Here are 100 books that The Lost Weekend fans have personally recommended if you like
The Lost Weekend.
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I’ve been an avid reader since I was a child, and my favorite protagonists are readers and writers. The Kansas tallgrass prairie horizons where I grew up fueled my imagination, and I wanted to write like the girls in my novels. I discovered Anne of Green Gables as a teen, and since then, I’ve researched, published, and presented on the book as a quixotic novel. As a creative writer, my own characters are often readers, writers, librarians, book club members, and anyone who loves a good tale. I hope you enjoy the books on my list as much as I do each time I return to them.
I love this book because it has so many layers that appeal to me: a historical period, the challenges of growing up, and a young woman who dreams of being a writer.
As an author, Jo March’s writing aspirations spoke to me, although I think I saw a bit of me in each of the four March sisters. That breadth is what welcomes me as a reader each time I return to the novel. And—no spoilers—I still sometimes scratch my head over the twist in the romance plot that didn’t go as I anticipated when I first read the book!
Louisa May Alcott shares the innocence of girlhood in this classic coming of age story about four sisters-Meg, Jo, Beth, and Amy.
In picturesque nineteenth-century New England, tomboyish Jo, beautiful Meg, fragile Beth, and romantic Amy are responsible for keeping a home while their father is off to war. At the same time, they must come to terms with their individual personalities-and make the transition from girlhood to womanhood. It can all be quite a challenge. But the March sisters, however different, are nurtured by their wise and beloved Marmee, bound by their love for each other and the feminine…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’ve spent a lifetime reading horror, I was probably in third grade when I stumbled across a battered collection of short stories by Saki in the adult section of the library—where I wasn’t supposed to be. I snuck the book back to the children’s section, started reading, and I was hooked. Then it was Edgar Allan Poe, and from Poe until now, it’s been every horror novel or short story I could find. The best of them have never left me. And they make up my list, The Most Terrifying Novels You Can’t Escape From.
Like the other books on the list, The Shining felt personal, more like something that was happening to me than a story I was reading.
Like Jack, I could feel myself hanging on while the menace around me grew more real, more concrete. And more overwhelming. Even today, I can feel the terror of losing control, of becoming part of the menace, part of the threat to everything of meaning and value. Snowbound with horror, and Spring will never come.
#1 NEW YORK TIMES BESTSELLER • Before Doctor Sleep, there was The Shining, a classic of modern American horror from the undisputed master, Stephen King.
Jack Torrance’s new job at the Overlook Hotel is the perfect chance for a fresh start. As the off-season caretaker at the atmospheric old hotel, he’ll have plenty of time to spend reconnecting with his family and working on his writing. But as the harsh winter weather sets in, the idyllic location feels ever more remote . . . and more sinister. And the only one to notice the strange and terrible forces gathering around…
I’m the child of immigrants and grew up imagining a second self—me, if my parents had never left India. Then, when I became a writer, doubles kept showing up in odd ways in my work. In my first play, House of Sacred Cows, I had identical twins played, farcically, by the same actor. My latest novel features two South Asian women: one, slightly wimpy, married to an unsympathetic guy called Mac, and another, in a permanent state of outrage, married to a nice man called Mat. My current project is a novel about mixed-race twins born in India but separated at birth.
This is actually just the first book of Ferrante’s four Neapolitan novels, which tell a single riveting story of two girls, Lila and Lenù, from a depressed Naples neighborhood. Lenù is the narrator, taking us through fifty years of friendship and the latter half of the 20th century. (Her actual name is Elena, like the author—another doubling, especially since she writes under a pseudonym.)
I am a sucker for event: a lot happens and we get to know a huge cast of characters from the neighborhood. But our anchors are these two friends and rivals, vibrant and injured, striving to transcend their origins.
OVER 14 MILLION COPIES OF THE NEAPOLITAN QUARTET SOLD WORLDWIDE
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GUARDIAN 100 BEST BOOKS OF THE 21st CENTURY
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SHORTLISTED FOR WATERSTONES BOOK OF THE YEAR 2015
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Now in B-format Paperback
From one of Italy's most acclaimed authors, comes this ravishing and generous-hearted novel about a friendship that lasts a lifetime. The story of Elena and Lila begins in the 1950s in a poor but…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
I’m a novelist, essayist, and journalist who’s written extensively about the problems and consolations of faith, about belonging in and out of faith, and about the tribes of what I think of as the In Between. When you’re in between, you’re neither in it nor out of it, whatever “it” might be for you. You bear an “infinity of traces,” as the writer Antonio Gramsci called these formative influences. My first novel looks at these influences directly, while my second one looks at them indirectly. I’m late in the game with a third novel now—a detective story that investigates a murder along with these same themes.
Indispensable. And the scandal of this autobiographical novel hasn’t worn off in a hundred-plus years. Stephen Dedalus is our young man, the self-appointed artist-priest. We see turn-of-the-century Ireland through his eyes and Irish Catholicism, too, each with its special richness and oppressiveness. Ultimately, it’s Stephen’s desire to escape "these nets" that drives his story. He’ll find God in his own way or, failing that, replace him with Art.
A masterpiece of modern fiction, James Joyce's semiautobiographical first novel follows Stephen Dedalus, a sensitive and creative youth who rebels against his family, his education, and his country by committing himself to the artist's life.
"I will not serve," vows Dedalus, "that in which I no longer believe...and I will try to express myself in some mode of life or art as freely as I can." Likening himself to God, Dedalus notes that the artist "remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails." Joyce's rendering of the impressions of…
It took a career as a librarian to help me understand my need for order, instead of the emotional chaos I grew up with in a large family. Being the child of an alcoholic father and a codependent mother gave me little personal value. After gaining some sense of worth in college, I wanted to give my kids the stability and support every child deserves, but I had to learn how to do this. I used my resources: education, self-scrutiny, honesty, art, nature, and the good Lord of the universe.
As the daughter of an alcoholic, I took enough college psychology classes to know I was part of an unchosen cycle, at risk to continue the family chaos.
Despite my resistance, my personal, unanticipated, troubled behavior did emerge, baffling me, and this book was exactly what I needed to sort things out, especially when I became a parent and feared contaminating my children.
Reading about negative, senseless, and too-familiar family habits of concealment, disparagement, anger, pain, and especially the role-playing coping mechanisms that commonly develop in a dysfunctional family, gave me hope.
Family hero, scapegoat, quiet one, mascot, all of these I recognized clearly. By learning, understanding, and erasing the blame, I could redefine normal and finally “crawl out of the trap.”
Reveals what happens in an alcoholic home, discusses the scars that the children of alcoholics must bear, and explains how adult children of alcoholics can deal with their parents and their own problems.
I teach literature, Labor Studies, and writing at San Diego City College and have written three San Diego-based novels: Drift, Flash, and Last Days in Ocean Beach, along with Under the Perfect Sun: The San Diego Tourists Never See, a radical history of San Diego that I co-wrote with Mike Davis and Kelly Mayhew. Both as a writer and as a daily wanderer on the streets of San Diego, I have a passion for the psychogeography of the city space and a deep curiosity for and love of the people I encounter there.
Jim Thompson’s novel is arguably San Diego’s greatest classic noir work.
While not a crime novel, it captures wartime San Diego through the glass darkly, and I was moved and unsettled by Thompson’s unsparing forays into the alienation of those who were the most exploited in the city.
San Diego in the years before World War II. James Dillon is barely scraping by working a menial job in manufacturing, trying to raise a family and support his elderly mother and sister Frankie at the same time. He drinks too hard -- just like his father and nearly everyone in his extended family. With so many people crammed into one home, sometimes there's so much fighting he can barely stand it. But if James can survive the chaos of everyday life long enough, maybe -- just maybe -- there's a chance it'll all get better.
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
When I was going to church as a kid, I noticed there were a lot of things about faith that were really important to people but that they rarely talked about. In my work as a pastor, professor, and church historian, I’ve tried to identify and name those core values, so that we can learn from one another, share our beliefs in meaningful and respectful ways, and grow together as we explore life’s big questions and practice living out our beliefs in the here and now.
Founder of a church called House for All Sinners and Saints in Denver, Colorado, Nadia Bolz-Weber describes her path from a Fundamentalist upbringing to agnostic comedian to Lutheran pastor. Walking with people who had long been forgotten, dismissed, or condemned by mainstream American Christianity, Bolz-Weber has brought the traditional Reformation message of God’s unconditional love to life in new ways. With stories that range from vulnerable to hilarious, this book is fun to read and full of refreshing insights about God, church, hospitality, and grace.
"Seven years on from its original publication, Pastrix remains bracing and beautiful. Nadia's bold vulnerability and tender heart are timeless gifts. And the words she has added to this edition remind me: We need her call to tender grace and a loving, forgiving God now more than ever." -- Jeff Chu, Author of Does Jesus Really Love Me?
Pastrix: a derogatory term used by Christians who refuse to recognize female pastors.
Heavily tattooed and foul-mouthed, Nadia Bolz-Weber, a former stand-up comic, sure as hell didn't consider herself to be religious-leader material-until the day she ended up leading a friend's funeral…
Charlie Jane Anders is the author of All the Birds in the Sky, which Time Magazine listed as one of the hundred best fantasy novels of all time. Her other books include The City in the Middle of the Night, Victories Greater than Death, and Never Say You Can't Survive: How to Get Through Hard Times By Making Up Stories. She organizes the long-running spoken word series Writers With Drinks, helps to organize tours of local bookstores, and also co-hosts the podcast Our Opinions Are Correct. Her short fiction has appeared in Tin House, Conjunctions, Wired Magazine, Slate, and the Boston Review.
A really great short story collection can sweep you off your feet and take you to a lot of different places, in a way that novels can't quite manage. And Swamy's debut collection is haunting in the best possible way. These dreamlike stories feature characters who are lost and dislocated, carried along by other people's desires, and the best of them have something to say about art as well as relationships. In one story, an artist who is descending into alcoholism gets into a relationship with the god Krishna, and in another, a "laughter artist" has perfected her laughter to the point where all laughter seems artificial. Swamy conveys the feeling of being lost but seen, in a really beautiful, arresting way.
In "A Simple Composition," a husband's professional crisis leads to his wife's discovery of a dark, ecstatic joy. And in the title story, an exhausted mother watches, hypnotised by fear, as a California wildfire approaches her home. Immersive and assured, provocative and probing, these are stories written with the edge and precision of a knife blade. Set in the United States and India, they reveal small but intense moments of beauty, pain, and power that contain the world.
Katherine Ketcham is the coauthor of 17 books about alcoholism/addiction, recovery, spirituality, Traditional Chinese Medicine, and empathy. She is also the author of the memoir, The Only Life I Could Save. She recently updated and revised her first book, Under the Influence: A Life-Saving Guide to the Myths & Realities of Alcoholism, for a 40th anniversary edition (published in September 2021 by Penguin Random House). A dedicated photographer, columnist, and storyteller, she isn't sure what her 70s have in store for her but she's saving 12 hours of every day for her husband, three children, two grandchildren, extended family, and friends. Books, walks, golf, yoga, gardening, story-collecting, daydreaming, and a good night's sleep should fill up the rest.
In a world where addiction is associated with “abuse” and “addicts” are often depicted as morally depraved, physically unfit, and mentally unsound, it’s not difficult to figure out why people suffering from addiction – and their family members– are in denial. They simply don’t fit the stereotype. When Terry McGovern, daughter of Senator George McGovern, was a college student, she drank an average of five or six beers, three or four shots of hard liquor, or a bottle of wine every day. Despite her increasingly heavy drinking, occasional marijuana and barbiturate use, and suicidal behavior, Terry’s psychotherapist did not believe that she was an alcoholic; instead, he diagnosed her underlying problems as depression and unresolved psychological conflicts – a clear case of “professional denial.” It’s a fact that many of us have experienced childhood trauma. But when drug use continues despite serious and recurring problems, the “real problem” that must…
"McGovern's story is riveting as he investigates his daughter's life, reads her anguished and accusatory diaries, interviews her friends and doctors, sifts through the sordid police and medical records... a family drama of love and loss."-New York Times
Rarely has a public figure addressed such difficult, intimate issues with such courage and bravery. In a moving, passionate memoir, former Senator George McGovern recalls the events leading up to his daughter Terry's death as a result of alcoholism. What McGovern learned from Terry is an unforgettable, poignant tale certain to engender controversy and compassion.
One of the most important lessons I learned from my grandma is that children have no fear or self-doubt unless they are taught to have these feelings, and then it's a choice to continue to believe in self-doubt. However, I was paralyzed by it after her death. I stopped being a carefree kid and started living through emotional survival. I lived a life of physical, mental, and emotional turmoil, and by a miracle, I was spared and given a chance to change it all. I am a dancer, writer, performer, and speaker, following every dream I've had.
I sat on a twin bed in rehab, turned to the back of the book, one of the personal stories published in the book, and felt like the narrator came out of the book, sat across from me, and told me her story.
Bill W. and Dr. Bob started a miracle fellowship that led millions like me to recover. However, every chapter in the book can be anyone’s story. Unfortunately, many people feel that if they don't have a drug or alcohol problem, then they have “no problems.”
I read every story; I wanted to believe I had a chance if these people had straightened out their lives and were happy about it. In the beginning, the chapters were tough-hitting in defining how we honestly forget humility, gratitude, and simple service that leads to fulfilling lives.
I can read this book over and over again, and I do.
Alcoholics Anonymous (also known as the Big Book in recovery circles) sets forth cornerstone concepts of recovery from alcoholism and tells the stories of men and women who have overcome the disease.
The fourth edition includes twenty-four new stories that provide contemporary sharing for newcomers seeking recovery from alcoholism in A.A. during the early years of the 21st century. Sixteen stories are retained from the third edition, including the "Pioneers of A.A." section, which helps the reader remain linked to A.A.'s historic roots, and shows how early members applied this simple but profound program that helps alcoholics get sober today.…