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I was six years old, and already a lover of Hallowe’en, when the special joy of stories took hold of my mind. It has never left. By the time I was an adult, I had come to value finely crafted fiction, the beautiful nuances of thought and expression possible in the hands of the greatest writers. At the same time, I never lost my youthful enthusiasm for the ghost, the deep forest just at twilight, the unused room at the back of the house where no one goes. To my delight, I have found there is an entire tradition of such work—gothic shapes rendered by the highest quality writers.
I am a huge fan of the very-brief gothic. It’s so hard to do well; trivial jump-scares are easy, but to produce a meaningful effect in only a few pages takes real precision. Shirley Jackson holds the crown with "The Lottery," but my second favorite instance of a surprisingly quick read that produces a real gasp is Angela Carter’s mini-treasure, "The Werewolf."
It manages to be a fairy tale, feminist critique, a witch, and a werewolf story all at once—and, like the beast in the title, it may not be what it appears. Also wonderful to me are "The Company of Wolves," "The Snow Child,"and the eponymous "The Bloody Chamber," that one a revisioning of "Bluebeard"—essentially, Carter updates all kinds of dark fairy tales, bringing out their subversive shadows for a savvy reader. Still so fresh to this day.
With an introduction by Helen Simpson. From familiar fairy tales and legends - Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves - Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
Hello. My name is Mike Russell. I write books (novels, short story collections, and novellas) and make visual art (mostly paintings, occasionally sculptures). I love art and books that are surreal and magical because that is the way life seems to me, and I love art and books that are mind-expanding because we need to expand our minds to perceive just how surreal and magical life is. My books have been described as strange fiction, weird fiction, surrealism, magic realism, fantasy fiction… but I just like to call them Strange Books.
Some of the stories in this collection, like my own stories, use surreal metaphor, expressing poetic imagery in prose form; others are more about the thrill of absurdity. Though surrealism existed before the term or movement existed (in visual art and literature e.g. Lewis Carroll, Hieronymus Bosch, etc.), Andre Breton and his mates really went for it. Here you can read works by Salvador Dali, Luis Bunuel, Louis Aragon, Leonora Carrington, and more. What I love about all of these artists is their obvious joy in discovering the surreal or poetic image, a joy I know well, and their absolute passion for the importance and potency of expressing such imagery.
Comprised of works by authors from 17 countries, these volumes provide the most extensive assemblage of surrealist writing, much of which is here translated into English for the first time. "The Identity of Things" introduces surrealism's reworking of the fairy tale and the Gothic novel, its essays in the myths, desires and mysteries underlying modern reality.
"I went to fetch my car, but my chauffeur, who has no sense at all, had just buried it', writes Leonora Carrington in this captivating collection of tales from 17 languages." The Observer
Hello. My name is Mike Russell. I write books (novels, short story collections, and novellas) and make visual art (mostly paintings, occasionally sculptures). I love art and books that are surreal and magical because that is the way life seems to me, and I love art and books that are mind-expanding because we need to expand our minds to perceive just how surreal and magical life is. My books have been described as strange fiction, weird fiction, surrealism, magic realism, fantasy fiction… but I just like to call them Strange Books.
This is a wonderful selection of short stories and novel extracts by early authors of strange, weird, surreal fiction; writers whose subject is the so-called supernatural and who rail against the reduction of life to rational materialism. These works would broadly now be referred to as weird fiction. They are only as weird as the world. The book also contains an excellent introduction by the editor, speaking up for the strange, weird, and surreal.
' Lachman presents a generous anthology of literary texts inspired by the weird, the supernatural and the gothic. From Beckford's Vathek to Gustav Meyrink's The Golem, there is a successful balance of the well-known, the esoteric and the curious.' Stuart Kelly in Scotland on Sunday 'The first item, from William Beckford's Vathek, indicates the feverish imaginings gathered in this "occult reader". It encompasses drugs, sacrifice, a genii and an Indian who becomes irresistibly arousing by transforming himself into a ball. ETA Hoffman's The Golden Flower Pot shows how this writer's fertile imagination can animate even everyday objects, as in his…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
Hello. My name is Mike Russell. I write books (novels, short story collections, and novellas) and make visual art (mostly paintings, occasionally sculptures). I love art and books that are surreal and magical because that is the way life seems to me, and I love art and books that are mind-expanding because we need to expand our minds to perceive just how surreal and magical life is. My books have been described as strange fiction, weird fiction, surrealism, magic realism, fantasy fiction… but I just like to call them Strange Books.
If, like me, you like to wonder at the cosmos and its apparent absurdity, this is a great collection. A lot of the humour comes from juxtaposing the mundane with the cosmic and taking a simple premise to extremes, rather like Douglas Adams’ The Hitchhiker’s Guide To The Galaxy.
Italo Calvino's enchanting stories about the evolution of the universe, with characters that are fashioned from mathematical formulae and cellular structures, The Complete Cosmicomics is translated by Martin McLaughlin, Tim Parks and William Weaver in Penguin Modern Classics.
'Naturally, we were all there, - dld Qfwfq said, - where else could we have been? Nobody knew then that there could be space. Or time either: what use did we have for time, packed in there like sardines?'
The Cosmicomics tell the story of the history of the universe, from the big bang, through millennia and across galaxies. It is witnessed…
I’m a human being who struggles with feeling human. When I was 17, I got my brain pretty shaken up after a traumatic event, causing a swathe of memory loss and mental health problems. How do you regain a sense of yourself when chunks of your childhood memories, your skills, and your sense of self have disappeared? Here are some books that grapple with that question, and others.
I grew up with and write horror stories, so it’s very difficult for a book to unnerve me; this is one of the only books I can think of that earns the honor. It is half an ecological text and half a horror story, with its romantic prose balanced by intense natural research to create a surreal, unnerving description of the natural world.
This book made me hyper-aware of everything from the grass outside my window to the cells that make up my body, and I love how it uses both existential horror and the real, biological horror of being a living creature to leave a lasting unease. Are you aware you’re breathing? Can you feel your tongue in your mouth? Your heart’s nonstop beating? You can, now.
THE FIRST VOLUME OF THE EXTRAORDINARY SOUTHERN REACH TRILOGY - NOW A MAJOR MOTION PICTURE WRITTEN AND DIRECTED BY ALEX GARLAND (EX MACHINA) AND STARRING NATALIE PORTMAN AND OSCAR ISAAC
For thirty years, Area X has remained mysterious and remote behind its intangible border - an environmental disaster zone, though to all appearances an abundant wilderness.
The Southern Reach, a secretive government agency, has sent eleven expeditions to investigate Area X. One has ended in mass suicide, another in a hail of gunfire, the eleventh in a fatal cancer epidemic.
I'm very interested in neuroscience, and it turns out that when you are in a state of wonder, you activate parts of the brain that correlate with creativity, gratitude, hope, and connection with oneself and others. In a way, wonder is an antidote to the doom-and-gloom ideologies that surround us. I'm very drawn to art and ideas that help me connect with my sense of wonder and remind me that I'm connected with a vast and mysterious universe!
I love the dreamy art and timeless wisdom in this unique book. It reminds me that I'm in an eternal state of oneness with the universe right here and right now. This book is soothing and beautiful and speaks to the deepest longings of the soul!
Your Illustrated Guide to Becoming One with the Universe will set you free on a visual journey of self-discovery. Set against a surreal backdrop of intricate ink illustrations, you will find nine metaphysical lessons with dreamlike instructions that require you to open your heart to unexplored inner landscapes. From setting fire to your anxieties to sharing a cup of tea with your inner demons, you will learn how to let go and truly connect with the world around…
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
Mortality, desire, memory, and time are my favourite themes, not just in my writing but in my life. I also love anything—music, art, literature—that is evocative, bizarre, and surreal. As a meditator, lover, and writer of poetry and poetic prose, I love books that expand our minds and hearts in ways that conventional acts of writing and creative expressions fail to do.
Goytisolo’s narrative is about a fictitious poet. It is also about the truth about storytelling and the fundamental nature of truth. Different perspectives also conjure up a culture of “hysteria and persecution” surrounding the poet. Can we truly ever know anyone? The book is a perfect metaphor and parable for what happens when we mistake lies for undeniable facts.
Over three weeks twenty-eight story-tellers - one for each letter in the Arabic alphabet - meet in a Marrakesh garden to tell the story of a poet, Eusebio, arrested in Melilla in the early days of the Spanish Civil War. Eusebio, a friend of Garcia Lorca and his Circle, escapes assassination and his life then escapes the control of a single destiny. Some tales embroider his shadowy life with stories from Djemaa-el-Fna - the pasha's cook, the slave-market, Aysha and the stork... Does Eusebio betray his Fascist friends by confessing in a show-trial that they indulged in orgies with the…
I’m a cyclist and a cycling fan. I’ve commuted through the Surrey countryside by tricycle and explored the cycling city of Cambridge by bike. I’ve stood at the side of the road to cheer on the Olympic road race, the Tour de France and the Tour of Britain, and the World Road Cycling Championships. I kept on cycling until I was eight and a half months pregnant and was reading a biography of Beryl Burton when I went into labour. There aren’t a lot of cycling novels out there, but I’m proud of having added one to that small number.
I wasn’t following professional cycling in the bad old days of systematic doping, but this book made me feel like I was there—not just at the roadside, but in the peloton.
The characters—the good, the bad, and the downright repulsive, are all caught in a system that grinds down the best and brings out the worst, and I couldn’t look away. I wanted integrity to prevail, I wanted justice done, but most of all, I wanted to know what happened next.
Then there’s the prose, which is so bright and vivid that I found a new favourite line in almost every chapter. It’s compulsive, stylish, and cynical—rather like the sport itself.
'Waddington employs a cheerful surrealism to convey the superhuman status of his cyclists and the designer violence of his killer. The encounters with death are funny rather than frightening and the narrator is omnipotent, stylish and amused. Waddington's descriptions of racing, and they are many and enthralling, have the rhythm and intensity of poetry. You're riding with your wheel an inch from the author's, carried along by the surge of the pack, normal life and normal people no more than a muted clamour on the roadside. It's exhilarating stuff.' Joe Cogan in The Independent on Sunday
I have been a surrealist since I discovered Salvador Dali and David Lynch at the age of 14. I have been on a path to combine the art world’s depth in style; symbols and metaphors with storytelling. Becoming a comic artist was a natural path and the media is great for expressing the many complex questions in life; what it is to be human and a woman in this world. I have become an artist who revolves around feminism and surrealism, eros and doubt.
This comic is a 1:1 dream story. It has the weirdness and absurdity of dreams. It is about Juliet herself and is an autobiographical classic. And it made me wonder how very personal feelings in your dreams are actually universal. It also has feministic potential, being very honest with all its dreamy gender chaos and strangeness.And it’s funny.
Doucet has transcribed her intimate dreams i nto intensely drawn comic book stories, remembering everythi ng from tormenting nightmares to her most secret desires. Th e widely acclaimed young cartoonist offers us a unique psych edelic trip. '
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I’ve been a lifelong lover of short fiction, novels, and comic books since I can remember. Ideas were always king, leading me to a career in the creative arts as a graphic designer with years of experience in the world of advertising. Much of the core of what I did for advertising—crafting brief tales to engage with an audience in a creative/unique way—translated over well to when I began writing my own short stories. And all of the book recommendations here directly inspired me to writeWhite Space.
This collection of short stories left me a bit depressed but in a good way. Cook writes with pure beauty and poetry. The ideas of this collection were, at times, odd and uncomfortable, but they succeeded in making me consider the darker elements that exist within all of us as humans. These stories kept me engaged through their balance of settings as well. Some stories felt present, while others crafted bleak futures that were all too believable. A few of the stories had some racy elements too, so if you’re into that kind of thing, you won’t be disappointed.
*SHORTLISTED FOR THE GUARDIAN FIRST BOOK AWARD 2015*
SHORTLISTED FOR THE LA TIMES BOOKS PRIZE 2015
A SAN FRANCISCO CHRONICLE NOTABLE BOOK OF 2014
A BOSTON GLOBE BEST FICTION OF 2014
ROXANE GAY'S TOP TEN BOOKS OF 2014
AN AMAZON BEST SHORT STORY COLLECTION OF 2014
AN iBOOK BEST OF 2014
Perfectly pitched and gorgeously penned, this astonishingly bold collection of stories explores the boundary between the wild and the civilized. Pitting human beings against the extremes of nature, Diane Cook surgically peels back the layers of civilization to lay bare our vulnerabilities and the ease with which our darker,…