Books like Magic in Medieval Manuscripts — picked by fans

This book was like a fisherman with bait on the hook. I was the fish; the fantasy setting and the author’s magnificent ability with words were the bait.

Mary Stewart was, of course, the sportswoman out to snag something in my soul. I was prepared to be entertained, but the story carried a surprising amount of weight, asking questions like What do we live for? Can humanity ever be enough? Merlin came into an understanding of his place in the world — not through romance or fantasy adventures as we so typically read — but through internal revelation.

With his journey, I was invited into soulful reflection and some uncomfortable truths of my own. In the end, I decided Mary Stewart knew very well what she was doing. The stinker.

I had to include this first Harry Potter book because Harry is the epitome of a gifted child and I loved these books from the first.

When my own book, The Meme Machine, came out in 1999, someone rang me excitedly to tell me that my book was number 5 on Amazon!!! (There were not so many books listed on Amazon in those days!!).

I was so thrilled that, of course, I had to find out what the top four were. And guess what – they were the hardback and paperback versions of the first two Harry Potter books, which I’d never even heard of. I bought them immediately and never looked back, receiving each one in the post on its publication day.

What terrific books they were and are.

Merlin as the Antichrist?! 

Robert de Boron was a medieval French writer of romances who made Merlin a central figure in the story of the Arthurian world and almost the inventor of the quest for the Holy Grail.

Medieval romances are a bit of a niche read, but I want to tell everyone about this version of Merlin. The Romance of Merlin actually starts in Hell, with the demons plotting to win the ongoing battle against God by bringing about the birth of Antichrist. 

The chosen demon expresses squeamishness at the idea of seducing a human woman but does his duty – and the result is Merlin! 

These stories helped make Merlin the time-travelling superhero of later romances, and the prophet who influenced Joseph of Arimathea’s decision to come to Britain with the Grail.  

I am awed by the ambition of this book, which really does cover everything suggested by the title. 

The author is a Professor of Archaeology at Oxford and as his bio says he also worked as a curator at the Pitt Rivers Museum there, so his expertise is clear. 

He writes with a very broad sweep, and his arguments that key elements of magic can be traced across wide spans of time and space might be controversial – but this book is a huge and fascinating treasure trove of information. 

For anyone who wants to know about the history of magic I think this is a great place to start. 

This book-length study of the magical figure of Merlin is the most authoritative account of the literary lives of Merlin, Arthur’s wizard guide, from his earliest incarnation in Welsh poetry to his reinvention in modern novels and films.

Stephen Knight, a prolific medievalist whose work is always readable and entertaining, takes Merlin’s gifts of knowledge and foresight as his theme, arguing that throughout the many versions of Merlin in literary texts, operations of power are always working to restrict and contain Merlin’s command of knowledge.

Reading this book takes you on a journey that will enrich your understanding of the Arthurian legends.

In the first century A.D., the ancient Greek polymath Claudius Ptolemy produced a work known today simply as the Geography. Ptolemy described the world as the Greeks and Romans knew it at the time—and he did so using latitude and longitude. The Geography largely disappeared from view in Europe during the Middle Ages, as did latitude and longitude on maps, but in the early 1400s the humanists of Florence rediscovered and revived the work, in ways that dramatically improved their understanding of the ancient world and their ability to explore and map it in the present. Shalev and Burnett present a set of scholarly essays that trace the history and the influence of the Geography during that momentous century.

This rich book lays out the vivid (and extensive) evidence for mixtures of Christianity and village traditions all over the post-Constantinian world (feasts and sacrifices, local saints and spirits, sacred trees and fountains).

Clearly, the notion of “the conversion of the Empire” is a vast overstatement since the Christianities we discover in early Christian literature and archaeology are highly idiosyncratic.

I first came upon this book about twenty years ago, and it's one I've read cover-to-cover so many times that the cover is barely still attached.

It starts in the year 1218, when a Welsh princess, Eleyne, is born in a castle amidst a huge fire. The story follows her very eventful life through marriages, politics, and love affairs with Kings. And as you'd expect from medieval times, it's hardly plain sailing. As a woman, she doesn't hold much power over her own life, and there are many throughout the story who make it their mission to break her spirit–but no matter how hard they try or what they put her through, they all fail.

She is fierce and powerful and my rebellious side felt such a strong connection with her. It's a long book but one I'd highly recommend to anyone who loves powerful women and historical fiction. 

I felt Julie Garwood balanced this story brilliantly with a great mix of poignancy and suspense. However, what I loved most was the witty banter between the heroine (Jamie) and the hero (Alec).

Alec Kincade is a Scott who needs to marry an English bride. Jamie was a perfect foil for his gruffness, and she was so loveable and, at times, rather quirky, and there were many times my heart broke for her as her relationship developed with Alec.

Thankfully, as a romance, Julie Garwood delivered on the understood promise of a happy-ever-after ending!

In 1307 the pope charged three commissioners to decide whether the survival of a Welshman hanged for murder some years previously had or had not been a miracle. Bartlett’s masterly and compulsively readable microhistory draws from their report a brilliantly illuminated miniature (less than 200 pages) of an entire world, from the family life of the highest nobility to the grisly details of hanging and what they symbolised, and of the struggle for power in many forms, from the marches of Wales to central Italy.