Here are 100 books that The Lost Weekend fans have personally recommended if you like
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Maybe because I’m a novelist, I’ve always loved reading novels about writers—it’s a joy to see my passionate relationship with my own work reflected in these fictional solitary obsessives, my literary siblings. Reading about their own writing gives me a sense of recognition, community, and solidarity, and makes me feel less alone in this odd vocation, which is no small thing. I can’t get enough fictional evocations of the daily discipline of the writer’s life—as well as the trajectory of a literary career—from adolescence (Jo March) to old age (Leonard Schiller).
I have always loved the image of Jo March hiding up in the attic (she calls it a “garret” because it’s more romantic) of her family’s New England house, munching on russet apples and writing furiously away with her pet rat, Scrabble, as her muse, or curling up with Jane Eyre—it’s the only place she can be alone.
She’s one of the classic aspiring young writers of literature—a totally unconventional, headstrong girl with big ambitions who has provided inspiration for her real-life counterparts for generations, me included.
Louisa May Alcott shares the innocence of girlhood in this classic coming of age story about four sisters-Meg, Jo, Beth, and Amy.
In picturesque nineteenth-century New England, tomboyish Jo, beautiful Meg, fragile Beth, and romantic Amy are responsible for keeping a home while their father is off to war. At the same time, they must come to terms with their individual personalities-and make the transition from girlhood to womanhood. It can all be quite a challenge. But the March sisters, however different, are nurtured by their wise and beloved Marmee, bound by their love for each other and the…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’ve spent a lifetime reading horror, I was probably in third grade when I stumbled across a battered collection of short stories by Saki in the adult section of the library—where I wasn’t supposed to be. I snuck the book back to the children’s section, started reading, and I was hooked. Then it was Edgar Allan Poe, and from Poe until now, it’s been every horror novel or short story I could find. The best of them have never left me. And they make up my list, The Most Terrifying Novels You Can’t Escape From.
Like the other books on the list, The Shining felt personal, more like something that was happening to me than a story I was reading.
Like Jack, I could feel myself hanging on while the menace around me grew more real, more concrete. And more overwhelming. Even today, I can feel the terror of losing control, of becoming part of the menace, part of the threat to everything of meaning and value. Snowbound with horror, and Spring will never come.
#1 NEW YORK TIMES BESTSELLER • Before Doctor Sleep, there was The Shining, a classic of modern American horror from the undisputed master, Stephen King.
Jack Torrance’s new job at the Overlook Hotel is the perfect chance for a fresh start. As the off-season caretaker at the atmospheric old hotel, he’ll have plenty of time to spend reconnecting with his family and working on his writing. But as the harsh winter weather sets in, the idyllic location feels ever more remote . . . and more sinister. And the only one to notice the strange and terrible forces gathering around…
I’m the child of immigrants and grew up imagining a second self—me, if my parents had never left India. Then, when I became a writer, doubles kept showing up in odd ways in my work. In my first play, House of Sacred Cows, I had identical twins played, farcically, by the same actor. My latest novel features two South Asian women: one, slightly wimpy, married to an unsympathetic guy called Mac, and another, in a permanent state of outrage, married to a nice man called Mat. My current project is a novel about mixed-race twins born in India but separated at birth.
This is actually just the first book of Ferrante’s four Neapolitan novels, which tell a single riveting story of two girls, Lila and Lenù, from a depressed Naples neighborhood. Lenù is the narrator, taking us through fifty years of friendship and the latter half of the 20th century. (Her actual name is Elena, like the author—another doubling, especially since she writes under a pseudonym.)
I am a sucker for event: a lot happens and we get to know a huge cast of characters from the neighborhood. But our anchors are these two friends and rivals, vibrant and injured, striving to transcend their origins.
OVER 14 MILLION COPIES OF THE NEAPOLITAN QUARTET SOLD WORLDWIDE
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Now in B-format Paperback
From one of Italy's most acclaimed authors, comes this ravishing and generous-hearted novel about a friendship that lasts a lifetime. The story of Elena and…
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
I’m a novelist, essayist, and journalist who’s written extensively about the problems and consolations of faith, about belonging in and out of faith, and about the tribes of what I think of as the In Between. When you’re in between, you’re neither in it nor out of it, whatever “it” might be for you. You bear an “infinity of traces,” as the writer Antonio Gramsci called these formative influences. My first novel looks at these influences directly, while my second one looks at them indirectly. I’m late in the game with a third novel now—a detective story that investigates a murder along with these same themes.
Indispensable. And the scandal of this autobiographical novel hasn’t worn off in a hundred-plus years. Stephen Dedalus is our young man, the self-appointed artist-priest. We see turn-of-the-century Ireland through his eyes and Irish Catholicism, too, each with its special richness and oppressiveness. Ultimately, it’s Stephen’s desire to escape "these nets" that drives his story. He’ll find God in his own way or, failing that, replace him with Art.
A masterpiece of modern fiction, James Joyce's semiautobiographical first novel follows Stephen Dedalus, a sensitive and creative youth who rebels against his family, his education, and his country by committing himself to the artist's life.
"I will not serve," vows Dedalus, "that in which I no longer believe...and I will try to express myself in some mode of life or art as freely as I can." Likening himself to God, Dedalus notes that the artist "remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails." Joyce's rendering of the impressions of…
Moral injury, post-traumatic stress, and the dark night of the soul are human conditions I understand well. See, over the course of a lengthy military career, I deployed overseas many times, including to Afghanistan. In my last two deployments, I served as the legal advisor to a joint special operations task force. In this role, I advised on more than 500 “strikes”: air attacks intended to kill humans. When I returned from Afghanistan in 2018, I noticed a change in me, and I’ve been living with moral injury and post-traumatic stress since. This list helped me, particularly with the lesser-known “moral injury,” and I sincerely hope it helps you too.
A beautiful story written beautifully. I was enamored with Miller’s deft use of lyrical prose set within an epistolary framework to tell the story of one man’s struggle against the demons of his past, and the consequences that followed, all in search of redemption.
Though fictional, Miller manages to avoid the usual veteran tropes in creating his character. It’s an intimate account—and one with which I’m intimately familiar—that feels truer than nonfiction. I’ve found few more realistic accounts of living with the moral injury that comes from our errors in judgment, how those errors cause unintended, though no less harmful, secondary effects on those we love, and how life remains yet salvageable.
I found it to be, at once, an inspiring, endearing, and threatening read.
By the Costa Award-winning author of Pure, a profound and tender tale of guilt, a search for atonement and the hard, uncertain work of loving.
'The writing is near perfect. But the novel's excellence goes far beyond this . . . You read [it] . . . with your pulse racing, all your senses awake' Guardian
'A beautiful, lambent, timely novel' Sarah Hall
An ex-soldier and recovering alcoholic living quietly in Somerset, Stephen Rose has just begun to form a bond with the daughter he barely knows when he receives a summons - to an inquiry into an incident during…
I’m a fiction and humor writer whose imagination was initially sparked by superheroes and comic books. The idea of an otherwise average person who could turn themselves into a superbeing was transformative and powerful. As a teenager, these early heroes faded, and I became fascinated by The Twilight Zone’s compact and poignant storytelling that contained moral messages. This eventually led me to the fiction of Stephen King where the idea of average people encountering the supernatural and overcoming obstacles was a recurring theme. In my own work, I have tried to carry forward the idea that our everyday lives are more absurd, complex, and magical than they appear.
A master class on “less is more,” the stories in this collection are set in everyday, locations: a suburban front yard, an airport lounge, a kitchen, and are populated by working-class people in the midst of one or more traumas such as alcoholism, divorce, or financial trouble.
Though Carver doesn’t employ fantasy, the tight, accessible writing lures you in and immerses you in a comic-tragic world that is uniquely his own. This collection taught me the power of economical prose and that writing about the kinds of people you encounter at the supermarket can be just as transportive and resonant as stories that involve characters who live in exotic places, or universes.
This powerful collection of stories, set in the mid-West among the lonely men and women who drink, fish and play cards to ease the passing of time, was the first by Raymond Carver to be published in the UK. With its spare, colloquial narration and razor-sharp sense of how people really communicate, the collection was to become one of the most influential literary works of the 1980s.
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
I teach literature, Labor Studies, and writing at San Diego City College and have written three San Diego-based novels: Drift, Flash, and Last Days in Ocean Beach, along with Under the Perfect Sun: The San Diego Tourists Never See, a radical history of San Diego that I co-wrote with Mike Davis and Kelly Mayhew. Both as a writer and as a daily wanderer on the streets of San Diego, I have a passion for the psychogeography of the city space and a deep curiosity for and love of the people I encounter there.
Jim Thompson’s novel is arguably San Diego’s greatest classic noir work.
While not a crime novel, it captures wartime San Diego through the glass darkly, and I was moved and unsettled by Thompson’s unsparing forays into the alienation of those who were the most exploited in the city.
San Diego in the years before World War II. James Dillon is barely scraping by working a menial job in manufacturing, trying to raise a family and support his elderly mother and sister Frankie at the same time. He drinks too hard -- just like his father and nearly everyone in his extended family. With so many people crammed into one home, sometimes there's so much fighting he can barely stand it. But if James can survive the chaos of everyday life long enough, maybe -- just maybe -- there's a chance it'll all get better.
Sixteen years married and 17 years divorced, I have retraced my steps to assess the damage from my childhood and adult divorce scenarios. In reconstructing a new path with the hard lessons learned, I’ve assembled a 5-book toolkit just for you to spare your children the divorce legacy. Think of these books as five pavers leading you safely through the minefield of married parenting life. To enter this territory, there's one password: put the children first so that divorce isn't an option.
If you want to bust a divorce legacy, do it with basic instructions for dismantling dysfunction in a textbook devoted to creating a healthy family legacy.
I came from divorce and also divorced as an adult, but I did learn in time not to divorce again, and this one book paved the way for me to get married in the first place, stay faithful for 16 years, and raise three beautiful children successfully with their father in shared custody.
Watch out for the pothole I stepped into: I focused so much on recovery from family alcoholism that I didn't stay cognizant of the hard work it would take to stay married longer term. In other words, this book is for any family dysfunction, not just alcoholism.
This one book taught me to love my broken inner child: She was mute, mad as hell, and wanted to write. What I didn't…
This is official Adult Children of Alcoholics World Service Organization (ACA WSO) Conference Approved Literature. Never before in the history of Twelve Step programs has a fellowship brought together such a diverse group of recovering people that includes adult children of alcoholics, codependents, and addicts of various sorts. The program is Adult Children of Alcoholics, The term "adult child" is used to describe adults who grew up in alcoholic or dysfunctional homes and who exhibit identifiable traits that reveal past abuse or neglect. The group includes adults raised in homes without the presence of alcohol or drugs. These ACA members…
My name is Laura Cathcart Robbins and I am the author of the ‘Quit Lit’ memoir, Stash, My Life In Hiding. When I got sober in 2008 I was full of shame and reluctant to share my struggles with addiction with my friends. Because I’ve always been a voracious reader, I scoured bookstores for stories like mine. It was on these shelves that I found my community, addiction stories to which I could relate and connect. These books were the foundation of my recovery. Now they live on my bookshelves at home and I lend them (with enthusiasm) to anyone who wants to examine their relationship with substances.
Besides the fact that Laura and I have so much in common (our first name, our publication date, our genre), I am a huge fan of the way she makes recovery accessible to everyone.
In Push Off From Here, Laura uses her experience to encourage the reader to explore their relationship with substances. Her ‘nine essential truths to get you through sobriety and everything else’ are simple, spot-on, and user-friendly.
From the bestselling author of We Are the Luckiest and founder of the international recovery community The Luckiest Club comes a modern exploration of addiction that offers nine foundational building blocks that anyone at any stage of sobriety can use.
No matter how far astray you’ve gone or how many times you’ve tried and failed before, as long as you’re still sitting here, breathing, and reading these words, freedom and joy are still possible.
When Laura McKowen was two years sober, she received an email from a woman whose sister was struggling with alcohol addiction. McKowen had barely climbed out…
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
I’m a professor at Northland College (WI) and an American environmental historian with specialties in wine, food, and horticulture. I mostly write on alcohol, garden history, botany, and orchids. The history of alcohol is wild, fraught, and charged with power—I’ll never tire of learning about it.
Rorabaugh argues convincingly that alcohol of several types—but mostly rum and whisky—were part and parcel of, and at times even drove, early national American culture. Solo and group binges increased from 1790 to 1820 as the population tried to adapt to anxious and uncertain changes in their lives. Drinking became aligned with liberty—taverns were the “seedbeds of the revolution” and the “nurseries of freedom.” And although boozing came to be an early element in what was defined as the American character, the temperance movement was not far off.
Recreating America's first fifty intemperate years, when, from 1790 to 1840, Americans drank more alcoholic beverages per capita than at any other time in history, Rorabaugh examines some of the reasons why Americans drank so much
