Here are 100 books that The Corrections fans have personally recommended if you like
The Corrections.
Book DNA is a community of 13,000+ authors and super readers sharing their favorite books with the world.
I love stories so much I majored in English at UVa. Though I showed up in New York with only reading and waitressing skills, Iâve somehow enjoyed the privilege of working in the arts at some of the greatest institutions (Paul Taylor, Cooper Union, ABT). I respond to art, people and especially art-people. Encountering their deep love (and glorious dysfunction) in books enables me to extend the special communion that grows around audiences and artists. This is central to me. It reminds me that beauty is important. It helps me hold on.
This is such an insightful glimpse into what happens when an artistâin this case, an architectâstops creating, thatâs both hilarious and heartbreaking.
Describing the price of privilege, but without preciousness, Maria Semple illustrates the decline of a mother and professional, doing what seem like the right things while producing disastrous results that really ring true.
Fatigued by the priorities of high-tech Seattle, Bernadette loses her confidence and misplaces her trust. Then itâs her daughter who has to pull her back from the brink. Their love withstands the tests of culture, community, and commodity, reminding us of the remarkable symbiosis between mothers and daughters while showcasing Sempleâs irrepressible, satiric wit.
A misanthropic matriarch leaves her eccentric family in crisis when she mysteriously disappears in this "whip-smart and divinely funny" novel that inspired the movie starring Cate Blanchett (New York Times).
Bernadette Fox is notorious. To her Microsoft-guru husband, she's a fearlessly opinionated partner; to fellow private-school mothers in Seattle, she's a disgrace; to design mavens, she's a revolutionary architect; and to 15-year-old Bee, she is her best friend and, simply, Mom.
Then Bernadette vanishes. It all began when Bee aced her report card and claimed her promised reward: a family trip to Antarctica. But Bernadette's intensifying allergy to Seattle --âŠ
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa storiesâall reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argueâŠ
I've always believed that the bonds of friendship and sisterhood among women are essential. Growing up in challenging circumstances, my sisters and I found solace and strength in each other, offering comfort and guidance during uncertain times. They became my closest friends and have remained so throughout my life. Stories that celebrate these deep connections never fail to move me. The unwavering support of my sisters has saved me more times than I can count, and I will forever admire authors who portray unity among women. I truly hope you enjoy these beautiful novels!
This book holds a cherished place in my heart as it delves into the intricate dynamics of mother-daughter relationships and the profound journey of self-discovery. Growing up, I often felt the weight of cultural expectations, and choosing a different path inevitably strained my familial bonds.
As I read, memories of my mother and sisters flooded back, reminding me of the unique connections we share. An artfully crafted story that made me question so much about myself and the way that culture has influenced me as a person. Tanâs lyrical prose eloquently voices the experiences of so many young girls who have long been silenced, making this, without a doubt, one of my most treasured reads.
'The Joy Luck Club is an ambitious saga that's impossible to read without wanting to call your Mum' Stylist
Discover Amy Tan's moving and poignant tale of immigrant Chinese mothers and their American-born daughters.
In 1949 four Chinese women, recent immigrants to San Francisco, meet weekly to play mahjong and tell stories of what they left behind in China. United in loss and new hope for their daughters' futures, they call themselves the Joy Luck Club.
Their daughters, who have never heard these stories, think their mothers' advice is irrelevant to their modern American lives - until their own innerâŠ
My obsession with reading began in third grade when I heard an audio version of The Secret Garden and described the plot to my mom, who told me I should bike to our public library and check the book out. Since then, Iâve written two novels, and I teach creative writing and literature classes at the University of Memphis. At the heart of everything I write is the relationship between women connected by blood. My own great-grandmother lived to be 104, and I have a weekly lunch with my own 94-year-old grandmother. Thereâs nothing like learning what your own mother was like, as told to you by her mother.
I was one of those women who was obsessed with Oprahâs Book Club. She started it in 1996, the same year I started my sophomore year of college. I canât say that I read every book assigned to me in my classes, but I damn sure as hell read every book Oprah recommended.
White Oleander was picked in May 1999, just a few months before my wedding. I did zero wedding planning the week I read that book. I ignored my soon-to-be husband and called my sisters to demand that they read the book. The story, which follows Astrid (why did my parents name me such a terrible ugly name like Courtney when Astrid was right there?) as she navigates foster care following her motherâs conviction for murder, is compelling. However, I fell in love with the prose and the way Finch describes the people and places in the novel.
White Oleander is a painfully beautiful first novel about a young girl growing up the hard way. It is a powerful story of mothers and daughters, their ambiguous alliances, their selfish love and cruel behaviour, and the search for love and identity.Astrid has been raised by her mother, a beautiful, headstrong poet. Astrid forgives her everything as her world revolves around this beautiful creature until Ingrid murders a former lover and is imprisoned for life. Astrid's fierce determination to survive and be loved makes her an unforgettable figure. 'Liquid poetry' - Oprah Winfrey 'Tangled, complex and extraordinarily moving' - Observer
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicitâŠ
I love reality television, shamelessly. I find it fascinating what people are willing to share about themselves in front of a national audience: their disgusting habits, their motivations, vices, secrets, and most importantly, their vulnerabilities. I think the reason Iâm drawn to this medium is because I enjoy examining and thinking about why people make the choices they do. When it comes to my writing, I seek to portray the same multidimensional view of my characters that I see on these shows. I want their selfish choices and most humanizing insecurities to shine equally.Â
I finished this novel almost as quickly as I started it.
Though, aside from its fantastic hook, I loved Little Fires Everywhere because itâs one of the most empathetic character-driven novels that Iâve read. Itâs clear that no character is entirely âin the rightâ throughout the novel, yet I understood their perspectives equally.
I think Ngâs writing is unflinchingly sincere, even toward characters who keep secrets, act on jealousy, lie, and cause damage.Â
"Witty, wise, and tender. It's a marvel." -Paula Hawkins, author of The Girl on the Train and A Slow Fire Burning
"To say I love this book is an understatement. It's a deep psychological mystery about the power of motherhood, the intensity of teenage love, and the danger of perfection. It moved me to tears." -Reese Witherspoon
From the bestselling author of Everything I Never Told You and Our Missing Hearts comes a riveting novel that traces the intertwined fates of the picture-perfect Richardson family and the enigmatic mother and daughter who upend theirâŠ
Iâm interested in characters and stories that reveal the light and darkness inside and between people. For me, the best stories are ones that feature screwed-up characters trying their best to put one step in front of the other, sometimes in a misguided way that costs those most dear to them. This kind of dynamic is most fraught in the family unit. Family members stunt and cultivate each other in unexpected and fascinating ways. So Iâm drawn to reading about dysfunctional families, as well as writing about them as I have in my novels, The Promise of Pierson Orchard (2017) and Stone Creek (out in August 2024).
These twenty-two, well-crafted flash fiction stories illuminate a wide array of family situations and humanity by exploring both mundane and extraordinary moments. This collection manages to be funny, quirky, and poignant, while examining the foibles of family life and relationships with a particular focus on the roles of women and girls.
Twenty-two (very) short stories from Tori Bond create what Kathy Fish calls a "a collection of tightly woven, deliciously wrought stories" that, as Amy L. Clark writes, "allow Bondâs own words to soar like crows, or like chickens, and sometimes, like hope."
As a writer who can never seem to tell a simple chronological, beginning/middle/end story in the books I write, I want to make a case for fictional works that fall somewhere between novels and traditional short story collections: shape-shifting novels. A shape-shifting novel allows for an expansiveness of timeâfor exploring the lives of generations within a single family, or occupying a single place, without having to account for every person, every moment, every year. Big, long Victorian novels, remember, were typically serialized and so written, and read, in smaller installments. The shape-shifting novel allows for that range between the covers of a single, and often shorter, book.
I remember my daughter, an astute and sensitive reader from a very young age, coming downstairs in tears after finishing this book when she was in high school.
Her tears were understandable; though Homegoing, remarkably, addresses the lives of members of seven generations of two connected Ghanian families in a mere 320 pages, we as readers come to care deeply about each of the fourteen characters whose stories fill the book.
The storytelling is that concise, yet also that rich and distinct, depicting two separateâbut tragically relatedâtrajectories for these families caught in the inevitable and devastating web of slavery, from the late 1770s to the present, and from the infamous Cape Coast Castle to Alabama, Harlem, and San Franciscoâand back again.
Effia and Esi: two sisters with two very different destinies. One sold into slavery; one a slave trader's wife. The consequences of their fate reverberate through the generations that follow. Taking us from the Gold Coast of Africa to the cotton-picking plantations of Mississippi; from the missionary schools of Ghana to the dive bars of Harlem, spanning three continents and seven generations, Yaa Gyasi has written a miraculous novel - the intimate, gripping story of a brilliantly vivid cast of characters and through their lives the very story of America itself.
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.Â
For me, writing fiction is a way of tackling issues of fate and identity through storytelling. I believe weâre each the result of an intersection between personality and history and Iâm interested in the way our time and place impacts us and creates a backdrop for our lives. My first novel, The Wayward Moon, is historical fiction set in the 9th-century Middle East. My second novel follows a Jewish family back six generations to Belarus. But no matter what period Iâm writing about, the most important thing is always to tell a good story.
Smith is a master at depicting multi-racial families (something she knows all about, as she grew up in one).
Her narratives take up the complex nature of the relationships between parents, children, and siblings, while delving into issues of race, class, politics, infidelity, and self-knowledge. Smith is expert with her use of voice, as she composes character through idiosyncratic styles of language and expression.
Life in this novel is colorful and messy, as it cleverly investigates the impossibility of really knowing those closest to you.
From the acclaimed author of Swing Time, White Teeth and Grand Union, discover a brilliantly funny and deeply moving story about love and family
Why do we fall in love with the people we do? Why do we visit our mistakes on our children? What makes life truly beautiful?
Set between New England and London, On Beauty concerns a pair of feuding families - the Belseys and the Kipps - and a clutch of doomed affairs. It puts low morals among highâŠ
For me, writing fiction is a way of tackling issues of fate and identity through storytelling. I believe weâre each the result of an intersection between personality and history and Iâm interested in the way our time and place impacts us and creates a backdrop for our lives. My first novel, The Wayward Moon, is historical fiction set in the 9th-century Middle East. My second novel follows a Jewish family back six generations to Belarus. But no matter what period Iâm writing about, the most important thing is always to tell a good story.
Iâm always impressed by writers who are able to dream up an original plot, and then make that plot come alive on the page.
The book tells the story of three generations of Russian women in the second half of the twentieth century. Itâs a very unusual blend of Sci-fi, geopolitical history, time travel, and moral dilemmas. A tall order, but the book succeeds in weaving together these narrative strands in a way that feels natural and effortless, while evoking questions about our complex relationship with the notion of scientific progress.
From the author of A Bend in the Stars, an epic adventure as three generations of women work together and travel through time to prevent the Chernobyl disaster and right the wrongs of their past. Â Three brilliant women. Two life-changing mistakes. One chance to reset the future.
After finding out a close friend of mine had what was once called Multiple Personality Disorder, I set out looking for stories, only to find that, according to most fictional representations, my friend was likely to be a violent, amnesiac murderer. Fortunately, this is wildly inaccurate. Unfortunately, it's socially prominent, and enormously destructive. This has sparked a decade-long obsession (and close friendship), the result of which is my debut novel, When Fire Splits the Sky, which was released in November of 2022 by Unsolicited Press. My other writing has been nominated for the Rhysling and Best of the Net, and has appeared in Asimovâs Science Fiction and F(r)iction, among others.
Some books are fascinating character studies. Others are riveting stories. When Rabbit Howls is somehow both.
Narrated by a womanâs alters (The Troops for Trudi Chase), this book really goes the extra mile in terms of forcing the reader to feel the lifetime impact of abuse both through the story being told, and the way that story is written on the page. I wonât spoil anything here, but it includes a brilliant, metafictional ending that has lingered with me for years now like a punch to the solar plexus.
A woman diagnosed with dissociative identity disorder reveals her harrowing journey from abuse to recovery in this #1 New York Times bestselling autobiography written by her own multiple personalities.
Successful, happily married Truddi Chase began therapy hoping to find the reasons behind her extreme anxiety, mood swings, and periodic blackouts. What emerged from her sessions was terrifying: Truddi's mind and body were inhabited by the Troops-ninety-two individual voices that emerged to shield her from her traumatizing childhood.
For years the Troops created a world where she could hide from the pain of the ritualized sexual abuse she suffered at theâŠ
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, heâs lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, aâŠ
I spent the majority of my twenties living and working abroad, and I've always been a sucker for a love story that crosses borders. I met my husband while living and working in Turkey, and now I write lighthearted romance novels inspired by the idea that you don't have to choose between catching flights or catching feelings - why not both? While I'm doing less traveling these days, I feel like I still get to experience different countries, cultures, and settings thanks to so many wonderful books that feel like vacations.
First of all, I love everything I've ever read from Helen Hoang.
Getting inside the heads of her characters feels like such a privilege, always providing a different way of viewing the world. In this book, watching the characters come to understand and love each other through neurodivergence, language, and cultural differences was so beautiful. I couldn't put it down!
From the USA Today bestselling author of The Kiss Quotient comes a romantic novel about love that crosses international borders and all boundaries of the heart...
Khai Diep has no feelings. Well, he feels irritation when people move his things or contentment when ledgers balance down to the penny, but not big, important emotionsâlike grief. And love. He thinks he's defective. His family knows betterâthat his autism means he just processes emotions differently. When he steadfastly avoids relationships, his mother takes matters into her own hands and returns to Vietnam to find him the perfect bride.
