has inspired me to become a writer. Perhaps they can do the same for you.
It takes courage to name your book that. Especially in the 90s before self-publishing became a thing. Which did not stop its renegade author from selling xeroxed copies of it in the streets.
Its titular protagonist, who is jobless and homeless after his girlfriend kicks him out, is based on the author himself. He struggles with feelings of inadequacy and a sense of purposelessness. He works odd jobs, writes an occasional poem, meets eccentric strangers, engages in substance abuse, and gets into sticky situations on account of his bad decisions.
While I don’t know about you, I can strongly relate to the character. The book's dark humor is also enough to make it one of my favorites.
Arthur Nersesian's underground literary treasure is an unforgettable slice of gritty New York City life...and the darkly hilarious odyssey of an anonymous slacker. He's a perennial couch-surfer, an aspiring writer searching for himself, and he's just trying to survive. But life has other things in store for the fuck-up. From being dumped by his girlfriend to getting fired for asking for a raise, from falling into a robbery to posing as a gay man to keep his job at a porn theatre, the fuck-up's tragi-comedy is perfectly realised by Arthur Nersesian, who manages to create humour and suspense out of…
Trapped in our world, the fae are dying from drugs, contaminants, and hopelessness. Kicked out of the dark fae court for tainting his body and magic, Riasg only wants one thing: to die a bit faster. It’s already the end of his world, after all.
I have always liked antiheroes and characters that are in some way doomed. To me, there’s something romantic about them. And over time I have come to replace the fictional protagonists of noir and horror with antiheroes from real life. With miserable authors who wrote about their own lives, where instead of gangsters or monsters, they waged battle against themselves, against their own demons and despair. Books like these have kept me company during some of the darkest periods of my life, and their unflinching honesty has inspired me to become a writer. Perhaps they can do the same for you.
This book is about a heroin addict. However, you don’t need to be a heroin addict to sympathize with its protagonist’s existential weariness—or ennui, as the French call it. I know I do. After exiting a rehabilitation clinic, he wanders around listlessly, visiting friends and acquaintances, trying to find a reason to go on, yet finding none.
The story may be better known for the excellent film adaptation by Louis Malle—which switches heroin for alcohol—yet the terse and evocative writing of the original novel nevertheless packs a punch. The fact that the protagonist was closely inspired by the author’s friend lends an element of authenticity to it, making his suffering all the more relevant.
Adapted to film by both Louis Malle and Joachim Trier, this heart-rending and tenderly wrought novel narrates the decline of an artist and heroin addict in 1920s Paris.
Pierre Drieu la Rochelle might be said to be both the Hemingway and the Fitzgerald of twentieth-century French literature, a battle-scarred veteran of the First World War whose work chronicles the trials and tribulations of a lost generation, a man about town, a heartbreaker with a broken heart, a literary stylist whose work is as tough as it is lyrical and polished. Politically compromised as Drieu came to be by his affiliation…
Sixteen years married and 17 years divorced, I have retraced my steps to assess the damage from my childhood and adult divorce scenarios. In reconstructing a new path with the hard lessons learned, I’ve assembled a 5-book toolkit just for you to spare your children the divorce legacy. Think of these books as five pavers leading you safely through the minefield of married parenting life. To enter this territory, there's one password: put the children first so that divorce isn't an option.
If you want to bust a divorce legacy, do it with basic instructions for dismantling dysfunction in a textbook devoted to creating a healthy family legacy.
I came from divorce and also divorced as an adult, but I did learn in time not to divorce again, and this one book paved the way for me to get married in the first place, stay faithful for 16 years, and raise three beautiful children successfully with their father in shared custody.
Watch out for the pothole I stepped into: I focused so much on recovery from family alcoholism that I didn't stay cognizant of the hard work it would take to stay married longer term. In other words, this book is for any family dysfunction, not just alcoholism.
This one book taught me to love my broken inner child: She was mute, mad as hell, and wanted to write. What I didn't…
This is official Adult Children of Alcoholics World Service Organization (ACA WSO) Conference Approved Literature. Never before in the history of Twelve Step programs has a fellowship brought together such a diverse group of recovering people that includes adult children of alcoholics, codependents, and addicts of various sorts. The program is Adult Children of Alcoholics, The term "adult child" is used to describe adults who grew up in alcoholic or dysfunctional homes and who exhibit identifiable traits that reveal past abuse or neglect. The group includes adults raised in homes without the presence of alcohol or drugs. These ACA members…
Richard Vetere’s screenplay Caravaggiowon The Golden Palm for the Best Screenplay at the 2021 Beverly Hills Film Festival. He co-wroteThe Third Miraclescreenplay adaptation of his own novel. The movie was produced by Francis Ford Coppola, starring Ed Harris and Anne Heche and directed by Agnieszka Holland released by Sony Pictures Classics. His teleplay adaptation of his stage play The Marriage Fool starring Walter Matthau and Carol Burnett is the most-viewed CBS movie ever and is currently running on Amazon.He also wrote the cult classic film Vigilantecalled by BAM as one of the “best indies of the 1980s.”
This book is also a semi-autobiographical and painful exploration of a writer’s addiction to alcohol. It is the story of a talented writer, Don Birnam. Birnam lives in a rundown neighborhood in Manhattan and is praised for his realism in his writing but he drinks to numb himself to his struggle with his homosexual feelings. The novel follows him on a five-day binge as he uses all kinds of ingenuity to get a bottle of rye to sustain him. He contemplates murdering his selfless, dedicated girlfriend’s maid to get a key to a liquor cabinet. He bangs his head in frustration and winds up in an ‘alcoholic ward.’ Enjoying quoting Shakespeare and confident as a writer, his worst enemy is not a blank page but the need to drink. It was adapted into a brilliant film.
The Lost Weekend - directed by Billy Wilder as an all-time classic Oscar and Cannes winning film, starring Ray Milland in his most famous role - is one of the most important books ever written about addiction. No novelist had ever so honestly, and vividly, described the torments, tricks and temptations of an alcoholic. In the character of writer Don Birnam, Charles Jackson both exposed his own struggle with the bottle, and eloquently expressed the demons faced by millions of others, anonymous or known. The book and film have inspired and influenced countless writers, artists, musicians, and the title itself…
Everyday Medical Miracles
by
Joseph S. Sanfilippo (editor),
Frontiers of Women from the healthcare perspective. A compilation of 60 true short stories written by an extensive array of healthcare providers, physicians, and advanced practice providers.
All designed to give you, the reader, a glimpse into the day-to-day activities of all of us who provide your health care. Come…
When I was going to church as a kid, I noticed there were a lot of things about faith that were really important to people but that they rarely talked about. In my work as a pastor, professor, and church historian, I’ve tried to identify and name those core values, so that we can learn from one another, share our beliefs in meaningful and respectful ways, and grow together as we explore life’s big questions and practice living out our beliefs in the here and now.
Founder of a church called House for All Sinners and Saints in Denver, Colorado, Nadia Bolz-Weber describes her path from a Fundamentalist upbringing to agnostic comedian to Lutheran pastor. Walking with people who had long been forgotten, dismissed, or condemned by mainstream American Christianity, Bolz-Weber has brought the traditional Reformation message of God’s unconditional love to life in new ways. With stories that range from vulnerable to hilarious, this book is fun to read and full of refreshing insights about God, church, hospitality, and grace.
"Seven years on from its original publication, Pastrix remains bracing and beautiful. Nadia's bold vulnerability and tender heart are timeless gifts. And the words she has added to this edition remind me: We need her call to tender grace and a loving, forgiving God now more than ever." -- Jeff Chu, Author of Does Jesus Really Love Me?
Pastrix: a derogatory term used by Christians who refuse to recognize female pastors.
Heavily tattooed and foul-mouthed, Nadia Bolz-Weber, a former stand-up comic, sure as hell didn't consider herself to be religious-leader material-until the day she ended up leading a friend's funeral…
I suspect my passion for this topic was born when my doctor came into my C-section recovery room and uttered the words “chromosomal abnormality.” My daughter has Down syndrome, and full disclosure: I had zero interest in being a disability mom. Yet as I fell in love with this beautiful, funny, sassy girl, my whole worldview shifted. I am a far better person than I was when she entered my life. She has taught me the beauty and the blessing wrapped up in the things that first appear to be the most difficult.
I love this book because it showcases the essential goodness of people. In these times of hate-filled words and dishonesty, that’s an affirmation we all need. August is a teacher on an RV trip to national parks to scatter his son’s ashes—a trip he wants to take on his own, in grief and bitterness. Instead, because he’s just a good guy, he ends up with three tag-alongs—a pair of boys, wounded by their father’s neglect and self-absorption, and a dog. The trip—and the kindness they inspire in each other—helps them all heal. It’s a trip that changes them all forever for the better.
August Shroeder, a burned-out teacher, has been sober since his 19-year-old son died. Every year he's spent the summer on the road, but making it to Yellowstone this year means everything. The plan had been to travel there with his son, but now August is making the trip with Philip's ashes instead. An unexpected twist of fate lands August with two extra passengers for his journey, two half-orphans with nowhere else to go.
What none of them could have known was how transformative both the trip-and the bonds that develop between them-would prove, driving each to create a new destiny…
I teach literature, Labor Studies, and writing at San Diego City College and have written three San Diego-based novels: Drift, Flash, and Last Days in Ocean Beach, along with Under the Perfect Sun: The San Diego Tourists Never See, a radical history of San Diego that I co-wrote with Mike Davis and Kelly Mayhew. Both as a writer and as a daily wanderer on the streets of San Diego, I have a passion for the psychogeography of the city space and a deep curiosity for and love of the people I encounter there.
Jim Thompson’s novel is arguably San Diego’s greatest classic noir work.
While not a crime novel, it captures wartime San Diego through the glass darkly, and I was moved and unsettled by Thompson’s unsparing forays into the alienation of those who were the most exploited in the city.
San Diego in the years before World War II. James Dillon is barely scraping by working a menial job in manufacturing, trying to raise a family and support his elderly mother and sister Frankie at the same time. He drinks too hard -- just like his father and nearly everyone in his extended family. With so many people crammed into one home, sometimes there's so much fighting he can barely stand it. But if James can survive the chaos of everyday life long enough, maybe -- just maybe -- there's a chance it'll all get better.
Karl's War is a coming-of-age-meets-thriller set in Germany on the eve of Hitler coming to power. Karl – a reluctant poster boy for the Nazis – meets Jewish Ben and his world is up-turned.
Ben and his family flee to France. Karl joins the German army but deserts and finds…
I’m a professor at Northland College (WI) and an American environmental historian with specialties in wine, food, and horticulture. I mostly write on alcohol, garden history, botany, and orchids. The history of alcohol is wild, fraught, and charged with power—I’ll never tire of learning about it.
Rorabaugh argues convincingly that alcohol of several types—but mostly rum and whisky—were part and parcel of, and at times even drove, early national American culture. Solo and group binges increased from 1790 to 1820 as the population tried to adapt to anxious and uncertain changes in their lives. Drinking became aligned with liberty—taverns were the “seedbeds of the revolution” and the “nurseries of freedom.” And although boozing came to be an early element in what was defined as the American character, the temperance movement was not far off.
Recreating America's first fifty intemperate years, when, from 1790 to 1840, Americans drank more alcoholic beverages per capita than at any other time in history, Rorabaugh examines some of the reasons why Americans drank so much