Books like The Complete Cosmicomics — picked by fans

I am a huge fan of the very-brief gothic. It’s so hard to do well; trivial jump-scares are easy, but to produce a meaningful effect in only a few pages takes real precision. Shirley Jackson holds the crown with "The Lottery," but my second favorite instance of a surprisingly quick read that produces a real gasp is Angela Carter’s mini-treasure, "The Werewolf."

It manages to be a fairy tale, feminist critique, a witch, and a werewolf story all at once—and, like the beast in the title, it may not be what it appears. Also wonderful to me are "The Company of Wolves," "The Snow Child," and the eponymous "The Bloody Chamber," that one a revisioning of "Bluebeard"—essentially, Carter updates all kinds of dark fairy tales, bringing out their subversive shadows for a savvy reader. Still so fresh to this day.

Some of the stories in this collection, like my own stories, use surreal metaphor, expressing poetic imagery in prose form; others are more about the thrill of absurdity. Though surrealism existed before the term or movement existed (in visual art and literature e.g. Lewis Carroll, Hieronymus Bosch, etc.), Andre Breton and his mates really went for it. Here you can read works by Salvador Dali, Luis Bunuel, Louis Aragon, Leonora Carrington, and more. What I love about all of these artists is their obvious joy in discovering the surreal or poetic image, a joy I know well, and their absolute passion for the importance and potency of expressing such imagery. 

This is a wonderful selection of short stories and novel extracts by early authors of strange, weird, surreal fiction; writers whose subject is the so-called supernatural and who rail against the reduction of life to rational materialism. These works would broadly now be referred to as weird fiction. They are only as weird as the world. The book also contains an excellent introduction by the editor, speaking up for the strange, weird, and surreal.

This is the book I used to read with a torch under the bedcovers as a kid. It introduced me to many great science fiction writers. My copy had an excellent cover depicting an ice cream with an eyeball staring out of it. I loved entering the book’s different worlds. It inspired me to lie awake at night, speculating about the universe, only to awake the next morning wondering if this was the day when the school teacher would say, ‘OK enough of these spellings and sums, let’s talk about why life exists.’ I still don’t understand why it never happened.

The story focuses on three women—Francesca, Allegra, and Sophia, three generations of the Ferrari family. They hope that a trip to Italy, to their roots, will restore their connections. But the ties of family run deep, especially troubled ones. Throughout the story, we see the ugly mistakes and misunderstandings of each of the characters—their dirty underwear on display—and how those mistaken beliefs and patterns have torn the fabric that holds the family together.

The characters are complex, human, flawed, and wonderful. You’ll pray for them, cheer for them, hope for them as they flounder, find their footing, and flounder some more. All in beautiful Italy. The descriptions, the locations, the food—everything is mouthwatering.

I dare you not to fall in love.

Oh, this one? It is everything. The villain is a virgin! Which deep down we all want. Seraphena is promised to him since childhood, groomed into marrying him and killing him in order to save her country. When the wedding night comes – he rejects her, leaving her behind. People blame her. If she hated him before, she loathes him even more. Until he reappears into her life to save her and they both fight this attraction. She still has a mission, and this is her excuse to try to seduce him. He is a tough nut to crack. He is actually more in control of himself than she is. As she grows to know him in his supernatural surroundings, hatred is hard to keep and so is distance…

This is a three-volume anthology of Italian American writers recalling family dinners, holidays, funerals, weddings, Italian customs, and Italian relatives. These volumes depict Italians in their everyday life far removed from any mafioso dramas. Reading these stories helps Italians verify the meanings and pronunciations of Italian words and gestures, those things called “Italian” used long ago but since forgotten with the passing of our elders.

A book about books.

Who hasn’t imagined the books they read coming to life in their living room or being able to dive into the fictional world? A father and daughter have a magical ability to do just that.

Unfortunately, the villain of one story was released and this sets them off on an adventure typically only available in books.

Meggie and Mo are an endearing father/daughter team while they navigate the consequences and reaches of their magic.

I wanted to include this book because it focuses not only on women in the Renaissance but on the particular experience of a Jewish woman living and writing in seventeenth-century Venice.

Even though the Venetian republic proclaimed justice and equality, those ideals did not extend to women nor to the thousands of Jews and other non-Christians who made their home in the city. As a Jewish woman, Sarra Copia Sulam had to navigate prejudice and suspicion on two fronts, yet she courageously defended herself and her faith in print.

The book does a wonderful job of showing how Sulam used her dexterous pen to take on her critics, and Westwater’s account reveals new biographical information about Sulam, her family, and Jewish life in the Renaissance.

This is primarily a novel about the life of Saint Benedict. Several minor miracles occur through his acts of faith; he becomes convinced that he is to establish an alternative society in the form of a chain of monasteries – Citadels of God; he despises the rampant political intrigues and the lures of worldly success; and he has a significant influence on several important historical characters. Secondary plots somewhat distract from the main theme.

This book gave me very helpful insights into the political and religious life in the Roman Empire in the first half of the sixth century and paints a very impressive picture of the saint and his passion to serve God wholeheartedly.