Books like The Death and Life of Great American Cities

I love this book because Rebecca Solnit dissolves the disaster movie myth that panic and chaos take over when catastrophe strikes.

Instead, she shows something I have found again in my own fieldwork: shocks often bring out extraordinary calm, generosity, and solidarity, and the very disruption that Hollywood turns into looting and stampedes actually builds social connections rather than severing them.

That is where the book's title comes from, and it captures something I have spent my career trying to prove with data. Solnit proved it with stories, and reading it felt like meeting a kindred spirit who arrived at the same truth from a completely different direction.

First published in Italy in 1972, it arrived in English two years later and is now regarded as a classic. It is based on a fiction journey by Kublai Khan to over fifty cities, each with particular features and qualities: they are all fictional. However, they all in some way reflect the character of Venice.

What makes it one of my favorite books is the way its evocative language animates a world of imagination. What unfolds is fantastic rather than fantasy. It has inspired my own writing, and I have recently written a companion work—Disappearing Cities. It also is a collection of short stories engaging around fifty imaginary cities. It is now with my publisher. Besides the influence of Calvino, it was also prompted by two books mentioned above: Amitav Ghosh fusion of climate change and fiction, and Ailton Krenak evocation of stories that postpone the end of… show more.

To understand cities today, you also have to understand why and how they were built to begin with. After all, our environment contains the materialization of previous decisions – we should know why those were made! Through the story of over a dozen global cities, historian Ben Wilson demonstrates how cities are concentrations of hopes, dreams, power, and conflict. While many great historians like Lewis Mumford and Stephen Hall have preceded him with excellently detailed urban history books of their own, this book stands out in its readability, attention to detail, and especially its coverage of global cities. After all, the urban future of most of the world lies beyond the Global North, and this broad survey shows the vast differences in urbanism between cultures.

This fascinating and very detailed history of early Manhattan shows how the Dutch with their policy based on individual liberty and free trade impacted not only New York City but even the shaping of America. 

I sensed this when I was an inhabitant of New York, but now I understand why.

This is one of the best books I have read that helps to understand the reasons behind the fascinating and unpredictable rise of Western liberal civilization.

Humans lived in abysmal conditions for tens of thousands of years, poor, wretched, exposed to violence, war, illness, and untimely death for most of our evolutionary history. The emergence of Western liberal civilization is truly an amazing break with our miserable past. How did this happen?

The authors argue that there is a very precarious path to be followed between totalitarian and imposed order, and chaotic individualism, and Western civilization happened to find almost by chance that delicate balance as a result of a combination of historical, ideological, and other circumstances. 

I loved this book. It is the biography of one of my favorite cities, tracing its trajectory from the 17th century to becoming the world’s first modern city. Jean Dejean points out the critical moves, the urban innovations, that were game changers, from the broad boulevards and the social life they supported to bridges over the Seine to the introduction of streetlights, making the city safer at night.

I was particularly taken by how, through these innovations, the city came to foster a vibrant social and civic life in a newly conceived public sphere, making Paris a model for how, through design, my profession, urban beauty, functionality, and culture could fuse to create one of the world’s great cities.  

Patti Smith’s book beautifully chronicles her intense and formative friendship with the groundbreaking artist Robert Mapplethorpe as they navigated the vibrant and often gritty art scene of late 1960s and 1970s New York City.

Theirs wasn’t a fairytale romance, but a complex, evolving bond between two flawed yet undeniably brilliant creatives. Reading about their struggles, their artistic pursuits within the legendary Chelsea Hotel, and the wider New York City scene evoked a strong sense of nostalgia for me, a time and place I've always found artistically inspiring.

The exploration of their creative partnership, the push and pull between them as individuals finding their artistic voices, is something I’ve often yearned for but haven’t quite experienced in such a profound way.

I abhorred Robert Moses from the first time I opened this book 20 years ago.

This power-grabbing bureaucratic functionary made me ill on some level, mad as hell on another, and want to take a shower after each time I opened the book.

In the end, I still hated Moses for his gall and immoral audacity, but you could not deny his accomplishments, as he saw them. Nevertheless, I had to love a book that could take such a scoundrel whom I grew to loathe and make me glad I read it.

When I first read The Grapes of Wrath in high school, I was moved by the story of the Joad family’s poverty and desperation, and the lack of sympathy they encountered when they arrived in California. 

It is a very gritty description of their journey to California, and details how their dreams sour when they arrive, working as slaves for big orchard owners. This was the fate of thousands of farmers who fled the Dust Bowl. 

I now want to reread all of Steinbeck’s work. 

This book focuses on the role of modern architecture in Paris, and by “modern,” Dennis has in mind the architecture created during the reinvention of Paris in the seventeenth and eighteenth centuries. Dennis provides the best introduction to a crucial factor in Paris’s essence: the particular kind of residential architecture that became characteristic of the cityscape in the seventeenth and eighteenth centuries: the hôtel or townhouse. Great architecture helps make a city great, and in Paris in particular, much of the greatest modern architecture was originally residential – grand townhouses built for the wealthiest Parisians.

Today, most of these townhouses have become museums, government ministries, foreign embassies. With its focus on the relation between public and private space in the city and the ways in which residential architecture can and should function in relation to the streets and the public space in which it is embedded, Dennis’s work is essential… show more.