Here are 100 books that The Concise Townscape fans have personally recommended if you like
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Most of us want to live good lives—lives based on connection, lives based on friendship, lives based on others recognizing who we are. But we often ignore the places and spaces in our society—facilities we call social infrastructure—that can build those ties. We cut funding to libraries, allow private developers to cut down shared green spaces, and neglect our local restaurants, cafes, and bars. To build healthy and happy societies, we need to be able to connect beyond our own nationality, religion, ethnicity, and beliefs. These spaces help us do just that.
I love this book because Jane Jacobs refused to see cities as machines for moving people efficiently from place to place.
Instead, she showed me that healthy cities are built around the small, unplanned collisions of everyday life: the conversations on a stoop, the wait at a bus bench, the chance run-in at a corner store.
Reading her, I started noticing how sidewalks, benches, and parks aren't just infrastructure; they're the physical architecture of trust. That idea has stayed with me throughout my own career studying resilience: the places where people bump into each other repeatedly are exactly the places that hold communities together when disaster strikes.
In this classic text, Jane Jacobs set out to produce an attack on current city planning and rebuilding and to introduce new principles by which these should be governed. The result is one of the most stimulating books on cities ever written.
Throughout the post-war period, planners temperamentally unsympathetic to cities have been let loose on our urban environment. Inspired by the ideals of the Garden City or Le Corbusier's Radiant City, they have dreamt up ambitious projects based on self-contained neighbourhoods, super-blocks, rigid 'scientific' plans and endless acres of grass. Yet they seldom stop to look at what actually…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Looking at the books I have chosen, one might say they are all rather long in the tooth. They are, yet they are also the books that inspired me to do what I do today which is to teach and research the subject of urban design. I am a Professor of Planning and Urban Design at The Bartlett, UCL and firmly believe that understanding a subject like my own begins from the foundations upwards. Each of these classic texts represents part of those foundations, foundations that my own work attempts to build upon.
This third selection was published contemporaneously with the first two, but while the first two are really polemics, this book reports on empirical research. Perhaps because of that, it may seem a little dry, but the messages it has for us about the way we perceive cities are profound (albeit they have since been challenged). If you want to understand urban design then Kevin Lynch’s body of work is a must, and this is the best place to start.
What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly…
Looking at the books I have chosen, one might say they are all rather long in the tooth. They are, yet they are also the books that inspired me to do what I do today which is to teach and research the subject of urban design. I am a Professor of Planning and Urban Design at The Bartlett, UCL and firmly believe that understanding a subject like my own begins from the foundations upwards. Each of these classic texts represents part of those foundations, foundations that my own work attempts to build upon.
This book reports on a research project, this time undertaken by Christopher Alexander and his students. It is one of a number of books that attempts to ask deep questions about how places grow, and in particular about how they can grow positively in a manner that we instinctively feel to be ‘good.' Like Cullen’s book, this deeply influenced my own studies, this time of planning, when I remember conducting an experiment focused on piecemeal growth with a fellow student. The project emulated Alexander’s method and taught me a key lesson that has informed my own work ever since, namely that urban design is primarily a process. Get the process right and you are much more likely to get the outcomes you desire.
In this radical new look at the theory and practice of urban design, Christopher Alexander asks why our modern cities so often lack a sense of natural growth, and suggests a set of rules and guidelines by which we can inject that `organic' character back into our High Streets, buildings, and squares. At a time when so many of Britain's inner cities are undergoing, or are in need of, drastic renovation, Christopher Alexander's detailed account of his own experiments in urban-renewal in San Francisco makes thought-provoking reading.
Katie's Gamble is an unexpected, unique story about a young woman who's trying to support her younger siblings by keeping her family's confectionery shop open.
In order to do that, she has to take on her older brother, who's a notorious gambler in Louisiana. Additionally, she has to outsmart Rowdy…
Growing up in a Dutch city, I vividly remember witnessing the excitement of urban life through the windows of a streetcar, on foot, or by bike. Soon, I began to recreate this excitement by drawing maps of imaginary cities of my own. My small towns turned into entire regions, their streets coming to life as I closed my eyes. I essentially turned my childhood fascination into my job, as I now study, design, and teach students how to improve cities. Our best cities are places where citizens can interact with one another, overcoming social, economic, and environmental evolutions and revolutions. I never cease to be fascinated with the key to these everlasting cities.
Key to understanding cities is also to know how people experience them. Thousands of miles away but only a few years after Jacobs’ manifesto, Danish architect and urban designer Jan Gehl fascinatingly describes how people experience and behave in cities. We can use Gehl’s psychological and experiential lens to improve our urban environment, not designing buildings and cities just to appease other designers, politicians, or developers, but to real end users. Gehl’s original work has been translated into dozens of languages and expanded into one of the world’s foremost urban design firms. As an urban designer and researcher, Gehl’s book reminds me every day to focus first on people, then on space, and only then on buildings.
The first Danish language version of this book, published in 1971, was very much a protest against the functionalistic principles for planning cities and residential areas that prevailed during that period. The book carried an appeal to show concern for the people who were to move about between buildings, and it urged an understanding of the subtle, almost indefinable - but definite - qualities, which have always related to the interaction of people in public spaces, and it pointed to the life between buildings as a dimension of architecture that needs to be carefully treated. Now 40 years later, many…
I’ve been fascinated by architecture and landscape architecture since discovering the work of Le Corbusier at the age of sixteen. Most of my life has been spent teaching and writing about it - fifteen books and numerous articles - with occasional forays into designing and building. I took early retirement as a Professor of Architecture in 2013, the year after enjoying ‘Fifteen Minutes of Fame’ on a BBC TV series featuring the development of my ‘mineral scarves’ for Liberty of London. This led to a creative app and website for children called Molly’s World (to be launched in 2024) and on my seventieth birthday in 2023 I launched an architectural and garden design studio.
I was introduced to this at the end of my first year as an architecture student and it introduced me to looking at history through a designer’s eyes.
The original and best edition was in a small format, packed with postage-stamp-sized illustrations. Venturi’s target was the reductive, less-is-more strand of Modern architecture. ‘Less is a bore’, Venturi declared, and he opened my eyes to Mannerism and the Baroque and offered new insights into modern masters such as Aalto and Le Corbusier.
My lifelong search for how contemporary architecture can be as loved and graceful as the buildings and environments of our heritage have made me create numerous books, lectures, and films on matters I find crucial. But every new text seems to create more questions than answers. Perhaps it is better to build the talk? Architecture has dimensions, such as time, that make the reading richer than most books. But that brings you back to interpretation. It seems as books and buildings will be impossible to separate. At least for me.
There are more than one hundred books written on Alvar and Aino Aalto but none of them are as personal as the ones written by their friend Göran Schildt.
I hold The Human Factor highest. Alvar Aalto conceived a deep understanding of life and created a sensitive architecture that embraced it. He was praised for that, but Schildt goes beyond the glory and explains how humane architecture remained controversial in a technological era.
Papyrologist Lisa Emmer's world flips when the Sûreté detains her at her Metro station with news of the savage murder of the esteemed Paris historian Dr. Raimond Foix, her friend and mentor in the study of ancient documents.
Horrified, Lisa finds clues at the crime scene left behind for her…
My lifelong search for how contemporary architecture can be as loved and graceful as the buildings and environments of our heritage have made me create numerous books, lectures, and films on matters I find crucial. But every new text seems to create more questions than answers. Perhaps it is better to build the talk? Architecture has dimensions, such as time, that make the reading richer than most books. But that brings you back to interpretation. It seems as books and buildings will be impossible to separate. At least for me.
To read about the long, long history of creating solid, sun-lit, comfortable, and sound houses and homes is truly inspiring.
I keep going back to Bill Addis bible again and again as I look for understanding of how the inventiveness of humankind have evolved the world we live in. To read about the symbiosis between material and matter is not only joyful; it is also a source of inspiration as we today have to re-invent many of the un-sustainable solutions we rely on.
My lifelong search for how contemporary architecture can be as loved and graceful as the buildings and environments of our heritage have made me create numerous books, lectures, and films on matters I find crucial. But every new text seems to create more questions than answers. Perhaps it is better to build the talk? Architecture has dimensions, such as time, that make the reading richer than most books. But that brings you back to interpretation. It seems as books and buildings will be impossible to separate. At least for me.
Sometimes the best books are not the ones that make you take notes, but the ones that make you think new thoughts.
Fisher’s book is one of these thought-provoking pamphlets where the best moments of reading are when you let the book rest on your lap and reflect upon how his thoughts on practicing architecture can reflect on your own work. This happens to me as I read about the revival of the language of brick and mortar.
Since childhood I have wanted to know why things look as they do. Every object expresses what was once an idea in someone’s mind. Looking from things to the people who made them and back again, we understand both better. This single question has led me through a lifetime of writing about material culture, architecture, applied art and craft. I have written books about Stonehenge, the Gothic Revival and antiquarianism in the Romantic age. I also hosted a podcast series, for the London Review of Books.
The 1960s saw Britain destroy more of its own built environment than all the bombing of the second world war. The car was king, the high rise and the shopping precinct transformed city centres. In many cases this is now seen as a disaster. Otto Saumarez Smith, one of the brightest of the rising generation of architectural writers, tells us how and why it happened, why it stopped and why he has come to love some of it.
Boom Cities is the first published history of the profound transformations of British city centres in the 1960s.
It has often been said that urban planners did more damage to Britain's cities than even the Luftwaffe had managed, and this study details the rise and fall of modernist urban planning, revealing its origins and the dissolution of the cross-party consensus, before the ideological smearing that has ever since characterized the high-rise towers, dizzying ring roads, and concrete precincts that were left behind.
The rebuilding of British city centres during the 1960s drastically affected the built form of urban Britain,…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
An avid reader, and a spec-fiction/fantasy reviewer for CM Canada online, I’ve wanted to tell stories for as long as I can remember. I write “pantser-style” and let the characters run loose, looking at their motivation to steer the tale, often starting with little more than an idea and, if lucky, a character or two. My love of history led me to writing mediaeval or historical fantasy, as my first group of published novels attest, but to avoid stagnation added science fiction and a fantasy detective series of novellas. To date have fourteen novels and three anthologies of my novellas published and have appeared on panels at several cons.
A brutal re-telling of the King Arthur legend, this novel reimagines the familiar story, retaining the feeling of weird magic, while pulling no punches about the characters. Arthur is a thug, Guinevere is no better, Merlin is a frustrated sprite beset by his female counterparts, and Britain is best described as a “clogged sewer that Rome abandoned just as soon as it could.”
The first of a five-book planned series to tell the story of the Matter of Britain, this is a ruthless and dark take that grabbed me from the beginning. I’ve always loved history, even a warped version like this. It left me eager for more and set me tracking down what else this author had written. I was not disappointed.
The Romans have gone. While their libraries smoulder, roads decay and cities crumble, men with swords pick over civilisation's carcass, slaughtering and being slaughtered in turn.
This is the story of just such a man. Like the others, he had a sword. He slew until slain. Unlike the others, we remember him. We remember King Arthur.
This is the story of a land neither green nor pleasant. An eldritch isle of deep forest and dark fell haunted by swaithes, boggarts and tod-lowries, Robin-Goodfellows and Jenny Greenteeths, and predators of rarer appetite yet.
