Here are 100 books that Black Swan Green fans have personally recommended if you like
Black Swan Green.
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I am a descendant of William Bradford and Myles Standish, of Pilgrim fame. I was raised in a Massachusetts farmhouse where the commission of James Churchill as a Captain in the militia still hangs, signed by John Hancock. I have lived and breathed this stuff since first opening my eyes. My wife, MaryLu, is a retired elementary teacher who helps bring life to the young characters. Together, through the medium of novels they would actually enjoy reading, we seek to inspire American youth with the principles of our founding, so that they may be more effective in preserving and defending them.
Many an idealistic young law student like me felt that jolt in our spine early on when we saw up in the balcony of that courthouse a sleepy Scout being told, “Stand up, Jean Louise. Your father’s passin’.”
The movie is as faithful to the novel as the medium would allow. The novel is told entirely from Scout’s POV and not only focuses upon the racism of the time and place, but also upon her coming of age as a tomboy and being told to act “As a little girl should.”
The book offers more to those of us for whom the rule of law and not of men is a passion, especially in Finch’s closing: “There is one human institution that makes a pauper the equal of Rockefeller, a stupid man the equal of Einstein… That institution, gentlemen, is a court.”
'Shoot all the bluejays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird.'
Atticus Finch gives this advice to his children as he defends the real mockingbird of this classic novel - a black man charged with attacking a white girl. Through the eyes of Scout and Jem Finch, Lee explores the issues of race and class in the Deep South of the 1930s with compassion and humour. She also creates one of the great heroes of literature in their father, whose lone struggle for justice pricks the conscience of a town steeped…
When sixteen-year-old Ashlee Sutton's home life falls apart, she is beset by a rare mental illness that makes her believe she's clairvoyant. While most people scoff at her, she begins demonstrating an uncanny knack for sometimes predicting the future, using what could either be pure luck or something more remarkable.
Anyone who’s attended high school knows it’s often survival of the fittest outside class and a sort of shadow-boxing inside of it. At my late-1970s prep school in the suburbs of Los Angeles, some days unfolded like a “Mad Max” meets “Dead Society” cage match. While everything changed when the school went coed in 1980, the scars would last into the next millennia for many. Mine did, and it’d thrust me on a journey not only into classic literature of the young-male archetype, but also historical figures who dared to challenge the Establishment for something bigger than themselves. I couldn’t have written my second novel, Later Days, without living what I wrote or eagerly reading the books below.
For years, I refused to re-embrace Holden Caulfield, because Mark David Chapman, John Lennon’s assassin, declared it inspired him to bloodshed. I’m glad I did, getting the juices circulating for my novel.
Holden, manic-depressed over his brother’s death, cut loose from his prep school, may speak in a stream-of-consciousness babble, but he enunciated an old-soul contempt of Ivy-League elitism that reverberates today.
When Holden declares, “The more expensive a school, the more crooks it has,” it’s a literary MRI on American classism still tearing us asunder.
I’ve taught English for 20 years and the novels I’ve enjoyed teaching most – because the students have enjoyed them most – are those with the first-person perspectives of young narrators. These characters’ voices ring loud and clear as they learn, change, and grow, often suffering and having to find resilience and strength to survive. The limited perspective also takes us into the mind and heart of the protagonist, so that we feel all the feels with them. This is why I chose a first-person perspective for the narrator of my own book ‘Cuckoo in the Nest’: Jackie Chadwick is sarcastic, funny, and observant. Readers love her.
You know when you first go to someone else’s house and realise that not every family lives the way yours does?
It’s part of the coming-of-age process and can be both illuminating and destabilising. In Adichie’s story, set in post-colonial Nigeria, 15-year-old Kambili gets the chance to escape her wealthy but religiously-oppressive household and stay with her vibrant, liberal aunt.
I love the way Kambili’s narrative expresses the new freedom she feels there: she has a voice at last and the liberty to experience a sexual awakening. She needs these new strengths as her own family disintegrates into tragedy.
“One of the most vital and original novelists of her generation.” —Larissa MacFarquhar, The New Yorker
From the bestselling author of Americanah and We Should All Be Feminists
Fifteen-year-old Kambili and her older brother Jaja lead a privileged life in Enugu, Nigeria. They live in a beautiful house, with a caring family, and attend an exclusive missionary school. They're completely shielded from the troubles of the world. Yet, as Kambili reveals in her tender-voiced account, things are less perfect than they appear. Although her Papa is generous and well respected, he is fanatically religious and tyrannical at home—a home that…
An album you’ve never heard. A story you’ll never forget...
Benji Hughes is a musician with a bad case of writer’s block, an estranged girlfriend and a secret past he’s not allowed to discuss—but does anyways. Recounting the unbelievable (but true!) story of his fairytale romance catches the attention of…
Out of all the flattering reviews of my books, my favourite is of a reader choking on her lunch. My book was about death. The reader, who survived, said it made her laugh so hard. I write about tough times by bringing out the it’s okay to smile now bits. The Midnight Years is about teen mental health, Happily Never After is about loneliness, and Flyaway Boy is about stereotyping. Making people laugh through tears is a tough task. Here are some books that cracked it.
Having a parent walk out on the family is the stuff that nightmares are made of. Yet, Roddy Doyle pulls it off in this masterpiece that has been my gold standard in writing humour for the twenty years since I read it.
Nine-year-old Paddy Clarke is trying hard to brag and battle his way through a regular childhood, even as he goes back to a home that threatens to break apart. The parents he loves are at war with each other, and he dreads the day his Da will leave and he will be called in to be "the man of the house." Inevitably, this day comes along.
Paddy Clarke is ten years old. Paddy Clarke lights fires. Paddy Clarke's name is written in wet cement all over Barrytown. Paddy Clarke's heroes are Father Damien (and the lepers), Geronimo and George Best. Paddy Clarke knows the exact moment to knock a dead scab from his knee. Paddy Clarke hates his brother Francis because that's the rule. Paddy Clarke loves his Ma and Da, but it seems like they don't love each other, and Paddy wants to understand, but can't.
My novel Venice Beach—like the five books I recommend here—has been classified as a “coming-of-age” novel, a classification that I have no quarrels with as long as it’s understood that coming-of-age is not regarded simply as a synonym for “adolescence” or “being a teenager.” The coming-of-age years—generally defined as between ages 12 and 18—are so much more than a period of life wedged between childhood and adulthood. Coming of age is a process, not a block of time; it is a hot emotional forge in which we experience so many “firsts” and are hammered, usually painfully, into the shapes that will last a lifetime.
Edisto was the first coming-of-age novel I fell in love with as an adult reader and the book that showed me the tremendous literary potential of the genre. Padgett Powell endows his protagonist, twelve-year-old Simons, with what comes across as precociousness, but in fact reflects the depth of thinking that many young tweens and teens have. Simons wrestles with his narcissistic parents’ competing visions of his future—although neither bothers to ask him what he wants—while hanging out on the sultry island of Edisto off the coast of South Carolina with an enigmatic older acquaintance, Taurus, who offers him tastes of adult life and the kind of attention his parents are incapable of providing. Powell’s deft prose and realistic dialogue make it all fully believable, and at times riotously funny. Edisto is nothing short of brilliant.
Finalist for the National Book Award: Through the eyes of a precocious twelve-year-old in a seaside South Carolina town, the world of love, sex, friendship, and betrayal blossoms Simons Everson Manigault is not a typical twelve-year-old boy in tiny Edisto, South Carolina, in the late 1960s. At the insistence of his challenging mother (known to local blacks as “the Duchess”), who believes her son to possess a capacity for genius, Simons immerses himself in great literature and becomes as literate and literary as any English professor. When Taurus, a soft-spoken African American stranger, moves into the cabin recently vacated by…
I am uniquely qualified to assemble this list because I gave my heart and head to the fictional and true West in fourth grade. When I learned California history, enraptured by images of wild horses and vaqueros, the cruelty of bear and bullfighting (no one talked then about cruelty to “converted” Native Americans), and the myth of Zorro. I grabbed the chance to move to the cowgirl state of Nevada, where I learned to love the scents of sagebrush and alkali flats. Research for my fiction and non-fiction has given me license to ride in a Pony Express reenactment and 10-day cattle drive and spend all night bottle-feeding an orphan mustang.
When I taught Developmental Reading (aka English for Gang Members) in Los Angeles, this book made them cry. Sad stories that include animals can jab straight into the most sheltered heart, while books about suffering humans only evoke yawns.
Reading this as an adult, it’s clearly NOT a horse story, but that’s its camouflage. There’s a lot of death in this book–a beloved pony, an old man with a stolen old horse, a mare giving birth, and the main character’s innocence. Childhood innocence dies over and over again. Just when his faith in what matters resurfaces, it gets smacked down again. The older I get, the more this book hurts.
Jody, the boy at the center of all 3 parts of the book (there are different versions of the book…some have 4 parts), wants to put the adults in his life on pedestals, but his father is as callous as…
Written at a time of profound anxiety caused by the illness of his mother, Nobel Prize winner John Steinbeck draws on his memories of childhood in these stories about a boy who embodies both the rebellious spirit and the contradictory desire for acceptance of early adolescence. Unlike most coming-of-age stories, the cycle does not end with a hero "matured" by circumstances. As John Seelye writes in his introduction, reversing common interpretations, The Red Pony is imbued with a sense of loss. Jody's encounters with birth and death express a common theme in Steinbeck's fiction: They are parts…
In 1660, Amsterdam is the map-printing capital of the world. Anneke van Brug is a colorist, paid to enhance the black-and-white maps for the growing number of collectors. Her talent brings her to the attention of the great Joan Blaeu, owner of a prestigious publishing house. Not content to simply…
Historical fiction meets the picaresque in many novels about going on the road. As a fiction writer, my narrative tools are not forged in a vacuum. I stand on the shoulders of centuries of writers who invented the novel form and developed it through its beginnings in romance and all its permutations since. In my new book, I am following innovations in two genres. In historical romance, romance “fell” into history. What was lost in the historical world could be made up in the romance of heroic characters. In the picaresque, characters belonging to the lower echelons of society “go on the road” for all sorts of reasons, mostly to survive.
This story has a Huck Finn flavour to it, recast on a 1950s road trip by bus.
Orphan Donal goes from the frying pan into the fire when his grandmother, his guardian, gets sick, and he is farmed out to a nasty-tempered relative he has never met.
After all the talk of Donal having no family, his salvation comes first from Herman, a non-relative who helps him escape back onto the bus that brought him there. The two light out for the West and cobble together what will feel like family in a ragtag bunch of misfits.
Named a Best Book of the Year by the Seattle Times and Kirkus Review
The final novel from a great American storyteller.
Donal Cameron is being raised by his grandmother, the cook at the legendary Double W ranch in Ivan Doig’s beloved Two Medicine Country of the Montana Rockies, a landscape that gives full rein to an eleven-year-old’s imagination. But when Gram has to have surgery for “female trouble” in the summer of 1951, all she can think to do is to ship Donal off to her sister in faraway Manitowoc, Wisconsin. There Donal is in for a rude surprise:…
Raised alongside three feral younger brothers in the rash-inducing, subtropical climate of Cairo, Georgia, I am a lifelong resident of the South. A circumstance, no doubt, leaving an indelible mark on my voice as a writer. At this point in my writing career, I write what I know. As a reader, I enjoy exploring the rich stories woven by Southern authors, capturing other places, people, and experiences beyond my own frame of reference. Ultimately, as a Southerner, I endeavor to reconcile the South’s troubled past of racial and social oppression with the romanticized notion others have of this place I call home.
Truman Capote’s 1948 debut novel holds a special place with me because it was my introduction to Southern Gothic when I was thirteen. A coming-of-age tale, it takes place at Scully’s Landing, a decaying mansion in Mississippi.
Rich with place and atmosphere, the book follows lonesome thirteen-year-old Joel Harrison Knox, who travels to live with his father, an emotionally unavailable presence who abandoned the boy at birth. Replete with a cast of the peculiar and grotesque, this book holds firm with literary merit and thematical relevance.
Truman Capote’s first novel is a story of almost supernatural intensity and inventiveness, an audacious foray into the mind of a sensitive boy as he seeks out the grown-up enigmas of love and death in the ghostly landscape of the deep South.
At the age of twelve, Joel Knox is summoned to meet the father who abandoned him at birth. But when Joel arrives at the decaying mansion in Skully’s Landing, his father is nowhere in sight. What he finds instead is a sullen stepmother who delights in killing birds; an uncle with the face—and heart—of a debauched child; and…
I’m a queer, nonbinary writer who has always loved reading and writing speculative fiction, whether it be dystopian novels, sci-fi, fantasy, and beyond. I think speculative fiction is such an effective and creative way to hold a mirror up to our society, explore traumatic and heavy themes, and ultimately, show us what it means to be a person, no matter how strange or unfamiliar the world is. Like many millennials, I grew up reading that awful transphobic woman’s magical series but soon realized how limiting that series was, and how there were so many better, smarter, more inclusive books out there, especially those that center queer and trans characters and know how to break my heart ten times over.
This book is utterly un-put-downable. I read it one, feverish sitting. It’s about a boy, Owen, who is literally born with a bird in his chest. She talks to him, and she’s quite funny and sometimes snarky. Owen is known as a Terror, and his mother does everything she can to try to protect him from the Army of Acronyms, aka doctors, nurses, social workers, and anyone who wants to study him and expose him.
Although this speculative premise plays a prominent role in the book, the heart of the book for me is this tender, queer, coming-of-age story about a boy trying to accept himself and let others accept and love him, too. It’s beautiful, smart, and aches in all the right places.
Longlisted for The Center for Fiction 2022 First Novel Prize
"A modern coming-of-age full of love, desperation, heartache, and magic" (Andrew Sean Greer, Pulitzer Prize-winning author) about "the ways in which family, grief, love, queerness, and vulnerability all intersect" (Kristen Arnett, New York Times bestselling author). Perfect for fans of The Perks of Being a Wallflower and The Thirty Names of Night.
Though Owen Tanner has never met anyone else who has a chatty bird in their chest, medical forums would call him a Terror. From the moment Gail emerged between Owen's ribs, his mother knew that she had…
In this collection of nine stories, J.C. Gemmell takes readers on a quest into the future.
Tion is a dystopian civilisation built on the wreckage of a drowned Earth. Here, technology saves and oppresses, and mankind clings to survival in a place where the privileged live above the clouds, and…
Born in 1969 as the seventh of eight children to two Harlem-raised parents, I benefited from both the inner-city life of Queens, New York and childhood summers spent on a farm in rural upstate New York. Academic, professional, and physical accomplishments have punctuated my life. An adventurer by nature, I became the first African American to hike to the top of every mountain in the northeast US over 4,000' (115 of them) by September of 2000. At that time, less than 400 people had accomplished this feat; whereas thousands have scaled Mount Everest. My home city’s iconic landmarks create a psychological veil that blinds people to the vast open spaces that dominate New York State.
Divergent, yet shockingly similar, life experiences are chronicled in Greenville and my own book. A poor white family from Long Island with eight children sent one son to live and work on a farm in the Catskill region during the 1950s. Harsh living conditions downstate with an alcoholic father and abusive mother were replaced upstate with a loving uncle, welcoming peers, and athletic success. Circumstances changed again dramatically, and the author tidies up the chaos that was his father’s life by visiting the farm 45 years later.
Inspired by a troubled family history, this “book of grace and dignity . . . will be around for a long, long time” (Colum McCann, author of Let the Great World Spin).
In this “terrific” novel, award-winning author Dale Peck recounts the childhood of his father, Dale Peck Sr. (Jonathan Safran Foer). Raised in poverty with seven brothers and sisters in suburban Long Island, terrorized by an abusive mother, Dale Sr.’s life changes when his alcoholic father dumps him at his uncle’s dairy farm in upstate New York. There, he begins to thrive, finding real love and connection with…