Here are 71 books that Daphne fans have personally recommended if you like
Daphne.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
First, I'm a woman and I'm inspired by women from the past who overcame the rules of the day in which they lived. It doesn’t matter where they lived, or what they tried to overcome, but to have bucked the patriarchal system and achieved some measure of success, is phenomenal. Second, I became inspired by silent film star Marion Davies, and I wrote a book about it. I never intended to write historical fiction. My first book was a memoir about sailing to Tahiti at fourteen with my father and two sisters. But life has a funny way of directing us where we need to go. Here I am: inspired by women from the past!
I grew up reading Treasure Island by Robert Louis Stevenson, and found this book about the woman who changed his life riveting.
I also loved it because Stevenson sails to French Polynesia and I have sailed to French Polynesia and written a book about it. So there are many connections for me. Plus, it’s about the real life of scorned woman, Fanny Van de Grift Osbourne who flees San Francisco and her philandering husband and eventually falls in love with Stevenson.
At the age of thirty-five, Fanny van de Grift Osbourne leaves her philandering husband in San Francisco and sets sail for Belgium to study art, with her three children and nanny in tow. Not long after her arrival, however, tragedy strikes, and Fanny and her brood repair to a quiet artists' colony in France where she can recuperate. There she meets Robert Louis Stevenson, ten years her junior, who is instantly smitten with the earthy, independent, and opinionated belle Americaine.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Visiting author houses and museums has always been a favored pastime of mine and was the inspiration to write the travel guide Novel Destinations. Complementary to writing nonfiction about classic writers, I love reading novels featuring them as characters. Fiction authors adhere to biographical details as well, but they have a freer hand with the narrative to color outside the lines and to color in details and explore feelings and motivations. Through their narratives they turn these literary figures into flesh-and-blood characters and allow the reader to step into their storied lives.
Elizabeth Berg wanted to read a novel about George Sand but couldn’t find one…and so she wrote it herself. In The Dream Lover, Berg unfolds the story of Aurore Dupin, who boldly left a loveless aristocratic marriage to make her own way in 19th-century Paris. She adopts the pen name George Sand and becomes France’s bestselling female novelist, living a bohemian lifestyle and scandalizing society by having high-profile love affairs and, even more outrageously, by dressing in men’s clothing. I love stories about trailblazing women, and Berg compellingly conveys how risky and courageous Sand’s actions were at a time when women had few rights.
NEW YORK TIMES BESTSELLER • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY USA TODAY • Elizabeth Berg has written a lush historical novel based on the sensuous Parisian life of the nineteenth-century writer George Sand—which is perfect for readers of Nancy Horan and Elizabeth Gilbert.
At the beginning of this powerful novel, we meet Aurore Dupin as she is leaving her estranged husband, a loveless marriage, and her family’s estate in the French countryside to start a new life in Paris. There, she gives herself a new name—George Sand—and pursues her dream of becoming a writer,…
Visiting author houses and museums has always been a favored pastime of mine and was the inspiration to write the travel guide Novel Destinations. Complementary to writing nonfiction about classic writers, I love reading novels featuring them as characters. Fiction authors adhere to biographical details as well, but they have a freer hand with the narrative to color outside the lines and to color in details and explore feelings and motivations. Through their narratives they turn these literary figures into flesh-and-blood characters and allow the reader to step into their storied lives.
I deliberately readThe Mystery of Mrs. Christieslowly so that I could savor the story longer. The novel alternates chapters between present-day 1926, after famous novelist Agatha Christie has disappeared and sparked a headline-making manhunt in England, and the decade or so leading up to it. The story of her disappearance and the possible reasons behind it is intriguing, but I especially enjoyed the chapters set in the past and getting to know Agatha as a young woman and an aspiring writer.
THE INSTANT NEW YORK TIMES AND USA TODAY BESTSELLER!
AN AMAZON BEST BOOK OF 2021!
"A stunning story... The ending is ingenious, and it's possible that Benedict has brought to life the most plausible explanation for why Christie disappeared for 11 days in 1926."―The Washington Post
The New York Times and USA Today bestselling author of The Only Woman in the Room returns with a thrilling reconstruction of one of the most notorious events in literary history: Agatha Christie's mysterious 11-day disappearance in 1926.
In December 1926, Agatha Christie goes missing. Investigators find her empty car on the edge of…
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
Visiting author houses and museums has always been a favored pastime of mine and was the inspiration to write the travel guide Novel Destinations. Complementary to writing nonfiction about classic writers, I love reading novels featuring them as characters. Fiction authors adhere to biographical details as well, but they have a freer hand with the narrative to color outside the lines and to color in details and explore feelings and motivations. Through their narratives they turn these literary figures into flesh-and-blood characters and allow the reader to step into their storied lives.
“Long ago Virginia decreed, in the way that Virginia decrees, that I was the painter and she the writer.” Vanessa and Her Sisteris a portrait of two extraordinary and unconventional women, Virginia Woolf and her sister, Vanessa Bell. The story is told in the form of a diary kept by Vanessa, beginning at the turn of the 20th century with the formation of the Bloomsbury Group in London. Priya Parmar has created a sympathetic yet honest portrayal of Virginia Woolf, her genius and her often precarious mental state, and the impact it had on her family—in particular Vanessa, who was an important and steadying influence for her sister and a talented artist in her own right.
A New York Times Notable Book • An Entertainment Weekly “Must List” Pick • “Prepare to be dazzled.”—Paula McLain • “Quite simply astonishing.”—Sarah Blake
What if Virginia Woolf’s sister had kept a diary? For fans of The Paris Wife and Loving Frank comes a spellbinding new story of the inseparable bond between Virginia and her sister, the gifted painter Vanessa Bell, and the real-life betrayal that threatened to destroy their family. Hailed by The New York Times Book Review as “an uncanny success” and based on meticulous research, this stunning novel illuminates a little-known episode in the celebrated sisters’ glittering…
Elizabeth Buchan began her career as a blurb writer at Penguin Books. She moved on to become a fiction editor at Random House before leaving to write full-time. Her novels include the award-winning Consider the Lily, The Museum of Broken Promises, and the international bestseller, Revenge of the Middle-Aged Woman, which was made into a CBS Primetime Drama. Elizabeth’s short stories are broadcast on BBC Radio 4 and published in magazines. She has reviewed for The Times, the Sunday Times, and the Daily Mail, and has chaired the Betty Trask and Desmond Elliot literary prizes. She has been a judge for the Whitbread First Novel Award and for the 2014 Costa Novel Award.
Juliet Barker’s monumental biography, The Brontes (Abacus), certainly falls into the category of the tried and tested which will not let you down. A fiercely revisionist, meticulously researched reassessment of the background, landscape, and events that shaped and formed Patrick, Charlotte, Emily, Branwell, and Anne, it breathes fresh air and common sense into the dark myths and fantasies which envelop the sisters in particular. I love it for the hard work that the author invested in it, her detail, her scrupulous integrity, and her determination to get at the truth about the individuals and the family as a whole. She argues well and powerfully that "without this intense family relationship, some of the greatest novels in the English language might never have been written."
The story of the tragic Bronte family is familiar to everyone: we all know about the half-mad, repressive father, the drunken, drug-addicted wastrel of a brother, wild romantic Emily, unrequited Anne and "poor Charlotte". Or do we? These stereotypes of the popular imagination are precisely that - imaginary - created by amateur biographers from Mrs Gaskell onwards who were primarily novelists, and were attracted by the tale of an apparently doomed family of genius. Later biographers still repeat her mistakes, and have, without exception, relied on the bowdlerised texts published by T.J. Wise, a forger. Juliet Barker's landmark book is…
My mother was an avid reader of Agatha Christie, and she gave me my first Nancy Drew book when I was nine, so I’ve loved mysteries all my life—not the ‘true crime’ kind, more the ‘cozy village’ kind, where the focus is on the characters and how they solve the mystery because of who they are and how they understand the people around them. After I wrote an historical novel about John Singer Sargent and his friends, I couldn’t stop thinking about them, even hearing their voices continuing to talk—I missed them! So naturally, I decided I’d turn John and his friend Violet into detectives and write mysteries.
Talk about feisty women who advance against tremendous odds! Despite the stultifyingly constrained life of “almost-poor” women in early Victorian England, out in the moor country, the three Brontë sisters (Charlotte, Emily, and Anne) slip around the rules, their father, and manage their wayward but beloved brother—all while being determined to become writers—and solve the occasional murder that happens in their neighborhood. Great period details and fascinating information about these three remarkable sisters, along with a great mystery read. This is the first book in the series.
Before they became legendary writers, Charlotte Brontë, Emily Brontë, and Anne Brontë were detectors in this charming historical mystery...
Yorkshire, 1845. A young wife and mother has gone missing from her home, leaving behind two small children and a large pool of blood. Just a few miles away, a humble parson’s daughters—the Brontë sisters—learn of the crime. Charlotte, Emily, and Anne Brontë are horrified and intrigued by the mysterious disappearance.
These three creative, energetic, and resourceful women quickly realize that they have all the skills required to make for excellent “lady detectors.” Not yet published novelists, they have…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
I have been moved by women’s stories that are buried in time (but not quite gone!) since I was a young girl. As a college student and now professor (I teach writing and gender studies), much of my work is focused on telling hidden stories for the first time and stories where the record needs correcting. This is probably to do with my childhood; I am the oldest daughter in a loving but difficult Irish-Catholic family where women were often shamed for many reasons. When I was 15, I read Sylvia Plath for the first time and knew—there was more to this story, and I meant to find it out.
Emma Tennant was one of Ted Hughes’s lovers in the 1970s, at the height of Sylvia Plath’s early fame. I arrived at her memoir as research for Loving Sylvia Plath: A Reclamation, but I stayed because Tennant’s writing is so witty and clever, full of riotous anecdotes of her time publishing chic literary magazines in 1970s London (she tries to steal, and sell, a family snapshot of Princess Margaret, nude on a French beach, for seed money, which ends in hilarious disaster).
Tennant never descends into self-pity or high drama in describing the dark and mysterious Hughes, who believes a random fox on the road is his dead wife returning to him and tries to convince Tennant that frozen salmon at a third-rate London restaurant is fresh and delivering life force to him. Instead, she sneaks in the violence done to her by Hughes in moments drenched in myth…
Burnt Diaries is Emma Tennant's third volume of memoirs, set mostly during the 1970s, in which she lays bare the experience of her affair with Ted Hughes while she was editor of the avant-garde literary magazine, Bananas. Tennant's insights are engaging and honest - she offers perceptions of the writers that contributed to her magazine - from Angela Carter who was commissioned to write The Company of Wolves for it, to JG Ballard who was supportive of the magazine from its inception and wrote a story for each issue. Running a new literary magazine brought Tennant into contact with a…
I have always tried to find books that explain and explore my life stage. When I was a young mother of little babies, I read many books about early motherhood. When I was studying and travelling and working as a waitress, those topics were represented in my reading too. Now that I’m a woman writer in midlife, with growing children and an art practice, I’m keen to read books by and about women writers who evoke the joys and struggles of this period: aging, the tensions between freedom and responsibility, marriage and separation, ambition and desire.
This book is a bible for women in midlife. One of Levy’s ‘living memoirs’, it captures the author’s experience of leaving her marriage at fifty and remaking her life as a writer.
The pose is beautiful: spare and elegant. Importantly, the book explores how it is possible to create a life focused on artistic pursuit, children, and friendship, as opposed to romantic partnership, material wealth, and conservative notions of stability.
I reread it every year to remind myself of what is possible.
A GUARDIAN BEST BOOK OF THE 21ST CENTURY WINNER OF THE PRIX FEMINA ETRANGER 2020
Following on from the critically acclaimed Things I Don't Want to Know, discover the powerful second memoir in Deborah Levy's essential three-part 'Living Autobiography'.
'I can't think of any writer aside from Virginia Woolf who writes better about what it is to be a woman' Observer _________________________________
'Life falls apart. We try to get a grip and hold it together. And then we realise we don't want to hold it together . . .'
The final instalment in Deborah Levy's critically acclaimed 'Living Autobiography', Real…
My memoir, Circling Home: What I Learned by Living Elsewhere, details my own trajectory in trying to find my voice and métier as a writer. I’ve kept a journal since I was a teenager, trained to be a journalist in college, and worked as an investigative reporter on a newspaper column and a news show in my twenties. When my husband and I moved abroad, I got a book contract for my PhD thesis and also published my research in academic journals. I wrote travel articles and profiles of people I met while living in East and West Africa. Working with a writing group of friends, I finished two novels before embarking on my memoir.
This memoir and Evaristo’s Booker Prize-winning novel, Girl, Woman, Other, opened my eyes to the struggles of writers and actors in the UK—especially women of color and immigrants—as they tried to find their voices and places and in literary circles.
Raised in a big family by a Nigerian father and British mother, Evaristo describes her upbringing and her efforts to find her voice when there were few venues for writers of color. Her theory of unstoppability is deeply inspiring for anyone who faces roadblocks in pursuing their passions, particularly writers who experienced the sting of multiple rejections before having their work accepted.
From the bestselling and Booker Prize–winning author of Girl, Woman, Other, Bernardine Evaristo’s memoir of her own life and writing, and her manifesto on unstoppability, creativity, and activism
Bernardine Evaristo’s 2019 Booker Prize win was a historic and revolutionary occasion, with Evaristo being the first Black woman and first Black British person ever to win the prize in its fifty-year history. Girl, Woman, Other was named a favorite book of the year by President Obama and Roxane Gay, was translated into thirty-five languages, and has now reached more than a million readers.
Evaristo’s astonishing nonfiction debut, Manifesto, is a vibrant…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I love stories and storytelling of all kinds – from YA to memoir to journalism to children's picture books. If there is a story worth telling I will pursue it, regardless of genre. I'm particularly fascinated by stories that are out of the mainstream, are hidden, or come from people and cultures at the intersections of place, race, and gender. See No Color, about a mixed Black girl adopted into a white family, was my first YA novel, and it was followed by Dream Country, which chronicles five generations of a Liberian and Liberian American family. I co-edited an anthology on BIPOC women's experiences with miscarriage and infant loss, What God Is Honored Here?
My love affair with Octavia Butler began early when I encountered her short story collection, Bloodchild, in college. I was so taken with the questions she was asking about the nature of being human, our seemingly innate need to form a hierarchy and dominate others, and possibilities for freedom and transformation. The best part was that she did it all through a sci-fi lens...one that she infused with a distinctly Black feminist perspective. I had never read anything like it. And now, we finally have a biography for young people (and really for everyone) about her life, her mind, and preoccupations as a young woman. Ibi Zoboi has deftly penned what she is calling a "biographical constellation" of a young Butler, written primarily in short poems, but also including micro-essays on the social context of her youth, and copies of some of her first writings. Anyone with an imagination…
From the New York Times bestselling author and National Book Award finalist, a biography in verse and prose of science fiction visionary Octavia Butler, author of Parable of the Sower and Kindred.
Acclaimed novelist Ibi Zoboi illuminates the young life of the visionary storyteller Octavia E. Butler in poems and prose. Born into the Space Race, the Red Scare, and the dawning Civil Rights Movement, Butler experienced an American childhood that shaped her into the groundbreaking science-fiction storyteller whose novels continue to challenge and delight readers fifteen years after her death.
