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Ever since I read the work of Charlotte Bronte, Jane Austen, and Georgette Heyer at an impressionable age, nineteenth-century England has fascinated me. My mother, a lifelong reader, is responsible for sparking this obsession. She never cared that I wanted to read “grown-up books” or later tried to discourage me from majoring in English. After college, I went on to teach British literature to high school students and to write two mystery series, one set during the Regency period, the other taking place half a century later. This new Victorian series introduces a bored spinster who finds her purpose in life as a detective.
I’ve always thought that this is one of the most brilliantly constructed plots in literature. First serialized in 1859-60, Collins’ story revolves around the mysterious figure of the Woman in White, who always induces a shiver of dread and pity, even on subsequent re-readings. And I don’t think I’ve ever encountered a more terrifyingly memorable mastermind villain than the one Collins gives us here.
Threatened innocence, eerie encounters, dastardly deeds—this book has it all. But best of all is the character of Marian Halcombe, who breaks gender barriers to defend her sister. She is one of the models for my own intrepid Victorian detective, Esther Hardy.
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'The woman who first gives life, light, and form to our shadowy conceptions of beauty, fills a void in our spiritual nature that has remained unknown to us till she appeared.'
One of the earliest works of 'detective' fiction with a narrative woven together from multiple characters, Wilkie Collins partly based his infamous novel on a real-life eighteenth century case of abduction and wrongful imprisonment. In 1859, the story caused a sensation with its readers, hooking their attention with the ghostly first scene where the mysterious 'Woman in White'…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I was an English major in college. In pursuing my love of books and language, I fell into a love of history. The passion for history began with author biographies as I tried to understand how the culture affected various authors’ writings. This is why my history strength resides in European history, because most of my favorite authors come from Europe. The more I read of the biographies, I often came across historical events I wasn’t knowledgeable about and so fell down a rabbit hole of historical research. The more I learn, the more I love history!
This is a fantastic genre fiction book series, and there are 14 or 15 books in this series, but I’ll mention only the first: What Angels Fear. So far, I’ve read the first four books, and I love this series!
It’s set in Regency England around 1811. Sebastian St. Cyr is a Viscount who gets involved in solving murders. I love this series for the superb and rich details she includes in her stories. It brings Regency England to life. Mystery. A touch of romance. History. Adventure. This series has it all!
'Harris' riveting debut delivers a powerful blend of political intrigue and suspense ...This fresh, fast-paced historical is sure to be a hit.' - Publishers WeeklyIt's 1811, and the threat of revolution haunts the upper classes of King George III's England. Then a beautiful young woman is found savagely murdered on the altar steps of an ancient church near Westminster Abbey. A duelling pistol discovered at the scene and the damning testimony of a witness both point to one man, Sebastian St. Cyr, Viscount Devlin, a brilliant young nobleman shattered by his experience in the Napoleonic Wars.Now a fugitive running for…
Ever since I read the work of Charlotte Bronte, Jane Austen, and Georgette Heyer at an impressionable age, nineteenth-century England has fascinated me. My mother, a lifelong reader, is responsible for sparking this obsession. She never cared that I wanted to read “grown-up books” or later tried to discourage me from majoring in English. After college, I went on to teach British literature to high school students and to write two mystery series, one set during the Regency period, the other taking place half a century later. This new Victorian series introduces a bored spinster who finds her purpose in life as a detective.
Lady Audley’s Secret—another famous example of a Sensation novel or a thrilling tale with a central secret—kept me turning the pages into the middle of the night. Like Wilkie Collins, Braddon was an immensely popular novelist in the 1860s, churning out potboiler after potboiler and raking in a nice profit along the way.
“A book without a murder, a divorce, a seduction, or a bigamy is not apparently considered worth either writing or reading,” observed Fraser’s Magazine in what sounds to me like priggish disapproval. But I sympathize with those avid readers of the day—many of them women who were denied agency and full personhood.
Originally published in Robin Goodfellow magazine, Lady Audley's Secret is the essential work of Mary Elizabeth Braddon and is considered a staple of sensation fiction. The story centers on a mysterious woman, whose dark past slowly comes to light.
Lady Audley is a former governess who marries the wealthy widower, Sir Michael Audley. She thoroughly enjoys the life of privilege and status associated with her new husband. Although she appears beautiful and polished, Lady Audley is more than meets the eye. She has a dark secret that could jeopardize everything she's worked for. To maintain her facade, she plots and…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Ever since I read the work of Charlotte Bronte, Jane Austen, and Georgette Heyer at an impressionable age, nineteenth-century England has fascinated me. My mother, a lifelong reader, is responsible for sparking this obsession. She never cared that I wanted to read “grown-up books” or later tried to discourage me from majoring in English. After college, I went on to teach British literature to high school students and to write two mystery series, one set during the Regency period, the other taking place half a century later. This new Victorian series introduces a bored spinster who finds her purpose in life as a detective.
This kick-off to Perry’s iconic Victorian detective series shines with its twisty mystery and depiction of the heroine’s liberation from the social constraints of her day. I recall reading this book years ago and being shocked by the revelation of the killer.
Of course, this is because Anne Perry has laid the groundwork so well in a trail of clues that lead inexorably to a tragic showdown. The husband-and-wife team of Thomas and Charlotte Pitt go on to star in a few dozen novels, all of them very much worth reading.
In the debut of the New York Times–bestselling Victorian crime series, Inspector Thomas Pitt seeks an elusive strangler among upper-class British society.
Panic and fear strike the Ellison household when one of their own falls prey to the Cater Street murderer. While Mrs. Ellison and her three daughters are out, their maid becomes the third victim of a killer who strangles young women with cheese wire, leaving their swollen-faced bodies on the dark streets of this genteel neighborhood. Inspector Pitt, assigned to the case, must break through the walls of upper-class society to get at the truth. His in-depth investigation…
I was born and raised in Mississippi, where ink and river mud run through our veins in equal measure. My parents were readers, and thus, I followed in their footsteps. Before long, I was reading their library choices and mine and still running out of books before it was time to visit again. From the moment I laid eyes on Elizabeth Peters’ Amelia Peabody series, I was hooked on historical mysteries. It took me forty years of life to realize I had stories of my own to share. I now live in Oxford, England, with my husband, two daughters, three cats, and lots of shadowy corners for inspiration.
I love a well-written underdog, and Ashley Gardner delivers in this book. Captain Gabriel Lacey acts as the bridge between the highest echelons of society and the poor at the bottom, humanizing every one of them while solving twisty crimes.
I adored the unexpected friendship between the retired military man and Grenville, a fashion-conscious man of high society. This long-running series remains one of my absolute favorites because of the mix of upstairs/downstairs intrigues and excellent character development.
London, 1816 Cavalry captain Gabriel Lacey returns to Regency London from the Napoleonic wars, burned out, fighting melancholia, his career ended. His interest is piqued when he learns of a missing girl, possibly kidnapped by a prominent member of Parliament. Lacey's search for the young woman leads to murder, corruption, and dealings with a leader of the underworld. At the same time, he struggles with his transition from a soldier's life to the civilian world, redefining his role with his former commanding officer, and making new friends--from the top of society to the street girls of Covent Garden.
At one time, it was commonplace for male mystery writers to devote a substantial amount of plot to romance; for example, Wilkie Collins, The Woman in White or Dashiell Hammett, The Maltese Falcon. In recent years, this tradition has eroded to the point where romantic mysteries are primarily written by women. I think romance spices up mysteries. In Death is Potential, Kate Swift is more invested in solving the murder mystery because she is protecting her lover.
I like this series set in 1880s London. Julia Grey is trapped in an unsatisfying marriage to Sir Edward Grey. When he is poisoned, Julia gets an opportunity to restart her life.
She not only has to manage the estate left to her by her husband, but also deal with the murder of her husband. She retains a private investigator, Nicolas Brisbane, and develops a passionate attraction to this difficult man.
Go back to where it all began with the original Lady Julia Grey historical mystery series from New York Times bestselling author of Killers of a Certain Age, Deanna Raybourn.
“Let the wicked be ashamed, and let them be silent in the grave.”
These ominous words are the last threat that Sir Edward Grey receives from his killer. Before he can show them to Nicholas Brisbane, the private inquiry agent he has retained for his protection, he collapses and dies at his London home, in the presence of his wife, Julia, and a roomful of dinner guests.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Most stories about murder in the Victorian era are set in London. Not all the best mysteries, however, take place there as I have discovered as a long-time reviewer for City Book Review. Some are; some are not. In my own writing, the setting must complement and even amplify the murderous doings being depicted. With this in mind, let me take you on a deadly country-wide tour of mystery, with each of our five stops brightened or darkened by one of my favorite murder stories. Each of them engaged me, mystified me, and, above all, entertained me.
Our next stop is Essex for a classic English village mystery. I knew from the moment I read the opening scene—the grisly discovery of a young man entombed in the crypt of the usually murder-free parish church—that I was going to love the story. And I did.
I was delighted to see how the tranquility of the pastoral scenes—the thatched-roof cottages, the earthy smell of horses in the stable, the square, Norman-style church tower overlooking the village green—carried through the story and beautifully counterpointed the skullduggery at the heart of the mystery.
The quaint village atmosphere heightens the tension in this well-constructed first installment of what promises to be an exciting new mystery series.
When the body of a young man is found stuffed into the tomb of a medieval knight, Parish Constable Daniel Haze is tasked with investigating his first solo murder case. Suspicion instantly falls on the only stranger to arrive in the village of Birch Hill just before the crime took place, but the American captain proves to be an unexpected asset. A former soldier and a skilled surgeon, Jason Redmond is not only willing to assist Haze with the investigation but will risk his own safety to apprehend the killer.With no suspects, no motive, and few leads to follow, Redmond…
Ever since I read the work of Charlotte Bronte, Jane Austen, and Georgette Heyer at an impressionable age, nineteenth-century England has fascinated me. My mother, a lifelong reader, is responsible for sparking this obsession. She never cared that I wanted to read “grown-up books” or later tried to discourage me from majoring in English. After college, I went on to teach British literature to high school students and to write two mystery series, one set during the Regency period, the other taking place half a century later. This new Victorian series introduces a bored spinster who finds her purpose in life as a detective.
My final choice is Jennifer Ashley’s book, the first in a delightful mystery series starring a cook. While the mystery itself is well done, it is the characters who elevate this novel, not to mention the detailed descriptions of life and cookery in a Victorian kitchen.
Our sleuth, Kat Holloway, wields her enormous integrity and insight just as effectively as her kitchen knives. And her love interest, the enigmatic Daniel McAdam, is tons of fun too!
Victorian class lines are crossed when cook Kat Holloway is drawn into a murder that reaches all the way to the throne.
Highly sought-after young cook Kat Holloway takes a position in a Mayfair mansion and soon finds herself immersed in the odd household of Lord Rankin. Kat is unbothered by the family’s eccentricities as long as they stay away from her kitchen, but trouble finds its way below stairs when her young Irish assistant is murdered.
Intent on discovering who killed the helpless kitchen maid, Kat turns to the ever-capable Daniel McAdam, who is certainly much more than the…
History has always interested me, in part because it helps explain how we got where we are. I have a bachelor of music in music history, which is where I first became aware of how small things—the invention of the quill pen—can ripple into huge consequences. Tack onto that an inclination toward political science and law, plus a family full of bench scientists, and it’s easy to see how stories set in the past that focus on whodunit, how, and why fascinate me. Both reading and writing against that tapestry educates me, entertains me, and gives me a glimpse of our capacity to transcend all difficulties for the sake of truth and justice.
Early on, what the then-publisher sought, and what the characters preferred apparently diverged, because a few of the titles have an “alternate universe” relationship with the main mystery world.
That didn’t bother me one bit, when the characters and the historical aspects of Napoleonic Britain are so well drawn. Grant is particularly adept at exploring the odd corners of this time period—the diplomatic convolutions, New World repercussions, and sociological upheaval in Britain itself following Waterloo.
As the series progresses, the main protagonists build a community of sleuths, and the relationships complexify right along with the politics. Absolutely wonderful!
Including novellas (two of them prequels), this series is closing in on 30 titles.
Europe's elite have gathered at the glittering Congress of Vienna--princes, ambassadors, the Russian tsar--all negotiating the fate of the continent by day and pursuing pleasure by night. Until Princess Tatiana, the most beautiful and talked about woman in Vienna, is found murdered during an ill-timed rendezvous with three of her most powerful conquests. . .
Suzanne Rannoch has tried to ignore rumors that her new husband, Malcolm, has also been tempted by Tatiana. As a protégé of France's Prince Talleyrand and attaché for Britain's Lord Castlereagh, Malcolm sets out to investigate…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Most stories about murder in the Victorian era are set in London. Not all the best mysteries, however, take place there as I have discovered as a long-time reviewer for City Book Review. Some are; some are not. In my own writing, the setting must complement and even amplify the murderous doings being depicted. With this in mind, let me take you on a deadly country-wide tour of mystery, with each of our five stops brightened or darkened by one of my favorite murder stories. Each of them engaged me, mystified me, and, above all, entertained me.
This last tale brings the tour back to London, albeit with side trips to Yorkshire. I was attracted to this enthralling mystery not only by the twisty plot but also by the way the author cleverly sets scenes with just a few words. It was enough for me to know time and place while leaving room for my imagination to have its say.
I easily pictured the library or drawing room of Somerville Hall; Harrogate’s rat-infested police station; the derelict building housing Russell’s Book Shop; Verrey’s Restaurant, Regent Street; the London General Mourning Warehouse; and the list continues. I was drawn into every scene with the story’s heroine.
Lucy Lawrence stared down at her husband, his once handsome face now a twisted mask of death. She shivered and pulled her shawl tighter around her shoulders. His life had held so many secrets, and now his sins were hers to bear…England, 1886. In the flickering gaslights of Victorian London, 28-year-old Lucy Lawrence's future hangs in the balance. Her husband's murder has left her reputation in tatters, and the theft of her mother's priceless heirloom pearls has only added to her woes. But when the handsome investigator Phineas Stone enters her life, Lucy finds herself drawn into a web of…
