Books like Father Melancholy's Daughter — picked by fans

Jane Austen is unparalleled in her depiction of good and evil on a domestic level. While the situations are slightly less dramatic than in the other books I have selected, Mansfield Park compellingly presents the consequences of habituated action. Fanny Price is not perfect and certainly not most people’s cup of tea, but, like all Austen heroines, represents virtue and a growing self-knowledge over the course of the novel. The Crawford siblings are vivid examples of dulled moral vision. Without committing the literary sin of giving away the end, I will say that the “anti-romance” trajectory of the plot is wonderfully satisfying. Further, Sir Thomas Bertram may be my favorite male Austen character of all.

This is the story of a divorced mom who rents her downstairs apartment to a Catholic monk whose spiritual well has run dry twenty-three years into his vocation, leading him to walk away. I love disgruntled, disillusioned Mike, who can’t help being a stand-up guy, and whose ongoing, sometimes combative correspondence with a former colleague tracks the vagaries of his spiritual life. I love Rebecca and the way she handles insane emotional and practical responsibilities and somehow keeps on going. Most of all, I enjoy the understated, wry way these two fall in love. Farrington’s prose style is beautifully transparent, and he’s intelligent and funny about Christian belief and practice and about romance. There is also a good sequel, The Monk Upstairs.

Tyler is reliably warm and witty, and here we get to see her apply her trademark abilities to the story of a family of kids who are largely raised by their young Uncle Ian, who cuts short his own college education when he feels responsible for them losing their parents. Ian seeks redemption in raising them within the embrace of the entertainingly funky Church of the Second Chance. Ian is such a good member, the minister eventually tries to recruit him as his successor, which of course, would mean yet more responsibility. I couldn’t help but root for these incredibly vivid characters. And in its treatment of churches and church folks, Saint Maybe manages to be extremely funny and yet not at all disparaging. 

This is a hugely ambitious and moving novel and one of my all-time favorite reads. The character, Owen Meany, is a tiny man with a shrill, piercing voice who believes he is God’s instrument.

For me as an author, one of the most striking and memorable aspects of this novel was the ingenious and perfectly executed plotting of the story’s grand finale—absolutely mind-boggling the way John Irving pulled it off.

Grace Greene writes the ultimate “beach read”—endearing characters, descriptions that put you right there at oceanside, and a poignant blend of emotion and humor. I love how Lilliane, the heroine, discovers courage she never thought she had. A temporary job as a live-in caregiver begins merely as a way to earn money for much-needed home repairs. But her stay in Emerald Isle, NC, becomes a life-changer, not only for her but for the elderly gentleman who soon becomes both friend and mentor. It’s a book about stepping out of your comfort zone and opening your heart to new possibilities no matter your age. And if this novel stirs your heart as it did mine, you won’t want to miss the sequel, A Dancing Tide.

Though I felt too raw after George Floyd’s death in the summer of 2020 to read about the shattered dreams of an enslaved woman, there was something about Pheby Brown’s story that I found intriguing.

I had spent the last few weeks reading various novels about wives. Enslaved at birth, Pheby is promised her freedom on her 18th birthday but instead is forced to become the mistress to the jailer at a place where slaves are broken, tortured, and sold every day.

I loved how Phebe’s ability to create these beautiful designs with her sewing enabled her to protect her heart and those she loved. I was inspired by her strength and perseverance in the face of the brutality of slavery.

I’ve always been an avid reader despite not having peer-aged characters who resembled or represented me when I was a child. Fast forward to when my children were little: suddenly, there existed a plethora of African-American children’s literature. With pure delight, I indulged my little ones in magnificent books featuring characters that reflected them. Want to know a secret? I read those books for myself as well as for them. Recently, when finding a young African American girl at the center of Looking for Hope, I felt a delightful connection with my inner child. Make no mistakes. The young protagonist, Hannah “Mouse” Maynard, endures a horrific life event that alters her existence, interrupts her innocence, and thrusts her into a perilous, mature journey that fails to diminish her abiding sweetness. 

You want heartwarming books about man’s best friend? You’ve come to the wrong place. Novels with dogs don’t have to be heart-warming. They can be quite strange, sinister or both.

Here’s a prime example: The Dogs of Babel, which starts as the heartbroken narrator discovers his artsy, Goth wife has fallen from a tree and died. There are plenty of clues that this was not an accident. But there are no witnesses, except for poor Lorelei the dog. What starts out as a heartbreaking account of grief then takes a sharp turn into the bizarre as the narrator tries to teach Lorelei to speak so he can reconstruct his wife’s last hours. It descends into a seething underground, complete with people operating on dogs’ vocal chords to make them speak. Have I mentioned my list isn’t heartwarming? Did I swipe elements of this novel for my book? You bet… show more.

Zany family members and weddings gone wrong provide page-turning laughs in the first book in the Meg Lanslow series. The heroine is smart, funny, and… a blacksmith. The small-town shenanigans just keep coming in this laugh-out-loud mystery, but the heart comes from the familial relationships. (No peacocks are harmed in the making of this mystery, but they do provide plenty of laughs.)

A path-breaking study of Black and White women in seventeenth- and early eighteenth-century Virginia, this book shows what can be learned about the origins of slavery in the Chesapeake region from a focus on women--free, enslaved, and indentured alike. Life on early Chesapeake tobacco plantations was very different from the image of “classic,” semi-mythic nineteenth-century cotton plantations familiar to Americans today. Living conditions were crude, especially in the early settlements, and the demands of tobacco cultivation differed greatly from cotton production. Brown shows how all the women in early Virginia were critical to the colony’s  development.