Here are 100 books that On Beauty fans have personally recommended if you like
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I'm a fourth-generation “Mainer” and the mother of two boy “wolves,” and I have a deep well of respect for boys and their imaginations in the masculinized culture we swim in. I've seen how much rich thinking is going on in the inner lives of boys. The teenage boy rendered in literature can be a stock character, and I was determined to give them more respect on the page and to explore what’s not said between boy moms and their sons that deeply connects them. I teach widely and write non-fiction as well as fiction and am a founder of a creative writing center in Portland, Maine for kids called the Telling Room.
This is the Mother of all boy mom books. It’s required reading for anyone learning to speak boy. Equal parts despair—Lamott is a single mom who sometimes wants to leave her crying boy outside on the stoop—and equal parts gut punches of hilarious wisdom and ardor about boy life and mom devotion.
This is the journal of the birth of Anne Lamott's son Sam, and their first year together. Coping with being a recovering alcoholic and a single mother, Anne had to face the fact that her best friend since childhood was dying of cancer.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
My expertise and passion for these topics stem from my lived experiences. I never understood why I would be the only girl to suffer so much, but now, having written my memoir, I know it all had a purpose. Some people with similar backgrounds write to me, and I try to offer them compassion, encouragement, hope, and understanding. I advise them to write their own memoirs to shed light on different life issues and inspire meaningful conversations. I have been a platinum member of Audible since 2016 and have more than 1000 memoirs in my library—I hope this helped me to choose the best five memoirs for this list!
I lived Augusten Burroughs’ life while walking in the U.S. National Arboretum through the medium of his audiobook. Augusten Burroughs’ parents had the same issues as my parents, and his life was as eclectic as mine. This allowed me to heal my long-time wounds in a way.
The more I read about the emotional struggles of others, the easier it is for me to fully remember the darkest moments of my childhood. This particular memoir also made it difficult for me to put it down because of its very bizarre plot and dark humor. Additionally, I was fascinated to read about the time before I was born. Isn’t it odd that the world once existed without us?
This is the true story of a boy who wanted to grow up with the Brady Bunch, but ended up living with the Addams Family. Augusten Burroughs's mother gave him away to be raised by her psychiatrist, a dead ringer for Santa Claus and a certifiable lunatic into the bargain. The doctor's bizarre family, a few patients and a sinister man living in the garden shed completed the tableau. The perfect squalor of their dilapidated Victorian house, there were no…
I have been asked for decades to share my story. Who would want to hear my story? When we established the fund in memory of beloved sisters Margie and Jane, the doctor connected to the fund told me to write about my sisters so others would know them. After thirty years of suppressing my grief, writing became a venue to let the walls down and let my feelings out and be compassionate to myself and others in their grief no matter the time. Grief is a difficult subject and I hope in telling my story another individual will not be alone in their grief.
I am recommending this work of fiction selected by The Compassionate Friends Sibling Grief Book Club. Ann, with grace, handles not only the sibling loss of a brother, a boy the sole survivor of a plane crash, but the depth and breadth of grief from the aunt and uncle Edward lives with. Edward’s aunt grieving the loss of an unborn child and her sister, says to Edward, “You’re not okay. We are not okay. This is not okay.” I’m certain other bereaved siblings can relate, “he mourns what his brother has lost.” I related to how in a family we handle grief differently and often are unable to communicate how we are feeling.
A transcendent coming-of-age story about the ways a broken heart learns to love again.
One summer morning, a flight takes off from New York to Los Angeles: there are 192 people aboard. When the plane suddenly crashes, twelve-year-old Edward Adler is the sole survivor.
In the aftermath, Edward struggles to make sense of his grief, sudden fame and find his place in a world without his family. But then Edward and his neighbour Shay make a startling discovery; hidden in his uncle's garage are letters from the relatives of other passengers - all addressed him.…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I've always believed that the bonds of friendship and sisterhood among women are essential. Growing up in challenging circumstances, my sisters and I found solace and strength in each other, offering comfort and guidance during uncertain times. They became my closest friends and have remained so throughout my life. Stories that celebrate these deep connections never fail to move me. The unwavering support of my sisters has saved me more times than I can count, and I will forever admire authors who portray unity among women. I truly hope you enjoy these beautiful novels!
This book holds a cherished place in my heart as it delves into the intricate dynamics of mother-daughter relationships and the profound journey of self-discovery. Growing up, I often felt the weight of cultural expectations, and choosing a different path inevitably strained my familial bonds.
As I read, memories of my mother and sisters flooded back, reminding me of the unique connections we share. An artfully crafted story that made me question so much about myself and the way that culture has influenced me as a person. Tan’s lyrical prose eloquently voices the experiences of so many young girls who have long been silenced, making this, without a doubt, one of my most treasured reads.
'The Joy Luck Club is an ambitious saga that's impossible to read without wanting to call your Mum' Stylist
Discover Amy Tan's moving and poignant tale of immigrant Chinese mothers and their American-born daughters.
In 1949 four Chinese women, recent immigrants to San Francisco, meet weekly to play mahjong and tell stories of what they left behind in China. United in loss and new hope for their daughters' futures, they call themselves the Joy Luck Club.
Their daughters, who have never heard these stories, think their mothers' advice is irrelevant to their modern American lives - until their own inner…
For me, writing fiction is a way of tackling issues of fate and identity through storytelling. I believe we’re each the result of an intersection between personality and history and I’m interested in the way our time and place impacts us and creates a backdrop for our lives. My first novel, The Wayward Moon, is historical fiction set in the 9th-century Middle East. My second novel follows a Jewish family back six generations to Belarus. But no matter what period I’m writing about, the most important thing is always to tell a good story.
Franzen is at his best when depicting character, and The Corrections goes deep, creating a family drama that is rooted in detailed psychological portraits of his subjects.
In doing so, he meticulously builds their worlds, motivations, and fears, creating nuanced portrayals that not only reveal individual personality, but also the texture and color of life in America in the late 20th century.
Yet the true theme of the book is family dynamics: what does it mean when your mother insists that you come home for Christmas, and what does it mean when you don’t really want to go?
#1 NEW YORK TIMES Bestseller NATIONAL BOOK AWARD WINNER
“A spellbinding novel” (People) from the New York Times bestselling author Jonathan Franzen, the author of Crossroads, The Corrections is a comic, tragic epic of worlds colliding: an old-fashioned world of civic virtue and sexual inhibitions, a new world of home surveillance, hands-off parenting, do-it-yourself mental health care, and globalized greed.
After almost fifty years as a wife and mother, Enid Lambert is ready to have some fun. Unfortunately, her husband, Alfred, is losing his sanity to Parkinson’s disease, and their children have long since flown the family nest to the…
As a writer who can never seem to tell a simple chronological, beginning/middle/end story in the books I write, I want to make a case for fictional works that fall somewhere between novels and traditional short story collections: shape-shifting novels. A shape-shifting novel allows for an expansiveness of time—for exploring the lives of generations within a single family, or occupying a single place, without having to account for every person, every moment, every year. Big, long Victorian novels, remember, were typically serialized and so written, and read, in smaller installments. The shape-shifting novel allows for that range between the covers of a single, and often shorter, book.
I remember my daughter, an astute and sensitive reader from a very young age, coming downstairs in tears after finishing this book when she was in high school.
Her tears were understandable; though Homegoing, remarkably, addresses the lives of members of seven generations of two connected Ghanian families in a mere 320 pages, we as readers come to care deeply about each of the fourteen characters whose stories fill the book.
The storytelling is that concise, yet also that rich and distinct, depicting two separate—but tragically related—trajectories for these families caught in the inevitable and devastating web of slavery, from the late 1770s to the present, and from the infamous Cape Coast Castle to Alabama, Harlem, and San Francisco—and back again.
Effia and Esi: two sisters with two very different destinies. One sold into slavery; one a slave trader's wife. The consequences of their fate reverberate through the generations that follow. Taking us from the Gold Coast of Africa to the cotton-picking plantations of Mississippi; from the missionary schools of Ghana to the dive bars of Harlem, spanning three continents and seven generations, Yaa Gyasi has written a miraculous novel - the intimate, gripping story of a brilliantly vivid cast of characters and through their lives the very story of America itself.…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
As an immigration legal scholar and lawyer, I read about immigration a lot. From laws that seem written to confuse to articles in academic journals written for an audience of experts, I’m lucky to love what I do—and so I enjoy most of what I read. But these books are special. They drew me in and wouldn’t let go until the last page. Whether fiction or non-fiction, they are written by storytellers who bring laws and policies to life.
At times, immigration policies are so ludicrous that only fiction can tell a credible story of what’s happening.
In Luiselli’s novel, modern asylum policies in the United States get the storytelling they deserve through the lens of one New York family struggling with the ordinary challenges of life only to learn, bit by bit, just how close their lives are to the migrants attempting to navigate the extraordinary demands of immigration policies along the US-Mexican border.
NEW YORK TIMES 10 BEST BOOKS OF THE YEAR • “An epic road trip [that also] captures the unruly intimacies of marriage and parenthood ... This is a novel that daylights our common humanity, and challenges us to reconcile our differences.” —The Washington Post
In Valeria Luiselli’s fiercely imaginative follow-up to the American Book Award-winning Tell Me How It Ends, an artist couple set out with their two children on a road trip from New York to Arizona in the heat of summer. As the family travels west, the bonds between them begin to fray: a fracture is growing between…
I am the author of three novels that all explore contemporary notions of fidentity. In 2016 I received a scholarship to travel from New Zealand to Berlin for three months and fell in love with the city. I ended up staying there for nearly four years, until the pandemic started. As a writer I liked the way that being detached from your regular life, and living in a country where you are unfamiliar with the language and the rules, makes you alert to the quirks. It helps you to gain a fresh perspective about the place that you came from, and also the place that you are in.
This book, the first in Rachel Cusk’s famous trilogy, was a revelation to me because it feels so radically unstructured but at the same time is fascinating in its form.
The narrator travels to Athens to teach a summer writing course but the details about her are kept so sketchy that we only really get to know her through the way she receives what others tell her. Faye is brilliantly observant, and only gradually do you begin to realise, as a reader, that the author is subtly meditating on a series of themes through these conversations, mostly about disappointments and divorces.
The first in Rachel Cusk's critically-acclaimed trilogy, shortlisted for the Folio Prize and the Goldsmith Prize and longlisted for the IMPAC Prize.
Outline is a novel in ten conversations. Spare and lucid, it follows a novelist teaching a course in creative writing over an oppressively hot summer in Athens. She leads her student in storytelling exercises. She meets other writers for dinner. She goes swimming in the Ionian Sea with her seatmate from the place. The people she encounters speak volubly about themselves, their fantasies, anxieties, pet theories, regrets, and longings. And through these disclosures, a portrait of the narrator…
I sometimes joke that the greatest gift my parents gave me was a troubled childhood. Difficult circumstances taught me about patience and gave me the grit to persevere. My mother’s mood swings and my brother’s violent outbursts turned me into a shrewd observer of people and their unpredictable behavior. That led me to study psychology at Harvard, where so much research seemed to boil down to one goal: giving people context to understand why they act and behave in particular ways. As a journalist who has interviewed thousands of people across dozens of countries, the theme of family – and how we sometimes have to overcome them – remains as salient as ever.
I interviewed Doris Lessing about her memoir Alfred & Emily at her home in London in 2008. She was 88 years old, but was still trying to break free of the “monstrous legacy” of World War II, which had left her father, Alfred, broken and her mother, Emily, “demented.”
Growing up in colonial Rhodesia, she was more comfortable in the bush with wild snakes than she was at home with her troubled parents. Yet she acknowledges what they could have been had history not been so cruel. I’ve tried to apply that same grace to my parents, who met during the Vietnam War and later struggled to care for my severely disabled brother.
Acknowledging my parents’ war wounds, as Lessing did with hers, helped pave the way for forgiveness.
I think my father's rage at the trenches took me over, when I was very young, and has never left me. Do children feel their parents' emotions? Yes, we do, and it is a legacy I could have done without. What is the use of it? It is as if that old war is in my own memory, my own consciousness.
In this extraordinary book, the 2007 Nobel Laureate Doris Lessing explores the lives of her parents, each irrevocably damaged by the Great War. Her father wanted the simple life of an English farmer, but shrapnel almost killed him in…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I sometimes joke that the greatest gift my parents gave me was a troubled childhood. Difficult circumstances taught me about patience and gave me the grit to persevere. My mother’s mood swings and my brother’s violent outbursts turned me into a shrewd observer of people and their unpredictable behavior. That led me to study psychology at Harvard, where so much research seemed to boil down to one goal: giving people context to understand why they act and behave in particular ways. As a journalist who has interviewed thousands of people across dozens of countries, the theme of family – and how we sometimes have to overcome them – remains as salient as ever.
Nigel Slater was already one of the U.K.’s most celebrated chefs when he released his memoir Toast in 2003.
When I read it more than a decade later, it was like diving into a prequel to his many cookbooks, columns, and TV shows that I’d followed for years. The book is hilarious and heartbreaking. It beautifully illustrates how interests and passions can save people from unhappy childhoods and toxic people, like his coarse stepmother and distant father, both of whom are vividly drawn.
As a memoirist, I took inspiration from his narrative arch and how he persevered. The darkness and isolation of my own childhood is what prepared me to embrace the glitz and glamour of Eurovision.
TOAST is top food writer Nigel Slater's eat-and-tell autobiography. Detailing all the food, recipes and cooking that have marked his passage from greedy schoolboy to great food writer. In December 2010 the BBC will bring out a film of Toast starring Helena Bonham-Carter and directed by Lee Hall, who won an oscar nomination for Billy Elliot.
Britain's most popular cook describes his personal culinary odyssey, from dangerous encounters with his mother's weevil-seasoned cakes to being harangued by readers who think he deliberately styles Yorkshire puddings to look like a woman's private parts.
Hilarious, irreverent and mouthwatering, TOAST captures thirty years…
