Here are 100 books that The Corrections fans have personally recommended if you like
The Corrections.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I love stories so much I majored in English at UVa. Though I showed up in New York with only reading and waitressing skills, I’ve somehow enjoyed the privilege of working in the arts at some of the greatest institutions (Paul Taylor, Cooper Union, ABT). I respond to art, people and especially art-people. Encountering their deep love (and glorious dysfunction) in books enables me to extend the special communion that grows around audiences and artists. This is central to me. It reminds me that beauty is important. It helps me hold on.
This is such an insightful glimpse into what happens when an artist—in this case, an architect—stops creating, that’s both hilarious and heartbreaking.
Describing the price of privilege, but without preciousness, Maria Semple illustrates the decline of a mother and professional, doing what seem like the right things while producing disastrous results that really ring true.
Fatigued by the priorities of high-tech Seattle, Bernadette loses her confidence and misplaces her trust. Then it’s her daughter who has to pull her back from the brink. Their love withstands the tests of culture, community, and commodity, reminding us of the remarkable symbiosis between mothers and daughters while showcasing Semple’s irrepressible, satiric wit.
A misanthropic matriarch leaves her eccentric family in crisis when she mysteriously disappears in this "whip-smart and divinely funny" novel that inspired the movie starring Cate Blanchett (New York Times).
Bernadette Fox is notorious. To her Microsoft-guru husband, she's a fearlessly opinionated partner; to fellow private-school mothers in Seattle, she's a disgrace; to design mavens, she's a revolutionary architect; and to 15-year-old Bee, she is her best friend and, simply, Mom.
Then Bernadette vanishes. It all began when Bee aced her report card and claimed her promised reward: a family trip to Antarctica. But Bernadette's intensifying allergy to Seattle --…
Think how tough it is to reach adulthood in today's complicated world. Now imagine doing so in front of a global audience. That's what growing up in show business is like. Every youthful mistake laid bare for all to see. Malefactors looking to ensnare the naive at any turn. Each…
I've always believed that the bonds of friendship and sisterhood among women are essential. Growing up in challenging circumstances, my sisters and I found solace and strength in each other, offering comfort and guidance during uncertain times. They became my closest friends and have remained so throughout my life. Stories that celebrate these deep connections never fail to move me. The unwavering support of my sisters has saved me more times than I can count, and I will forever admire authors who portray unity among women. I truly hope you enjoy these beautiful novels!
This book holds a cherished place in my heart as it delves into the intricate dynamics of mother-daughter relationships and the profound journey of self-discovery. Growing up, I often felt the weight of cultural expectations, and choosing a different path inevitably strained my familial bonds.
As I read, memories of my mother and sisters flooded back, reminding me of the unique connections we share. An artfully crafted story that made me question so much about myself and the way that culture has influenced me as a person. Tan’s lyrical prose eloquently voices the experiences of so many young girls who have long been silenced, making this, without a doubt, one of my most treasured reads.
'The Joy Luck Club is an ambitious saga that's impossible to read without wanting to call your Mum' Stylist
Discover Amy Tan's moving and poignant tale of immigrant Chinese mothers and their American-born daughters.
In 1949 four Chinese women, recent immigrants to San Francisco, meet weekly to play mahjong and tell stories of what they left behind in China. United in loss and new hope for their daughters' futures, they call themselves the Joy Luck Club.
Their daughters, who have never heard these stories, think their mothers' advice is irrelevant to their modern American lives - until their own inner…
My obsession with reading began in third grade when I heard an audio version of The Secret Garden and described the plot to my mom, who told me I should bike to our public library and check the book out. Since then, I’ve written two novels, and I teach creative writing and literature classes at the University of Memphis. At the heart of everything I write is the relationship between women connected by blood. My own great-grandmother lived to be 104, and I have a weekly lunch with my own 94-year-old grandmother. There’s nothing like learning what your own mother was like, as told to you by her mother.
I was one of those women who was obsessed with Oprah’s Book Club. She started it in 1996, the same year I started my sophomore year of college. I can’t say that I read every book assigned to me in my classes, but I damn sure as hell read every book Oprah recommended.
White Oleander was picked in May 1999, just a few months before my wedding. I did zero wedding planning the week I read that book. I ignored my soon-to-be husband and called my sisters to demand that they read the book. The story, which follows Astrid (why did my parents name me such a terrible ugly name like Courtney when Astrid was right there?) as she navigates foster care following her mother’s conviction for murder, is compelling. However, I fell in love with the prose and the way Finch describes the people and places in the novel.…
White Oleander is a painfully beautiful first novel about a young girl growing up the hard way. It is a powerful story of mothers and daughters, their ambiguous alliances, their selfish love and cruel behaviour, and the search for love and identity.Astrid has been raised by her mother, a beautiful, headstrong poet. Astrid forgives her everything as her world revolves around this beautiful creature until Ingrid murders a former lover and is imprisoned for life. Astrid's fierce determination to survive and be loved makes her an unforgettable figure. 'Liquid poetry' - Oprah Winfrey 'Tangled, complex and extraordinarily moving' - Observer
Tiny Tales is a collection of 365 bite-sized stories and poems, written each day of 2023 to a one-word prompt created by one of the official #vss365 (very short story, 365 days a year) ambassadors on Twitter ("X").
Tweet-sized (280 characters or fewer) storytelling (aka "Twitterature") inspires experimentation and variety,…
I grew up in a family that avoided expressing any emotion. A happy house was one where anger and frustration were unheard of. Even laughter was suspect. Books allowed me to experience joy and sorrow. Books allowed me to express my feelings, even though it was behind my closed bedroom door, clutching a handful of sodden tissues, exhausted from the novelty of letting my emotions out. These books are not the books of my childhood. Instead, they are the books of the grown-up me who no longer has to hide behind her bedroom door. I think you will love them just as much as I do.
This book is set in Shaker Heights, a neighborhood so relevant it becomes a character in the story. Plant these actors and this plot in a community where perfection isn’t the rule, and the book flounders.
The characters in this book are no different than the people in my own neighborhood, until the author let me see what they were really like. Little Fires Everywhere is filled with secrets and beliefs that turn out to be drastically wrong—just the kind of book I celebrate.
"Witty, wise, and tender. It's a marvel." -Paula Hawkins, author of The Girl on the Train and A Slow Fire Burning
"To say I love this book is an understatement. It's a deep psychological mystery about the power of motherhood, the intensity of teenage love, and the danger of perfection. It moved me to tears." -Reese Witherspoon
From the bestselling author of Everything I Never Told You and Our Missing Hearts comes a riveting novel that traces the intertwined fates of the picture-perfect Richardson family and the enigmatic mother and daughter who upend their…
I’m interested in characters and stories that reveal the light and darkness inside and between people. For me, the best stories are ones that feature screwed-up characters trying their best to put one step in front of the other, sometimes in a misguided way that costs those most dear to them. This kind of dynamic is most fraught in the family unit. Family members stunt and cultivate each other in unexpected and fascinating ways. So I’m drawn to reading about dysfunctional families, as well as writing about them as I have in my novels, The Promise of Pierson Orchard (2017) and Stone Creek (out in August 2024).
These twenty-two, well-crafted flash fiction stories illuminate a wide array of family situations and humanity by exploring both mundane and extraordinary moments. This collection manages to be funny, quirky, and poignant, while examining the foibles of family life and relationships with a particular focus on the roles of women and girls.
Twenty-two (very) short stories from Tori Bond create what Kathy Fish calls a "a collection of tightly woven, deliciously wrought stories" that, as Amy L. Clark writes, "allow Bond’s own words to soar like crows, or like chickens, and sometimes, like hope."
As a writer who can never seem to tell a simple chronological, beginning/middle/end story in the books I write, I want to make a case for fictional works that fall somewhere between novels and traditional short story collections: shape-shifting novels. A shape-shifting novel allows for an expansiveness of time—for exploring the lives of generations within a single family, or occupying a single place, without having to account for every person, every moment, every year. Big, long Victorian novels, remember, were typically serialized and so written, and read, in smaller installments. The shape-shifting novel allows for that range between the covers of a single, and often shorter, book.
I remember my daughter, an astute and sensitive reader from a very young age, coming downstairs in tears after finishing this book when she was in high school.
Her tears were understandable; though Homegoing, remarkably, addresses the lives of members of seven generations of two connected Ghanian families in a mere 320 pages, we as readers come to care deeply about each of the fourteen characters whose stories fill the book.
The storytelling is that concise, yet also that rich and distinct, depicting two separate—but tragically related—trajectories for these families caught in the inevitable and devastating web of slavery, from the late 1770s to the present, and from the infamous Cape Coast Castle to Alabama, Harlem, and San Francisco—and back again.
Effia and Esi: two sisters with two very different destinies. One sold into slavery; one a slave trader's wife. The consequences of their fate reverberate through the generations that follow. Taking us from the Gold Coast of Africa to the cotton-picking plantations of Mississippi; from the missionary schools of Ghana to the dive bars of Harlem, spanning three continents and seven generations, Yaa Gyasi has written a miraculous novel - the intimate, gripping story of a brilliantly vivid cast of characters and through their lives the very story of America itself.…
This is a novel about choices. How would you have chosen to act during the Second World War if your country had been invaded and occupied by a brutal enemy determined to isolate and murder a whole community?
That’s the situation facing an ordinary family man with two children, a…
For me, writing fiction is a way of tackling issues of fate and identity through storytelling. I believe we’re each the result of an intersection between personality and history and I’m interested in the way our time and place impacts us and creates a backdrop for our lives. My first novel, The Wayward Moon, is historical fiction set in the 9th-century Middle East. My second novel follows a Jewish family back six generations to Belarus. But no matter what period I’m writing about, the most important thing is always to tell a good story.
Smith is a master at depicting multi-racial families (something she knows all about, as she grew up in one).
Her narratives take up the complex nature of the relationships between parents, children, and siblings, while delving into issues of race, class, politics, infidelity, and self-knowledge. Smith is expert with her use of voice, as she composes character through idiosyncratic styles of language and expression.
Life in this novel is colorful and messy, as it cleverly investigates the impossibility of really knowing those closest to you.
From the acclaimed author of Swing Time, White Teeth and Grand Union, discover a brilliantly funny and deeply moving story about love and family
Why do we fall in love with the people we do? Why do we visit our mistakes on our children? What makes life truly beautiful?
Set between New England and London, On Beauty concerns a pair of feuding families - the Belseys and the Kipps - and a clutch of doomed affairs. It puts low morals among high…
For me, writing fiction is a way of tackling issues of fate and identity through storytelling. I believe we’re each the result of an intersection between personality and history and I’m interested in the way our time and place impacts us and creates a backdrop for our lives. My first novel, The Wayward Moon, is historical fiction set in the 9th-century Middle East. My second novel follows a Jewish family back six generations to Belarus. But no matter what period I’m writing about, the most important thing is always to tell a good story.
I’m always impressed by writers who are able to dream up an original plot, and then make that plot come alive on the page.
The book tells the story of three generations of Russian women in the second half of the twentieth century. It’s a very unusual blend of Sci-fi, geopolitical history, time travel, and moral dilemmas. A tall order, but the book succeeds in weaving together these narrative strands in a way that feels natural and effortless, while evoking questions about our complex relationship with the notion of scientific progress.
"The novel is masterfully plotted.”—New York Times Book Review
“Atomic Anna is a dazzling work of ingenuity and imagination.”―Téa Obreht,National Book Award finalist and New York Times bestselling author of Inland
From the author of A Bend in the Stars, an epic adventure as three generations of women work together and travel through time to prevent the Chernobyl disaster and right the wrongs of their past.
Three brilliant women. Two life-changing mistakes. One chance to reset the future.
Growing up, I experienced “otherness.” My family was hard up amidst affluence. Typecast as Jewish, where that was a rarity, we were met with suspicion and unease. Being a woman held my mother back from her preferred profession. Racism was rampant; my growing appreciation of it and efforts to intervene added to “otherness.” My childhood was shadowed by illness, including my mother’s cancer. These influences drew me to medicine and science. Both are a way to overcome “otherness” and to protect one’s family, even as my sense of family expanded. Medicine forges extraordinary bonds between doctor and patient. Science brings people together from diverse backgrounds to share goals. These connections make meaningful stories.
What is it like to be a doctor failing to save your patients, then turning to the lab to understand why, then bringing that learning back to improve outcomes, not just for your patients but for patients you will never see who have diseases you will never treat?
Kevin Tracey is a brilliant neurosurgeon and innovative scientist who not only did all that but also went one step further—he wrote a book that answers those questions and reads like a thriller. He takes the concept of “lab bench to bedside” from platitude to paradigm.
Severe sepsis, a critical illness that most often afflicts victims of initially non-fatal illnesses or injuries, is the third-most common killer in the United States. In "Fatal Sequence", neurosurgeon, immunologist, and clinical investigator, Kevin J. Tracey offers a chronicle, both scientific and human, using cases he personally experienced to illustrate the clinical nightmare of organ failure that typifies the disease. In clear, accessible language, Tracey explains how the brain, which normally restrains the immune system and protects the patient, can fail during severe sepsis - allowing the immune system to indiscriminately kill normal cells along with foreign microbes. "Fatal Sequence"…
I write, coach, and lead at the intersection of identity, healing, and leadership, especially for women navigating cultural complexity. As a South Asian woman raised in the U.S., I spent years unpacking inherited narratives about devotion, obedience, and silence. This list reflects books that helped me reclaim power, soften shame, and lead from a place of alignment rather than survival. Each title here offered me tools, language, or perspective that shaped not just how I show up in the world, but how I guide others to do the same.
I saw myself in this book in ways I didn’t expect.
Stephanie Foo’s story of complex trauma, the gaslighting she endured, and her drive to overachieve just to feel worthy hit close to home. Like her, I turned to spiritual practices seeking peace, and like her, I often felt alone in that process.
This book reminded me that my thoughts and feelings are not only valid, but worthy of compassion. The therapy sessions toward the end were especially powerful. I felt like her therapist was speaking directly to me, and something in me softened.
If you're breaking intergenerational patterns, this book offers deep healing, insight, and a sense of being profoundly understood.
NEW YORK TIMES BESTSELLER • A searing memoir of reckoning and healing by acclaimed journalist Stephanie Foo, investigating the little-understood science behind complex PTSD and how it has shaped her life
“Achingly exquisite . . . providing real hope for those who long to heal.”—Lori Gottlieb, New York Times bestselling author of Maybe You Should Talk to Someone
ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, Cosmopolitan, NPR, Mashable, She Reads, Publishers Weekly
By age thirty, Stephanie Foo was successful on paper: She had her dream job as an award-winning radio producer at This American Life and…