100 Books Like The Clockwork Sparrow

As a child, I spent a lot of time with my head in a book – mostly Enid Blyton mystery stories. My ambition was to write my own mystery stories one day. Thirty years later, I discovered a love of detective stories, and when my daughter, aged ten, complained that she could not find enough mystery and adventure books in our local library, it was the spur I needed to start writing again. Eventually, Eye Spy, a detective novel for children, was born and became the first in a series. And writing these books – creating quirky characters and intricate mysteries to solve – is just such fun! 

As a child, I spent a lot of time with my head in a book – mostly Enid Blyton mystery stories. My ambition was to write my own mystery stories one day. Thirty years later, I discovered a love of detective stories, and when my daughter, aged ten, complained that she could not find enough mystery and adventure books in our local library, it was the spur I needed to start writing again. Eventually, Eye Spy, a detective novel for children, was born and became the first in a series. And writing these books – creating quirky characters and intricate mysteries to solve – is just such fun! 

As a child, I spent a lot of time with my head in a book – mostly Enid Blyton mystery stories. My ambition was to write my own mystery stories one day. Thirty years later, I discovered a love of detective stories, and when my daughter, aged ten, complained that she could not find enough mystery and adventure books in our local library, it was the spur I needed to start writing again. Eventually, Eye Spy, a detective novel for children, was born and became the first in a series. And writing these books – creating quirky characters and intricate mysteries to solve – is just such fun! 

As a child, I spent a lot of time with my head in a book – mostly Enid Blyton mystery stories. My ambition was to write my own mystery stories one day. Thirty years later, I discovered a love of detective stories, and when my daughter, aged ten, complained that she could not find enough mystery and adventure books in our local library, it was the spur I needed to start writing again. Eventually, Eye Spy, a detective novel for children, was born and became the first in a series. And writing these books – creating quirky characters and intricate mysteries to solve – is just such fun! 

I have loved the world of Sherlock Holmes and the Victorian era ever since I first read A Study in Scarlet at age nine. Despite life getting in the way, I never lost my love for the character and the period. I continue to read both to this day. The five books I mention below are five that have stayed with me over the years. I hope you enjoy the books as much as I do.

As a child I loved reading detective stories, and I still retain strong memories of Tintin and Sherlock Holmes, after which I graduated to Agatha Christie. As an adult my tastes changed and I lost interest in mysteries (with the exception of Edgar Alan Poe). However recently my interests have reversed, partly because I became a grandfather, and partly for the reason that I teach ethics to primary school children, as a volunteer. So it’s possible that Worcester Glendenis is a re-incarnation of me, but as the 12-year-old I wish I had been (as far as my memory can be relied upon to go back 60 years): more emotionally mature and more extrovert.

Puzzles intrigued me since I was a three-year-old. Puzzle pieces that fit into pre-sized spaces. Then, disassembling and reassembling small 3-D animal shapes. Crosswords were next. Finally, Nancy Drew entered my life. I was addicted. Sherlock and Agatha became my mentors. But I loved to paint as well, so art was my first major at Michigan State University. Changed it to advertising in my senior year. Shortly after, Leo Burnett hired me to write print and radio media for Buster Brown shoes. Television was next. I solved many advertising puzzles at Foote, Cone & Belding, but after retiring, mystery re-entered my life when I wrote my first book.

Ever since I read the work of Charlotte Bronte, Jane Austen, and Georgette Heyer at an impressionable age, nineteenth-century England has fascinated me. My mother, a lifelong reader, is responsible for sparking this obsession. She never cared that I wanted to read “grown-up books” or later tried to discourage me from majoring in English. After college, I went on to teach British literature to high school students and to write two mystery series, one set during the Regency period, the other taking place half a century later. This new Victorian series introduces a bored spinster who finds her purpose in life as a detective.

I am a tumbleweed writer—one who moves from town to town every few years—and I have learned to adapt to new communities and break into new friend groups. In a sense, one could say I reinvented parts of myself as I moved from place to place, and I changed hats regarding what job I would get. Although challenging at times, the scope of this atypical lifestyle has provided me with a wealth of experiences to draw on when drafting a story, not only in setting and career, but also the psychological rollercoaster that comes with blowing with the wind.

It’s just my favorite trope, that’s all: the character who isn’t what he seems. I love the deception, I love the complications, I love the clues dropped along the way, I love the big reveal. I love the sensation I get when I, the reader, know just a little bit more than the characters do but still feel surprised and wonder when the whole truth is unveiled. When I sit down to write, I know I want to create that exact sensation in my readers.