Books like The Darlings of the Asylum

I first loved Rebecca for its atmosphere, but what stayed with me was something more unsettling: how completely another person’s version of the past can shape the present.

I remember finishing it and thinking about how easily we accept a story when everyone around us seems to believe it. As a writer, I keep returning to that idea.

Du Maurier showed me that an absence can dominate a novel as powerfully as a living character, and that what people refuse to say can matter as much as what they reveal. That has stayed with me in my own writing about memory, silence, and family secrets.

Like Alias Grace, Falling Creatures is a reimagining of a famous Victorian murder, this time set in Cornwall on Bodmin Moor. In 1844, Charlotte Dymond was a pretty, domestic servant, working on a farm on the edge of the moor, and her murder was the news sensation of the day. Stansfield’s central character, the fictional Shilly, shares Charlotte’s name and work and, after her death, plays a significant role in revealing what happened, working alongside the enigmatic detective, Mr. Williams. Stansfield plays skillfully with names and shifts in identity throughout this novel, and I was compelled by the strange balance she creates between early scientific reasoning and the lasting folk traditions of supernatural awareness. Falling Creatures is the first in Stansfield’s Cornish Mysteries series. 

Daphne has numerous elements that I particularly adore in a story: a classic writer as a character, an English manor house setting, and a mystery. Layer in a Brontë connection, and it’s a perfectly pleasing literary page-turner. In 1957, Daphne du Maurier is at her remote, seaside mansion in Cornwall, distracting herself from personal woes by researching a biography about Branwell Brontë, reprobate and possibly misunderstood brother of Charlotte, Emily, and Anne. Intertwined is a second storyline set in present-day London, as a lonely young woman, newly married to a mysterious older man seemingly still in thrall to his first wife, becomes caught up in a fifty-year-old mystery involving du Maurier and the Brontës. 

This book is a masterwork of psychological suspense that I love for its unreliable narration, emotional intensity, vivid rendering of character and place, and ingenious plot twists. Just as compelling and atmospheric as du Maurier’s earlier Rebecca, this novel similarly features a central enigma in the form of a shape-shifting woman. Still, its narrator and protagonist is a young man.

Philip Ashley, heir to a Cornish estate, is reckoning with the sudden overseas death of his beloved cousin and guardian, Ambrose, under mysterious circumstances. As he increasingly questions the role Ambrose’s new wife—a mysterious widow named Rachel—might have played in the months leading to his death, the grief-stricken Philip is drawn into a drama of conspiracy, romance, and obsession that will test the limits of his sanity.

This novel has everything in it that I love about Cornwall – the life and work of its artists, an incredible sense of the scenery and atmosphere, and the limpid light cast over its beauty. 

It’s also an absorbing story about the price that may have to be paid for following your star. Successful artist Rachel Kelly values creativity and self-expression, but all too often she places these above the happiness of her partner and children. Is she right or is she wrong? 

There are so many likable characters in this story, which is set in Cornwall around a family hotel, but surfer Riley Bryant was the most lovable character for me.

A bit of a charmer, but secretly in love with Tula, he won me over from the first time I met him, despite his rather feckless attitude at times!

The concept of this book is simple but extremely effective in shedding light on the superstitions the Cornish country folk still held in the 19th and 20th centuries.

The author has collected old newspaper clippings, which reveal a fascinating variety of reports on how people tried to protect their belongings, dwellings, and themselves from illnesses and misfortunes caused by spells or “ill-wishes”. The reports talk of ‘witch bottles’ and pierced animal hearts being used to counter-act spells, and how the practitioners of magic, the cunning folk, were frequently taken to court when the purchased cures did not work.

The reports also shed light on the undoubtedly hard lives of those who were believed to be witches. There are several reports of “witch scratchings” ending up in courts when the supposed witches claimed compensation for the injuries caused by villagers trying to draw their blood to counteract spells.

A great book,… show more.

Ninety-year-old Marvellous is a river goddess, her whole being is immersed in a Cornish creek, she lives in a caravan beside the water and loves a swim.

Marvellous lives on in my imagination. Nature is an organic part of the novel, time and seasons move with the tide; the reader knows it is spring because the ransoms (wild garlic) are out. I love rivers, they wind their way into my own writing, West Looe River is often my muse as a poet. 

I met Sarah Winman when I stumbled upon her book signing at my local bookshop. I only had enough money to buy Marvellous Ways or shoes to wear to an awards ceremony that evening. I realized no one would notice my old shoes so I bought the book and loved every page.

Susan Howatch walked away from her career as a highly successful novelist some years ago, but she’s well worth a read. Penmarric is the name of another Cornish mansion that is the fixed point in a swirling family saga. She took as her template the lives of the Plantagenet King Henry II and his powerful wife Eleanor of Aquitaine, plus their warring sons, with the house Penmarric standing in for the throne they fought over. You don’t need to know medieval history to enjoy the yarn.

Divided into five sections, each is narrated by a different family member. The action kicks off in 1890 with Mark Castallack clapping eyes on his complicated, older, future wife, Janna, in a churchyard. His mother, Maud, has directed her whole life towards regaining possession of the family estate, left to her cousin Giles instead of her because of primogeniture, and Maud was the wrong… show more.

The Cornish Captive makes a powerful portrayal of abduction and imprisonment, as well as describing the forces of mental stress under the elemental pressures of Cornish life of that time. Cornish society then was unbelievably brutal. I identify so strongly with the sufferings of any sensitive soul under those conditions.