Books like The Light Within Us — picked by fans

I first read this book about twenty years ago and still find it heartbreaking to think it was written by someone who experienced first-hand the horror of the First World War and with it so much pain and grief brought about not only from her experiences as a V.A.D. but also from her own personal losses.

It is a book that helped me understand as much as anything possibly could living in the twenty-first century, how much of a struggle it must have been for ordinary people to keep going and survive that dark time in history.

I loved this book because it is another time-slip novel, but mostly because of the characters that Gabaldon has created. Claire is a strong woman both in the present time zone–post-war Britain–and the Scottish Highland time zone of the seventeenth century and the uprising. You sense immediately that she is in danger as the story is told from her point of view. 

I loved learning about the lives of the Scottish highlanders, how the story moves from one-time zone to another, and how the characters overlap.

Being a Devon girl, I have really enjoyed this series, and this book in particular resonated with me on a number of levels. Grace is such an ‘everyday’ kind of character at the beginning, albeit with ambitions towards working in a ‘man’s world.’ But, as circumstances force her to take on new roles, and her life takes unforeseeable turns, she grows in character and strength. Both ‘sections,’ if you like, are equally compelling, and the research is impeccable, but never screamingly obvious. Having written WW1 books myself, that era was always going to be the part that interested me the most, but I was happy to find the whole story equally absorbing. Dartmoor and its surrounds are, as ever with this author, painted subtly, but with love

I have a soft spot for women during times of war or adversity. This story spans the early years of the 1900s as Maggie lives her father’s legacy to “make a difference in the world.” She never gives in, or gives up, and contributes to the safety of those around her during the end of the Great War and troubles in Ireland. Setting is a big thing for me, and in this book the location, the surroundings, and the times evoked an understanding of Ireland and the Irish. As with the fictional characters I like most, Maggie is a person I’d love to have as a friend.

A slight genre shift from the typical romantic suspense novel is the Gothic romance, and Victoria Holt (the pen name for Eleanor Hibbert) was one of the best. Like many of the stories published in this genre, there is a young woman, Martha Leigh, hired on as a governess to a troubled widow whose wife died under mysterious circumstances. Settings—as in all gothic novels—play a strong role in this story with its foreboding mansion and the untamed cliffs of Cornwall.

This book is a masterwork of psychological suspense that I love for its unreliable narration, emotional intensity, vivid rendering of character and place, and ingenious plot twists. Just as compelling and atmospheric as du Maurier’s earlier Rebecca, this novel similarly features a central enigma in the form of a shape-shifting woman. Still, its narrator and protagonist is a young man.

Philip Ashley, heir to a Cornish estate, is reckoning with the sudden overseas death of his beloved cousin and guardian, Ambrose, under mysterious circumstances. As he increasingly questions the role Ambrose’s new wife—a mysterious widow named Rachel—might have played in the months leading to his death, the grief-stricken Philip is drawn into a drama of conspiracy, romance, and obsession that will test the limits of his sanity.

It seems that there is no detail of life in the late 1700s and early 1800s that Winston Graham doesn’t know. From aspects of history, geography, social class culture, medicine, ship-building, mining… Graham is ‘The Man’. But he is also a composite storyteller, weaving a compelling, generations-spanning narrative that charts the turmoils and triumphs of Ross Poldark and his family. One detail that I love is the representation of genuine female experience in a mode that is not about feminist agendas; Graham writes his women with compassion and complexity, making them far more than the housewives and bodice-rippers characteristic of some historical fiction. Quintessentially English, but never rose-tinted, these novels are a treasure that deserve greater acknowledgment.

The Cornish Captive makes a powerful portrayal of abduction and imprisonment, as well as describing the forces of mental stress under the elemental pressures of Cornish life of that time. Cornish society then was unbelievably brutal. I identify so strongly with the sufferings of any sensitive soul under those conditions.

There are so many likable characters in this story, which is set in Cornwall around a family hotel, but surfer Riley Bryant was the most lovable character for me.

A bit of a charmer, but secretly in love with Tula, he won me over from the first time I met him, despite his rather feckless attitude at times!

Like Alias Grace, Falling Creatures is a reimagining of a famous Victorian murder, this time set in Cornwall on Bodmin Moor. In 1844, Charlotte Dymond was a pretty, domestic servant, working on a farm on the edge of the moor, and her murder was the news sensation of the day. Stansfield’s central character, the fictional Shilly, shares Charlotte’s name and work and, after her death, plays a significant role in revealing what happened, working alongside the enigmatic detective, Mr. Williams. Stansfield plays skillfully with names and shifts in identity throughout this novel, and I was compelled by the strange balance she creates between early scientific reasoning and the lasting folk traditions of supernatural awareness. Falling Creatures is the first in Stansfield’s Cornish Mysteries series.