Here are 100 books that The Devil in a Forest fans have personally recommended if you like
The Devil in a Forest.
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I have always been fascinated with various myths, folklore, legends, and history. And I’ve always liked sharp humor and witty punchlines. Considering I have read all the Slavic fairy tales and historical books, I thought that presenting the rich and extensive history of that region through the eyes of a baker is the natural thing to do. So I tried to retell the rich folklore of the Slavic realm as an absurd baking journey through magic, empire-building, and baking the perfect loaf. It does add spice and flavor to the otherwise violent history of the region. Folklore and history should be fun and entertaining to read, not dry and academically challenging.
Last but not least, this book is a fantastic and entertaining read.
It may be classified as fantasy, but it's full of history from biblical times to contemporary England, so I’m putting this book in the “hilarious history” section.
The idea of an angel and demon working together is as absurd as it gets; the humor is sharp and sarcastic; and the book is full of quirky takes and punchlines on history and folklore.
THE BOOK BEHIND THE AMAZON PRIME/BBC SERIES STARRING DAVID TENNANT, MICHAEL SHEEN, JON HAMM AND BENEDICT CUMBERBATCH
'Ridiculously inventive and gloriously funny' Guardian
What if, for once, the predictions are right, and the Apocalypse really is due to arrive next Saturday, just after tea?
It's a predicament that Aziraphale, a somewhat fussy angel, and Crowley, a fast-living demon, now find themselves in. They've been living amongst Earth's mortals since The Beginning and, truth be told, have grown rather fond of the lifestyle and, in all honesty, are not actually looking forward to the coming Apocalypse.
Mother of Trees is the first book in an epic fantasy series about a dying goddess, a broken world, and a young elf born without magic in a society ruled by it.
When the ancient being that anchors the world’s power begins to fail, the consequences ripple outward—through prophecy, politics,…
I have been writing for more than 40 years, and while I don’t normally write gothic literature, it is a genre that has fascinated me since my early youth. While I have written a couple of gothic or horror short stories, I tend to write other types of literature. However, I was pulled into this novel by something I saw on the TV news, and so I put away the novel I was originally working on and set to work on this one instead. The setting and the characters immediately pulled me in. I hope that it’s mystery and unusual characters will do the same for you.
I loved this book because it combines the gothic tradition with politics. Written during the Soviet era, it deals with the Devil and his entourage who visit Soviet-era Moscow and reveal Soviet society.
While not truly a gothic novel, it is an imaginative work and kept me mesmerized as an undergraduate student so much that I have gone back to read it again as an adult.
'Bulgakov is one of the greatest Russian writers, perhaps the greatest' Independent
Written in secret during the darkest days of Stalin's reign, The Master and Margarita became an overnight literary phenomenon when it was finally published it, signalling artistic freedom for Russians everywhere. Bulgakov's carnivalesque satire of Soviet life describes how the Devil, trailing fire and chaos in his wake, weaves himself out of the shadows and into Moscow one Spring afternoon. Brimming with magic and incident, it is full of imaginary, historical, terrifying and wonderful characters, from witches, poets and Biblical tyrants to the beautiful, courageous Margarita, who will…
I’ve been a lover of fantasy fiction ever since as a 12-year-old boy I lived in Oxford near the great J. R. R. Tolkien and read The Lord of the Rings and loved it so much I wrote to the author and he wrote back to me. I have no interest in the current commercialized fantasy genre. When I came to write a novel I wanted to write one that was actually imaginative, that had some philosophical heft, that an intelligent adult could enjoy. I wanted to write a book that mattered, that had some of my ideas about the nature of God and – yes – the devil.
Once I started reading this I was unable to put it down. If you’re unfamiliar with the tales of Hoffmann you owe it to yourself to become acquainted. If you are intrigued by the sort of tale in which a young man meets a traveler in an inn who has seen the devil and he follows him into a dark and lonely wood, then this is the book for you.
The plot is an elaborately tangled labyrinth. The monk Medardus was brought up in a monastery to atone for his father’s wicked ways, but he knows only fragments of his family’s history. Forced to flee the monastery he sets out on a fantastical quest in which he encounters his lunatic doppelganger, becomes entangled in Vatican intrigues, commits a murder, is condemned to death, and much, much more. This is an early work of the German Romantic movement and had an…
E.T.A. Hoffmann's 'The Devil's Elixir' is a gothic, horror-fantasy novel inspired by Matthew Gregory Lewis's novel 'The Monk'. Medardus is the son of a sinner and is raised in a monastery to atone for his father's past. When Medardus succumbs to temptation, he is dragged into a deadly mystery that sees him travel to Rome, pursued by his murderous lookalike.At the Vatican in Rome, the monk's only hope for salvation is the beautiful Aurelie but in order to finally discover the truth of the curse that haunts his family, Medardus must evade the sinister powers of the living and the…
In this collection of nine stories, J.C. Gemmell takes readers on a quest into the future.
Tion is a dystopian civilisation built on the wreckage of a drowned Earth. Here, technology saves and oppresses, and mankind clings to survival in a place where the privileged live above the clouds, and…
I’ve been a lover of fantasy fiction ever since as a 12-year-old boy I lived in Oxford near the great J. R. R. Tolkien and read The Lord of the Rings and loved it so much I wrote to the author and he wrote back to me. I have no interest in the current commercialized fantasy genre. When I came to write a novel I wanted to write one that was actually imaginative, that had some philosophical heft, that an intelligent adult could enjoy. I wanted to write a book that mattered, that had some of my ideas about the nature of God and – yes – the devil.
Anything by Lafferty is well worth reading. This was intended as the second book of a trilogy, but got published on its own. This tells primarily of Finnegan, an astonishing hero who is searching for the devil. If you haven’t made the acquaintance of R.A. Lafferty, this would be a good place to start. Imagine a cartoon world modeled on the Summa Theologica of St. Thomas Aquinas. Lafferty writes in a tall tale mode that disguises much of his literary ambition. It’s hard to describe Lafferty’s writing. It might be described as Calvino with no pretension. Or maybe, just read a sample:
A night-dune imaginary: there was a world full of people with pumpkin-heads for heads, and candles burning inside. Then Seaworthy and the Devil and their spooky crew came along, lifted the top off each head, blew out the candles inside and put the tops back. The pumpkin-headed people…
Paperback, 1971 First Avon Printing..."This is the first publication of The Devil is Dead in any form."--from the copyright page. This copy is a 1st Edition, First printing, Out off Print. Now the book:Triangle cut across top right corner, dog ear on lower right corner. Cover front and back well rubbed, artwork is intact but not as bright due to rubbing.Printed number on bottom end . The spine is tight and very intact ,but the paper cover on the spine is broken and peeling. Spine paper has been glued where possible, this copy needs a clear cover or it will…
I’ve taught English for 20 years and the novels I’ve enjoyed teaching most – because the students have enjoyed them most – are those with the first-person perspectives of young narrators. These characters’ voices ring loud and clear as they learn, change, and grow, often suffering and having to find resilience and strength to survive. The limited perspective also takes us into the mind and heart of the protagonist, so that we feel all the feels with them. This is why I chose a first-person perspective for the narrator of my own book ‘Cuckoo in the Nest’: Jackie Chadwick is sarcastic, funny, and observant. Readers love her.
I read this book years ago but it’s always stayed with me.
The teenage protagonist, 13-year-old Jason from Worcestershire, England, has a stammer: a speech difficulty that haunts him and has him performing all kinds of manoeuvers to avoid saying certain sounds in class. This would only add embarrassment onto all the other embarrassments he feels as a boy going through puberty.
He calls his stammer ‘Hangman’. As well as this daily struggle, he realises his parents are arguing, and he gets bullied at school.
As a reader, I was touched by his resilience and doggedness. David Mitchell has admitted that the book is semi-autobiographical and this adds another layer of poignancy.
David Mitchell comes home - to England in 1982, and is in the cusp of adolescence. Jason Taylor is 13, doomed to be growing up in the most boring family in the deadest village (Black Swan Green) in the dullest county (Worcestershire) in the most tedious nation (England) on earth and he stammers. 13 chapters, each as self-contained as a short story, follow 13 months in his life as he negotiates the pitfalls of school and home and contends with bullies, girls and family politics. In the distance, the Falklands conflict breaks out; close at hand, the village mobilises against…
I’ve been captivated by interesting people since I was a kid. Family
members always thought I asked too many questions of people, trying to
learn more about who they are. For that reason, when I started reading
fiction, I looked for characters with originality who opened new
horizons and who I wanted to hang out with. (That’s also why I host the
Novelist Spotlight podcast.) I agree 100 percent with novelist Larry
McMurtry, who said: “For me, the novel is character creation. Unless the
characters convince and live, the book’s got no chance.” The books I
placed on my list reflect this belief. I hope you dig them.
The sheer command of the English language displayed by John Updike is something I marvel at, but he is at the height of his powers in this novel. What’s more, it’s a sexy book in the old-fashioned sense of men desiring women and women wanting to be desired by men.
I consider this Updike’s best novel because the story moves ahead at a great pace and is filled with tension between its characters. If someone told me it is largely about the computer revolution, I would have been suspicious. No need to be. Owen, the main character, starts as a young boy, goes into the computer business, finds success, has seemingly endless dalliances with women, and eventually meets his end. I found it to be a great ride.
Owen Mackenzie's life story abounds with sin and seduction, domesticity and debauchery. His marriage to his college sweetheart is quickly followed by his first betrayal and he embarks upon a series of affairs. His pursuit of happiness, in a succession of small towns from Pennsylvania to Massachusetts, brings him to the edge of chaos, from which he is saved by a rescue that carries its own fatal price.
The Cave of Past and Present is an archaeological descent into a living labyrinth—part ruin, part machine, part prophecy.
When Moria Chione follows a vanished colleague into the empire’s wild fringes, she uncovers a sentient subterranean archive that reshapes itself around intruders and rewrites their memories as easily as stone.…
As someone who grew up agnostic and somehow ended up an Episcopal Church lady, I’m intrigued by writers who deal with Christian belief respectfully without leaving their sense of humor behind. I don’t believe that faith is required to be moral—my nonreligious parents are more principled than many Christians I know—but I like to see characters work out that tension between what we’re taught in Scripture, what we believe or want to believe, and how we actually live it out in daily life (sins and all). I especially enjoy watching this happen in that peculiar petri dish of personalities that is any local church.
This novel traces the coming of age of the only child, a daughter, of a very traditional Episcopal priest. He struggles with depression, a failed marriage, and his work. She struggles to keep up her father’s spirits and tend to his household, as well as with the abandonment of them by her mother and with the question of who she shall be when she isn’t just tending to her dad. Ultimately, she arrives at a calling of her own. It’s a warm-hearted, leisurely novel that also can be quite comical about church people and human interaction of all kinds, but also treats faith seriously. (There’s also a good sequel that takes us into her ministry, Evensong.)
When I think of what it means to come of age, I think of the sacrifices one makes to be the best at what he/she enjoys doing against the challenges of life to experience the joy of living. When I failed not being successful as an actor after studying it for ten years in New York City, I came back home and finished college to become a writer. Now, I write the thrill of young characters with a talent to confront society to fulfill a dream, and if they fail, how to overcome it with the help of others, prayer, and hard work.
The novel Sold Out is a favorite book of mine because Carlson’s main female character, Chloe Miller, forms her own band while struggling early on until they become a hit in their community. Success, however, brings them problems of finding out who their real friends are. Even when the band is discovered by a talent scout from Nashville, conflicts erupt amongst the band members and attitudes start clashing, and Chloe’s dream is falling apart. However, she refuses to give up, and she finds the strength through God and prayer to make the decisions necessary to be proud of her accomplishments.
Chloe Miller and her fellow band members must sort out their lives as they become a hit in the local community. Accustomed only to being scorned and marginalized, Chloe suddenly has to decide who her real friends are, and who's just along for the ride. Now her generosity gets her in more trouble than ever. And all too soon after a talent scout from Nashville discovers the trio, their explosive musical ministry begins to encounter conflicts with family and school. Exhilarated yet frustrated, Chloe puts her dream in God's hand and prays for Him to work out the details.
Poetry is language at its most condensed and pure, potent and direct—the closest thing to thought. At its best, this mode and method is cinematic and penetrates like a powerful dream, and bringing it to narrative prose in a legend and key that can be woven together, like a tapestry, has been my lifework. Nothing in this list is ancient or even old, nor is any of it new—I've picked all books from the 20th century, because that was the world and writing that immediately influenced me, it's long enough past to be settled and safely buried, but still new enough to have some currency with the life and language of now.
This fine coming-of-age novel was originally published in two big red volumes. It's large and reads like an enormous European tapestry laid out in some cold castle museum, with vivid dyes and a thousand patterned intricacies to ponder. It was a literary sensation when it was published, a favorite of the young romantics of the WWI generation, and Mackenzie followed it up with several branching-off sequels. He writes with such vividry that the dusky London streets and country cottages in this book are fresh and living even now. This book affected a young F. Scott Fitzgerald so much that in the early drafts of Fitz's first novel, he actually copped the name of the protagonist of this book.
Sinister Street is a novel about growing up, and concerns two children, Michael Fane and his sister Stella have throught their young life. Both of them are born out of wedlock, something which was frowned upon at the time, but from rich parents. The novel had several sequels, which continue until Michael Fane's marriage.
I love stories so much I majored in English at UVa. Though I showed up in New York with only reading and waitressing skills, I’ve somehow enjoyed the privilege of working in the arts at some of the greatest institutions (Paul Taylor, Cooper Union, ABT). I respond to art, people and especially art-people. Encountering their deep love (and glorious dysfunction) in books enables me to extend the special communion that grows around audiences and artists. This is central to me. It reminds me that beauty is important. It helps me hold on.
This is a great book without a great title. It refers to Spinoza’s Ethics and speaks to the strength of emotions.
Philip Carey has it rough from the outset: he’s disabled, he’s an orphan, and the story traces his travails—bullying, neglect, career misfires, and romantic and other calamities—along with his triumphs. These include some of my very favorite topics (beauty and belonging) along with the questions of adolescence that never leave us.
You could never get away with a book like this now—a 600-page chronological coming-of-age with one POV and narrator, swelling with social commentary and philosophical musings? But it’s a classic for a reason, and it saved my life during the pandemic (I listened, whereas I usually read).
It’s an inspiration and a great ride if you can slow down and savor.
Selected by the Modern Library as one of the 100 best novels of all time
"It is very difficult for a writer of my generation, if he is honest, to pretend indifference to the work of Somerset Maugham," wrote Gore Vidal. "He was always so entirely there."
Originally published in 1915, Of Human Bondage is a potent expression of the power of sexual obsession and of modern man's yearning for freedom. This classic bildungsroman tells the story of Philip Carey, a sensitive boy born with a clubfoot who is orphaned and raised by a religious aunt and uncle. Philip yearns…