Here are 100 books that A New Theory of Urban Design fans have personally recommended if you like
A New Theory of Urban Design.
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Most of us want to live good lives—lives based on connection, lives based on friendship, lives based on others recognizing who we are. But we often ignore the places and spaces in our society—facilities we call social infrastructure—that can build those ties. We cut funding to libraries, allow private developers to cut down shared green spaces, and neglect our local restaurants, cafes, and bars. To build healthy and happy societies, we need to be able to connect beyond our own nationality, religion, ethnicity, and beliefs. These spaces help us do just that.
I love this book because Jane Jacobs refused to see cities as machines for moving people efficiently from place to place.
Instead, she showed me that healthy cities are built around the small, unplanned collisions of everyday life: the conversations on a stoop, the wait at a bus bench, the chance run-in at a corner store.
Reading her, I started noticing how sidewalks, benches, and parks aren't just infrastructure; they're the physical architecture of trust. That idea has stayed with me throughout my own career studying resilience: the places where people bump into each other repeatedly are exactly the places that hold communities together when disaster strikes.
In this classic text, Jane Jacobs set out to produce an attack on current city planning and rebuilding and to introduce new principles by which these should be governed. The result is one of the most stimulating books on cities ever written.
Throughout the post-war period, planners temperamentally unsympathetic to cities have been let loose on our urban environment. Inspired by the ideals of the Garden City or Le Corbusier's Radiant City, they have dreamt up ambitious projects based on self-contained neighbourhoods, super-blocks, rigid 'scientific' plans and endless acres of grass. Yet they seldom stop to look at what actually…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
My lifelong search for how contemporary architecture can be as loved and graceful as the buildings and environments of our heritage have made me create numerous books, lectures, and films on matters I find crucial. But every new text seems to create more questions than answers. Perhaps it is better to build the talk? Architecture has dimensions, such as time, that make the reading richer than most books. But that brings you back to interpretation. It seems as books and buildings will be impossible to separate. At least for me.
Townscape is more than a book on how good cities are shaped. It is a book that describes generic qualities of space.
Cullens's way of understanding and analyzing urban structures with pen and paper has much to tell future architects. That the book has been around for more than sixty years is a compelling evidence of its outstanding capacity to educate generation after generation on how to create richness and avoid chaos.
Urban planners of today have much to learn from Cullen’s simple, but efficient, drawings and captions.
This book pioneered the concept of townscape. 'Townscape' is the art of giving visual coherence and organization to the jumble of buildings, streets and space that make up the urban environment. It has been a major influence on architects, planners and others concerned with what cities should look like.
Looking at the books I have chosen, one might say they are all rather long in the tooth. They are, yet they are also the books that inspired me to do what I do today which is to teach and research the subject of urban design. I am a Professor of Planning and Urban Design at The Bartlett, UCL and firmly believe that understanding a subject like my own begins from the foundations upwards. Each of these classic texts represents part of those foundations, foundations that my own work attempts to build upon.
This third selection was published contemporaneously with the first two, but while the first two are really polemics, this book reports on empirical research. Perhaps because of that, it may seem a little dry, but the messages it has for us about the way we perceive cities are profound (albeit they have since been challenged). If you want to understand urban design then Kevin Lynch’s body of work is a must, and this is the best place to start.
What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly…
AcClaim is a dark, high-society romance about Beatrix Winslow-Hale, a successful romance author who believes desire can be negotiated and controlled—until enigmatic billionaire Dorian Wolker crosses the line between consensual surrender and violation. Publicly humiliated and emotionally shattered, Beatrix turns to Manon de Rochemaure, her fiercely loyal best friend and…
Growing up in a Dutch city, I vividly remember witnessing the excitement of urban life through the windows of a streetcar, on foot, or by bike. Soon, I began to recreate this excitement by drawing maps of imaginary cities of my own. My small towns turned into entire regions, their streets coming to life as I closed my eyes. I essentially turned my childhood fascination into my job, as I now study, design, and teach students how to improve cities. Our best cities are places where citizens can interact with one another, overcoming social, economic, and environmental evolutions and revolutions. I never cease to be fascinated with the key to these everlasting cities.
Key to understanding cities is also to know how people experience them. Thousands of miles away but only a few years after Jacobs’ manifesto, Danish architect and urban designer Jan Gehl fascinatingly describes how people experience and behave in cities. We can use Gehl’s psychological and experiential lens to improve our urban environment, not designing buildings and cities just to appease other designers, politicians, or developers, but to real end users. Gehl’s original work has been translated into dozens of languages and expanded into one of the world’s foremost urban design firms. As an urban designer and researcher, Gehl’s book reminds me every day to focus first on people, then on space, and only then on buildings.
The first Danish language version of this book, published in 1971, was very much a protest against the functionalistic principles for planning cities and residential areas that prevailed during that period. The book carried an appeal to show concern for the people who were to move about between buildings, and it urged an understanding of the subtle, almost indefinable - but definite - qualities, which have always related to the interaction of people in public spaces, and it pointed to the life between buildings as a dimension of architecture that needs to be carefully treated. Now 40 years later, many…
By Chase Reynolds Ewald and Heather Sandy HebertAuthor
Why are we passionate about this?
At Home in the Wine Country coauthorsHeather and Chase love the open, nature-focused attitude toward living that California does so well. Heather worked in the field of architecture for 25 years and is the author of The New Architecture of Wine. Chase has been a western lifestyle writer for 30 years and is the author of 14 books, including Modern Americana, American Rustic, Cabin Style, and Bison. As writers and consultants they work with publishers, magazines, and design, hospitality and wine clients to craft and convey their stories. Heather and Chase live in spectacularly scenic Marin County, halfway between San Francisco and California's iconic wine country.
Jenny Kayne personifies the easy, laid-back approach to design and life that is so characteristic of California. Comfort plays a role equal to that of style, which is always organic, natural, and textural. Jenni Kayne's style leans toward a neutral palette that embraces and accentuates the light, color, and texture of the California landscape. She shares work from her own home, as well as homes of other creative women who share her natural design ethos.
A known tastemaker and authority on style, Jenni Kayne spans the worlds of fashion, interiors, and entertaining. Inspired by organic textures, thoughtful simplicity, and natural landscapes, Kayne embodies an earthy and effortless aesthetic one that is intentional and where beauty and authenticity exist in every detail. In her second book Kayne turns to interior design, sharing her beautifully designed interiors as well as the homes of other creative women who embrace a similar natural design ethos. The book introduces the homes by location, spanning varied landscapes and design characteristics: houses by the ocean, desert-style spaces, mountain homes, and abodes in…
I'm a writer and a late-life fine arts photographer. For eight years I had been writing a book set in the personal and historical past. I would sit at the computer, shut my eyes, and say to myself, “Go deeper.” Eventually, I was able to recall long-forgotten details. When I looked up from those years of writing, the memoir, entitled Phantom Limb, was finished and being published. However, I discovered that I could no longer see – really see – what was around me. Along the way, I had lost that alert attention to the way light falls, to colors that used to hit me between the eyes. I felt the loss deeply. I’ve always loved to look. I had to do something to summon it back.
Mr. Palomar, the hero, is named for the great observatory in California, and he, Mr. Palomar, is the Great Observer. He walks, he wonders about what he sees, and how, in a miraculous universe, such a thing could exist. It’s not a page-turner. It’s a page stopper. I savored each page, seeing the smallest thing – a rock, for example -- as Mr.Palomar sees it. Then I suggest that you put the book down, go out into the world, and see everything as an object of wonder.
Mr Palomar is a delightful eccentric whose chief activity is looking at things. He is seeking knowledge; 'it is only after you have come to know the surface of things that you can venture to seek what is underneath'. Whether contemplating a fine cheese, a hungry gecko, a woman sunbathing topless or a flight of migrant starlings, Mr Palomar's observations render the world afresh.
"A profound and often affecting story of resilience." —Kirkus Reviews
The Silent Women, an extraordinary novel inspired by the real women of Oak Ridge, Tennessee—the Manhattan Project’s “Secret City," where thousands kept the deadliest secret of World War II—is a sweeping, absorbing, and deeply human story about chosen…
AO: I have been intrigued by the Adam and smith (a play on Adam Smith’s name due to K. Boulding) of social sciences ever since, as a graduate student, I was given the privilege to teach a history-of-thought course. I found a lot of wisdom in Smith’s works and continue to find it with every new read. BW: I first met Adam Smith when I was studying for my master’s degree in economics almost twenty years ago. Since then, I have enjoyed rereading him, always finding new sources of fascination and insights. For me, Smith's work is endlessly rich and remains astonishingly topical, three centuries after his birth.
This handbook, edited by three well-known Smith scholars, follows on from a conference organised for the 250th anniversary of the publication of Smith’s Theory of Moral Sentiments although it is not a proceedings volume.
The book has seven parts, each part featuring four chapters. These 28 chapters cover all bases, from an introductory outline of life, times, and legacy, over the importance of Smith’s unpublished work, the importance to Smith of rhetoric, ethics, aesthetics, theatre, and fashion, to Smith’s view on commerce and morality, his view on religion, and Smith’s legacy and influence, among many other topics.
Adam Smith (1723-90) is a thinker with a distinctive perspective on human behaviour and social institutions. He is best known as the author of the An Inquiry into the Nature and Causes of the Wealth of Nations (1776). Yet his work is name-checked more often than it is read and then typically it is of an uninformed nature; that he is an apologist for capitalism, a forceful promoter of self-interest, a defender of greed and a critic of any 'interference' in market transactions . To offset this caricature, this Handbook provides an informed portrait. Drawing on the expertise of leading…
I am a professor of philosophy, specializing in the philosophy of art at the Graduate Center of the City University of New York. When I was a practicing critic, notably of cinema, I backed into philosophy insofar as being a practitioner forced me to ask abstract questions about what I was doing. I have written over fifteen books as well as five documentaries. I am also a former Guggenheim fellow.
This book was instrumental in introducing the English-speaking world to Modern Art. As criticism, it taught readers how to appreciate Neo-Impressionism. But it was also a seminal contribution to Anglo-American philosophy. By demanding an answer to the question “What is Art?” Bell set the agenda for subsequent philosophers who sought to develop a definition of art in response. Bell’s own answer is that something is art if and only if it possesses significant form which itself is the cause of aesthetic emotions. Bell’s emphasis on significant form earned him a reputation as one of the foremost Philosophical Formalists.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been…
I'm a specialist of ancient Egyptian social history, who against the better judgment of (practically all) her colleagues uses the ancient past to make the present understandable. If we don’t fetishize the ancient Egyptians as separate and magical, they have something to teach us, whispering to us from the past through papyri, temples, and archaeological sites. After all, Egyptian history is 3000 years plus in its time span, an astounding data set of a people using same approximate language, government system, religion, and culture. Some of us look hungrily to replicate that kind of lasting and divine power. I am obsessed with power—how it works, why we are helpless to it, and who gets exploited by it. The ancient Egyptian kings effectively packaged their power not only as necessary, but as moral and good, ancient marketing that continues to work on our minds.
I am recommending this volume because it shocked me with its ability to nestle humans into the world as an integral part of the natural world, not separate from it, not rulers over it, but clever animals that need the Earth more than the Earth needs us. It helps me to undercut the manufactured power of the divinely ordained rulers from ancient Egypt.
New insights into the microbiome, epigenetics, and cognition are radically challenging our very idea of what it means to be 'human', while an explosion of neo-materialist thinking in the humanities has fostered a renewed appreciation of the formative powers of a dynamic material environment. The Matter of History brings these scientific and humanistic ideas together to develop a bold, new post-anthropocentric understanding of the past, one that reveals how powerful organisms and things help to create humans in all their dimensions, biological, social, and cultural. Timothy J. LeCain combines cutting-edge theory and detailed empirical analysis to explain the extraordinary late-nineteenth…
Broken Boots, Redeemed Soul: A Veteran’s War with Sin and Salvation
by
Brian Lofton,
Broken Boots, Redeemed Soul: A Veteran’s War with Sin and Salvation, is a raw and faith-centered memoir about life after military service—and the internal battles many never see. Brian Lofton shares his journey through addiction, shame, identity loss, and spiritual distance, revealing how the hardest struggles often begin after…
I spent my childhood in the shadow of my father’s mental illness, forced to grapple with its mysteries before I possessed the tools to do so. In other words, I lived the ignorance that surrounds mental illness. This experience led me to study psychiatry, its foibles and tragedies, both past and present. Now, I am a professor of sociology at the University of New Mexico, where I spend my days thinking and writing about mental health and illness. I am working on a new book about the current crisis in community mental health.
Most of us seek out history with an eye to the present. In this book, Allan Horwitz explains the emergence of our current brand of psychiatry. Sometimes called “biomedical psychiatry,” this is the psychiatry of the DSM and ever-rising rates of mental health diagnoses, of Prozac and psychopharmaceutical drugs, of chemical imbalances and neurological accounts of mental disorders.
Horwitz shows how the shift to this present was driven not by science but by professional crisis. In the 1970s, besieged by critics and exposés of their failings, psychiatrists ditched the Freudian-inspired psychodynamic model for one that emphasized diagnosis and medication. But the science was always dubious, and the upshot of this shift is a culture awash in psychiatric diagnoses for seemingly everything.
In this timely and provocative critique of modern psychiatry, Allan V. Horwitz examines current conceptions of mental illness as a disease. He argues that this notion fits only a small number of serious psychological conditions, and that most conditions currently regarded as mental illness are cultural constructions, normal reactions to stressful social circumstances, or simply forms of deviant behavior. According to Horwitz, the formulation of mental illness as disease benefits various interest groups, including mental health researchers and clinicians, prescriptive drug manufacturers, and mental health advocacy groups, all of whom promote disease-based models. Presenting case studies in maladies such as…
