Here are 100 books that The Devil’s Historians fans have personally recommended if you like
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I am a historian of the early Middle Ages, focusing mainly on the intellectual and cultural history of the post-Roman Barbarian kingdoms of the West. I have always been fascinated by cultural encounters and clashes of civilizations, and it did not take long before the passage from Antiquity to the Middle Ages, which witnessed the transformation of the Roman World, the rise of Christianity, and the emergence of the Barbarian kingdoms, grabbed my attention and became my main focus of academic interest. I have published and edited several books and numerous papers, most of which challenge perceived notions of early medieval culture and society in one way or another.
This book trace the development of national identities in the early Middle Ages and beyond. In his careful reading of classical historians, their early medieval counterparts, and their modern interpreters, Geary challenges the traditional understanding of early medieval identity formation and its relations to the origins of modern European nations.
Geary demonstrates that the early Middle Ages were marked by a fluid and dynamic sense of identity and that rulers and policymakers deployed a plethora of strategies to create a sense of shared identity among their people. I particularly like Geary’s inference that the modern idea of the nation-state is, in fact, a nineteenth-century invention and any attempt to trace it back to the early Middle Ages is plain historical nonsense.
Modern-day Europeans by the millions proudly trace back their national identities to the Celts, Franks, Gauls, Goths, Huns, or Serbs--or some combination of the various peoples who inhabited, traversed, or pillaged their continent more than a thousand years ago. According to Patrick Geary, this is historical nonsense. The idea that national character is fixed for all time in a simpler, distant past is groundless, he argues in this unflinching reconsideration of European nationhood. Few of the peoples that many Europeans honor as sharing their sense of "nation" had comparably homogeneous identities; even the Huns, he points out, were firmly united…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I’m not ashamed to admit that my childhood fascination with the distant past was sparked by hours of leafing through The Kingfisher Illustrated History of the Worldand countless viewings of the “Indiana Jones” movies. Today, I am an Associate Professor in the Department of Humanities at Mercy College and an archaeologist specializing in the eastern Alpine region during Late Antiquity and the Early Middle Ages. The author of three books and numerous scholarly articles, my research interests include ceramic technology, social identity, and the appropriation of the medieval past by modern ideologies.
When I first read this book as a graduate student, Kathleen Davis’s ability to draw unexpected connections—between political power and temporality, feudalism and imperialism, medieval and postcolonial studies—melted my brain (in a good way). It’s not easy to do justice to her complex argument in a few sentences, but basically she shows how early modern jurists deliberately relegated certain ideas (servility, absolutism, religiosity) both to Europe’s medieval past and the present of the nonwestern world in order to justify imperial expansion, colonial domination, and even chattel slavery. A dense critique of both medieval historiography and postcolonial theory, Periodization and Sovereignty isn’t a breezy read but it’s well worth the effort.
Despite all recent challenges to stage-oriented histories, the idea of a division between a "medieval" and a "modern" period has survived, even flourished, in academia. Periodization and Sovereignty demonstrates that this survival is no innocent affair. By examining periodization together with the two controversial categories of feudalism and secularization, Kathleen Davis exposes the relationship between the constitution of "the Middle Ages" and the history of sovereignty, slavery, and colonialism.
This book's groundbreaking investigation of feudal historiography finds that the historical formation of "feudalism" mediated the theorization of sovereignty and a social contract, even as it provided a rationale for colonialism…
I’m not ashamed to admit that my childhood fascination with the distant past was sparked by hours of leafing through The Kingfisher Illustrated History of the Worldand countless viewings of the “Indiana Jones” movies. Today, I am an Associate Professor in the Department of Humanities at Mercy College and an archaeologist specializing in the eastern Alpine region during Late Antiquity and the Early Middle Ages. The author of three books and numerous scholarly articles, my research interests include ceramic technology, social identity, and the appropriation of the medieval past by modern ideologies.
This book is very much a product of the George W. Bush years, when American adventurism in the Middle East, domestic surveillance programs, and the rise of Islamophobia seemed like the biggest problems facing America. While this makes the book feel a little dated in places, it remains one of the most fascinating case studies of the distortion of the Middle Ages for political purposes. Holsinger meticulously details how neoconservative thinkers repeatedly described Al Qaeda and the Taliban as “medieval” and “feudal” (even though their extremist ideology was a distinctly modern phenomenon) as well as how the neomedieval school of political theory was used to intellectually justify torture, extradition, and the War on Terror more broadly.
President Bush was roundly criticized for likening America's antiterrorism measures to a "crusade" in 2001. Far from just a gaffe, however, such medievalism has become a dominant paradigm for comprehending the identity and motivations of America's perceived enemy in the war on terror. Yet as Bruce Holsinger argues here, this cloying post-9/11 rhetoric has served to obscure the more intricate ideological machinations of neomedievalism, the global idiom of the non-state actor: non-governmental organizations, transnational corporate militias, and terrorist organizations such as al Qaeda. "Neomedievalism, Neoconservatism, and the War on Terror" addresses the role of neomedievalism in contemporary politics. While international-relations…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’m not ashamed to admit that my childhood fascination with the distant past was sparked by hours of leafing through The Kingfisher Illustrated History of the Worldand countless viewings of the “Indiana Jones” movies. Today, I am an Associate Professor in the Department of Humanities at Mercy College and an archaeologist specializing in the eastern Alpine region during Late Antiquity and the Early Middle Ages. The author of three books and numerous scholarly articles, my research interests include ceramic technology, social identity, and the appropriation of the medieval past by modern ideologies.
I often use selections fromWhose Middle Ages? in my medieval history courses, but this collection of short, insightful essays is a great resource for anyone interested in understanding what leading scholars think about invocations of the medieval past in contemporary culture. Touching on a wide range of topics, from Viking imagery in heavy metal music and Celtic crosses on white supremacist websites to controversies over Sharia law and papal heresy in the popular press, this volume serves as an ideal introduction to the use and abuse of the Middle Ages.
Whose Middle Ages? is an interdisciplinary collection of short, accessible essays intended for the nonspecialist reader and ideal for teaching at an undergraduate level. Each of twenty-two essays takes up an area where digging for meaning in the medieval past has brought something distorted back into the present: in our popular entertainment; in our news, our politics, and our propaganda; and in subtler ways that inform how we think about our histories, our countries, and ourselves. Each author looks to a history that has refused to remain past and uses the tools of the academy to read and re-read familiar…
Growing up, I rewatched Star Wars until I wore out my VHS tape. I read every Dragonlancenovel. I played a bit of D&D. When I got to college, I finally was allowed work on things that interested me. I found Art History, dove into Medieval Studies, and, in grad school, got serious about monsters. Monster Studies didn’t exist, but books were out (especially by Jeffrey Jerome Cohen), and my advisor encouraged me to follow my passions. My 15-year-old self would be astonished to learn that I’d get to read monster books, study monster art, and watch monster movies as a job!
This is the most important book people have never heard of. It was immensely popular in the Middle Ages – 300 manuscripts survive in nine languages (Beowulf, another monster tale, survives in onecopy). The probably-fictional “John Mandeville, knight, though I am not worthy” sets out from England in 1332, travels the known world on pilgrimage to Jerusalem, and continues all the way to India. He encounters wondrous places, people, and beasts. The book is fundamentally flawed, with rampant racism, anti-Semitism, Islamophobia, sexism, and on, butthis is why it matters. Mandeville was Columbus’s reading on his voyage to “the Indies,” and encouraged him to see indigenous populations as monstrous. It is terrible, and terribly important. Bale’s excellent introduction and translation are the best of many versions.
'Another island in the Great Ocean has many sinful and malevolent women, who have precious gems in their eyes.'
In his Book of Marvels and Travels, Sir John Mandeville describes a journey from Europe to Jerusalem and on into Asia, and the many wonderful and monstrous peoples and practices in the East. He tells us about the Sultan in Cairo, the Great Khan in China, and the mythical Christian prince Prester John. There are giants and pygmies, cannibals and Amazons, headless humans and people with a single foot so huge it can shield them from the sun . Forceful and…
I fell in love with medieval military history in high school, and have been studying and writing about it as an undergraduate at Harvard, as a graduate student at Oxford, and as a professor of history ever since, eventually bringing the comparative methods and urge to generalize of a world historian to the task. I’ve written ten books and numerous articles. Good history gives me the thrill of time travel without the risk of the bubonic plague, and it has spawned related interests in sword and sorcery fantasy lit and wargaming, alongside my interests in painting, cartooning, and cooking the food of my native New Orleans. My motto: Have fun!
This is a superb example of what a multi-author compilation can achieve: wide coverage, specialist knowledge of a variety of topics and approaches, and thus fascinating details from around the world of medieval warfare. And what it lacks (in coherent overview and broad comparative approach) is supplied by my own book! I think of this as a good companion to my own more global, comparative, and theory-based account of medieval war and conflict.
Volume II of The Cambridge History of War covers what in Europe is commonly called 'the Middle Ages'. It includes all of the well-known themes of European warfare, from the migrations of the Germanic peoples and the Vikings through the Reconquista, the Crusades and the age of chivalry, to the development of state-controlled gunpowder-wielding armies and the urban militias of the later middle ages; yet its scope is world-wide, ranging across Eurasia and the Americas to trace the interregional connections formed by the great Arab conquests and the expansion of Islam, the migrations of horse nomads such as the Avars…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
My passion for the Middle Ages began with castles. I lived in Germany for a time, where there are a lot of castles, and I got sucked into the whole romantic notion of living a castle life, though I’d probably have been more of a scullery maid than a princess. When I decided to try writing a novel, I figured castles had to be involved somehow. I started doing research on medieval subjects that would make a good book. Unfortunately, the time period I ended up choosing for my novel was the early 8th century—no castles. I spent over twenty years researching and writing my novel, so I hope I learned something.
The prose of this classic novel can be a little sticky to our 21st-century sensibilities, but in all other ways, Scott is a modern writer, addressing the issues of anti-Semitism and the corruption of the Church at a time when those things weren’t cool. Plus, we have another awesome warrior-hero in Sir Wilfred of Ivanhoe and jousting to boot. Who doesn’t love a good tourney? My daughter and I hit the Renaissance Faires every year just to see men pretend to stab each other from horseback with long sticks. The plotting of this book is simply perfection—they just don’t write them like this anymore. It’s a hero’s tale with a big dollop of romance—my favorite.
Ivanhoe is set in England in the 1190s, over a century after the Norman Conquest which saw William the Conqueror seize the English throne. A wealthy nobleman named Cedric, who is intent on restoring a Saxon to the throne, plans to wed Rowena, a beautiful young woman who is his ward, to the Saxon Athelstane of Coningsburgh. There’s just one small problem: Rowena has fallen in love with Cedric’s son, Wilfred of Ivanhoe. To get him out of the way so Rowena will marry Athelstane, Cedric banishes his own son from the kingdom. Ivanhoe (as Wilfred is known, by his…
My interest in Chinese military history stems from an early interest in books on strategy like Sun Tzu’s Art of War, and in East Asian martial arts. I have pursued both since high school, translating Sun Tzu as a senior thesis in college (and now returning to it professionally), and practicing a number of martial arts over the last forty years (and writing a book on the history of Chinese martial arts). Although there are plentiful historical records for all aspects of Chinese military history, the field remains relatively neglected, leaving it wide open for new studies. I continue to pursue my teenage interests, writing the books I wanted to read in high school.
This is the best Chinese military history in any language. Scholarly, yet readable, it lays out the military, political, and social history of a complicated period in great detail. Despite challenging source material, Graff manages to create a coherent and comprehensible narrative.
Shortly after 300 AD, barbarian invaders from Inner Asia toppled China's Western Jin dynasty, leaving the country divided and at war for several centuries. Despite this, the empire gradually formed a unified imperial order. Medieval Chinese Warfare, 300-900 explores the military strategies, institutions and wars that reconstructed the Chinese empire that has survived into modern times. Drawing on classical Chinese sources and the best modern scholarship from China and Japan, David A. Graff connects military affairs with political and social developments to show how China's history was shaped by war.
I have a great love of visionary fantasy fiction, metaphysical mystery thrillers, and fiction that doesn’t conform to generic norms, be it novels or film, as well as music and the arts. I’m also passionate about exploring the unknown, the mysteries of the mind, consciousness, and our existence in this unfathomable universe. In that regard, I love to travel. Some of my most recent escapades have included journeys deep into the Peruvian Amazon, Brazil, the Andes, and Mexico, meeting local indigenous folk wherever possible, and participating in shamanic ceremonies and tribal rituals. And lastly, I’m an ardent Formula One fan – something that has not yet featured in my fiction, though it may.
I was instantly transported by this epic saga of high fantasy steeped in legend and myth. The beautiful descriptions of the rugged, dreamlike, and sometimes sinister lands and fabulous otherworld dimensions of the Elder Isles, make Lyonesse an incomparable read. I love Vance’s stunning prose style, his razor-sharp dry humour, and the complexity of his characters. It is boundary-defying fantasy, mercifully devoid of elves, dwarves, and dragons but brimful with intrigues and subplots, unexpected twists, sudden violence, acts of heroism, and scenes of tragedy, love, strangeness, and betrayal. Lyonesse is magic from beginning to end.
The Lyonesse sequence evokes the Elder Isles, is a baroque land of pre-Arthurian myth now lost beneath the Atlantic, where powerful sorcerers, aloof faeries, stalwart champions, and nobles eccentric, magnanimous, and cruel pursue intrigue among their separate worlds . . .
Prince Aillas of Troicinet is betrayed on his first diplomatic voyage and cast into the sea. Before he redeems his birthright, he must pass the breadth of Hybras Isle as prisoner, vagabond, and slave, an acquaintance of faeries, wizards, and errant knights, and lover to a sad and beautiful girl whose fate sets his bitter rivalry with the tyrant…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I didn’t enjoy my first degree in Modern History and Political Science and it took twenty-five years and another MA in Women’s History, Gender, and Society, before my enthusiasm was rekindled. I’ve always believed it’s important to know where we come from, as well as the history of our country, and I don’t just mean wars, laws, and politics – but the lives of ordinary people, men, women, and children, because finally, we discover that our hopes, aspirations, and challenges are not so very different to the people who lived 500 years ago. I’m also passionate about the reality of women’s lived experience in all periods of history.
I found this study of gentry culture, with essays on political influence, education, social networks, religious activities, and the display of ‘gentility,’ a useful guide to a social class that was evolving in the period of my research. It also helped me understand why Dame Alice was so successful in running her own household and did not remarry – she was secure in the knowledge that she could exercise power and influence as an independent woman. Many of the other books I read about medieval households focused on the aristocracy, their sumptuous lifestyles, lavish entertainment, ostentatious festivities, opulent recreations, and itinerant households, but were not relevant to the subject of my book about a sedentary fifty-year-old widowed gentlewoman running her estates and giving hospitality to her neighbours and agricultural workers.
Essays in this fascinating and important collection examine the lifestyles and attitudes of the gentry in late medieval England. They consider the emergence of the gentry as a group distinct from the nobility, and explore the various available routes to gentility. Through surveys of the gentry's military background, administrative and political roles, social behaviour, and education, the reader is provided with an overview of how the group's culture evolved, and how it was disseminated. Studies of the gentry's literacy, creation and use of literature, cultural networks, religious activities and their experiences of music and the visual arts more directly address…
