Books like Familyism — picked by fans

This is such an insightful glimpse into what happens when an artist—in this case, an architect—stops creating, that’s both hilarious and heartbreaking.

Describing the price of privilege, but without preciousness, Maria Semple illustrates the decline of a mother and professional, doing what seem like the right things while producing disastrous results that really ring true.

Fatigued by the priorities of high-tech Seattle, Bernadette loses her confidence and misplaces her trust. Then it’s her daughter who has to pull her back from the brink. Their love withstands the tests of culture, community, and commodity, reminding us of the remarkable symbiosis between mothers and daughters while showcasing Semple’s irrepressible, satiric wit.

I was one of those women who was obsessed with Oprah’s Book Club. She started it in 1996, the same year I started my sophomore year of college. I can’t say that I read every book assigned to me in my classes, but I damn sure as hell read every book Oprah recommended.

White Oleander was picked in May 1999, just a few months before my wedding. I did zero wedding planning the week I read that book. I ignored my soon-to-be husband and called my sisters to demand that they read the book. The story, which follows Astrid (why did my parents name me such a terrible ugly name like Courtney when Astrid was right there?) as she navigates foster care following her mother’s conviction for murder, is compelling. However, I fell in love with the prose and the way Finch describes the people and places in the novel.

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I finished this novel almost as quickly as I started it.

Though, aside from its fantastic hook, I loved Little Fires Everywhere because it’s one of the most empathetic character-driven novels that I’ve read. It’s clear that no character is entirely “in the right” throughout the novel, yet I understood their perspectives equally.

I think Ng’s writing is unflinchingly sincere, even toward characters who keep secrets, act on jealousy, lie, and cause damage. 

Franzen is at his best when depicting character, and The Corrections goes deep, creating a family drama that is rooted in detailed psychological portraits of his subjects.

In doing so, he meticulously builds their worlds, motivations, and fears, creating nuanced portrayals that not only reveal individual personality, but also the texture and color of life in America in the late 20th century.

Yet the true theme of the book is family dynamics: what does it mean when your mother insists that you come home for Christmas, and what does it mean when you don’t really want to go?

What I loved about this book was how honest Jarrett was about growing up with a parent who struggled with addiction, being raised by his grandparents, and the many emotions he navigated.

I, too, was raised by my grandparents, shuttling back and forth between paternal and maternal grandparents’ homes growing up, so although our experiences were different, I saw a part of myself in Jarrett’s story as he shared his story in the form of comics. I felt like I was right there with him. 

Wilson’s novels often interrogate art and morality in a hilarious fashion.

In this book, siblings Annie and Buster struggle to overcome their childhood personas of Child A and Child B in their parents’ performance art pieces. When Caleb and Camille disappear under mysterious circumstances, Annie and Buster must investigate to find out if their parents are really dead or if this is yet another elaborate scheme in the name of art.

What is real? What is artifice? Can they escape the myth of their parents’ making and find a healthier way to make their own art?

Frank McCourt's classic book, the memoir of his childhood, is proof in the pudding that the origin of humor is the suffering of the low-status character. And that’s only one reason why I love it.

He had me at “Above all -- we were wet.” His descriptions of the impossible and undignified conditions of his childhood, where children had absolutely no control over anything and adults were at the mercy of life itself, brought me so close to him that I think I started believing we were actually related and scribbled him into the family tree as a long-lost uncle.

McCourt captures the hapless quality of gullible, unsupervised children let loose on an unforgiving world with a buoyancy that comes through every sentence and rises above the brutal conditions of his childhood. 

And the truth he finds in the details, from the brutality of religious authority figures to the abject… show more.

Jessica Warman’s Between is a marvelous study in flawed characters, who, by their very nature, are at times unlikeable. Ironically, I love unlikeable characters—because they’re written realistically and with plenty of potential for growth. Because I prefer to write characters with realistic attributes, and those in my own book are no exception, I love reading their points of view. Additionally, it’s always interesting when these characters are dropped into situations requiring suspension of disbelief, and it’s even better when protagonists lead a cast of such characters. Between checks all of these boxes. It’s delicious!

Talk about a complicated mother-daughter relationship! Almost as soon as her daughter is born, Blythe suspects something is…off. And no kidding, is it ever? This book takes the idea of not being able to connect with your kid to a whole other, really terrifying level.

What I particularly love about this book is how much it challenges the idea of who is in charge in the mother-daughter relationship, and what it means if your kid is really, truly, bad. This book actually made me gasp. The title refers to the central incident of the book, but I like it because the book also pushes against all kinds of societal norms. 

Not only do I love Jane Austen, but I’ve always been a huge fan of both young adult novels and science fiction. This book combines all three interests! This retelling of Persuasion is set in a futuristic science fiction world in which class systems are alive and well and technology is being suppressed. I loved the second-chance romance between Elliot and Kai and the inventive use of the setting to create societal commentary.